Category Archives: movies

Feeling confused

Well, there are two things, the first is that I got a workable idea to a final twist in ‘Exhaurire vitam’ the mini series that predominantly plays in New Orleans. There are a few scenes in other places, but the bulk is there. There are a few more issues that I uncovered in ‘How to assassinate a politician’, as such I have it close to ready, a movie and a mini series. Then there was the series ‘Kenos Diastima’, I have been tossing and turning on that and I feel that leaving it (for now) with an open ending at season three is the best way to go. Then I got another idea, this one was initially for ‘Exhaurire vitam’, yet the new series (the one I talked about a few times), has more traction with it and it opens up a nice can of worms. You see, the gods are all over all places, so there much have been some dependency. So what happens when one of them is in debt, or better stated, what happens when the debt was opened to a new source? That was the setting I contemplated on the subway. As such the main character would be open to all kinds of other things. That was the setting my mind worked on. And as I contemplated what could be possible when Bastet is thrown in the mix, the equation changed and that has long repercussions, not bad ones, but unforeseen ones and that tends to be good, because the unforeseen brings more than a surprise or a plot twist, it gives the story a new direction and I am all about that. But in part I have no idea why the images are coming to me so rapidly and so directly, that is the part that has me confused. It is like your brain playing some year at Hogwarts and you create the setting, but you never created the stage. In this example we all know it is J.K. Rowling. But the stage I create is new, has never ben contemplated, or written about. I have no idea where it all is coming from, so for now I follow the thoughts and create more stories and optionally more scripts. And I have no idea where it all goes. Even as I seek the implementation of Saudi TV in the movie, I wonder where it will end. So whilst I get that “Bryan Fogel says Netflix, Amazon and others wouldn’t buy ‘The Dissident’ because they were scared of angering Saudi Arabia” my story does EXACTLY the opposite and as such might be loved there, what I do not get is why not more are considering that step. In the end, good business is where you find it and basically I found it. 3 TV series, one movie, a game, console settings and the evolution to another 50 million consoles and beyond that I reengineered several Ubisoft games and created several 5G IP. Not bad for one person in less than 5 years. So if you are wondering what stops others doing the same, I have no idea. But I do believe that they are all looking in the wrong direction and I feel that more and more of that is proven. But the confusion stays. What if this is all between my ears? I do not believe that this is so, but if you cannot look at it from opposition from a distance than it means you have gone bonkers, have gone round the bend. Oh, and I also designed a weapon to get rid of the Iranian navy, so there (and that part is already online). But the confusion stays. I have no idea what is driving this all. Perhaps a last knee jerk action by the brain before it stops? Your guess is as good as mine, I am honestly clueless.

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The missing ingredient

We all have that. It does not matter whether it is food, drinks, series, movies, games. When an ingredient is missed, it counts, especially when it is an ingredient we thought highly of. In Assassins Creed it became Ezio Auditore. In Tekken it was your favourite character, in NCIS for some it was Tony DiNozo, for Charmed it was Shannen Doherty. And movies have their own crosses to bare (or was that bear?). Anyway, these thoughts came up as we lost Fred Ward to Eternity. I saw him first in Escape from Alcatraz. I always considered hm a good actor and I enjoyed watching his works, especially tremors. But my mind suddenly set on Remo Williams: The Adventure Begins, which was shown in the Netherlands as Remo: Unarmed and Dangerous. There are a few issues with this movie. It would be the first time I saw Kate Mulgrew (Captain Janeway of the USS Voyager). It was not the greatest film made, but it had humour, which made the movie fun to watch. Joel Grey as Master of Sinanju Chiun was slightly too much over the top, but still fun. What was interesting was the plot. There we see an investigation of a corrupt weapons procurement program within the US Army. You see, that plot was new, or at least I had not seen it before and then the cogs started turning. Why does Netflix buy these rights and overhaul it into a mini series? You see a movie is nice, but 4-8 one hour episodes leading to a much larger, deeper and darker story might be a lot more rewarding in the long haul. And lets face it with the non functional weapons out there (USS Zumwalt, most of the Russian tanks) the setting for a large increased plot theme (especially when we pull the EU (Strasbourg) front and centre, the story could be appealing to a much larger audience, of course we will miss Fred Ward as a key ingredient, but nature tends to be unrelenting in these matters.

