Category Archives: movies

February 24, 2021 · 21:51

A desk and screen

It is not the stage I am facing, it was the idea for a short film the story itself might seem known, it was a stage that several have used before, but here I am trying to invoke a darkness from within. A stage we face when we are all alone in an office. We tend to hear things, but not always are these sounds in our minds, they are the sounds all around us. And in some cases for moments our sense of hearing increases with factor 50, as such we cannot identify the noises we hear. Then there is the application of shadows, in this I call towards Nightwatch, the 1994 version by Ole Bornedal, not the remake. The bonus is that we get to see a young and innocent Nikolaj Coster-Waldau, before winter came (ha ha ha). The two elements came to me as a setting on a simple GI at the console of a missile silo, his partner has suddenly taken ill, and that man is releasing his diner through the mouth (aka vomiting), it is at that point that the alarm goes off and the console room becomes isolated. That is the setting, I will not bore you with the details (aka the ending) but as a short movie it should be worthy of some recognition (aka my ego in action). Yet that is not the setting that matters, or the central point of discussion. 

You see, there are bigger fish to fry (optionally served with garlic sauce). Who took notice of ‘Where are Cape Town’s great white sharks?’, as well as ‘Extinction: Freshwater fish in ‘catastrophic’ decline’ (source: BBC). We have been seeing stuff like that for a while, yet to politicians are seemingly in denial. We see this again and again, yet they are ignoring a larger problem, an environmental source gave us 5 years ago “A world without fish is a scary prospect. Without them, life as we know it will not be possible. The ocean will no longer be able to perform many of its essential functions, leading to a lower quality of life. People will starve as they lose one of their main food sources”, now I have had my issue with overextending environmentalists for a long time, but I do not think that this person is wrong. And a key part here is ‘Without them, life as we know it will not be possible’, the stage is even less good when we consider that this decline has been going on for 30 years, as such, which politicians did something about that? To give you a boost with a setting of horror, consider that marine life in 30-40 years will be gone and as such, your grandchildren will at least starve to death (if they are lucky), did you consider this?

So was the environmentalist wrong, perhaps exaggerating? Well we might think that but the impact is already reported on BBC, and the great whites are merely the tip of the mountain, the inaction by politicians and government is a much larger stage, they are all in denial, or perhaps more subtle voiced, they have a Trump view of democracy. 

Sometimes we read things, we see things and we hear things, yet share holders and stakeholders are doing their best to make sure that the noise does not each too many people, it might adversely affect their need for profit. Yet as I mentioned “they are the sounds all around us” and we need to start taking notice. There is overfishing and pollution. If it was only pollution, in my case micro plastics, I would have had an optional solution. The idea came to me when I was watching a woman open her pack of cigarettes, I thought that it might be a solution in solving the micro plastics in the ocean. I am emphasising ‘might’ as it is untested and there is an optional danger to marine life, so I am a little hesitant. The solution comes in two forms a coastal and a deep water solution, one cannot do the other, but I was prepared, or perhaps better stated, my mind was and two versions came to mind. I wonder at times how we can wake the people up, we can argue that this world is better off with 7,500,000,000 less citizens, and it would preferable if the animals are still around when that happens, but I tend to be an optimist. 

I am also considering that we have had 4000 years to grow and we screwed up the planet in the last 100 years, which is quite the achievement. As such when we look at movies like the 5th wave, or play games like Mass Effect where our world is under attack from aliens, these people were optimists. They can just park on the dark side of the moon and wait for 20 years, they can claim the planet, free of life and optionally all the buildings are still there. 

We did this to ourselves, we can only blame us.

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February 8, 2021 · 00:38

Hammer hits anvil

Yes, that is the foundation of an idea, the idea is voiced, in the ear, the hammer hits the anvil, the anvil vibrates the wires and the lightbulb in your brain lights up the room and the idea is born. The setting is the same for all, the only difference is that when the hammer hits the anvil, not everyones wires vibrate, and as a result in some people the lightbulb never lights up that room that is known as ‘skull space’, still my setting was that I did not come up with one idea, I came up with three. It is an idea that was someone else’s idea, but that foundation can still be used today and in a cloud space game setting.

