Category Archives: movies

And that was a hard sell?

OK, we all have these moments where we think ‘I can do that’, in my mind I can be an NHL goalie, becoming the wall in a goal that no one can pass (Wayne Gretzky eat your heart out). I can be as delusional as I want to be thinking that I could be the goalie of the Edmonton Oilers, the San Jose Sharks, or perhaps the Vancouver Canucks. Yup, nothing wrong with my capacity to dream, but what happens when we truly believe that? When we create something bigger than ourselves? I have created the IP of 5G, of videotapes that have not yet released and the other day I came up with the concept of a new TV series, based on an all time classic. Yet what happens when we add our own spice to the equation? In my case it is a space station, it is about 500 meters, roughly vibe shaped and when the 8 people wake up, they realise that they are no longer home, but they do not know where they are. It is that setting that I used to create a new series. So far 8 episodes per season. 

As I started, I got to (avoiding spoilers as much as possible)

Introduction, backstory

Here we start the introduction of the 8 people, it seems a little familiar, because that is how introductions tend to be. We see it from the first person, then the second person, all are confused and all are a little scared, both the males and females alike. The 16 represent different people, the pragmatic lady where we see flash backs where she is a bag lady in Chicago, now cleaned and like the others in some kind of a white overall, the African American who is on the flashback a hedge fund manager, cold and calculating, a mechanic from Paris Texas, looking at the rooms around him, having his own thought. The story continues and as we see the rooms who are all spic and span, we end the episode where they see a large window with fish, corals and no light in sight. The fish are according to one of the man, really deep sea fish.

Where are we? (+ continuance backstory)

The story continues, but more focussed on the where they are, with here and there a small back story recall. We see the icons on the doors, the coloured icons on the wall, the 3d maps and icon based settings of the rooms, as they are setting in their new environment, three groups form, two groups of 5 and one of 6. At that the groups start to focus on the icons on their overalls, speculating on the icons of gender and trying to work out the meaning of colour.

Symbols, iconography, Rosetta Stone (+ continuance where are we?)

One of the 5 groups finds a stone, The icons that are around them and on them and the stone gives three other versions of the symbol, the gender, the setting mechanical, financial, medical, logistical, and many more, they all reflect on what is on the station in one way or another. It is the that another group finds a tablet, and group three finds another display tool. When they unite they compare notes and they united in the rosetta stone room to share the knowledge they have found and what they think things are.

First breakthrough, water

They are still in the setting that thy do not know just how deep they are, there is nothing to set the stage of how deep they are, the entire setting is a little unnerving. Yet they start to identify icons and when they see the icon for water, they all rejoice, their first stage of survival is found, they now have water, thirst and the need for a bathroom.

That was a bidet. second breakthrough food, first 24 hours passed

As they approach the first 24 hours in their new environment, they find the food stash, the C-Rations give light to them being in a military experiment. 

The map room, memories, the last hour of some

In this episode they find a map room, giving them status, giving them a view of the size of the station, and we see the last moments of some of the members, their abductions are in a stage where they were in a bad place.

Coffee corner with coffee, the map room continuance, more water

As they are outside to the map room, the corner there is a place where they relax a little. The setting is one where they discuss what some of the systems are, and as they are somewhere deep in the ocean, they are not willing to test the devices that much, fear sets in, but everything looks OK, they sit together translating the icons as much as they can. It leads to a different water symbol, one that turns out to be the showers, they have found a place where they can clean up.

Almost 48 hours, the view of a lifetime, where are we? and what is that?

This starts in the so called coffee corner, there is a button that was out of sight, one of the women finds it and presses it, the wall moves up and they get to see the vast blackness of the ocean, or so they think. So as the stare t the blackness, they see the light come from the side, it is bright light, and as the view becomes more in sight, they all realise that they are staring at the sombrero galaxy, almost a dozen times bigger than the Hubble telescope can project. Then one of the men realises something and they run through the corridor to the other end of the corridor, where a similar wall is, they press the button and they get to see the spiral galaxy, it is absolutely huge, they are not in the ocean, they are in space and they are far from earth, the view ends season 1. So far I got most of season 2 designed with a rather spooky cliff hanger towards Season 3 and I got to be a little eager beaver when I set up the cliffhanger to season 4, but left the rest of season 3 alone.

Yup, that was my creativity, and I reflected on the Rendez-Vouz with Rama, a book by Arthur C. Clarke, a book he wrote in 1973. My introduction to the book was a video game produced in 1996 by Sierra On-Line. It was my introduction to the story, it is what drove me to make my version of it whilst trying to embody the thoughts of Arthur C. Clarke (based on 2001). 

So when will you design something unique to you? I got my creativity with me, the list is long and distinguished. And I do not care where this ends, I have a plan with my 5G IP and it will more than set me right for life. The direct way to deal with greed is to make the other thoughts public domain, so that no one can claim them and they are basically free to use, that too is an option in IP, only the greed driven forget about that part of the equation. Should you deny that part, then have a little look at the HSBC bank and the FINCEN document leak, look at that level of greed and consider where we are. When we see the facilitation to crime to this degree and we realise that governments are basically doing nothing, you know where you are and I bet you haven’t even realised that you are without a paddle. I think that Arthur C. Clarke got it right when he named the vessel the Rama. He got it right 47 years ago, so how wrong have we been for the last few decades?

Just a thought to consider.

 

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Not merely another movie

This is not the now, previously (1-2 years ago) I came up with a new idea for a movie, it is not an action movie and it is not a documentary. In the movie a really wealthy entrepreneur (played by Chris Hemsworth) witnesses an event and it sticks with him, as he goes through the day he sees movies about lobsters, all whilst he eats one, he has half a dozen screens in his office and he is bombarded with data upon data. As this man is considering things, an event sets his mind towards seaweed, in this stage he creates a new seaweed farm outside of Chennai, where he farms seaweed, in his setting he also starts replanting seaweed to keep the balance, but it is during this stage that India gets hit with a massive tsunami, even as he has little damage, the eastern coast is hit harsh and that is when he sets up large crematoria to facilitate for the massive deaths and the people are exempt for payment, the receive the ashes in an urn. It is a few weeks later when the media is getting a breakthrough on affordable seaweed and the drying methods that allows for a setting to feed the world, in the end titles we see the presentation where he presents Soylent Green.

OK the twist is a little naughty, but who remembers Soylent Green, the movie that propelled Charlton Heston in 1973 to even greater heights than ever before. Even as it was merely loosely based on Make Room! Make Room!, the movie had a profound impact on me. And there is a precedence for this. When we consider that seaweed grew from 13.5 million tonnes in 1995 to just over 30 million tonnes in 2016. (at http://www.fao.org/3/ca0191en/ca0191en.pdf), there is more information besides the numbers on page 10, there is a larger impact that seaweed has on corals, as such farming where possible for seaweed is not the worst idea. 