It is after-all about the weapons procurement program, and the stage where someone walks away with billions on a model that never went anywhere is a nice touch. It is even better if some elements are kept as close to the truth as possible. You see, Forbes gave us (at ‘An 82-Year-Old Is Suspected Of Decades-Long Scam Selling Dangerous Weapons Parts To U.S. Military’, then there is ‘Metallurgist admits faking steel test results for US Navy subs’ (at and there is more where that came from, but consider the second part, consider the idea that the North Koreans (and Russians get a hold of that and a list of Los Angeles attack class submarines that have that steel? Now consider the play that could be made to get a submarine to a specific location and scuttle it ‘accidentally’ because the flaw was unknown. The story that some could write might keep the TV audience on the tip of their seat for the entire mini series, and the bulk of that work was already done. So as Netflix is trying to cut cost, here is an idea that they could use. But I think that they owe it to Fred Ward to have his picture somewhere (as an admiral) or as a father pic of the hero of that story, there are all kinds of ways where we can have a silent tip of the hat to a person who should not be forgotten like yesterdays news, but that applies to so many actors, I will be happy to admit that. When you know your games and consider Sir Alec Guinness as the CEO of Tri-Optimum, you know exactly what I mean. A simple setting of a series done in a few hours, Netflix get to work!

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Pure Flicker

Yes, many of us enjoy it all the time, the pure and the flicker. Some of us (like me) have it 3-4 months a year, two around Christmas and two around summer. And there are who do not like it at all, or they settle around Disney, Hulu or Stan. They are all in a seemingly stand-off. They all vie for the same population. As such, members will shift. I wrote about it before, it was always going to happen. This time there is more and there are a few sources. Lets take a look at two of them. In this we have 9 News who gives us ‘Netflix loses more than $US60 billion in minutes as investors flee’. Here we see “Shares of Netflix are imploding after the company reported its first quarterly loss of subscribers in more than a decade. The report far underperformed expectations, worrying investors who had been betting that a handful of big tech companies would continue to grow at a rapid clip. What’s happening: Netflix’s stock dropped 30 per cent when the market opened on Wednesday, instantly wiping more than $60.54 billion off the value of the company.” It is merely one part, channel 9 also gives us “Netflix said it shed 200,000 subscribers in the first three months of the year, when it had been expecting to add 2.5 million”. Here we have the first issue. You see ‘it had been expecting to add 2.5 million’ based on what expectations? You see there are two parts here. The first is that the covid era is sort of ending (sort of is the best I can give you). As such people are now expected to work, they cannot stay at home watching TV, so as millions go back to work, they will slide their subscriptions. As such the adding of 2.5M is one part, the loss of 200K makes sense and both numbers are up in the air. We can end up anywhere between plus 2.5M and minus 200K. Neither bother me, so the loss of $60B seems like an overreaction. But then we have the second article by the Guardian giving us ‘No wonder Netflix is bleeding subscribers – it’s become the new cable’ and they give us “Netflix posited everything from the war in Ukraine to people sharing passwords. But what if the reason is much simpler – that Netflix just isn’t really making much people want to see any more? It’s been a long time since Netflix was the total package: the home of cherished sitcoms like The Office, buzzy dramas like House of Cards, the exclusive venue for cinematic events like Bird Box and all for less than 10 bucks a month. Now, as the streaming service’s value nosedives, the big question is: are you still watching? And if so, what exactly?” It is a fair question and the stage I predicted well over a year ago is now coming to pass. One year prescription, spread over three providers. That is the reality of cramped budgets and these so called analysts with their expectations should have seen that coming a mile away, I saw it a year ago in my article ‘Choice, can you choose?’ (At and there was another article. So the minus 200K is not too surprising and I do not understand the ‘scared’ investors. This was ALWAYS going to happen. But I am also not surprised. You see the statement “investors who had been betting that a handful of big tech companies would continue to grow at a rapid clip” shows us the American who is short sighted. The one who does not comprehend that markets saturate and as such they have this dumb believe that numbers can only go up. And until 5G is a national solution for a lot of countries this will happens and worse will happen when internet congestion starts biting, because that too will be a factor. As such I personally see the overreaction on Netflix as a storm in a teacup and only the scared investors can make it worse for themselves. 