Lets go back to 1984, George Orwell was making noises in regards to government oversight (of everyone) and in that same year Mike Singleton had an idea and created ‘the Lords of Midnight’, now even as the setting was nice, it was set to computers with a limit to 48KB (ZX Spectrum) and the 64KB that the Commodore had. Yet what happens when we take that idea and use the map of the UK (that island left of France) and set ourselves in a stage of riding, stealth and travel to collect the alliance of a minimum amount of keeps to secure the safety and unity of one region, each keep is in one county. The stage is all set, so to change it and make it a real challenge, the stages vary, the keep is not always in the same place (sometimes they are), and we aren’t always starting in the same place, so there will always be more than one option. The area is all in a stage where there is an enemy, not always visible, but as we align, we are given who is not our enemy and they will give the information of what is against us. A stage that is more alike the old days, when communication took days, not seconds. We need to adjust our way of thinking without removing the first person challenge. Even as it is based on that game, it will be a completely new game, it will be a larger setting based on the entire UK, all with optional awards (virtual diploma’s) of achievement and a retirement award. A game that shows time in a new setting if you like.

The setting of a cloud will allow a larger setting of randomisation, as the server does all the alignments, as such if 10 players play it, there is a chance that 2 players have close to the same setup, but not completely. A game where you need to do the work and not rely on some wiki solution where the one solution fits all. 

About a decade later someone made a game called Virus! It was an original game and even as it never made any headlines, I never forgot the originality. Yet in this day, what can we do to innovate? For example, a shooting game is one completed a game that has been completed, but it does not need to be like that. What if the opponents and the level of play is determined by a QR code? In the game Virus! It was Windows and your hard-drive, which in those days was innovative, yet today it does not work like that (or at least it should not). QR codes are everywhere and any level completed will be one we have already seen, yet what if we had on any mobile the option to save the code and use it to transfer the image to the cloud game? It does not matter whether it is a spaceship with an environment, a soldier with an urban or rural setting, it is about the fact that we are not in control and the maker cannot be creating levels again and again, and random generators tend to be less random than you think. Yet the setting of a QR code is out of our control and we can decide what every dot means, we merely are in the dark whether that dot is used. A game with almost infinite levels and a never ending stage of challenges, a lovely idea for any shooter with drive to compete.

Yes, I agree that it is in fact an iterative idea when we revisit an old idea, but the people seemingly forgot about the idea and as such it becomes a new ballgame. When we are given “Assassin’s Creed Valhalla – Known Issues [Updated Feb 5]”, in a stage when Ubisoft gave the laughingly statement that the game would be released days early and we see 3 months later that there are well over a dozen issues with impacts on a dozen missions that cannot continue, is it such a bad idea to look at the past when these kind of screw ups would never make the cut of publication?

And a lot could have been prevented from day one by properly testing a game. In this I tend to fall back to Skyrim, a game that has issues, no one denies it, but in all the years (since 11.11.11) that I have played it, I only witnessed 3-4 bugs myself on any console (Xbox360, PS3, Xbox One, PS4, PS5) and a dozen or so glitches, yet glitches do not break a game. And that was made almost 10 years ago. I think it is time to reconsider what we love to play and what maker consider to be a good game. When we consider the size of Skyrim, my only issue with the game (after playing it again and again at least 8 times, is that the missions are always the same, yet the openness of the game allows for a lot of exploring and doing things your way. But what gives when the QR code resets the opposition and changes what you face in every dungeon, crypt or hollow? 

And that gives me another idea, I reckon that there are a few nordic directors with a grasp of the dark side of tinsel town, and when you consider Troll Hunter (2010). I thought it was awesome, André Øvredal took a folktale and pushed it and us into another direction. I am certain that it can be done again. So, what happens when we take that part of Skyrim that is based on Nordic legends and create a new horror movie, but one that is close to the folktale of the Draugar “Draugar usually possessed superhuman strength, and was “generally hideous to look at”, bearing a necrotic black colour, and was associated with a “reek of decay” or more precisely inhabited haunts that often issued foul stench”. Lets not forget in the academic world where people hunt academic recognition, stupidity (read: shortsightedness) is found a dime a dozen and when we see the people’s admiration with the zombie apocalypse, the idea that it had already happened is not the weirdest idea to consider, so what happens when someone opens up the wrong thing (tomb or urn) in Malmo and before the authorities have any clue what actually is going on, the issue has spread to Norway, Denmark and Germany. So as we need to rely on folklore, folklore that is specific to Scandinavia, what will those do who have no knowledge? The military will merely grab bigger weapons, weapons that have some effect, but the stage is different, you can hunt cockroaches with a flamethrower, yet what happens when that roach is somewhat heat resistant? The option are nearly endless and it could make for an entertaining 2-3 hours with a box of popcorn. As you see, these AAA game designers are all about being cool and having hot items (riddled with bugs), I needed one salad to get three ideas on paper. I wonder what I will be able to think off with a decent cheese pizza (with extra oregano).

Have a great Monday!

