Category Archives: movies

April 21, 2026 · 23:55

This is not centerfield

You might think that doesn’t make sense, but for me it does. I have been all over the field, mainly because a few things are hitting me at the same time. First there is the setting that I feel for, the Attacks on the UAE and a few other matters made me want to shout out towards the UAE. I ‘handed’ them the IP to hurt Iran, as well as a few other matters. So as I saw today ‘Disney (DIS) Increases Peak Ticket Prices to Record Highs’ source: Gurufocus news) I realized that the UAE has a larger recovery plan in place, as long as we deal with Iran and their missiles, the Trump setting does not help and a solution needs to be found, but the UN is useless as I see it, as such there is no expected help from that side. Then we get the false information (usually from people wishing they would become influencers) so that is a side that needs attending to (by the proper authorities) and I have little solution there. I can illuminate these losers, but it is like mopping the floor whilst the tap is still running. So whilst that Disney news is out there, there is a clear side for the UAE to increase the settings in that field But there is one side that could be dealt with, gaining traction through free options. My issue with this is that it is nice, but why should the Emirati government have to pay for it all. It then hit me that one thing that WaterWorld Abu Dhabi has is the Al Raha River. It seems like such fun and especially in Summer. It then hit me that this is one entertainment version that could be implemented near hotels. It seems like a low cost setting that beside the initial building, could offer entertainment, without the high cost. So consider places like Capital Park (Abu Dhabi) it has several hotels around the corner, people visit that place, what could be more inviting than something like the Al Raha River (with a different name of course) where people could relax, without paying a large amount (optionally the tubes have to be bought, or people bring their own). And this is merely one location, you could have a few of these in Abu Dhabi and Dubai, preferably in a place where several hotels are found. There is also the ‘need’ for webcams, or publicly accessible form of CCTV in public places, so that people can see that these wannabe influencers are full of idiocy. So that the world sees that the UAE is open for business and that people are there to have fun. It is a small step to increase the tourist settings as Gurufocus gave me is that Disney (at peak times) of $219 per person, this is nuts, because that amounts to 805 Dirham per person. I reckon that will feed a person for a week (an assumption from my side) the first thing that people who price themselves out of a market need to realise that their audience goes somewhere else. 

Places like Al Baik can feed two people for a meal for AED 55, so that amounts to 15 meals, so my assumption of feeding someone for a week can be achieved, you need even less if you go to a place like Carrefour. But it is not about food, it is about the UAE getting new and more visitors to their location. So whilst the UAE is hit with all kinds of nonsense not unlike “As of April 2026, Smartraveller advises Australians “Do Not Travel” to the UAE due to volatile security, high regional tensions, and risk of military conflict”, we can all agree that there is a risk of military conflict, but what exactly is “volatile security”? The UAE has been one of the safest places on the planet for years. We can agree that there are regional tensions, but this is what Iran threw at them, not in any form what the locals (read: Emirati’s) do. As I see it, it is still one of the most safe places, even with the military tension that exists to some degree. 

As I see it, there is always a need for free entertainment, the USA has it on TV and it is called C-SPAN (or was that C-SPAM)? There is a lot more in focus and places like Dubai Media Incorporated (DMI) should get global views, you see when that happens the bulk of the streaming solutions we are given (at a price), gets competition from Dubai TV, which is generally free-to-air, and now consider that the new Dubai+ streaming app offers free, ad-supported access to 30,000+ hours of content. This was the setting I was considering whilst I was working on ‘Just a Game’ for its part two. It is still a short film, but I tend to be a man of my word and I promised the Director of the NSA (now Army Lieutenant General Joshua Rudd) and the Director of GCHQ (still Anne Keast-Butler) a heart attack, don’t get me wrong. I have nothing against the institutions or the directors in charge, I just needed a hobby and this was the best I could come up with my lacking resources. 

Sometimes I walk through the park (to think things through) and I am watching what is in the park and I wonder, do they have this in the UAE? Totally irrelevant to my setting, but a nation, innocent of anything other then the welfare of its citizens is currently under attack from Iran, it made me consider what else I could do. Even as we are given (13 minutes ago) ‘Trump tells CNBC he expects U.S. to make ‘great deal’ with Iran’, it seems folly as the Islam Times gives us 40 minutes ago ‘Trump Turning Negotiating Table into “Table of Surrender”’ and in all this, the UAE is caught in the middle. So what to do?

I ‘handed’ them my military IP (free of charge) and I have one optional adjustment for the road solution, but that is a little matter. The real deal is what will help the UAE (or Saudi Arabia for that matter). I currently have absolutely no faith in any solution the United States administration brings. 