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Giggle, giggle, laugh, laugh

We all have moments of comedy. We all have that moment that touches us, some in good ways, some not so. For the most I avoided a lot of the Will Smith issues. It was for the most a very personal one. I saw 1-2 clips in the beginning, because I never watched it live, and it was extremely unlike Will Smith to do what he did (as far as he has been illuminated), so that was my first moment that I got introduced to alopecia, until the slap I had never heard of it and there we see the part that bites a lot of us. We like comedy, we enjoy it, but to make fun of someones disease is a very dangerous act and a professional like Chris Rock should have seen that coming. I am a mere amateur in the giggle department. I have made fun of people at times. There was the Mattel case, they launched the Gamer of Throne characters. Jon Snow with sword and cape (Kit Harrington), Daenerys Targaryen with cleavage and a dragon on her shoulder (Emilia Clarke) and not to forget Tyrion Lannister played by Peter Dinklage, the only life sized figurine Mattel ever released. Talking about Peter Dinklage, in one movie he plays an attorney, complete with pew. Awesome, brilliant defence (aka excellent written script), but then the nightmare begins, in comes Vin Diesel, hair on his head. It took took two bottles of Buspirone, just to get me back to hysterics.  Humour is seen in many forms, in many shapes and many directions. I have no issues with this level of humour. I see no issue coming in a car with the license plate made by Hillary Duff (a Ricky Gervais smirk). 

Yet, when I think of Kenny Baker I feel sadness, we lost him too early (he was 81). You see, we missed out on a legendary moment that did not come. In 1970 the UK launched Catweazle (and his frog Touchwood), I still think of that character 50 years later every now and then. I believe that Kenny Baker could have surpassed that achievement for another 50 years and lets be clear, Geoffrey Bayldon did an amazing job. There are moments that touch our hearts, Catweazle touched us in many ways, but comedy has an equal option to hurt us by touching all. And Chris Rock went there. Even a person like Will Smith, with heart armour that the claws of Wolverine cannot scratch, the arrow of Chris Rock did the job and there lies the rub, when someone loves his partner and family to such a degree there will be fallout. Not all of it good, but Hollywood wants its shock moment so that they can sell the event on to next year and now that I see the news that Will Smith has resigned the Academy, accepting whatever the disciplinary hearing will bring. It is time for the other side to come as well. You see the Academy forgot about the other side. They could have blown it off with a stage of steam and high emotions, they could have simmered it down as a comedian made one wrong joke, a joke on the disease of someone’s partner. They want the full furlong, so let me give them something to think about.

I hereby plead to all who see this, to all who forward this. If any consequence sticks to Will Smith that we all avoid the 2023 Oscars. We can watch the BAFTA’s, we can see the Tony’s, Grammy’s and others, but the Oscars next year we give a miss. That is my request and do not worry of forgetting, the media will milk the slap every year for years to come and when the viewers stay away the Academy will have some thinking to do. We all saw #OscarsTooWhite, we see message after message but we do not act, it is time to act. So give the Oscars a miss in 2023 when the Academy chastises, or give career consequence to Will Smith. Lets see how that goes over with the money hungry tycoons in Hollywood. There is only so much one person can take and Will met that point, it is time for the exploiters and milkers to feel a bit of that too, when the money moves away, watch them smile it away, laugh it away, giggle it away like a bad joke, but then it will be about the complexities. So lets do that, it is merely a request, you can do what you want, that has always been your right. But ask yourself, if you have a family member who dies of the big ‘C’ and it was because a neon sign stating ‘Curry’ fell on that members head, will you laugh it off?

Consider that part of the equation. 