We need to start looking in the outer margins not for what we want, but for what does the trick whilst we find ways to overcome other issues. To see this we need to take heed of the words by Douglas Rasher, who gives us “The important takeaway is that competition between corals and seaweeds can cause dramatic changes in seaweed physiology, both in terms of their growth and their defense”, so even as I take sides with the coral, there is both an upside and a downside. The question becomes, am I on the right side? The coral bleaching gives rise to the fact I am, but nature is a stage of balancing seesaws, you set the balance on one, the others go out of alignment pretty quickly, and messing with them all tends to be disastrous, as such the rule of torts law come into effect, small steps, small steps to the end goal and in case of nature the steps need to be smaller still. 

So as I remember the idea I had on the prequel of Soylent Green, the stage we find ourselves in is not the movie, but the original it was based upon. The book explored the consequences of unchecked population growth on society and what the book envisioned in 1966 ended up being almost here in 2020. There is a rare setting of foresight here, even as the numbers are not on the level yet, the movie played in 2022 and this is not that far away, even as the numbers are still a little off, the need to feed the world remains, the UN gives us “An estimated 821 million people in the world suffered from hunger in 2018”, so even as we need to accept the cannibalism is still way off, the idea of adding seaweed to the global food source is not, and we need to consider it in a serious way to add seaweed to every supermarket there is. Yet we also need to take heed on life in the oceans, when a billion people rely on the same plants that feeds the herbivorous fish of the ocean, something will give way and our record on accepting the consequences is not that good, but all we can do is d the best we can, yet is it enough?

Our lives, our exploitations, our shortages and our needs are not a movie, yet we tend to think it is, because our lives are easier this way, when we blame it on the silver screen, or set the watch towards a reality TV show, but reality is less sweet, has less honey and a lot more vinegar. And our sour setting will come home to roost soon enough, when the hunger facet goes beyond the 800 million mark and hits 1.2 billion, it will pour into the realms where the media actually looks, I wonder how the shortage will be introduced, or better stated how those controlling the media would like it to be explained. 

 

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Retracing steps

That is the mood I am in, I am retracing certain steps from the last 12 hour. You see, I came up with a new idea for a movie, but I get so many of them, now I am in that state of mind on what I was thinking of. You see, it matters, because even as one thought does not, it tends to move in a direction that my mind was ignoring, and with that, the train of thought was creating a station that could matter a great deal. I know I was in the mindset of quests in TES-VII, then I was remembering the path of Hades, the path of the dead (I was in a stage of setting missions for the storyline of the Necromancers, and it is good to remember the classics (Hades is as classic as it gets), so my mind wavered. It wavered for a moment to the movie ‘How it Ends’ (because of the fires in the US. And then I remembered something, what if the world is saved, not for people, but for all the others? What happens when the path of Hades is a disease so devastating that it deletes 98.7% of all people at present?

This entire world remains with a mere 101,000,000 on the entire planet. I remember an idea for a DNA based disease. You see DNA is used to create proteins, they  are required for a person to function, but what happens when a specific DNA is created, almost shaped like a ‘Y’, the letter can be seen as 3 parts (see image), the included, the excluded and the  method of transformation. It does not matter which colour is what, it was the idea that counts. With a world now at 110 million, nature could repair itself, we have lost many animals, but those who remain would have a setting to survive and this time around, mankind is not as trusted as much and nature will be much harsher to overcome, of course but that is if we can brave the elements, the couch potatoes won’t get to much of a chance. Yet that is the setting we will talk about another time, for now, the idea of a setting of survival, this wouldn’t be a survival story, we have seen plenty of those, it will be about the setting stage of spreading a disease like that, that is why it is a DNA disease, the people become the carriers and the rats setting the plague on their fellow human beings. 

Each person becomes a carrier, every community a lighthouse of more and new sick people. And when the disease surpasses certain percentages, we see governments fold, we see the greed driven run in panic and we see the caring in a stage when there is nothing more to care for and no one left to care for. So why Hades? Hades was the fist born of Cronos, he is not as high regard as Zeus or Poseidon, but in all this Hades as god of the underworld has more options, all those who die serve him, in the end we all end up serving Hades, no exceptions. Also according to myth, he was the most displeased with mankind, so he gets to end most of us. 

And in this, what if Olympian DNA is part of the disease, if the method of transformation is Olympian, the gods and Demi gods are automatically immune. Yet that would not be enough, the stage is not merely what they could do, but the stage that they arrived here gives more rise to the place where their ship now is (in the Peru-Chile Trench) at roughly 7,600 metres depth. So when we consider the first hurdle, it is not Hades giving us the DNA finger, it will be Hades convincing Poseidon to allow it to happen, which gives us the stage of vengeance of what man did to the oceans and Poseidon was on board, in this Zeus is made useless as Poseidon and Hades united in their disappointment of mankind. There is more, but that is where I got in about an hour, the (optional) mini series would be about how we flaunted and spitted on what we have and when nature is in a stage where it does not care where we end, we see a consumer driven population that cannot fend for itself. It would result in a slightly less optimistic view on the world in 10 parts of about an hour. 

There is a nice symmetry here, we denied the Greek gods, the Italians overrun them and now the Greek gods get to overrun all of us, it merely a matter of perspective, and the DNA virus? I forgot where I left the Genome Compiler, you see, the idea was set not on the station of merely DNA, but the setting of what happens when we add two new elements to the stream, we see the two elements as merely a stage, but what happens when the two new ones interact with the four known ones and connect? That is why I came up with the ‘Y’ shape and no DNA has any defence against the two parts it never met before, in this the stage where a mere 1.013171122% gets to have an actual immune response, and when you consider COVID-19 where only 4% is deadly, it should be enough to pretty much scare you to death, if not that, then consider the city of New York, with a mere 109,187 left alive, it will be a case where those left alive will ponder the setting of ‘the deafening silence’ not for a moment, but in EVERYTHING you do, it should be an unnerving experience for all. 

Anyway, I was merely playing with ideas and as I create new settings, I also set new idea’s for whatever is in front of me, in this case it is a mission for the Necromancer guild, a station where we see an optional new challenge for those in need in Cyrodiil, in this case a temple that needs to get erected, in this case, either the Niben Bay or the Panther River, I haven’t decided yet. But I am decently sure that I will set a very different altar near Anvil, a set stage that allows for much more entertainment, especially if you need to get there from Elden Root, ahh, so much to do, so little hard drive space. Life remains full of challenges (for those still around in a year or so), fate is a fickle thing, so let’s be marry and enjoy an Irish Stew, optionally with a red ale.