And there is no need for my actions, but when you see the world burning I want to do something and I tend to go in creative mode, it is just the person I am. It is clear that that this solution is not coming in a day, but there is the need to adjust what there is to improve the pull of tourism and also the joy of the Emirati’s, who serve to let of steam in the meantime. And I believe that tourism will improve if people know what is possible and what is expected and the idea that DMI goes global might be a first step towards getting there and this could be done before the dust settles and as these solutions come forward it would also improve the offer of scripts and talent towards the UAE, but it requires the global audiences to realise that the UAE is more than the Dubai Mall and zero taxation. As more options are shown, more solutions will become available to the UAE and optionally even solutions I never realized, I don’t know everything, so that makes sense. Then there is the setting that places like ADNOC requires staff, only yesterday places were advertising for 929 Marine ADNOC job opportunities, in this world where people don’t have a job because AWS, Microsoft, Oracle and IBM (optionally others too) have shedded over 55,000 employees, they might consider the UAE as a worthy place for their skillset, one can only hope. 

So as you can see, my brain is all over the place and not always in the best of state, but that is me, always skating in his little square like a goalie watching for the puck to come his way, so that he can slam it in the other direction.

So, I am not a centerfielder, I am a goalie (a wannabe goalie for the Toronto Maple Leafs at best) and I am doing the best I can as such I am relying on my creativity (at almost 64 I have to) and I am doing the best I seemingly know. So answer for yourself. Who thought of visibility of the UAE by giving the Dubai Media Incorporated a global stage? Who thought of seeing what parks have and considering the concrete table tennis in Burwood (near Sydney) how many of these tables do the parks in the UAE (Dubai, Sharjah or Abu Dhabi) have? All thought of consideration and there are more sports that could be promoted in this way. The first step in doing something is to have the thought and instilling this in others. Only then will any action make sense. But that is merely me having a thought and optionally a useless one, but that is merely on me.

Have a great day.

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April 9, 2026 · 02:08

The solution was behind you

This is a story that comes with luggage. I raised part of this in an article I wrote (at https://lawlordtobe.com/2023/07/31/a-wild-side-to-creativity/) which I created in July 2023, so it is almost 3 years old now. I raised the setting a few times more. There was a setting that could benefit Disney and Universal, but I tonight I saw an article which gave me ‘Ackman pitches $65 billion UMG deal to move listing to US’ and things started to click in a few ways. You see, the industry (the one related to Tinsel) will require a large reset in a few years and the best way to get the concentrated benefit is to educate the young of today as they will inherit that industry the day after tomorrow. When you realise this things becomes rather simple. To give you the setting, I handed that setting in ‘A Wilde Side to Creativity’ and a few times after that. You see, the Miral Group has an option here to branch out. Consider the setting that I gave in relation to Harry Potter and a few other settings, we get the presumption that could be there tomorrow (in a desert far far away). You see, the origins were created by Macromedia and taken over by Adobe. That program got scrapped in 2013. But I believe that this might have been an error. (Perhaps a shortsighted move might be a little more appropriate). Consider the world that we have at present and the reset that is likely to come in a few years. That implies that you should train the youth off today and see if they can create the options that are needed. To explore that, you need a form of prototyping. And a program like Adobe Director might just do that. There is no doubt that it might need a little tinkering. Consider that those programs tend to be cheaper as they were made redundant. 

But I am getting ahead of myself. 

In the setting I had in mind, I had originally create a setting with stage pages and fridge magnets of characters that we know. I focussed on the HP range (about a boy with a scar) and the stages were plastified placemats (in my mind). A character was placed on point A and that character was placed on point B with a point in time and the systems creates a timeline for movement (like Flash did) for that character. Now you do the same for character 2,3 (and so on). And as we get these timelines we get an animation. Now the creator can add text balloons (or even create a soundbar), for these timepoints.

Now consider that on the stage, these ‘O’ points are places where the illustrious Harry is standing, the time dilation will create movement from the start point to the end point. So as we add characters, they will move in their own pace in a way you design it. And as such we get the first inkling of what a director is doing. Set the stage and the characters. And the text balloons will be the conversation and over time they will add voices and voice bytes to that setting and we now have a sound stage added to all this. And the fantastic point is that children can operate this. As the stages become more complex and numerous, the young entrepreneur is starting to become and think like a director, like the original Macromedia product envisioned in 1987. In those days hardware was limiting, now the hardware of a mobile is top notch, consider what the PC, Mac or Playstation even the Nintendo can become the director to be tool of choice. And as we go from real product towards online libraries, the capture becomes almost unreal. The setting that this can go from direct, towards a created MP4, the entire setting changes even more. And this is more than playing a homage to the original creators. This could be the spark that creates tomorrow’s directors, cameraman and sound people. And the Miral group could even set groups of people in one of their parts creating additional visibility to all their parks as these standings could be done almost anywhere, even in Yas Mall. An entertaining setting that will promote the future of tomorrow by the population of tomorrow. And as the libraries of characters and stages are added over time, there is every notion that we can get a whole range of new storylines and added graphics to what is now. A setting I saw over a decade ago and there is every consideration that we might see the light of new ideas by a new population of entertainers. I am not telling what they are, I am merely giving light to the tools that will bring these people into the light. And as I see it, places like Dubai Media Incorporated (DMI), Abu Dhabi Media Network (ADMN) or even Sharjah Broadcasting Authority (SBA). We can bicker over what otter’s can do (like Hollywood), but they know so well what they need to do (the giggling arrogance of them), so I am happy to hand this idea to these players in the UAE.