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January 22, 2021 · 15:56

Three sides to a tail

Yup, after a few moments of hilarious news bashing, I got back into the creative groove and an idea struck me, so I decided to make this story (unrelated to anything else at present) into something different, something optionally more towards a dark variety.

There once was a boy, the boy became a man and he was raised to be nice and polite, and he worked, he worked hard and was rewarded accordingly. This man had an idea and he worked in his free time, into the dark and catered the idea until it was ready. Now this man was no saint, he never claimed to be, he was polite but that was about it. He did not care for civilities, he did not care for the small rules, he had a plan and that plan took precedence over everything else.

As such he went through life, he catered to his boss to the degree any person would, but he had his pwn idea and at some point he made it a reality. He had created his new navigation system, a system that was actually better than most and soon thereafter a company showed interest with cash, a lot of it and the man sold his idea, he had his nesting egg and then some, or so he thought. It was less than a year later when a former boss claimed it was his and he showed the contracts that gave him the rights over any IP the man has and it went to court and the sneaky son-of-a-whore (read: boss) won. The man lost his nesting egg and more over the IP which was nothing like the firm his boss ever had (he was an administration firm), so the man was in shambles, and he took his anger, which had turned into rage at this point and he sought out the boss at his house, and he pulled a gun, the boss was suddenly the visible weasel that he always was and begged for his life, but the rage had taken over, the man pulled the trigger and killed first the two children, then the wife and as the boss saw that he had nothing left shuddered, he was not truly afraid for his life, and at that point the police came and shot the man, but not initially fatal and the man killed his boss. 

We suddenly move towards a plain, if it was a Tolkien story it would look like Mordor, and the man saw the boss and then an angel. The angel spoke “You two do not deserve in heaven and no mercy will do, but you have the option to get to heaven by going in that direction” pointing at a mountain the size which would make Mount Doom proud, the top will lead to a staircase to heaven. “Yet it is not a race, you can only get to heaven together or not at all” after which the angel flew away, the man looked around and saw a demon, he walked to the demon. The demon looked at the man, “the mountain is that-a-way”, the man considered for a second his option, then he looked at the demon again and spoke “If I do not go, he cannot go and he does not deserve to be in heaven ever, so, how can I serve you?”

The price of greed can be higher than you ever considered. Have a fun Friday!

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January 8, 2021 · 18:12

Mapping insanity

OK, this is a weird one, and it could even apply to me. I was day dreaming a moment ago, and it is not one I had ever before. First let set the situation, in this setting I was acting, my co-players were Matt Damon and Arnold Vosloo, the director was Ridley Scott. I was given very direct orders, I had to yank Matt’s chains as much as possible. In one setting I was teaching  Matt’s character South African, I told him to replace ‘th’ with double f, and asked him to speak ‘When I was at school I thought a lot’, we get ‘When I was at school I fought a lot’ and heaven behold Arnold Vosloo loses his cool and laughs out loud, Matt’s character has a fit, a loud one, then it was Arnold’s turn. He makes mention on the daily events and I hear that Elon Must will be visiting the Prime Minister of New Zealand. I say “that makes no sense, oh, perhaps he is trying to buy the competitor, there are rumours that the New Zealand party has come up with a cheaper electrical car, $NZ 20,000, which is about $15,000. This might be making Elon Musk Nervous”, ‘really?’ Matt’s Character says. My response is “Yep, it amounts to $10,000 for the car and $5,000 for the extension cord”, more laughter except from Matt. 

Yet the reality is different. The story is about a shuttle that is set on a long trajectory because of a defect, it will take the shuttle another 5 months to get back to earth orbit, 3 months have already passed, and as we see into the shuttle, that has no flickering lights, but part of the shuttle is damaged we see Matt Damon in his chair, and when the camera turns to us, we see to dead bodies, Vosloo’s and my character are dead and Matt is dealing with isolation and a lack of resources, we see that this is a movie about insanity through isolation, we were the window dressing, Matt is there to show just how insane a man can come through isolation in a place where you cannot move to conserve oxygen, left with two dead co workers for month and the setting of a malfunctioning shuttle. All whilst the oxygen supply is not completely kosher. 

It is a psychological movie and I saw part of what could be an interesting journey into the mind of an Astronaut who lost it completely all whilst he is yet to learn that the DOD did this to test the Astronaut because of what is about to come and as we see the end titles, we see a much larger shuttle, with the cockpit looking just like the delusions that Matt’s character faced.

Well, that is it for now, anyway it is less upsetting than the actions of a US President who shall presently not be named (to make the accusation deniable).