Retracing my steps was a little more entertaining then I thought, but I will accept that 7,683,000,000 might disagree with me, so go complain to Hades, or Ralph Fiennes, or Cheyenne Jackson, or James Woods, or whatever he calls himself now. I am happily a non caring person at present (because I am hungry). 

Have fun!

 

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In Netflix we trust

Yup, as marketing titles go, it is not the worst and to be fair, Netflix has its ups (and downs), yet there is no denying, they have been offering a lot more than most and the really good series that they do not have (Billions for example) does not mean that they are not on a high. In that setting I was considering to additional titles for the Netflix barn.

Title unknown

It is a weird title to set the stage to, I saw the movie about 25 years ago and I still remember parts of the movie, this movie sticks with me like nothing I have ever known. In the movie a man basically commits a misdemeanour and unknowingly leaves the state, as he lives his live, a well respected man, engaged to a nice lady and a decent breadwinner, he is contacted about the event. He is willing to pay a fine, he is willing to make repairs (he did no damage to anyone), and he is offered a deal one months of light jail time in the state the crime was committed and the slate is wiped clean, when he gets to the town he is arrested and in court he is made an example of, nothing of his goodwill is shown and he gets a much longer jail term and not in a light jail, the system intentionally thoroughly destroys the man and after a long time, he escapes. A little later we see the man approaching his fiancé, she asks him how he will survive, his response “I’ll make it, I’m a criminal now”, the man is a psychotic shade of his former self.

I was unable to find the movie, but I would love to see it again, I also believe that this movie could be remade into a modern version, I reckon Will Smith might be a great fit, but that is not a dealbreaker, there are several really good actors, Chiwetel Ejiofor, Don Cheadle, all great choices, all established actors, because this is not a soft movie, this would be a much darker version as today is a much darker reality than the people in 1950 could dream of. 

Hiding Out

Hiding out is a 1987 comedy drama. It is not one of the best 140 movies from the 80’s, yet I still remember the movie. I believe it to be a diamond in the rough (sorry Disney). Jon Cryer made it into an above average movie. And it could be made into a serious piece of work, perhaps a 3-4 episode mini-series. The story is about 3 stockbrokers passing off bogus stock for the mob, when the issues start the mob get rid of one of them and the other two run for cover into the arms of the FBI, yet on route things happen and one more bites the dust. The one remaining (Jon Cryer) goes underground in high school. I believe that it could be a much larger story, especially if we add darkness and realism to the remake. The original was fine, especially in 1987, but in 2022, if we set the stage in episode one into a more realistic view of stock markets and how bogus junk bonds are created, the risk involved and how the US government is basically unable to stop it, merely limit the damage at best. From that we get to episode two and shed light on FBI protocols and activities. How they work (to some degree) and the options of evading the FBI (and the mob) as the protagonist ends up in a less visible state (like Arkansas, Ohio, Idaho, or Wisconsin). As such we see the stage of how the new protagonist sets up his new identity in one of these state colleges as an economics teacher. Episode three will be set in college life and how he falls for one of the other teachers, and her life (so we can use the ATM part to get the mob and FBI back on track), and in light of that we get to the final episode where we get the showdown, the arrest of some (not all) of the mob and the essential need of the protagonist to enter witness protection. The episode ends with him falling of the radar and some look on how witness protection works. I state all this in an academic approach, but it will be a drama (some comedy would be nice too), Jon Cryer is too old for the role now, but I believe it would be nice having him as the clued in FBI agent, or perhaps one of the mob bosses. Merely two ideas mixing in my mind, and it is only Monday, what will I be capable of on Wednesday? 

Well, that will be another story, optionally another creation whilst I wait the terms I have to wait for.

 

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The Dreaming team

There are these moments where we all tend to think and to believe that some matches were made in heaven, but what happens when the realisation hits that a match is just one step forward to hell? I got my MacBook Air two weeks ago (after waiting 7 weeks), my iPad has currently not drives and that waiting time is about to end week 8. Now, I do not regret getting the MacBook, it is slim, it has 2TB storage and it weight less than the average steak and cheese sandwich, as such a good call. And the media tends to agree.

I have been restoring back ups, setting flags in place and yes, I have no regrets. Yet then I realised another matter, I also got Disney Plus for free for a year. It was an uncalled benefit, but seemingly a benefit none the less, so I went to take a look and there the road to hell blame clear. 

At first I was looking and my look was equal a person who had died and gone to heaven, Battlestar Galactica, The Expanse, Westworld, the X files, I had happy thoughts that surpassed meeting Grace Park, Evan Rachel Wood and Dominique Tipper naked, So I started c licking as the happy SciFi Camper I am, but wait, here it comes, nothing there is for free. The Expanse was $8 per season, Battlestar Galactica $10 per season and the Plan $23, so where is the ‘One year of Disney Plus for free?’, I am logged in, my Apple ID is clearly there, which made me wonder whether Disney was merely the facilitator, So I decided to look for Tron: Legacy, I had not seen that movie in a long while, it might help me relax. Nope, that too is $15, I could rent it for $5, but in a year, why rent? Even Disney’s own the Nightmare before Christmas is $15, what a Christmas present is that? It seems that the Grinch is holding onto its coins and running Disney as I see it. 

So perhaps it is may Australian side, perhaps ‘One year free’ means something different in America?

As far as I see it, Netflix has nothing to worry about, the way Disney goes about it, and as I personally see it, there won’t be much of a Disney plus under these conditions. And when I see that the search bar gives no results for ‘The Mandalorian’, or ‘Mandalorian’, that is when I see that some American firms will never learn, or learn too late. Even the new and noteworthy ‘Marvel’s Inhumans’ is $3.49 per episode. As such I wonder why the media has not picked up an any of this, so as Business Insider gives us “Beyoncé’s new film “Black Is King” will stream exclusively on Disney Plus starting July 31.” My question becomes, at what price?

 

I wonder if Apple can be held to account for the viewed deceptive conduct, there was never any mention of prices for anything, but that is perhaps just me. When you consider that thousands bought Apple hardware, how many did so because there was a ‘One Year of free Disney mention?’

Just Asking, I let you decide on how this unfolds.

Free DisneyPlus? They must have been dreaming!

 

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Remaking the past, facing tomorrow

I have been working on my novel, at 58,000 words, I am more likely only 50% done, but there is a lot more to come and as I was considering (creating in the mind) a new IP in the form of a new TV series I realised that the same idea could be an addition to the book I am writing. As such I felt a little bit of a traitor, as such I feel I have to make amends, even as no one has been hurt, I felt that smudge of treason to the idea. As such, my mind decided to take a turn towards the past, not the distant past (Iran in the old days), but a little more present (like the 70’s). I have written about the best drama series that the UK ever made (I Claudius), yet it was not alone, in that age two other series were made, both in the 70’s and both had a Greek origin. The first was Who pays the ferryman and the other was the Aphrodite inheritance. Both (for that time) excellent pieces of work, both based on excellent books and both with a setting that was mesmerising. Who pays the ferryman gave me the interest for Crete an interest that still lives on today, I have seen it three times. 