A simple setting that could bring options to the UAE the day after tomorrow, because to get there, the new participants need to see that they could be participants of power and that is to show them the creativity that is already in themselves. As I see it, it is the only way to get that creativity out there and perhaps they will even come up with other ideas that could bring a much stronger response. I don’t have the wisdom here, I merely have an idea that could bring forth the next generation of entertainment. And that effort matters, because if we cannot think of the next generation we are dooming ourselves. 

Have a great day.

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February 18, 2026 · 23:31

The idea that was 

There is a setting that we at times tend to forget. Disney paved the way and some will like that path and some will not. But it isn’t up to Disney and others can follow that path. Particularly a path that was set out by Don Bluth and Gary Goldman. The name of that movie was Titan AE. The setting was one that I see as a movie that was released in a bad time setting. 2000-2001 was not a great time setting for a lot of people and it was competing with MI2, Gladiator, The Perfect Storm and X-men. A non-Disney animation doesn’t really hold up a candle to that. But in this age of special effects and graphic Machine learning design (calling it AI sounds like a mass) this setting could well work in the age of Netflix/Paramount/Disney plus all competing for a larger slice of the pie. I reckon that Don Bluth has a lot more materials and that setting might help him. So what happens when this 95 minute setting becomes a mini series of 4 episodes each an hour long? I reckon that there are reasons why some of the cast members would love to get involved and when you see the average scripts that these studios accept, the complete rewrite of a decent script might hold water with these streamers. A setting where we get the good, the bad and the energetic and it all comes to blow starting in episode 3 with episode 4 as the finale. You see, some are thinking the other way round, but I reckon that Titan AE has what it takes to get into a real action movie. The stage was properly presented by Don Bluth and Gary Goldman. As such whilst some go for the ‘the movie was a failure’ some could see the open sided win that is right there for the taking and it might make for a decent mini series. As I see it, the streamers see the benefit of that equation. That being said, there is no reason why the original designers couldn’t offer this to the SBA or a player like Dubai One. The options is not seeing it, but seeing where it could hold water too and the second option might require more rewrite (making it more Arabic set) but the story doesn’t change and the makers had a decent setting to begin with. So whilst everyone is redoing the same thing (example: Harry Potter and Percy Jackson) others might seek a wider spread of a setting that was in the past a little too constricting. As such is there a setting where the new could be derived from the old, whilst not relying on a remaster?  I don’t think from animation to real life action is a remaster, but that is merely me. And when the stage is placed on the new borders, some might create an entirely new frontier. That is something worth considering (at least that is what I think).

And when you have considered that as a solution, what will some do about those not ‘in league’ with Zeus, but what happens when a simple girl enters The Eleusis Ploutonion? Did anyone consider being original and brave? The setting that someone is pushing the boundaries of the past into the future by using the known parts and throw them upside down. Because the facts that were were often whispered by the victor. So what happens when someone found tablets that were set in hidden scriptures. Hidden because the victors would never allow them to be released or to survive. But what happens when someone with the powers of a god could foresee that happening and they would have had ways to plant the fruits of their achievements in other ways?

It is just a thought, but we are always ‘pushed’ to accept the writings of the old, but what happens when there are older writings still? Where could they be hidden and how could they be ‘resurrected’? It just a thought to have, because the bulk of movies and series never go into that equation. Just like seemingly no one considered that Titan AE might become an excellent movie.

Just food for thought. Have a great day.

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February 11, 2026 · 00:31

Out of the blue

So there I was meeting up with my half brother Insomnia. When that rascal comes calling you can pretty much kiss sleep goodbye and it is my turn to be all over the field again. But then out of the blue an idea hit me. You see I have gotten into the habit of looking at (and listening to) Ambience videos. It started around Christmas with Hogwarts Legacy movies. But as I saw more movies my mind started to think. You see most of them are basically graphic DML applications. Don’t get me wrong, there are a fair view of them made by artists who go all in on 3D sculpting, but as I got to think a few things through, I saw a gap where optionally Google Dropped the ball (yet again) and as all Sony TVs have google TV, the idea started to form. 

You see DML can be awesome and in this case it is. And here is the setting:

You start with the setting, giving you space, a house, a spaceship, a space station. From there we get the specifics like Themed (think a game, TV series or a setting like Cyberpunk, Interior, weather and whether this is a light of a dark setting from there we get to the music like music style, rhythm, ambience music and volume. From there we can go back to stage one, or we can select sample so we see the low resolution sample. From there we get the final product and that is the one we safe/Download so we can watch this without using bandwidth. The stage needs optionally one addition to the Sony TV’s and that is a memory slot, optionally we can serve it via the DVD/4K player which has a memory card or your console. This setting is already with the bulk of the people, as such it is a mere adjustment. Google will be able to sell a whole lot of subscriptions (which allows for the download of 4K files, or people can optionally do this in the office (to the bosses I say, I never told your employees this and you aren’t reading this) ;-P

And it goes further, the people who actually design these settings can offer interiors that the people can buy for a few dollars and the good ones will make a decent bundle, some makers like View Escape are already putting them on YouTube, so you can just download those. A setting that allows Google to enrich their options and give more to the people (at a price) and this can be set to a much bigger stage, but the basic is already here and I reckon that the millions of big TV’s are out there (not just Sony) and soon there will be a setting where the TV is not just a screen, it will be art on display and that is something that Google could enable. 