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December 14, 2020 · 02:09

Over my head

I have a simple setting, I keep what I kill (actually, I got that from Vin Diesel), I keep what I get, I just had the weirdest mindset, a sort of day dream at 01:15, something I do not understand and as such I cast it aside, so I make the IP public domain, yes, I have idea’s, for the most they are fantasy and Sci-Fi, which I like, but this, what I saw in my mind was horror, and I don’t do horror. Or to state it differently, I am not much for horror, as such this brain drain was not in the mind of me. In the setting I am an older man, 70’s, optionally early 80’s. The town of the event is Orleans, it is a new building on St. Joseph Blvd, there the man finds a girl near the entrance, the girl is around 25 and badly beaten up. He cals for an ambulance and notifies the police, she lives nearby, she lives there alone. Later he visits her in hospital. He makes a quick phone call. The wounds are fresh and ghastly. He offers to look out for her and takes her to his apartment, and she happily agrees. In the apartment is a middle age lady, the cook, she had made a fresh bouillon with lots of beef and rice. They both eat it whilst enjoying fresh warm croissants. She begs him to stay there the night, she will sleep with him if she can stay, he turns down the invitation, but tells her that she can sleep in the bed, he will take the sofa. The next morning she is awake and looking refreshed, the cook was already there, with hot sandwiches with pastrami and cheese for both, the woman is clearly scared, really scared, but she is happy to see the food. The man looks, but does not ask. She tells him that she never saw who did it, merely that she was beaten again and again in her apartment. He asks her is she can inspect the apartment, she agrees, clearly she is too scared to go back to her place alone. Out of the drawer he takes out two unusual gloves, if you can call them that. They are a wristband, with wires to every finger, two rings for the thumb and three for every other finger, the rings are connected to each other by metal wires and the end of the gloves are thimbles. She puts them in the pocket of his coat, one for the left pocket, one for the right. He grabs a small torch and they walk to her house, it was a mere 10 minutes. As they are about to go into the house, they see a young couple checking the both out. The door opens and the darkness in the house on clear daylight is almost frightening. The man quickly puts on the gloves and shines the torch into the house, before he knows it a man, or what seems to be a man comes for him, but this time the attacker is in for a surprise, the elderly man, our hero grabs the man and pulls him into the sunlight, this is something the attacker was unaware of and it was even harder to resist, the screams from the attacker were deafening and in all this, the attacker starts to fade, until the darkness is replaced by a strange light and the attacker dissolves. At that point the house starts to become less dark, not light but the darkness is no longer swallowing the apartment. 

The woman starts crying, the fear is clear on every part of her body. He takes another look and then he walks into the apartment, there is a larger setting of darkness in the apartment that was not normal, not part of any shadows, and as he looks he sees it all fade away, this was the effect of something else. He had seen the original writings from ancient Greece on Tartarus, but to see what might be a Ghastly, or a Shade in Tartarus. Yet these were writings, this was something he saw, he witnessed and that was a first for him, but this was France, so what was going on?

This is as far as I got in less than an hour, the images were so vivid I wrote them down as quickly as I could before the images faded, they are already starting to fade, it is rereading the writings I just put down to make the images reappear. It has happened before but before today I never wrote them down, most of those events are lost to me forever, but this one I have, yet my IP is based on science, my other creations are Sci-Fi (some are historical fantasy), to get a horror image is quite disturbing, and I can say that my night rest is now over and it is getting towards 02:30, another night without sleep, oh joy!

Not sure what is going on, but it is a bit over my head (for now). And I just realised, today is exactly 16 years ago when I left Europe, perhaps it is related.

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December 11, 2020 · 11:07

Tripped by a thought

Yup, this happens. We watch things, we read things and it mixes into an idea. The first element in this was the movie Kingdom of Heaven (by Ridley Scott). I love this movie, for some reason it feels more real than any of the other movies that are founded on the crusades are. There are a few other reasons, there is always a good reason to watch any movie with Orlando Bloom and Alexander Siddig and the fact that it also had Liam Neeson, Eva Green, Jeremy Irons and several others did not hurt that cause either. I was struck by the charisma that Ghassan Massoud brought to the screen in Kingdom of Heaven. That movie is pretty much forever in the back of my mind. The second element was something I read. The quote “An ifrit can further be bound to a sorcerer, if summoned”, as well as “In the latter account, the “ifrit among the jinn” threatens Muhammad with a fiery presence, whereupon the archangel Gabriel taught Muhammad a Du’a (Islamic prayer) to defeat it”, this struck a chord as it is the only reference I have seen at present where Christian faith and Islamic faith crosses (perhaps there are more). But it got me thinking. What happens if an Afreet, a dweller of the sands is confronted by the invasion armies of the west? The Crusaders, the Templars, the Teutons, and some of these organisations still exist today. So what happens when an Afreet goes on a quest to understand the enemy of its sands? The idea is not entirely new, the Afreet made an appearance in True Blood and in American gods, but in both cases it is less seen from the view of the Afreet, and as a demon they are part immortal, or at least can exist for thousands of years, anyone with that level of timespan has a different view on matters. As such the Afreet can be in the past and the present giving us a very different stage.