Cyprus (where the Aphrodite Inheritance was made) was less on my radar, yet the story was fun and gripping. 

I believe that places like Apple and Netflix could turn these two into interesting remakes, put Greece again and more visibly on the map. Even as the episodes are timely, the remake could set the spirit in the now and the issues that grip Greece, the stories could be upgraded and the issues that were skated round can be gripped with connected nearby historic places like Spinalonga, a stronger interaction with Agios Nikolaos and so on. Crete has plenty of stages and plenty of options. 

The Aphrodite Inheritance, started strong and the story takes on a nice turn, yet in today’s environment, the stage could be set with optional IP theft and industrial espionage (on top of the relic part in the story). It all hit me as I saw the Aphrodite inheritance on YouTube the other day, I believe that the older series and especially the mini series are getting more and more views, not because of the lockdown (partially driven by it), but the fact that plenty of Americans are now looking through the UK base of drama and it has them hooked (I agree that is speculative of me). Yet the number of views and the turn that SBS is making with Name of the Rose, shows that there is a growing interest in remaking good drama into something larger and even more astounding. I admit that I was skeptic on seeing the first few episodes of Name of the Rose, but so far that series exceeded whatever I thought was possible and I think that players like Netflix and Apple are always looking towards new IP, yet they too realise that what was made almost half a century ago was often not surpassed in all these years and the two titles I mention are on that list too. 

And in addition, no matter how many franchises there are and how many Marvel movies are coming, the people also want excellent drama and a lot of franchises just do not deliver on that to the degree described (neither do the Marvel movies). This is nothing against the Marvel movies as their origin is very different from many movies and we get that, and we love them. Yet we want more and we seem to want it now. Apple seems to be on top of the New IP with the new shamalamadingdong series (the man who made the Sixth sense) and now with Servant he makes another stab at our dread factor, he does it (as stated by others) in an exceptional way. 

Yet in this day and age, movies and TV series that rely on the Wow factor do not make it very long and that is where the stage of drama can add to the venue. In the first, the rewatchability of any drama is a lot higher than most other series. Yes, we love horror and Science fiction, yet how often will we rewatch them? Consider an American drama series like The West Wing, the fact that even today a lot want to see it again, even as the series ended well over 10 years ago is decently exceptional, there are other series and yes, there are plenty of wow based series that have the same, but the stage of drama is larger, there is no denying it. Whether a drama is dipped in Fantasy, Science Fiction or Horror does not matter, it is the drama effect that draws the people in and I believe that the audience wants to see more of that and there is every chance that Netflix needs to adhere to that part if they do not want to witness a audience transfer towards Apple plus. That will be seen towards the end of the year as more series and remakes hit Apple plus, they took a swing and hit the ball out of the ballpark. The remakes are more than just a choice, series and movies that were quirky and often fun will optionally become the TV series that are drama’s with a coating of wow. There is no way to tell how this will fare, and this is not an attack on Netflix, but Apple took the war to the next stage and they were ready for bear in this fight. To coin a phrase ‘they brought a bazooka to a gunfight’, and that bazooka merely has to be aimed into the vicinity of Netflix, Netflix will get hit no matter what, the amount of damage cannot be foreseen and the entire Covid setting brought it to the forefront. It hastens the setting we see now and even as Netflix has a lot more series, there is every indication that a 10% shift might be enough to get the Netflix investors running for cover and for them to find a way to break even at best. Yes, we see how Netflix shares are rising faster and faster, but lets not forget that as Americans and Europeans get back to work, they will stop using Netflix to a much larger degree, and in all this the internet congestion we see all over the world does not help Netflix, Internet providers were not ready all whilst they claimed they were. I warned people of that fact in 2018, now I am proven correct, even better, there is every chance that the entire congestion stage will increase over the near future and it has nothing to do with gamers. Zoom with its conferencing side will set a much larger international stage and consider how many firms work internationally now and under the strain of a reduced workforce how many more zoom meetings people have to look forward to.

A stage that goes from bad to worse and there is no way to stop that event. Yet this too is a stage we must give value to, as I see it the entire congestion setting is a drama all by itself, a stge of interactions that will not work and will show other wait time and loading icons, but no movie and no shows to see. It is important because it will hit both Apple plus and Netflix. 

There is nothing as hilarious as both offering 4K whilst the internet providers cannot deliver, the entire Corona stage is merely pushing to the foreground what was there all along. So as that stage is debunked more and more all over Europe and the US, we will soon see a stage where the material not the resolution matters and there we see another stage evolve, the quality of the story, because a wow film is only as good as we get to 4K and uninterrupted view and so far there was a lag and has been for almost 2 years, and as we see the congestion pushed to the foreground more and more, because under 5G the matters will only get worse, not less. 

Yet in all that the remakes will give rise to another lag, the stage of crowd control on the internet. Yes, you might laugh yet the stage is already there, the people will demand the full service all whilst Netflix, Google and others are limiting resolutions to appease the covid pressures of online. And in that stage we see a much larger need, the need to deal with congestion right in the middle of the stage of switching between 4G and 5G. Congestion has not been dealt with and cannot be dealt with, not in the immediate future, as such the people will see a much larger shift to appease their demand and the smaller players will now face the hardship of not being able to deliver, it is a drama all by itself.

No matter how we see the coming of more remakes, they are the stuff we demand, for all kinds of reasons, yet enjoying it on a decent quality will remain a question not merely for the direct future, for the larger timespan, even as people will stop to some degree the stage of streaming, the stage of TV series without advertisements is a lot more appealing than most think and when they are confronted with advertisements the entire stage of Apple Plus, Netflix et al will come to the forefront again and still it comes with internet congestion just below the surface, pushing its head above the waterline sooner than ever before. 

A view to face in the sights of tomorrow.

 

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What is the good place?

It’s Sunday, I am currently watching the original Planet of the Apes, it is one way to pass the time, just watch an actual classic. I have had an interesting day. With my mind on creativity, the series ‘the Good Place’ inspired me to a different miniseries. Consider a simple inventor, the man is a Civil Engineer, and he comes up with the bright notion of inventing a different kind of heavy metal filter, a way that is based on centrifugation. It is a simple yet novel idea, and he submits the idea and registers the patent. It is not a week later when he is suddenly invited for a meeting with an ‘interested party’, when he gets there he sees that the ‘interested parties’ involve a politician and a former employer. Before he knows what is happening, his patent is under attack, the politician and the former boss have sought legal assistance and they claim that the patent was stolen. In the end, after the court case they take 100% and he ends with nothing. Over time he learns that the judge was in on it, he had become a silent partner in the event that scores them $6,000,000,000 split 6 ways. 