Perhaps the idea is silly, but I do believe that there is a market for this and seeing the amount of Ambiance Video’s already on YouTube, I feel certain that this is a bigger market than anyone is considering. Have a great day, it’s Wednesday now for me.

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January 29, 2026 · 23:52

The sales-price is considered

Yes, that is at times a simple setting, and sometimes it is more like watching for clarity in a bowl of pea soup. Something that simply isn’t ever happening. As such I tend to stay away from these things. Here I took a dabble for the reason that this most certainly will impact Hogwarts Legacy 2 and that is a troublesome setting. There was a second setting that AOL (via the LA Times) alerted me to. It is ‘Paramount outlines plans for Warner Bros. Cuts’ which we see (at https://www.aol.com/articles/paramount-outlines-plans-warner-bros-172016776.html) I have seen several cut articles pas by my eyes and as such we are given “Many in Hollywood fear Warner Bros. Discovery’s sale will trigger steep job losses — at a time when the industry already has been ravaged by dramatic downsizing and the flight of productions from Los Angeles.” I feel I disagree, but it is a disagreement done via a lack of American business sense and the ‘insight’ that there are too many captains and too many ships. It is like the length of a project has 5 stages, each stage with its own captain, quartermaster and boatswain, whilst these ships require to be moored 5 times which comes with additional costs. It is the perception I see and perhaps I am wrong, but that is the setting that is almost never seen in Canada, the UAE, Saudi Arabia. Not sure about Australia and the United Kingdom, as such the others get a much larger slice of their revenue, hence they can focus on quality, not quantity. 

I’ll admit it is a non-professional view as I am not in that business, me writing a few scripts don’t make me in any way a professional view here. So as we are given and we see “David Ellison’s Paramount Skydance is seeking to allay some of those concerns by detailing its plans to save $6 billion, including job cuts, should Paramount succeed in its bid to buy the larger Warner Bros. Discovery.” Will it work? I honestly don’t know, but this setting is weirding me out especially as we see “Paramount previously disclosed that it would target $6 billion in synergies. And it has stressed the proposed merger would make Hollywood stronger — not weaker. The firm, however, recently acknowledged that it would shave about 10% from program spending should it succeed in combining Paramount and Warner Bros.” We see ‘cutting’, ‘a merger’, ‘shaving’ and that makes Hollywood stronger? I don’t know, but I feel a string sense of doubt. Not merely because of that, but the UK, UAE and Saudi Arabia are fine tuning their own streaming services, their production facilities and distribution channels and I haven’t even considered India in all this. The time for people who want to succeed in Hollywood is over. Hollywood has to content for resources with the UK, Canada, UAE and Saudi Arabia and several of these channels have resources, as such the pond where Hollywood is fishing is a lot smaller and whilst people are ‘cut’ from the business they had, they will look towards the other ponds to see if they can make a living there. The shine of Hollywood stopped shining about 10 years ago and people aren’t catching on. And whilst we see “Paramount said that it would become Hollywood’s biggest spender — shelling out about $30 billion a year on programming.” This setting comes with a counter setting. You see if they don’t make at least $100,000,000,000 from that, the money spenders walk away and that is where the cogs start to hamper work. And at present Paramount had 2 movies in the top 10. Primate which made $23,890,679 and the SpongeBob movie which made $23,410,013. You think this is good? It is an actual question because these two movies made 0.47% of the required revenue. Still think this is a healthy setting? I know there is a lot more, TV series and all kinds of streaming solutions and they do bring in the cash but will it be enough? There is now a lot more than Hollywood and those players are also vying for the same revenue and the people have less to spend. For me it is simple I was only able to afford 4 cinema movies and for now my 2026 budget is limited to The Odyssey and the third dune move at present. And I am not in as bad a setting as many others are and I don’t think that Hollywood is realising this (or they are hiding that ignorance), but the Analysts have another view “Some analysts have wondered whether Paramount would sell one of its most valuable assets — the historic Melrose Avenue movie lot — to raise money to pay down debt that a Warner acquisition would bring.” I have no idea, the moment I hear Melrose, my mind changes settings to Melrose place and that sitcom with Heather Locklear (I was young once) and I have no idea about Hollywood, but the idea that this is an option and still they believe that Hollywood would not become stronger, merely more diverse and that does not translate to strength, it translates to revenue moving into more and smaller buckets. I remain driven into offering my scrips to Dubai except for the NSA heart attack script, I am now working on, which is meant for Canada and optionally Matt Damon’s Artists Equity. Still working on this, but I will finish it within the next few months (two months ahead of schedule, because a rewrite will become essential). 