We have been so obsessed with the western folklore, that we forget that there is a large area of folklore that has almost never been tapped into and when we consider that Netflix is present in Qatar and Saudi Arabia, I wonder why we get this oversight. Of course they can also go for the other movie I came up with ‘How to kill a politician’ which optionally might be a big hit in the Islamic world, it might not be something that a person like Geert Wilders likes, but it is a door he opened himself and France added spice to that soup. 

All options I did in mere hours, as such I wonder what is keeping some so called creators in creating actual new stuff (instead of a new version of old stuff). It is as I personally see it the difference between iterative and innovative. A stage that America is shifting in, they are moving more and more towards iterative because they can no longer find the innovative people. A sad state of affairs as I personally see it.

Is it me? Am I tripped by a thought, or am I seeing it correctly that we are missing out on true innovation in both movies and TV series? I am not ignoring the stage where we are told that there are “In 2019, the number of original scripted television series in the United States hit 532”, I am not doubting that, I am merely noticing that other places in the world, these series are missing, or not shown. And to be honest, I have my doubt on all 532 series being actual innovative series. There is nothing wrong with iterative series, but they are a prolongation of something else. Another CSI, another NCIS, another Star Trek, another Superman. I will agree that there are plenty of fans for them, but at times we need to offer something so new people gasp at the notion of difference. I get the setting that this does not always ends up being positive (Firefly, Dollhouse) but they were true innovations, they were different and they have scores of fans, but it was not meant to be. I get it and perhaps my ideas will never become reality either, but I remain innovative in my thinking, it did lead to several 5G IP parts and I expect a few more in the coming year. 

Yet in this I do not pursue a path, I let it was over me just like the Afreet did, just like the soon to be dead politician (in the Movie) and the stage of being between two universes (Keno Diastima), a stage I found in mere hours, yes I agree they are not finished, yet I did most of the work by myself in mere hours. So I wonder what others are capable of making, even if we do not see these results on Netflix, Stan, Youtube or TV. I wonder what became of the 532 series, because so far what we get to see is “Find Out Which Series Will Return for Another Season”, a stage that we accept, but there is more then returning series, they are an accepted and essential part of TV (and streaming), but where is all the new stuff? 

It is a thought that is tripping me and making me trip (to coin a phrase).

And all this is happening whilst I am trying to find a new and original way of levelling up a character in the RPG I have been writing about. We tend to see RPG’s in missions, kills and achievements. I want the levelling to be different, but I am still seeking a way, perhaps I will return to the mission stage of levelling up, but I am trying to avoid it, an RPG can only stand on its feet when it offers more and different stages, not merely more of the same, we have all seen that and as such I am considering other methods, yet the thought of how is not clicking into the frame of mind and the frame of gaming, yet I hope that to be a temporary thing for now.

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December 7, 2020 · 00:19

Salmon in the cinema

Yup, there is a new setting, not for food, but towards the entertainment. Even as we see Google allegedly miss the plank, the streamers are setting the stage to a larger degree. In streaming nature there is Disney, Stan and off course there is Netflix, so when the BBC gives us ‘Dune and Matrix 4 streaming plan prompts urgent talks from AMC cinemas’ is was not overly surprised, the Movie machine is on a tour and Corona slowed it down, but did not stop it and in this stage, too many vacant chairs remain in the cinema. We can feel for the cinema, but there are many places where the pain is coming, so the cinema is merely one of most. As such when we see “The move will enable film fans to watch the forthcoming sci-fi epic Dune and the Matrix sequel on HBO Max at the same time as their cinema release” (at https://www.bbc.com/news/business-55180055), we see a stage where the movie makers are maximising whatever they can, and I cannot blame them.