This starts the plan where he starts to get even. The clock now jumps 12 years, the 6 are of course really happy, and during that event the social engineer walks in and shoots the entire party, the thieves their partners and 11 children. 

The next moment we see that they are in heaven, the 6 families are there, and they have large mansions, cherubs that take care of their needs and they are seemingly happy. It is at this point that the floor comes down from under them. The idea is that the civil engineer got away from hell somehow and is not wreaking havoc in heaven, yet in all this, heis focused on the 6 families, taking one child after another, all to be collected and placed on a cage of emonic thorns, making the children sign over their souls for their parents non prosecution of theft, all the kids agree and are dropped into hell, at that point the parents have to select heaven or hell, in the end only one accepts the exchange and jumps into hell with the key that will unshackle his child. 

That is as far as I got, the link to the good place is seen when in the end it shows that they were all in hell, the heaven impression was done in a deal between the head demon (Asmodeus) and the civil engineer to get his revenge. The deal was his soul freely given to teach the thieves a lesson. Yet the civil engineer has another part in all this, as the thieves sign over their allegiance towards their soul for the absolution of their crime, the second plan comes into effect. It will be his ticket out of hell. 

That is as far as I got, it took about an hour to think it through, there is a lot more, but I will not bore you with that part, not for as long as it is not properly scripted. 

This was my state of mind as the news hit me on the Coronavirus, the idea that the US has 52,000 deaths to the coronavirus, 25% of all global deaths, and they are now reopening (to some degree) their country, apart from a president making (sarcastic or not) some claim that the body can be cured from the coronavirus by applying detergent to it. In all this, we get the realisation that Mickey Mouse and Donald Duck Trump both seem to live at Pennsylvania Avenue 1600,it seems that Disney characters are getting a living upgrade. Not bad for a weekend, is it?

Yet the idea of making an iteration of the Good Place wasn’t my initial idea, yet I reckon is that this series has had its impact, yet my version is not a comedy, it is much darker, heaven almost exceptionally puritan, and hell is dark and fire red in aspects (I haven’t been there yet so my view on this place is still shaping. Yet if we agree that we are driven by the seven sins and the seven virtues, the trap we make for ourselves is that there is a lack of balance. If Chastity, Temperance, Charity, Diligence, Patience, Kindness and humility are on one side, what is on the other? Pride? Avarice? Envy? Wrath? Lust? Gluttony? Sloth? As I see it, they nullify one another, like a seesaw we are on the twisting point between sin and virtue, how can we chose the balance? If Lust and Chastity are on a seesaw and our setting is the axial, how can we select? Love is a combination of many facets, lust and chastity are part of it, but they do not stand alone and we are in a stage to keep the seesaw balanced. The issue is not lust or chastity, it is fear and greed. The US reopening their places (to some extent). In all this the numbers are screaming part of the idiocy (as I see it), all these nations, the EU at almost 750 million citizens. Then we get India, Asia and in all this, the registered deceased spans 25% of the world, that is the US. Reopening stores and trying to get back into the swing of things is a choice and perhaps it is the better one, I do not have the knowledge to debunk it, but the larger healthcare message is lockdown, there is wisdom in that too. Knowing what is best is not for me to say. I understand both sides and as we see Bloomberg giving us one side,the NPR rolls in another direction, like the seesaw, the axial of balance is in the middle, yet to what direction should we swing? The problem is that for most of us the balance point is influenced by fear and equally by greed. Greed might not be pronounced outspokenly by a lot of people, but greed is a reason we must address. Even as for most it will be about the ability to pay the bills, is it any less greed driven? We might all see greed as evil (I at times do that too), yet the need to survive is also laced with greed, the need we have to pay our bills, we call it differently, but it remains a form of greed and not all greed is pure evil. This reminds me of an original Star Trek episode, it was called ‘the Enemy within’, the realisation that the good Kirk and the evil Kirk need one another, if balance of ruthlessness and empathy is essential to make sensible decisions, we see another path that we all face. The more primal the drive,the more direct the balance between both elements is seen. We are at times driven to deny the negative emotions, yet the early lockdown the harsh decision (or logic) behind it might have lowered the curve for the US, we cannot tell for certain, it is too late now, but the fact remains, in a nation with 325 million people, out of a population of 8,000 whilst there are over 2.5 million of cases and the number of deceased in the USA represents 25% of all corona victims. The numbers seem to indicate that lowering the curve sooner would have been better, but I have always stated that there is more to this virus, and so far the US is still in a beginning stage, as such the 25% might be a low number for now and the bad side is that the reopening of the US in a week might signal a very negative situation. We can speculate on this until we are old and grey, but reality will show us what will be soon enough. 

We will all make up our own minds, some will blame 5G and burn down Wifi masts, some will blame the chinese (again) and come up with more matters to prosecute and in all this, the history of the other versions of corona are ignored, we can ask any cat, but they are seemingly merely the victims in all this. It seems that the bosses that mploy a lot of us are soon to be seen as good and bad, which will upset the curve a lot, but no matter how we look towards the future and where we look, we need to find a balance within ourselves and propagate that outwards, that is essential to create a balance within ourselves, because no matter how this all goes, there is every indication that the month may will see the first of several cycles of blaming the people around us. 

 

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Creativity wins

It has been a hard 2 weeks, for most workaholics the entire shutdown issue is a little larger than normal, gaming or not. So to treat myself I decided to design a new TV series (we all have jobs), it did not turn out the way I expected it, yet it was still a win for me, as it enabled me to set a plan for 30,000 additional words to my novel which is at present (excluding the addition) at almost 57,000 words, so I feel that I am now beyond the 50% marker. To be honest it is an addition I actually did not see coming, and that’s the beauty of creativity, it takes you at times in unspoken directions. 

It is almost like a dream I had, which I cannot recall at this time. I wanted to remember it, but some dreams take a weird flight, they tend to delete themselves from memory, in the end it is still a win for creativity. 

There are more elements linking to all this, but for now, that is all I have to say about the elements involved. I had some notion to try and connect the initial idea on ‘How to kill a politician’, but that is a separate project, I saw that early on. Yet the lockdown is throwing my levels of creativity in overdrive and I am actually less happy about that. On one side I do not mind, but there I believe that there is a link between my creativity and the dreams/nightmares that follow the dose of creativity that I enjoy when I am awake. It seems to me that the brain can give in one direction, and after that gives in the other direction. It is a speculation, but it is based on a world, or a universe that seeks balance, a balance that is almost universal. Instead of the initial idea that I had that action in one direction,implies the need for inaction in another direction. Unlike a computer, the brain does not accept inactivity, it actively rejects it, which beckons me to consider whether I can direct activity in a direction. I know that I can to some degree, but I am not yet aware if this can be pushed to certain limits. There is plenty of  materials on this, but there is less available and less reliable information available to push the dreamer from a dreamer into a lucid dreamer. The benefit is real and direct, if we get control of our dreams we get to utilise the strongest computer ever built (the human brain) in other ways. Whether it is to complete another branch of my IP, another story or another idea, we need to complete it and these weeks are showing us all that the workaholics get another part to play, to push new boundaries in the fields we work in. I do not know if it can be done, but the idea is a larger push towards new ideas and that is an addictive push to face. 