So whilst I am in no way savvy in the workings of Hollywood, I am well versed in Business Intelligence and the settings I am seeing do not add up (to me at least). It is not entirely without doubt that this might be a setting that these studios are setting themselves up for a non-administration time and therefor much more abled to be hiding certain matters. Because stronger and the diminishing parts we see don’t add up. It only makes sense if certain players aren’t making the numbers they are supposed to be making. But perhaps I am the eternal sarcasm driven entity in this. 

And beyond what we see now with “Paramount also has filed proxy materials to ask Warner shareholders to reject the Netflix deal at an upcoming stockholder meeting. Earlier this month, Netflix amended its bid, converting its $27.75-a-share offer to all-cash to defuse some of Paramount’s arguments that it had a stronger bid. Should Paramount win Warner Bros., it would need to line up $94.65 billion in debt and equity.” The numbers might be adding up, but I have some doubts here, but it is Hollywood, who do I know about that place (answer: zilch)

Have a great day you all, its almost Thursday now, merely 300 seconds remaining.

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January 4, 2026 · 02:07

The other channel

That was in my mind when I was rewatching Teen Wolf today. What as a funny movie in 1985 became a stellar TV series with its much darker supernatural vibe was an amazing achievement and I was thinking that Europe has had its own successes in the timeframe of 70’s to 90’s. There was a lot of American series, but they have had some local successes and that is the price that Pinewood Toronto Studios or Canadian Broadcasting Centre (CBC Studios), there is the idea that Bardel Entertainment or Mercury Filmworks could translate some of this to Cartoons with a Canadian twist to it. 

There are legions of options, but in the trend of Canada becoming more and more independent of America, I have been twisting my brain on how to do that. I was considering giving them my first TV serious, but it was written to an Islamic public, so it might not apply to any Canadian studio unless the stream to either Saudi Arabia, the UAE or Indonesia. The setting bares thought, but that might be for later. At this point I am looking to what we can do now.

The Netherlands had Q&Q (70’s) about a young photography enthusiast and as he falls the photo takes a picture and when the develops the film the snapped picture is a blurry picture of a man seemingly dead. Optionally that could take place in Biidaasige Park (a speculation I am making) and that is before you look at TV series in Sweden, Germany, Denmark, France and a few other places. I reckon that the French series might get rewritten for Grandé Studios. I merely wonder if this was done already, or was there never a need for this? But as the appeal for America is waning and whilst they are eager to export, Canada needs an alternative and whilst Canada makes great TV, the idea to cater to itself has of course a few benefits and the appeal that they unite a lot more closer to the EU will have a few benefits too. And as the options are given a lot more considerations. The idea of Canadian TV emerging with additional materials that is devoid of American interference, but that might merely be my idea of true independence. 

A setting that bares thought, because there are plenty of Canadian that are clever (besides Ryan Reynolds who is utterly bonkers) but until they realise that we are on their side (mostly those in the Commonwealth) we need to give the idea and bring the ideas that could propel them further, especially without America, as it is more intent to thwart their bankruptcy be accusing Venezuela for Drugs offenses, whilst they merely want the oil Venezuela has. It might be my assumption, but no one in the American administration gives clear explanation and some of it comes across as utter BS (that what makes the grass grow in Texas). The setting requires the rest of the world to isolate America. It is not something I would suggest, but it comes down to that at present, especially when they are still going after Greenland and optionally Canada too. 

As such the setting I am having is how could I help? And my creativity went haywire. I designed a game (which I published earlier in my blog) and I am considering a few more options, but I halted at TV, because I never considered it before. And I have three scripts that could help (when they are completed) and I have something new on the route as well, merely one was done, but it was for an Islamic audience. So as an idea I grabbed to the old IP that is decades old. It might revitalize TV and give a few other options for IP registration and optional rewrite. That could lead to Canada exporting TV series as well. But that would be for another day.

So whilst we turn to another channel, we need to see that Canada might become that channel and that needs to be invoked with creativity out of all other directions, not just mine, but from Europe and the rest of the Commonwealth as well. We need to support our Canadian brother, at least that is my personal believe and when we create that setting, we all avoid a larger pressure from America and Hollywood. A simple bonus setting we are all entitled to. But feel free to disagree with me on this, I reckon Canadians won’t.

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December 21, 2025 · 02:58

The faltering critique

There was a story I saw a few days ago and I have an issue with it. The story (at https://www.bbc.com/culture/article/20251212-10-biggest-film-flops-of-2025) gives us ‘Snow White to The Smashing Machine: 10 of the biggest film flops of 2025’ I wondered about that and while I was not a great fan of this Snow White (I am still drawn to the 1937 version, it was the most beautiful trip any youngling could make in his preteens), it wasn’t bad, it just wan’t my cup of tea. So the story comes with a line “From a controversial recreation of a Disney cartoon to an awards-tipped sports biopic starring The Rock, why did so many high-profile Hollywood films fail at the box office this year?” This is the real reason behind this. The economy. Consider that a ticket is roughly $15, popcorn $8 and a soda $5, so that puts you back $28 and that is merely for one person. At this point I reserve my cinema money for the really good experiences (like the Odyssey and Dune 3) and consider that $28 will get you Netflix for 2 months, the equation is simple. Thunderbolts, Mickey17 and M3GAN 2.0. All movies you can watch on the TV and some will require the purchase of a BlueRay $30, and you can watch it whenever you want again and again. These movies should not be seen as flops, they are merely the victims of a horrendous economy. 