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The stage selected

That is what I keep on seeing. Not the slap, not the presentation, not the conversations. The setting of the stage. For me the question remains why Dune was not an option for best Director. This is not the objection to who won, I never saw that movie. I am not debating the winner, not objecting to the winner, my mind is screaming at Dune becoming a non-nominee as best Director. And the competition was seemingly fierce this year. The mind screams when something happens that we cannot comprehend, or perhaps seemingly comprehend. 

And the screams are oud within me because I am not the only one feeling this, the internet has been busy for a while on this and it is not the first time the Oscars are under debate. #OscarsTooWhite, is merely one of many objections over time. So when I see  movie that blew me away, getting 6 oscars that it shined in and is a non-competitor in another category is just a little too weird. Denis Villeneuve outdid any other director ever involved with Dune, he outdid what we expected and he outdid what we could not grasp. So I am not opposing that Jane Campion won, merely that Villeneuve according to me and many many others deserved to be a nomination. It is that simple. When we are confronted with such a blow normality goes out the window, and there is no stopping the confused mind and it is also a larger station, I cannot debate that the others did not deserve to be nominated, according to many they really did, I do not oppose that, perhaps it was as simple as number of votes, and I am willing to accept that those who became nominees just had a few more votes. Still the boggled mind stares out of the window trying to make sense of it. Yet in all this, I also recognise that 007 fans wonder why they only won one of them, it is perhaps the setting of what we think should happen, to what we think does happen. A stage that overshadows us all. In the end we are all slaves to what the mind perceives and I get that, I really do, but the mind still screams and that is hard to swallow, especially when we see a movie that blows us away. Perhaps within ourselves we nurture the populist voice, it is something that is not easily stomped and it seemingly in charge of us to some degree.

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Chaos on the brain

Yup that was me alright this morning. It started actually pretty good, I was enjoying some tea (yes I drink that every now and then), I was enjoying being in my bonnet and behold, a thought passed me by. It was a mix of Queen, a thought of Ted (the teddy) and things started to click. You see, when I grew up (a really long time ago) I got my hands on some Flash Gordon comics and the mix started to rattle. 

I loved it, it was just different. So I was a fan before Queen, Sam J. Jones and Melody Anderson decided to have a go at Max von Sydow. I loved the music, the movie all because the comic woke something up. Even nowadays, I miss the comics, I can still enjoy the Queen album (they truly outdid themselves) and the movie was for a 1980 movie quite enjoyable. But something was missing. You see, now we have the streamers and they could transform the original comics into something dark, gritty and closer resembling the comics. Who? I have no idea, but Amazon, Hulu and Netflix should seriously consider it. No matter who wins, if they can make it truly dark and more resembling the comics, they could have a large win on their hands, merely my point of view. Nothing more. So whilst that process started chaos came knocking on my display. It was Hogwarts Legacy (at and it blew me away. Not by a little either. Even now as I am still enjoying Horizon: Forbidden West, I cannot stop thinking of what Avalanche Software has set in motion. What I saw was unique and flawless.  I plays a century before the Hogwarts we know and it works out that way. Yes, we recognise parts, we see things and creatures from all kind of places, but there is so much new to be seen, so much art in nearly every screen that I believe that on view alone, it will drive millions of Harry Potter fans insane with the need to get this game. Yes, I heard about the critique, I cannot say how I feel as I avoided (intentionally or not) most of the information as it was too far from release date. So whatever goblin issue there was the clip I pasted was my first introduction to the game and it looks utterly stunning. So even as some will say, I saw that. I avoided the 2018 leaks, I see no need to get hung up on something 4 years before release, and I still believe that. I saw some teasers that were released, and now some real stuff and this game could optionally set a new bar for many game developers. First Guerrilla, now Avalanche and Ubisoft cannot release anything to that level of gaming as I personally see it. Can you not see that Ubisoft is about to become a ‘has been’, like Microsoft (just a thought). So why the link?

I believe that any new IP, could be linked. Could transgress from comic to both games and series and here the path for Amazon becomes a lot more clear, but there is nothing stopping Netflix to seek an alliance with a real hungry and futuristic software house to unite and create both using one design and art team. There really is no need to reinvent the wheel and nowadays these wheels are a lot closer alike and a lot closer together than was the case in the past. 