The important part in all this is that this is not merely my journey, I believe that the entire Corona lockdown has a much larger impact. Others are facing a similar journey, the dreamers, the creators and the makers are facing a side they have not been pushed into to a much larger degree and this lockdown is pushing it to the surface. We have been running to keep up with the payments and bills we face and forgot to take time to ourselves. Inthe last two weeks we have had loads of time to ourselves and it seems to show to some people that there is a lot more in them. I would not be surprised that some bosses fave a new era, where their employees have surpassed them and are making the most of what they can o next. For me not much changes. I had set the stage where I can write, I can consider and I can design, That will continue, yet now there is an optional new field where the dreamers and designers at Microsoft, IBM, Apple, HP and a few other places will figure out that innovation is not what marketing says it is, but what the designer makes it. That might over time be good news and we might actually see more innovation, instead of iteration marketed as innovation, the difference is massive. 

The entire Corona event might have losers, yet there is at present a chance that there are also a fair amount of winners and that is the silver lining that no one saw coming.

  

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Value and validation

We all see both, we need to be valued and our work, our thoughts and our point of view needs to be validated. It is for almost every person the same, the value and validation drives him and her alike. As a blogger I have to do with rants and bad mouthing, but that is what comes with the terrain, with my IP it is different, like a writer I need validation, but I cannot get it without putting my IP in the public domain and that is a really bad idea any given day of the week, so how will I get value and validation if there is no feedback? Well in my case there are a few items that work. First there is the validation on what I write. I wrote in September 2019 ‘It’s been that long‘ (at https://lawlordtobe.com/2019/09/28/its-been-that-long/). I had written about the issues before in ‘Gaming ‘after silence’ or ‘pre noise’?‘ (at https://lawlordtobe.com/2016/05/14/gaming-after-silence-or-pre-noise/). there I wrote May 2016 “This is just my view on it and I expect to be proven correct before the end of 2018, possibly even sooner” and as I see it System Shock (delayed, 2020), Moonshades (a Dungeon Master style game) have proven me correct, basically I feel validated beyond the value of Ubisoft at present (nothing wrong with my ego). Dungeon Keeper and a few others were already out (or openly in production), so that does not count. These are a few of the little things showing that I was right all along. This does not prove that my IP is da bomb, but if I am right in my way of thinking in one way, I will also be right in the speculative reasoning, and as my path is still not showing in 5G, I feel more and more happy.

In all this, my mind needs to create, it needs to be creative and I wonder when we see ‘3 Reasons 2020 Will Be a Make-Or-Break Year for Netflix‘, whether this is merely a ploy to bounce the stock or something else. Yes, the Nasdaq article gives us “Will Netflix finally win the Best Picture Oscar?” as the second reason, making the article bogus (to some extent), some of the best movies in the history of film never got awarded best picture and that did not hinder them, did it? The Independent (UK Newspaper) shows us Citizen Kane, Vertigo, the Graduate, 2001 (a computer going nuts), Taxi Driver (Robert de Niro with a decent haircut), Apocalypse now (Martin Sheen as a teenager), Blade Runner, Pulp fiction and the list goes on, the paper gives us 23 movies (a lot with De Niro) all worthy to rub shoulders with the Irishman, none of them Oscar winners, does it matter? What matters is not the billions spent ($15 billion last year on materials alone), the matter at hand is if Netflix keeps on making quality stuff, even if it is less, quality is quality. In that light I thought

Wouldn’t it be nice

Let’s take a look at Rendezvous with Rama, the atmosphere of the book gives us a handle, yet what if we turn this around, what if a group of people wake up on a space station with a diameter of around 250 meters, it is a way station, between us and the Sombrero galaxy, all indications are that the people wake up at 1/3rd between us and the Sombrero galaxy, in the middle of nowhere. At what point will we consider that we are merely rats in a maze? Even as every piece of equipment works, even as most of it is beyond most technology firms, what is the test? Is it the one we are given? Will we abide? What happens when two more teams arrive? What happens when we start taking initiative? 

As the situation presses and another platform is found, we see that there is division in the groups, one group (from the three arriving teams) decide to use it only to find themselves on a station more than twice the size, yet now only 1/3rd away from the Sombrero galaxy. As we consider the hardware available and working that it can get us to another galaxy, how much more advanced were the makers and what do they want? With one or two twists, one involving a priest going nuts (a wink at war of the worlds) we are left with questions, because we now know enough to know that there is no way that we are alone in this universe, yet the people here have no clue what we are missing to go travelling and yes the cold fusion we claim to have does not cut it (not without two elements and Celestrium) the last part is essential as its existence answers a few question, including how to find others.

When we take the science apart and see that we are often too clueless to consider leaving us alone with that equipment. Would you leave a box of matches in YOUR house with your 2 year old? The considerations I had on a Sunday evening would become the foundation of an optional mini series, with my additional mind on games, TV series and IP, I see that there is nothing wrong with my imagination! Now Google and Huawei need to wake up for the circuit to be completed (almost literally so).

In all this, we can feed our need for science and our need for fear, fear makes its own conclusions and it has no reservations taking the upper hand, just like it tends to take over giving doubt in a stage of our ability to value and validate ourselves, and it all matters! Did you think that I am so much brighter and better than some others? (Well I am to some degree), the issue that we see nowadays with the US playing tantrum child all over the field is showing a larger lack of imagination. The movie industry sees the imagination of a man like Stan Lee take over, but it was his imagination that spoke to millions of people all over the world, a lot of them having seen at least a dozen of his comic books, and Marvel cashed in, in a world where we see a lack of imagination we see the people of Stan Lee comics making a killing, imagination gets to do that. In that same view I see the Irishman, an amazing piece of work and if that is the quality that Netflix brings, then best movie Oscar or not, Netflix is likely to be around if those holding their credit is standing strong too. for that is the game too, if the credit holder is not a visionary, if that person is a short term bullet point oriented Excel user, you tend to be royally screwed (pardon my French).