That is not on them or on us, it merely is and you can tell me how awesome the Dwayne Johnson movie is, but I am not in to fight games and that might be on me, but at present I can only afford to see 2-3 movies a year, so I have to be massively selective in new movies. Hence the two movies I have (at present) preselected. So as we are given “There were plenty of hit films this year, but there was a raft of high-profile releases that fared far worse than expected. So where did they all go wrong? Below are 10 of the most infamous of 2025’s box-office duds – and they all help to explain in different ways why Hollywood is struggling to get people out of their homes and into cinemas.” At no point does the BBC raise the issue of the economy, I am in a bad place, but not as much as some others, I reckon that if they can afford merely 1 movie, they would be in a stellar mood and that is before you see the equation when it is 2 or more people. The BBC leaves this on the floor and blames the movie, but the world is a little more complex than that and Whilst I wasn’t a Snow White fan, I did get the Blu-ray of Mickey 17 and I loved it. The trailer was awesome and that is why I got it, it wasn’t the great trip I hoped for, but it was a nice ride and as such I am happy I got the Blu-ray. 

So whilst some people at the BBC want to say how the movie was depressing and and no one goes to see a film starring The Rock because they want to be depressed. No, it is a setting that people cannot afford to go to the cinema and that is why no one turns up to these events. I am already saving up to see the Odyssey and by march I should have enough to get the ticket for the IMAX. A simple setting that the BBC is massively overlooking and I wonder why. The economy is less than flat, it is turning onto itself and hiding that fact away isn’t helping anyone. 

Have a great day today and consider what movies you want to see, because the big screen is still magical, it is merely out of reach for many people. 

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December 16, 2025 · 10:39

President Bully

Here I was, telling myself that the world is screwed up and behest and behold the world shows me I am right. So as a well known person (who I will not name) set the world on fire with his tweet (see below), I suddenly had a massive idea and as I am already working on three scripts I thought I put the idea here, for the entertaining person (likely an American democrat) to make this into a real script. Feel free to hack it in many ways you see fit and know that I would be happy to receive a donation for the idea, but that is largely in your hands. Know that I put this here for all to enjoy.

So as the world is on fire (seeing the massive response to this tweet on both the Republican and Democratic side of the isle) I thought that a script that pleases at least 40% of the American people might be the way to go. So here goes.

BEGIN
The day was nice and sunny and a simple man was walking on the street. He was suddenly halted by a woman pretending to be his friend and as he looked with questions at the women car suddenly halted and bricked him away. [END SCENE]

The man was in a room his bag was taken away from him and the people were talking at him, not to him. He was barely listening because he was confused, he was taken from the street without force and he was placed in a room. There were people who were speaking to each other, there was some disagreement between them and suddenly someone spoke to him. “We were in error” sign this release form and we will put you on your way. He looked suspiciously and looked at the form. It was in a holder and it stated a few things about a release form and a penalty fine imposed on the people who arrested him. The amount was $5000. He looked strangely relieved, it was more than he had seen in several months. So he signed the paper, and he got his 50 bills of 100 dollars. He took his bag and he left the place. [END SCENE]

It was 8 o’clock clock and he was watching the news. It showed something from Microsoft, he wasn’t listening and they had made billions in a deal. He wasn’t up to this and he was about to shut down the TV when he noticed a man standing there. It was a man that was in that room with him and suddenly he had a distinct feeling of unease. And he suddenly looked into his bag. The backup drive had gone. He was beside himself and the next day the news showed a white house setting where Microsoft made a massive announcement that would bring billions into the American economy. And the man became furious beyond believe. [END SCENE]

He ran to the nearest SBS station and gave his recollection of the day he was ‘abducted’, they listened to him, but there was little intent of following up. He recognised that he must have sounded like a deranged person and he got that. When he left the SBS studio, people from Channel 7 were waiting for him asking him “What does it feel to hand over IP worth billions for a few thousand dollars?” He denied doing that, and gave the response what he encountered. And he wasn’t taken seriously. Later that day the news was all jumbled up and the responses were edited for maximum digital dollar effects. He was beyond angry. He then remembered that there were other people involved and he waited around the corner of the American consulate waiting for a chance to get even and after 2-3 hours he got lucky, he recognised one of the men and with chopsticks he ran over to the man approaching his from behind, kicking him in the balls and shouting at him. Who did this? Who ordered the theft of my IP? And the man gave a simple “Fuck you!” Which drove the man insane and he shoved the chopstick into his nostril into his brain. Killing the man on sight. It was less then 10 seconds when the police arrested him for murder. [END SCENE]

