That one scene

It was not dark, but the sun was setting. The man looked through the scope of a MTs-116M suppressed sniper rifle. The scope was not standard, the silenced MTs-116M was. The gun was important, it would lead people down the wrong path and that was the intent. He was 273 meters from the gate on a plateau. He saw the 4 men to the left of the house and the 2 on the right of the house. He saw that the men on the right were walking behind one another on a small path. He took aim and the steel round went quietly through both men. The men fell down, nicely in the dark spot of the house. In the mean time the 4 are walking behind each other, but not completely. He saw the path they walked. They were clearly untrained. The man waited another second and then fired one, quickly reloaded and took out the 4th man with the second bullet. They were all down, He saw one man moving his arm, he did not wait and used the third bullet straight through the skull. The outside of the house was now quiet. He switched to thermal, he saw that the window gave a decent view, but not completely. Two guards in the upstairs section seemed to be chatting.  He took aim and as the first one got the bullet through the chest, the second one got it in the throat, they both went down. He checked the house again with thermals. No one upstairs, three downstairs, one behind a desk, most likely the target and two man in opposite sides of the room. He set down the sniper rifle, and kept the AS Val ready. He quickly ran to the house. He had made preparations on the right, he quickly moved up, took one more look to see if there were no surprises. He then got down in moved to a door on the right, he had seen the guards come in and out from there. He looked at the door. No surprises, he quietly tried the door, it wasn’t even locked. He entered the house. It has weird smells, which was surprising. Not just tobacco, there was the smell of something he could not place. He checked the rooms with a dental mirror. No camera’s, what an amateurs. The men were still in their corners and as he got closer to the room there was no real movement. He hear the quiet voices of what was the boss, he was barking orders to the other two, there were submissive answers. He was ready, he quickly opened the door, shot the person in front of him, then turned to the left. The second man was quick, but not quick enough. He then looked at the boss. “I was clear, leave me alone or else…” He sized the boss up, a cowardly little shit. “I get it, I get it now”, clearly hoping to talk himself out of this. “Now it’s too late” and he shot the boss three times in the head. 

He methodically searched the room and the noticed that the safe door was open. He was wearing a mask, it would have taken too long to find the camera’s. He took the papers and the money. He then took one more look and he walked into the kitchen. He grabbed the newspapers and the vodka. He dropped the newspapers in small stacks in the house and covered the stacks with Vodka. He set the flames and as the papers started to burn, they would ignite more and more of the house. 6 stacks all over the lower floor of the house, the flames that would go upwards would finish the job. 

He quickly left the house the same way he came in leaving the door open and the draft would do the rest. He ran back to his sniper rifle, picked it up and left the scene. He has a 15 minute walk to the south and it would take him to his car that would take him back to Edmonton. 

It is the one scene that starts it. But what is it I want to start? The Russian hardware implies either spy story or organised crime. And in this there aren’t too many shown to play in Canada. So how will we continue? Is it Taken (Liam Neeson), Foreigner (Jackie Chan), 4th Protocol (governments) there are many options, but for the most they have been done and I like the new the novel and that is where two directions open up. The first is Industrial espionage (the 39 steps) by Alfred Hitchcock and espionage and deception (Eye of the Needle) written by Ken Follet and directed by Richard Marquand. The idea could be to unite the two into a larger story, a story that is not about protagonists and antagonists, but the man would be the antagonist, a new version of Professor Logan (Barry Jones). Whilst the professor has a larger field of view on the great operating stage, we would see that in this day and age it is no longer about governments and what they can do, but how the revenue could be spend. So what happens when the new Logan could walk in with the plans for a new jet, new missiles and the bill that could have been the ‘$768 Billion Defense Policy Bill’, now becomes the setting of ‘$259 Billion Defense Policy and IP Bill’, do you think that ANY government would walk away from such a saving? 

Yet to set that story you need a start, you need an incentive (money tends to work) and you need focal points. In Fedora it was the doctor, in I Claudius it was the narration, in too many movies it is the action offered, but the action loses focus as we go from target to target. There is a second issue. Who watched Slum dog Millionaire more than once? You see, like Ellery Queen, when the clue is up the story is merely a steeple chase on numbers. This is why story based suspense is better (like Anna). Yet to get that part we tend to refer to Life of Pi. All movies where the story carries the cast and the movies are better because of it. This gets me to another story. It is Ask me Anything. The movie is weird and prefect, the twist at the end is brilliant. Now I never read the book (still on my list), but the twist at the end made me watch the movie again.

That is the stuff we need and even as this movie does not fit the bill for this script, the setting might work. So I need to check out Undiscovered Gyrl by Allison Burnett. I wonder what else might be there. A stage setting needs to be complete. Especially when the antagonist is supposedly the good guy it reminds me (Firefox), but there is wisdom in leaving that revelation until the very end. And in all this, there is a setting that the antagonist could be a woman. I see the person as a man, because I am a guy writing a story. But the choice of antagonist is at present not set in stone

So as I go brooding off into a corner, I just realised I set the foundation of a 4th script. Lockdowns might not be nice, but it clearly keeps me creative.

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