Consider that Cale Boyter, Joe Caracciolo Jr., Mary Parent and Denis Villeneuve allegedly pumped $200,000,000 into that movie. This I a risky business, moreover as SCI-FI made their version with Alec Newman in 2000 and it was an amazing piece of work, I still watch the BluRay nowadays at least twice a year. That does not mean that this Dune will not be seen, I look forward to it and I do prefer the big screen, but any next lockdown and Netflix or BluRay might be my only option, and I am not alone in this. The average number one movie in the US after the Cortona lockdown made 4 million, before the coronavirus lockdown $100 million (Bad Boys for Life), as such the sentiment of the producers of Dune and others are well understood. $200 million is nothing to sneer at and whatever deal they can make, they will. At present in 2020 Bad Boys for life leads the revenue charge wth $200 million, It should have been at least double that and as such Dune is in a dangerous place, not by choice and not by effort, the trailer blew me away and the stars involved make it shine even more, it seems only fair that the makers try to get the best deal possible. This is the stage here we merely see impact, we do not get to have too much choice in the matter, no matter how angry Glossu Rabban (Dave Bautista) gets. In the end I feel slightly less for Adam Aron than I do for the actors and actresses that put their sweat and blood into this movie, in other news, when did the cinema adjust (temporarily) their prices? In this setting as we currently see it, why would anyone take a chance at AU$18, when streaming is $15 a month and at present safer. 

We want to be protective of the moviemakers, but in the end, at present, we are merely a Salmon that goes up against the streamer. In this setting I understand why AMC Cinemas wants to talk, yet in the present condition we face, is it a realistic step to take? As such, there is truth in the statement “We will aggressively pursue economic terms that preserve our business”, but consider that billions of people have been denied access to entertainment, I want to start that Adam Aron has the right setting and he has a right to be in this setting, yet in the stage we face, can he push for a setting that is not entirely realistic?

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December 5, 2020 · 00:40

Twists of the mind

It started last month when I decided to create a new TV series out of thin air, well, it is in space, so air was not a factor. It was a little homage to RendezVous with Rama, yet I added a twist, as one does. I started that journey in ‘And that was a hard sell?’ (At https://lawlordtobe.com/2020/09/21/and-that-was-a-hard-sell/), whilst I was exploring a few ideas, I stumbled (for more than one reason) on Thalia, the muse of comedy. Leave it to me to seek out the history and optional origin of my bad sense of humour. Now, when we consider the origin of humour, or better stated the muses, Their origin goes back 7 centuries before there was even a christ, and even then there was some correlation to comedy (the muse Thalia) and her mother Mnemosyne the goddess of memory. The heralding of the muses starts (as far as I can tell) in 800BC when the poet Hesiod makes mention of them. Over the three millennia two of his works survived. The first is Theogony, the second one is called Works and Days, describing the peasant life. The Theogony is basically a story of crime and revolt (by Zeus) and set the story of gods and titans, yet I do not want to digress, it is not bout the gods, it is about Hesiod. He sets the stage of muses, he sets the  indication of Mnemosyne and her 9 daughters Calliope, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia and Urania. They are the depiction of Epic poetry, History, Love poetry, Music and song, Tragedy, Hymns, Dance, Comedy and Astronomy, in all this, we merely whisk them away as the stories of those with angst and superstition, yet in all this Hesiod was apparently a native of Boeotia, a district of central Greece. It is said that he had mastered the technique and vocabulary of the epic by memorising and reciting heroic songs. He himself attributes his poetic gifts to the Muses, who appeared to him while he was tending his sheep. So a sheep herder focussed and learned the setting of entertainment to an almost eerie level of precision in a time when none of it existed (or mostly none of it). In this no one is wondering how that happened? 

I was wondering about the setting of comedy, about the stage of dance and what christianity broke and almost destroyed. Is no one wondering why? A stage of entertainment and insight into the mind and we are seemingly dumb do the notion, I was, and I was this to the largest degree, schooling made me this way. We have been said to a stage of moving forward, all whilst we ignore the past, the past that leaves us with more questions and not a lot of answers. You see, Hesiod did not merely have a muse of poetry, he had two, Calliope the muse of epic poetry and eloquence and Erato, the muse of love poetry. She was also part of the Aeneid almost 750 years later. So consider that we have lost the texts of most of the events between 1250 and 1400, a lot of it destroyed, yet this work survives. It also sets another person, the writer of that work Publius Vergilius Maro, who before there was a christ created three legendary works, the Aeneid, Georgics and Eclogues. In one of hist works we see the growth of tension as a forward momentum and hist work would be the larger inspiration to Dante Alighieri’s Divine Comedy, where Virgil becomes the authors guide. 6 notable legendary works in a stage where works mostly did not exist. More important, these works were kept safe, in an age where we now are swallowed by trash, spam and fake news, we disregard deeper works of optional philosophical nature and are left in the dark on their existence. 

Yet in this age, in the age of streaming entertainment, it seems natural that we take a deeper look at the old works, we might have to, even as the Vatican did it best to remove as much of the Rhaetian language as possible, they did not remove all and when we see these old works, we might ask actual questions that matter. You see, if a man herding his sheep sets the stage of entertainment to a much larger degree 3,000 years ago, even as his own audience (the sheep) had no clue what he was on about, he sets a larger frame, that frame is seemingly important, because of the goddess of memory had a sense of humour (Thalia), we better figure out what that is and how it affects us. 