And in this I am not alone, Forbes (at https://www.forbes.com/sites/greatspeculations/2019/08/20/all-the-reasons-why-netflix-is-doomed/#59953e37465e) gave us last year “Content Spending Not Adding Enough Subscribers“, an optional issue to some degree, yet we seem to overlook that there are 170 million subscribers, with 100 million outside of the US, in all this we tend to forget that France has a dismal internet (outside of Paris and Defense au Lille), and they are not alone. there is still the need to see Netflix, in many nations and as more people see the pull to new series (like the Witcher), Netflix will survive, by the way, in all this we see the lack of visibility on HOW MANY watched The Witcher, none of the cable services EVER had that much viewers. A small item easily overlooked and as Netflix moves through time, we will see more players and some will switch, but Netflix remains a name not to be forgotten, no matter who shows the Marvel movies.

And as I see the writer of Forbes give us “As I wrote about in “Loss of Licensed Content Is an Underrated Crisis for Netflix”, Netflix doesn’t appear to have a plan in place to replace these beloved shows when they depart the service in 2020 and 2021” and there it relies on the Office and Friends, a TV series that was big in 1994 and the ten years running. Yes it was fun and it is highly regarded, yet so it Star Trek, so is Altered Carbon, so is Bojack Horseman and that list can continue for some time. I believe that it is the new material that will pull in the subscribers, not old series (although a case can be made for the West Wing and Babylon 5). And what we like is out in the open, with 4 billions ooptional watchers, what we like is spread between Aaron’s Way and Zorro, there is a need for almost all and over time they all will be watched (at some point). If there is one flaw in the Netflix formula, then it is the abundance of choices, we are like children in the candy store having to make a choice, yet whenever we make one, we see another lolly overwhelmingly tasteful. It is great for the creative inspiration, but you tend to miss out on perseverance or a lack of sleep, whichever comes first and ask around you, whomever saw the Witcher, how many watchers turned into overnight bingers? Now consider that Netflix releases one show a month, how much sleep did you forego?

At times validation takes its own currency as payment and it tends to be the currency you did not see coming, and it is not a currency that holds water at the check out of the supermarket. We all tend to forget that a little, as well as the small thought that creativity starts in someone’s mind, not as a bullet point on a document. This is important, especially as I agree (and oppose) with ‘Ubisoft: A Number Of Risks Make The Company Non-Investable At This Point‘. Those who know me, have seen that I have spoken out against Ubisoft on a number of occasions, yet the issue is that this (source: Seeking Alpha) article is all set to the investors and there we have another matter. Yes games are reasonably high risk, yet there is a reason that places like CD Projekt Red are successful, they went the extra mile. Ubisoft needs to adjust course. I cannot completely disagree with “We don’t think that Ubisoft is worth investing in right now and believe that the market offers greater opportunities with less risk“, they do have a point, yet this investment report is set around the overall, not the specific. As we see “While shares are slowly rebounding from the bottom” we see a reason to consider Ubisoft, even as we have to agree with “poor decision making in the past and a ruthlessly competitive environment are making Ubisoft non-investable at this point“, we forget that the engine is set around creativity. It is watching two channels at the same time, and Ubisoft did this to themselves. There is the creative channel that is showing delay upon delay as they need to get it right and there is the hype creating business channel that needs to get muzzled, the stage is wrong, the PS5 and Xbox releases at the end of the year require their best foot forward, if Ubisoft is able to release a game in the quality settings of AC Origin, they are saved, if they do it AC Unity style, they are buggered and their marketing department is not helping, there are almost literally hundreds of shouts from all kinds of publishers on delays and other news that does not make the coffee, creation is equally about muzzling that part. All while one source is giving us the image of WatchDogs Legion: “The release of Ubisoft’s new animal-themed action-adventure game“. It was 4 days ago, why is Ubisoft marketing not all over that? I should be less concerned, Ubisoft did this largely to itself, yet the creative minds like Jason VendenBerghe were lost in this marketing shuffle. An amazing game that should have made his desk at Ubisoft a permanent one, was shown in Netflix as we are shown what the creative minds go through when they are bounced of other creative minds and off the walls, we see the need of validation and how it was missing at Ubisoft, at least that is how I saw it. There will always be a large part that is not on any camera, but what some see as validation is not always picked up as such and the need for clear communication tends to go in every direction, you merely need to look at several surveys and how people perceive brands to get that part of the picture, as such a driven creative mind with a single focus tends to go in any direction, except the direction it had to go in and the lack of validation tends to be a larger concern. As for value? that remains to be seen and that remains open, yet I do believe that if there is validation, the value of oneself tends to go up, that has been the case since before Brutus was slapped on the shoulder for treating Caesar to a dagger on 15 March 44 BC. He was validated, but his value remained that of a traitor (hence he comitted suicide). In all this we rely on one, knowing all too well that the second does not give validation to the first, or it does, yet it will not give value to both and that is where the internal person and the realist tend to sway, how to assess value? We have been on the false brink of stockmasters for too long and our  assessment of what is value is in the wind, time will tell how we go about it, because that is something we cannot do on the fly or in an instant.

 

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In light of projected greed

This is an odd phrase, projected greed is not the same as greed, it is not. Projected greed is about speculated revenue, but greed tends to be a driving motive here, no matter how you stage your response. The salesman states words like ‘pipeline’ because it gives him a handle on quarterly bonus, he’ll tell you that it is about the continuity of sales, but it is not, it really is not. The CEO uses all kinds of terms for the ‘saleslife of his quarter’, but the stage of the quarter and their extra monetary incomes are linked to it. So how do we see this in movies? For producers it tends to be about the above break even point, even as it tends to be disrupted by visibility, but good visibility is movie momentum that a producer can push onto his next project. 

As I made mention before in ‘What is unintended discrimination?‘ (at https://lawlordtobe.com/2020/02/07/what-is-unintended-discrimination/) we need to see that recognition of revenue and the missing of unadulterated vision and attention which drives down movie revenue, the stage of projected greed gets bitten by being the biter.

In the last few days we have seen all kinds of people critics, movie stars, directors and producers give voice to diversifying the Oscars and Baftas. 

Bafta

This is actually the simple one, the ‘mission’ of the Bafta is stated as “The stated charitable purpose of BAFTA is to “support, develop and promote the art forms of the moving image, by identifying and rewarding excellence, inspiring practitioners, and benefiting the public”“, all whilst the supported part is “Films must have been available to the UK public for the first time in the UK between 1 January 2019 & 31 January 2020. There is an exception for Films Not In The English Language (FNIEL) which are eligible if they have been made available to the UK public for the first time between 1 January 2019 & 28 February 2020” which we see at https://awards.bafta.org/sites/default/files/images/ee_british_academy_film_awards_1920_-_rules_and_guidelines_-_feature_categories_october_2019.pdf

As such a movie is eligible when it was available for watching in England, seems all very correct, does it not?