We now get a court case, where the man is found guilty of manslaughter, not murder and convicted for 10 years in a maximum prison. After a week he is transferred and before he knows where he is put on a military plane and whisked of to Marine Corps Base Camp Lejeune where he become an inmate of the MCIEAST regional brig classified as an intelligence prisoner. There he stayed for 7 years, he was then released as a 70 year old person. [END SCENE]

We then get a setting of vengeance. First we get hits on Sydney harbour, ships sinking and we see the same happen to Jacksonville and the Port of South Louisiana. We see the attacks and we see the fallout, but the story in between the attacks show the ingenuity of the writer who was imprisoned. The ships sing making these ports unproductive for months. Whilst the settings are given of the billions of dollars of damage that these attacks bring, we are given the news how ‘former’ president Trump raked in the revenue of billions from Microsoft (who was making a lot more) and now the snippets are joined together as we see the man making a vengeance tour of America. Then we see the port of San Francisco losing several piers to sinking ships and the fallout that this brings to the city, in addition, we see several ferries sink on the spot in total 8 ships sunk leave a very lasting impression of the harbour which will now operate at a mere 30% making the city lose billions and billions in cleaning fees. Next on the list is Los Angeles, around the Angel’s Gate Lighthouse 3 ships are sunk making most of the harbour unavailable. Now we get to see the new setting, the missing snippets are that the man is seeking revenge and a Chinese splinter group, people who hate America are willing to fund the attacks and the stealth solution to what the man invented years before he was incarcerated thought of, and the fun part was that Microsoft had all this knowledge, but they saw it as the ravings of a person who never amounted to anything and that was exactly the setting the group which was a splinter group of the Chinese Communist Party (CCP) was hoping for. The man disappears, no-one knows where, but we see a small scene of an old man in the Changbaishan International Resort (Jilin Province), enjoying a cup of tea with a young lady at his side. He looks over the ski slopes. In the mean time the harshest insult a person can get in America is to be called a Trumpist, America is looking towards decades of hash living conditions as the evidence seems to be popping up what happened between Microsoft and the White House. Microsoft is rejected all over Europe and the Commonwealth and the Commonwealth no longer considers itself an ally of America. The democrats who follow are between a rock and a hard place. Republicans are shunned all over America.
THE END

So this is what I have so far and I have had the tweet for less then 4 hours. So in view of the loss of Rob Reiner, who gave us  All in the Family (My introduction to Rob Reiner), the Princess bride, When Harry met Sally, Misery and a Few good men and several others. I think I countered the tweet by @realDonaldTrump, I think I got my creative revenge. I didn’t get to introduce on how Ivanka and Barron Trump had to flee to Russia as most Americans had their fill of the Trumps where they get to be toys of the Russian Mafia. Well the world turns in many unexpected ways. 

How you like my sense of consideration Mister President? 

Have a lovely day and take a moment to remember the works of Rob Reiner. I have many good and happy thoughts of his work, even if a never realised what an impact he had on me as a teenager watching Carroll O’Connor and Jean Stapleton giving us their version of America.

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December 15, 2025 · 15:55

The lie without lying

That is the conundrum we face on a daily basis. And in the marketing realm I was pleasantly surprised yesterday. I saw an engagement advertisement apparently in the Boston Globe. It was an image of a man known in his role of Mickey17 (the first 16 were better) flogging himself to the girlfriend of Tom Holland, yes I am talking about Zendaya. With the engagement story to give a glimpse of a movie.

I actually didn’t have a clue or any interest in that movie, but now, I might actually got to the cinema to watch it (A cinema is a great room with loads of chairs facing a big screen), I thought I’d mention this to the Netflix population as they might not know what it is.

It hit me by surprise as marketing has gone globally bland, the only exception is that crazy marketeer named Ryan Reynolds (Blake Lively’s husband) his advertisements of Mint Mobile and American Gin are pretty out there, so to see a second marketeer stretching his (or her) legs into the creative pool of goofy alliances is pretty neat so say the least. And I reckon that Square Peg who is the distributor needs to give whomever got the idea of this marketing campaign a raise. 

And in this world a marketing population of one is not a real deal, so I am happy to see that there is a contender for the role of the craziest marketeer on the planet. You see in marketing we have Awareness and Perception are like concentric circles, we first come aware of something and then we get to Perception of the matter, which at times is a reflection of the subject on self. In this Focus, Process and Objectivity are matters of something liked and sometimes not linked matters that inflict the awareness and perception of the matter. It sounds overly academic and it needs to be. We come aware of a movie and when we become more aware we start to get the perception of that movie. How do I relate to that movie and most often it is a mere setting of entertainment. Will I like this? Is it what I want to spend my time on? The second question is the banger for Netflix. If that movie is not your cup of tea, you switch it off or you select another movie to watch. Especially In America where your time is seemingly more precious (and travel comes with its own set of challenges) Netflix is largely the only one that gives the least impact on your timeline. So Cinema’s are down (a lot) and as such marketeers need to be more and more alert to what could drive a person from aware to a deeper a focussed set of perception. That is what drives people optionally to the cinema. Still cinema’s need to address their settings too (really $8 for a popcorn?) And it is a hard setting, space is expensive now and over the last 20 years that setting switched for doable to no longer affordable. Cinema started in 1895 and from 125 years of a good setting we see in the last 20 years that this stage has largely become unaffordable. So a good campaign is more and more important to a dying stage of entertainment. In this, whomever set that stage to The Drama (April 2026) with Robert Pattinson and Zendaya set terrific campaign and applause for whomever did.