It is perhaps best seen in:
“Do not, I pray thee, do not weep for me, neither pursue me thus ominously as I go to the stern shock of war. Turnus is not free to dally with death. Thou, Idmon, bear my message to the Phrygian monarch in this harsh wording: So soon as to-morrow’s Dawn rises in the sky blushing on her crimson wheels, let him not loose Teucrian or Rutulian: let Teucrian and Rutulian arms have rest, and our blood decide the war; on that field let Lavinia be sought in marriage”

Now consider his assumed past “Virgil was from an equestrian landowning family who could afford to give him an education. He attended schools in Cremona, Mediolanum, Rome and Naples. After considering briefly a career in rhetoric and law, the young Virgil turned his talents to poetry”, which I do not debate, yet consider that he died at the age of 50, he was at home the first 10 years, yet after that he attended 4 schools, over a distance of 1100 KM, which would have taken at least a week per part and in that setting he would have been exposed to all kinds of issues. And when we see this work (one of three important ones) over 12 books, hundreds of words per book, we forget the important question, how was this created? There was no typewriter, this is the work on scrolls, likely several per book and now consider that this would have to survive well over a thousand years. Each fact gives us something more to consider, and when we look at then, perhaps we are doing something really wrong now, have you even considered that part? 

If we consider merely these two writers and the massive impact that they had, what did we lose over time and more important was was removed from sight since the 11th century? These are part of the questions that were plaguing me as I was setting the tone in my idea for a TV series, but here I am, I already forgot the title, but not the setting. And in all that there is the choice, but what happens when we never had a choice? Did you consider that? Some might have seen the movie How It Ends, but did you consider it? Basically Theo James had a lot less options than he thought he had, and we merely see that ending come to us as the movie ends. Yet what if Hesiod and Publius Vergilius Maro were telling us about the fight, the fight that is coming in the only way that they could grasp and we wasted 90% of 2750 years and 99.9% of the 47 years that followed, with the last 3 years 100% wasted due to spam. We consider and we accept that some (in the most weird corners of life) can be the stage masters of life and creativity (JK Rowling being an example), but we have something to look back to, we have (to some degree education), as did Publius Vergilius Maro, yet what about Hesiod, who pasturing sheep on Mount Helicon? Shall we write it all to ‘imagination’?

I am happy to do that, but from what we know now bout then, his work leaves us with all kinds of questions, questions that we (for the most) cannot answer. How many people (of non noble origin) had the ability to write? Were versed in all kinds of manner? And consider that Mount Helicon was close to 150KM from Athens, not a trip sheep herders tend to make. So where did the refinement of his work come from? We are left with questions and some people (academics) will give bright answers that make total sense today, but 2000 years ago, a lot less so.

As such, when I was considering memory and humour as I was trying to find a scientific narrative in season one of Keno Diastima (I had to name it again) and that is where I find myself. A station of choice where the choice is an illusion, because the option of choice was only valid for a while and we decided to waste time and options, as such what would we face then? 

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November 16, 2020 · 02:44

Have at it

I just had an idea, it happens, we all do. It happens whilst I was watching the Downton Abbey movie, for some reason my mind wandered about time travel, the time travel stories we have seen in the cinema, the TV series and the stage of altering the past, yet what if this was different (it always is), I remembered a line in some Star Trek novel giving us “How can we set any station to something that never happened?”, or something of the sort. It gave me another notion, one I am not exploring in the story I was writing, so I am putting it here. What if aliens came to alter history, our history, not to do us harm, but to prevent us from harming them. Consider that we find the setting to dimensional travel (which is done by altering the vibration speed of the electron), it would allow us to see another dimension, this is not new, It has been done before. Yet what happens when we visit an alternative universe where we embraced MASER technology and during the 70’s we used masers to carpet area’s, that technology was not in our reality, so as it comes here, we see a much more powerful and less peace driven people use it as a weapon. When that time is changed, the victims of a maser mine take matters into their hands and decide on a timeline change, one that stops the dimension gap from being explored. So we get in the first  setting an alien invasion, in the second setting our technological advancement in the form leading to invention that were never ours and the stage that we have to be stopped, so how to go about it?