In this fantasy and science fiction seem to be more easily adapted to both stages than others, but that is merely a personal view. And in this, what happens when you consider what games like Horizons: Forbidden West and optionally Hogwarts Legacy allows for. So what happens when the world of Flash Gordon become a much larger RPG styled game than ever before? It goes further than this. Consider Hansel and Gretel. Not the fairy tale, but the movie that gave us a bad ass Jeremy Renner and Gemma Arterton. Now consider the environment. Take Southern Germany, a map that maps Baden-Württemberg and Bavaria in the 11th century. And the Black Forest is only a small part of Baden-Württemberg. Now consider what you need to do to become a famous witch hunter. And optionally the golden Emma Watson statue if you kill more witches than anyone else (no need to avoid humour, is there?) And consider the era, the first Crusades are in full swing, so there is an abundance of criminals and charlatans, there are corrupt officials and in that stage you will need to put your stamp. And it does not come easy. In the movie they had the weapons, but in this game you will not get far without the help and alliance of a really nice blacksmith and they only work for coins. We are so gung-ho about the kill-shot that we forgot that before we get to do that kill-shot a lot more needs to happen. Would it work? I honestly do not know, but in this day and age, the larger entertainer and the larger holder of a unique piece of IP has a much better chance than all others. Guerrilla showed that and believe it or not, I believe (from what I saw) that Hogwarts Legacy is on that same track. Avalanche did something really good and I cannot wait to find out. And if I had to choose? I honestly do not know. I would look forward to all three games and it has been a while since more than one game was on my list. At present HFW is just so fulfilling, it is almost scary. 

But that too is part of gaming, the anticipation and finding out that it was well warranted, Ubisoft used to be like that, but now it seems the new software makers are on that path whilst the old makers are exiting the stage on the left side.

Chaos is on my brain, but it comes from a weird mix of the old, the new and what might be, and in the stage of a place that now has more than 20,000 castles? I reckon that any witch would want one, so there is a reason to play this in southern Germany and there is no reason to think that the map is limited to merely there. In 5 years, no telling what systems are capable of in 2027/2028.

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A view in the East

There is a new stage coming, I believe that it is a new part towards ‘Residuam vitam’ but I cannot place it in the whole story at present. There are gaps in the setting, but as far asI can tell, it is all happening in China. There is an open cave, a pipeline between north and south of the mountain. The stones are dark grey and profound. The cave pipeline looks like a stretched oval, with a width of 2 meters and about 5 meters high. The funny part is that the wind always comes through here and always from the north, that wind is quite strong and never lets up. I cannot tell whether the cave is below the snow-line, or I am seeing this in summer, it does not feel warm. When you walk into the cave, a cave the locals for unknown reasons avoid we see two large rotors. They are half in the mountain, half sticking out like teeth hungry for the north wind. The vanes are about 120cm wide, so these rotors must be about 2.5 meters in size and they stretch for a height of about 3 meters. They must have been here a while, they rotate, as the wind pushes them both. Between the two rotors is a gap, but not natural, it is man-made. It goes into a container, the container looks quite good, but the electronics are old, like they were installed in the 50’s and it is then that I hear the hissing sounds. I look around but I see nothing. It is at the other end of the container when I see a door and I open it slightly, the hissing is quite loud now and my flashlight illuminates hundreds of snakes. I have no idea how poisonous they are, so I do not go in, but the large surprise is in the back, quite visible. It is Wimshurst machine, it is huge, 5 meters across easily. Made of wood, with points in between and as the current inhabitants seem nasty, I will not venture forth. But those discs are no longer moving. I reckon that this is what the rotors were for, to power the Wimshurst. If this works there would be an unstoppable amount of energy for an entire valley. What made it stop? It was then that the hissing stopped and the snake sounds made one noise ‘Ao Shun’ it was the sound I had hoped to hear. Ao Shun is one of the few living aspects that could lead me to Ereshkigal, Queen of the Great Earth and she was the only one who once visited the true throne of Anubis and returned from there. So she was the only one who could tell me where Anubis rested and recuperated and that was preference to meeting him anywhere in the world. Anywhere else he could avoid me and not face me, in his place he had to face me and accept me as more then all the other mortals, a weird and dangerous stage, but the only one that could lead to results. So as I contemplated this I took a step onto those steps towards the Wimshurst machine and figure out why it had stopped working.