As I see it, they perpetrated a lie without actually lying, a rare feat to say the least.

Have a great day and for those in Canada, still enjoying Sunday have a great day too.

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December 11, 2025 · 01:11

The lighting of a stage

That is what I am wondering about. You see, first we hear that Netflix is acquiring Warner Brothers and a few connected things too. A day later we hear “US president Donald Trump says the Netflix deal ‘could be a problem’” Next thing we hear that the son in law (Jared Kushner) is spearheading this hostile takeover. Of course all the conspiracy boys are in town blowing this up to an amazing extent. I think that there might be a setting where the boundaries of ethical borders could possibly have been trespassed on, but as I don’t know the clear picture, I will refrain from voicing them. There is of course the setting we can ‘debate’ on.

As the Business Insider has a more oiled version of what has happened. The story (at https://www.businessinsider.com/paramount-wbd-saudi-arabia-qatar-abu-dhabi-elllison-hostile-billions-2025-12) which comes with the headline ‘Saudi Arabia, Qatar, and Abu Dhabi want to put billions into Paramount/WBD. Why?’ It is after all a fair question and I am a little thrown by the setting that this is Qatar AND Saudi Arabia AND the UAE are working together on this. I can figure out the why, but about that later. You see, Business Insider has an additional gem to throw our way. It is “Those three nations won’t have any say over a combined Paramount-WBD, the Ellisons say. So what will they get?” And we are given “The governments of Saudi Arabia, Qatar, and Abu Dhabi want to invest billions of dollars into a would-be mega media conglomerate made up of Paramount and Warner Bros. Discovery.” And there is a part missing, the gaming IP’s that is floating around there. But the end of the article gives us “If Saudi Arabia, Qatar, and Abu Dhabi are looking to put anything close to $24 billion into an enormously powerful media conglomerate — one with huge reach in both the US and ambitions for the rest of the world — will they be satisfied with purely financial returns? Or do they expect something else for their money?” I get that part, you see I had been working on IP doing that very same thing. There are 1.9 billion Muslims in the world and there is only so much the current studios can cater for and with this they have a firm hand towards places like Bangladesh, Pakistan and Indonesia which together with Saudi Arabia, Qatar and the UAE sets the handle to over 50% of the entire Muslim population. And as there is clear evidence to see real growth in both Saudi Arabia and the UAE for tourism and as that growth continues more is needed and with Paramount and Warner Bros. They have just that. I was fishing another angle, but that too was driven towards these 1.9 billion customers. Too bad Amazon never accepted this issue and the Saudi government (Sydney Consulate) did not accept it either, as such I was out of luck and Google had dropped their Stadia. So I was out of luck in that too. Still I considered other avenues as well. I got one Script done and offered it to Dubai Media, but they weren’t accepting any scripts at present (or my script was really bad, which is equally an option) 

But I saw these stages all over the Middle East happening and in that setting there is a growing chance. America with its valve setting is not a real option. Every script can only when the 15 middleman get a share of all that and I will much rather give it away to Canada and never get a penny. But the script was meant for a Muslim audience, so not much use in Canada. The other three optionally, but they are still being written. A have written megabytes of script, but it hasn’t been ironed out yet. I am relatively new to Final Draft. 

So am I correct? I believe so, Saudi Arabia and the UAE (I have no idea about Qatar) will need professionals that are decently up to speed and buying Paramount and Warner Bros. will do that. So, when all these professionals are directed towards new grounds with Saudi/Emirati directors and cast they can get a lot more done fast and I reckon they already have a set amount of scripts and screenings ready to get started the moment 2026 knocks on the front door. 

And with the media up and running the Saudi and Emirati media for all their venues is pretty much a given. Not just that, but the African nations are predominantly Muslim, so they can also capture the hearts of them too. Now add Egypt and Turkey and this media engine gets real global potential. Yes, the entire venue makes sense to me, but for me it was clear as I initially investigated that setting for my own IP, so I looked at the equation and I saw clarity, the fact that the price got upped makes perfect sense to me and in that setting Netflix merely loses. The west better start realising that on this planet Muslims are 1:4, 25% and that is a clear destination for the media centers of Saudi Arabia, the United Arab Emirates and Qatar, so whilst we are so involved with individuality, they merely approached every Muslim asking “Would you like this” and all muslims will very likely make an affirmative sound. We all look at the stage and wonder what was going on and others look at what lighting it needs and they cater to that hand, Now I need to wonder if my script is really bad or do I talk to another media channel. Well, that is my worry and it is for today as it is 01:00 now. Have a great day.

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