It was  simple application of drive, fears and expectations to set the brief in motion. Ah well, feel free to tinker with it. In light of what is written here, it takes some work, a lot more than the field I designed when I set towards meeting nowhere where we see 8 couples meeting on some kind of a station and no-one has a clue why they are here, or where they are. A setting that has us wondering the bottom of the sea and the vastness of space, so far I have the setting up to the cliffhanger of season 3, but I will admit that season three is still empty. Like season 1 where I set the option of what they did not see coming (and I know what is on the other end), so as they are in a stage where they are on a third between here and the sombrero universe, they went into season 2 and ending the season we see the second way station which is a lot larger and a lot closer to the sombrero universe. A vast connection of what might be, and why not?

So as we look into the IP I casually throw away (mostly undone IP), I see another setting of where we are, we are in a stage of ideas that are flowing over us like a waterfall (it is in my case), I would gladly hand that part over for some sleep, yet there is still the other part, how can we create original IP? Even as Netflix is throwing $17 billion this year alone at new series and the continuation of existing series. I am wondering if there is anything truly original left? When we see the old series and the originality that the set as well as the foundation for other series, I merely wonder, is there anything left? It makes sense for others to grasp at what DC and Marvel have and soon other comics will find their materials in a much stronger movie setting, but that is for another day. For now I need to ponder on original choices, even as my idea seems original, it is founded on the original story RendezVous with Rama, I openly admit that and even as I made a lot of it original, there is a link because my work is an homage to the original thinker Arthur C. Clarke. It is not always good what we make, but when we see the errors we design, we also tend to see around them, or to improve upon them, at least I expect that is what most of us tends to do, the rest? That is up to them.

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November 3, 2020 · 23:31

A streaming war

Yup, this is about to come to larger blows, you see, there is Netflix (of course), Apple, Amazon Prime, Canal Plus/Foxtel and Disney Plus. There are a few more, but in many cases HBO is added to the film channels of Foxtel, and so on. Yet these players never took a serious look at the treasure of the east, Japan particularly. Yes they all look at the manga, yet there is a lot more. The Zatoichi series, which was followed by an amazing movie with Takeshi Kitano. There are a lot more, and even as there are some really good movies around that are done in
Japan (Earthquake bird with Alicia Vikander), Japan has a lot of original non manga material to offer. In the horror section there is the Audition and Oldboy, the second one is also seen as a remade English version, but it is nowhere near as good as the original, perhaps it was the atmosphere. There is of course the setting of Ju-On and that video that kills within 7 days, but those are the visible ones that made the press. A lot of people got interested in Japan as a provider of entertainment after Kill Bill part 1, that is fair enough, we all have our moments. For me it was the 1980 TV-series Shōgun with Richard Chamberlain, based on the novel by James Clavell with the same name. A series where we see giants like Toshiro Mifune, Yoko Shimada, Frankie Sakai, and Hideo Takamatsu (and many more). Not just that, even the Middle-Earth trusted Gimli (John Rhys-Davies) was already amazing 40 years ago. I reckon it might be time for a remake, if only the 1980 version was not so darn perfect. Yet there is more in Japan than just remakes. To see that we merely have to look at the Playstation 4 and the almost perfect Ghost of Tsushima. Until the game was there, I know nothing of this place and the setting it had. And I know I am not alone. We might want to travel back to 2006 when Clint Eastwood release the second part, Letters from Iwo Jima. As Flags of our fathers showed us the American side, Clint took a gander and showed us the other side as well. What we ended up with is a near complete view of a war no-one really wanted, but we were all forced to fight it, because there was no other way. 

Yet as we see the roll call of movies in Japan, we see the western view of it and some of it is really good, there is the Forest with Natalie Dorner who is pretty amazing (for those who merely know here from her ways to excite Henry VIII, or be the sweet dear in GoT), this is the movie to watch her in). We need to acknowledge that a movie about Japanese in Japan can only be made by the Japanese. We do not deny that Lost in Translation is a gem, yet who knows of 100 Yen Love, and before you think that this is mere love movie, think again, in this particular case it is Billion dollar baby on steroids. A slob turning her life around and it is that underdog fight that for some reason is a lot better when it is done in Japan. There is another example, The Ramen Girl, underestimated and a little shallow, but it shows us a side of Japan we rarely see, their strife for excellence, a spiritual side perhaps, perhaps not. But there is a multitude of sides to Japan we always seem to ignore. The technologists look at Japan, because what we see there now will hit our borders in about 5 years. Yet in all that, we seem to forget that Japan has a soul and even if we do not understand it, some wall parts are shown in their movies and TV-series. With the world wanting more and wanting something different, there is every chance that Japanese entertainment goods will b e fought over by the streaming giants. And if these parts do not convince you, take a look at Gokusen (2002) and I can tell you right now, the plot twist that hits you at the end of season one, is one you we’re never ready for. 

You could say: Only in Japan!

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