In 2019, a total of 786 movies were released in the United States and Canada, which implies that when we consider Bollywood and Nollywood that number goes up by a decent amount. At which stage can you diversify when we see that there are around 775 cinemas in the United Kingdom? Now we need to consider that some movies are in a cinema for weeks and that some movies are almost in every city for example, in 2019 Avengers: Endgame played in 682 cinema’s in the UK alone, as such when you see that there are 775 cinema’s, we see that ONE TITLE takes up a lot of space in the display area. As such there is no way that these 786 movies can be shown. And the British people want sensational movies (as do people in most nations), so tell me where does that leave a title like Lionheart?

 

Abacus

This was simple stuff that could have been figured out by a 5 year old on an abacus, it was not that hard and I like putting this out there as some critics requested the dismissal of HRH Prince Harry (or was that Prince Albert Victor, Duke of Clarence and Avondale?), ah well that person (the critic) will optionally fall over his on words of misinterpreted denial soon enough.

And I forgot about one part that was actually obvious and clearly out there, but just for jollies “Films are not eligible when they have been previously entered into the British Academy Film, Television, or Television Craft Awards“.

So in all this in 2019 when we consider Avenger: Endgame (Robert Downey Junior, Chris Hemsworth), 1917, Once Upon a time in Hollywood (Brad Pitt), Joker (Joaquin Phoenix),  Star Wars: The Rise of Skywalker (John Boyega, Daisy Ridley), Bombshell (Charlize Theron), Jumanji: The Next Level (Dwayne Johnson, Karen Gillan), Fast & Furious: Hobbs & Shaw (Jason Statham, Dwayne Johnson) all movies in multiple cinemas for multiple weeks, it makes the remaining space not spacious, it is the drawback of more and more film releases. I left the Marvel movies and Cats alone for obvious and opposite reasons. I also have not even taken movies with Will Smith and Angelina Jolie into consideration. As such, when we see Steve McQueen (the director, not the actor) give us “BAFTAs risk becoming irrelevant“, we see an optional valid argument, but the stage to diversification is stale and now almost obsolete, the need for greed took care of that part. His view of “After a while you get a bit fed up with it. Because if the BAFTAs are not supporting British talent, if you’re not supporting the people who are making headway in the industry, then I don’t understand what you are there for. If (film-makers) are not recognised visually in our culture, well what’s the bloody point? It becomes irrelevant, redundant and of no interest or importance. End of“, when we consider the rules, we see that the deck is warped through the need for greed (producers call it getting their investment back), we can push to change the rules, yet the environment of being able to watch a movie is not in sync with the needs of those good enough to win. Lionhart was merely one example, there are plenty more and whilst the filling of cinemas is set around the release of Marvel movies (not a bad thing) we need to consider that time is also a factor, income is a factor. I went to the movies at least once a week when I was young, bills and payments have set this back to once a month and from there to 2-3 times a year, Also limits factors in movie revenue because each trip to the cinema is $25 at least and that is when I bring my own bottle of soda and a pack of lollies. As such can you deny that Netflix had become a gift from heaven to millions of people?

The final rule for Bafta that matters is “An entry can be made either to the Film Awards or to the Television and/or Television Craft Awards, not both“, as such how did the Irishman get in? It is a superb movie, yet which category did it get mixed in with? In addition when we see ‘Andy Serkis to receive top honour at BAFTA for ‘revolutionary’ contribution to cinema‘ and we see him getting all that well earned credit, yet we saw no mention of him being a cut throat mercenary in two Marvel movies, odd is it not? 😉

Oscar

Here we almost get a repetition of the Baftas, although what I did not know (never looked it up before “to be eligible for awards consideration, a film must have a minimum seven-day theatrical run in a Los Angeles County commercial theater, with at least three screenings per day for paid admission“, as such we see a small bewilderment, he idea that the voice of America is based on ‘a minimum seven-day theatrical run in a Los Angeles County commercial theater‘, in light of this we see a larger issue, from what I am speculating (I could not get the numbers) we see that the Oscars are likely based on a much smaller sample size than the Baftas, with the previous arguments in sight, as well as “Voting on all achievements shall be restricted to active and life Academy members“, which we accept makes sense, yet as the movie industry goes on, as it intertwines with HBO, Netflix, Apple and Stan. How much time will a voter get? The rules could be found at https://www.oscars.org/sites/oscars/files/92aa_rules.pdf and even as it looks a little more ‘lawyeree’ than the Bafta rules, it is not unreadable. Yet in light of voters, how much time did they get (as well as interest) to watch 786 movies? Consider the personal diary of Adam Driver (or Tessa Thompson for that matter), how much time did they have to sit down and watch a movie they liked and a movie they thought had to checked out because the critics were raving about it? When we consider that, we see a shifting image and the movie list given earlier (we might think that Adam was biased seeing Star Wars: The Rise of Skywalker), we need to consider a much larger stage. Oh and cutting down on Oscars and time on TV would not be a bad thing to consider either.

Yet how will that go over with the people cut from consideration? When we look back to the first Oscar, where the presentation ceremony lasted 15 minutes and had 12 winners, in this the most notable part is that Charles Chaplin lost out on three nominations, it is a big difference from the 92nd Oscars, is it not?

I do optionally not disagree with the ‘So White’ part of the outcry, but as I see it, there is a limiting factor in place that makes it hard to get distinguished here and in the 2020 Oscars we get to see Parasite, a South Korean movie (the distinction of South is important here) ending up with 4 wins and two nominations is pretty amazing. How excellent must this movie be to get that many awards (I did not see it yet), it is also amazing that it is the first non-English picture to ever win best picture. 

So until we change the premise of who is allowed to win, we will get a grey collection of movies that are in the running. In all this Parasite and Joker are already a larger step towards exceptional movies that are less mainstream than what mostly takes the slices of the cakes. And in light of all this, there is still the factor of projected greed; it is not the continuation of getting your money back. Avengers: endgame, cost 365 million, revenue 2,800 million. Then there is the real life Lion King with a cost of 260 million and a revenue of 1,700 million, two movies that took up exactly how many theatre rooms in Los Angeles County? That is part of the premise as well, because as they run, other excellent movies could not be set to the rules of being a nominee. Now I am not blaming these two movies, yet the premise of the Oscars is most easily seen when you consider that part of the equation. Projected greed might be the most dangerous part in all this, first of all because it is not actual greed, but it is closely related to its awful brother, and movies have become too much about projected revenues, in this, which studio exactly used to rely on ‘Ars gratia artis‘ (Art for art’s sake) before they (and all others) seem to have transferred it into ‘Ars pro reditus‘ (art for the sake of revenue)? It seems unfair on the directors, actors and actresses, yet they too are linked to their careers and they need to be the person who grows the income of the producer if they want to stay employed, in this I reckon both the Bafta and Oscar get to draw the short straw.

 

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