Then I woke up (darn), a nice setting towards the mini series which I believed would be all in New Orleans. This little sidestep proves me wrong, but I have no idea where it will take me from there at present. 


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More to a script

In the previous article ‘Lights, Camera, Action!’ (at I discussed a new movie idea, and now I want to add to this. You see, a concept starts nice, but we need to follow it through, drive the dagger home as it is called at times. So in the image below I added a few tracks to the movie story.

Fictive example

As you see in the charts, it is a straight line, and it needs to be. No matter how the movie is made, these tracks tend to have a ‘clear’ path. So we have two tracks added to the real path, now if we merely go through the steps, it becomes a dull exercise and one that relies on all kinds of action sequences. But what happens when we consider the green dots? These are the dots that overlap other tracks and other options, perhaps the two interact, but I try to avoid that, as I feel it becomes rather messy at that point, but I did make references in the first article. I mentioned the Youm7 News Agency, the Mobica store, and they are relatively together. All options to make the change interesting and set the starting point in a different way. As for the export license, it has been done before to implement weapons in cars, but who took the time to see how you fit an M60  (taken apart) in the spare-parts of cars the firing pins UNDER the tools of a trolley chest tool chest? There are all options and there are more and when we interact one with the other we see opportunities arise. So doe the enemy (the opposition of the movie). What if we are aware and we ignore their part and let the work FOR us? Leave them holding the bag so to speak, all whilst the RFID sticker on the potted plants now holds 512GB and the plant is the export tally for the stolen data? (see below) 

200% of real size

The sticker obfuscates view and whilst some inspect the content, the sticker with an RFID stamp is overlooked. 

There are so many more options and that is where the movie would optionally be a new unique setting, bad boys working for governments. It is not unique, but for the longest time we have not seen that kind of movie. Do not get me wrong, I loved True Lies, I love the MI series and many more, but the stage where the hero is not clean and white is ignored, it seems that Hollywood needs pure polarisation in characters, whilst the story should provide that. That is merely my view on the matter. And I did get a few more stages done. And when you think of the Russian war, consider that my articles have a nice bonus hidden, I will let you figure that one out. I need a sandwich!

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Lights, Camera, Action!

Well, this Saturday is getting weird in a number of ways. In the first the Dutch politician Geert Wilders is making a fuss, which works out well for me. You see the more waves that person makes, the easier my initial movie idea can be sold. Especially in the Middle East. You see he is the main event in ‘How to assassinate a politician’. I came up with the setting around the same time Charlie Hedbo got killed. I was all up about that and it was THEN that I learned that it is blasphemy to have an image of the prophet Mohammad. I reckon that a lot of people never knew that and as such the actions of Geert Wilders and his drawing event suddenly makes sense. So I designed a movie that takes care of people like him. And as I was contemplating that I came up with a new kind of secret agent movie. With in the lead the rapper 50 Cents (in Russia he is known as 4,000,000 ruble) and Tom Cruise. 

The setting is a weird one. You see 50 cents has the lead and in the movie he is not the ‘good saint’. He plays a rapper who is also a dealer of chemical delights. Coke, H, MDMA. He has it all and in that setting he travels the world. In this case a concert in Egypt. It is in the day before the concert we start seeing his other side. He is a high tech thief and data robber for the US government. In this case it is his job to get the data from a server in the Chinese Embassy in Cairo. Tom Cruise is his backup and also plays his manager, he is also not snowy white, he dabbles in black market military hardware but the combination makes them welcome in all kinds of places. So we get the story that has three circles, the drug circle, the weapons circle and the two are played so that they get access to the Chinese Embassy, where they will unload a few TB of data. 

You see, a movie like this has not been made before. The hero’s are always squeaky clean, the opposition is always so dark that black seems like a snowflake white, yet the grey mix is not usually see. Life in this world is expensive and you need an alternative income to pay for the bills at The Smokery Heliopolis and the Four Seasons Hotel Cairo at Nile Plaza. The US government allows for it because as data thieves they are unsurpassed and as they have no affiliation the government (CIA) has deniability. 

The nice part is that the VFS China visa center is in actuality right next to Youm7 News Agency, so there are all kinds of options opening up.

There are still a few (read several) issues to deal with. I want to avoid that it is all action and shooting. There should be a chase (optionally from Mobica) but they need to remain ‘invisible’ to the outside world. It is about the suspense of the data theft and that would also allow for a twist or two (doesn’t it always?) And the funny part is that this all took me less than an hour. I know more needs to be done, but it seems that I have put more ideas and scripts online in my blog than most writers for Netflix have ever cleared, so I feel pretty good now. I reckon I earned my bowl of orange jello (with whipped cream). 

And for tonight? Cheese baguettes with Irish stew. Perhaps another idea, depends whether my brain will allow me to get some sleep and recharge the figments of delusional imagination.

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Netflix Prime

Yup, that is it and it is not a conundrum. This setting applies to both Amazon Prime and Netflix (other layers too). You see, their valuation is set to a larger stage of WHAT and HOW MUCH they can bring. And in a stage where we are on the brink of active militant debates, having an alternative is never a bad idea. You see, for some unknown reason I have been thinking of the Dutch movie ‘De Prooi’ (1985). 

I remember how stunningly beautiful the leading lady played by Maayke Bouten was. But there is more (there always is), the story was quite good, it was done as it always was in those days. Like a race to the destination with several scenes in the middle. Yet the foundation of a decently good movie was there and it could be remade, the story needs a little adaptation, and if it is set to a different location (San Francisco, Vancouver, Fort Lauderdale, New Orleans) a little extra work might need to be done. A script ready for collecting (whomever has the rights) and it is not a small setting. There are hundreds of scripts out there where the rights are no longer active, where the rights to a movie are nickels and dimes away from ownership (instead of tens of thousands or more). A setting that all streamers need at present and they are all over Europe, all over the commonwealth too. We forgot about the younger watchers, did we not? So what happened to the dozens of movies that were part of the Enid Blyton collection, the hardy boys, and there was a female version too. Sweden has its treasures (beyond Pippi Longstocking that is) and so forth. Even the Netherlands has its share of treasures. All forgotten, all in some drawer catching dust, all whilst everyone is chasing the next mediocre version that comes from one of these great stories. 

As such I wonder how long these stream chasers keep on chasing a reinvented wheel, whilst there is a place where you can find a good collection of second hand wheels at 10% of the price. You will spend op to 5% rewriting it, but is one in 5 is a decent success, you will have an interesting track record as well as a decently fast growing library of works. If we look back to the 70’s, 80’s, and 90’s we see movies all with a gimmick, but as long as the story is good, it can be rewritten with the gimmick of today and tomorrow. So where are these writers? What will Netflix (Amazon Prime too) do when the budgets are trimmed down? I did not forget about Apple and Disney, but it seems that they have a different approach to where they want to go, or how they want to get somewhere. I might be wrong, but that is how they feel to me. It is up to them and it is up to Netflix and Amazon, they might to get ahead of the curve before the are chasing it in some uphill battle against that very same curve, because that is what falling behind the curve tend to be. A never ending uphill battle. 

And I reckon that this is a race where the number two has no reward, they merely chased the other one too late. Who will it be? I have no idea, I am not buddies with either on that level, I need not be (not entirely true), I have my own stories to write and for now I reckon that I might have a new chapter coming up in the mini series ‘Residuam vitam’, I think it had a different name earlier. For some reason the others have titles set in stone, this one does not. I cannot figure that part out, even as the story was pretty much set, but now there is a new stage, but I need to write it differently, because the party involved are not like us and that changes the stage. I should say that Meng Po alerted me to that part, but I cannot, because every time she serves me soup I forget what I was doing, but the soup is so delicious.

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