Tag Archives: Netflix

A sucker is born every minute

It is a nice expression; it is one that those who live by the rules of ‘opportunity knocks‘ rely on. In slow times you need the occasional sucker to infuse the grounded capital with lose change and they are all for it. Then there is the expression of ‘there is a hustle Smurf nearby’, where the experienced player creates a new account to amass gear from inexperienced players and newbies.

It comes down to the status on how something is seen. Some Investopedia page passed in front of me this morning and woke me up instantly. It linked to Barron’s (at https://www.barrons.com/articles/microsoft-stock-videogame-streaming-cloud-xbox-xcloud-51560373000) where we see: ‘Buy Microsoft Stock Because of Its Videogame Opportunity, Analyst Says‘, the entire setting is like a rewrite of the Divine Comedy, as Inferno is all that Microsoft seemingly delivers on a whole (as I personally see it). They went from an innovative system (Xbox 360) to a flawed concept and in the three iterations we see basic shortcomings that have never been fixed over the space of 6 years.

The beginning is already fun to work with: “Microsoft stock will rally because of its strong position in the videogame industry, according to Evercore ISI” No! It does not have a strong position, Microsoft degraded from 2nd to third position, and they could end up fighting over 4th position. The strongest console of the world got surpassed by the weakest one; the Nintendo Switch system surpassed them as they truly comprehend gaming and gamers. They got there in 2 years; it took Microsoft almost 7 years to get to this stage and ending up decently below 50% of the share that Sony has with its PlayStation. Microsoft games survives through marketing and bad decisions, with the optional good decision every once in a while.

The Microsoft stage of pushing for online, whilst basic shortcomings are frustrating gamers more and more, so when we see: “Ultimately, we believe gaming can become the next major narrative as it relates to Microsoft’s long-term growth opportunity” my response is: ‘Not Really, whilst the exclusive range of games is not impressive, the shared stream (Xbox and PS4) are often shown to be PS4 gems, whilst Microsoft is merely nice (with Assassins Creed Origins being a clear exception). The PS exclusive range is still growing and whilst the larger part of Microsoft IP is done through buying software houses, it has been in history the first step towards a more complete level of failing. There are examples all over the world for over 20 years.

Then the final part: “Materne is also optimistic over Microsoft’s cloud gaming offerings, where gamers can stream gameplay over the internet. Its XCloud service is slated for release this fall“, this is not a given. Microsoft decided to stay very quiet on the entire xCloud during its E3 and in addition, it is a soon a more direct competitor to Google Stadia. With the basic failings that Microsoft has shown to have, the audience is willing to take a look at Google Stadia, new brands have that effect, and it will gnaw directly on the Microsoft slice of the gaming cake. Apple is another contender, but there are still questions on that front for now. In short Microsoft got surpassed by Nintendo Switch, it is at less than 50% of the Sony PlayStation stage and it has disappointed gamers too often in their need for online dependency, a side that gamers do not like to relate to at all. There are enough indication that the next project (Project Scarlett) is more likely than not to hold onto the flaws of Xbox One, Xbox One S and Xbox One X. Its mixed media on mentions given in E3 2018, whilst giving less or no clarity on E3 2019, loaded with one liners that are implied to be connected but are regarded to be seen as separate statements show the flaw of Microsoft to a much larger extent. So as we see that ‘Microsoft is the Netflix of gaming‘, whilst not realising that there is more to that, we might go with the quote: “Xbox Game Pass is described as the ‘“Netflix of video games” and lets Xbox and PC users play a range of Xbox One and Xbox 360 games for $9.99 per month. xCloud will essentially be an upgraded version of this pass, and will work on more platforms, so it will likely cost more than $10” (Source: Inverse)

This entire setting only works well if there is enough bandwidth, in this stage the chance of congestion grows close to exponential as there will be no solid large 5G in many places until 2022, This means that it will be select in the US, Europe and outside these two. So as such the market slice will collapse overnight, Google Stadia will have a similar issue. Yet whilst Microsoft is about the marketing Hype and WOW factor, Google has been playing a more cautious long term game; it will pay off for them. All whilst the solid information that is essential was not given at E3 merely hinted at. It implies that Microsoft has not figured out how to best maximise on the revenue (read: an implied stage to exploit gamers). That in itself is the recipe for disaster. It is like the silent ‘always online‘ push that was tried in 2012 and pushed an angry mob straight towards the Sony solution. I personally believe that Microsoft has not learned its lesson yet and will give more disappointment soon enough. that whilst the bulk of the frustration could have been avoided in more than one place and never was, that alone convinces me that Microsoft might be an option, but it will be a risky one, one that is flawed and dangerous to boot, but then some investors like the rough stuff.

Now we get to the part that Investopedia has (at https://www.investopedia.com/microsoft-s-strategy-to-become-the-netflix-for-games-4691138): “One of the things Microsoft has going for them, unlike say Amazon, Verizon and Google, is a popular gaming console and a host of already super popular games, such as the entire series of “Halo” games. At the recent E3 video-game conference in Los Angeles, the company unveiled 60 new blockbuster games for both its console and PC, including “Gears 5,” “Batman: Arkham Knight,” “Cyberpunk 2077,” and “Star Wars Jedi: Fallen Order.”” Now consider that this list of 4 only has one exclusive and for the most 50% of that list has nearly everyone desiring it on PS4 and optionally PS5 as well. The fact that ‘Batman: Arkham Knight‘ is a 2015 game giving rise to some people not doing their homework #JustSaying.

It is true Gears and Halo are Microsoft exclusives and they do have a large following, no one denies this, yet two titles don’t make for a victory (they also have the Excellent Forza IP which was oddly missing in that list).

Yet overall the entire matter of being surpassed by the weakest console is a much larger issue. The matter of change is upon them and their play is to not do this implies that there is a larger online need and the people a shivering back from that stage. They feel a little more powerless. Even as xCloud is all online, the push to completely be there will backfire, if only to be able to game when the internet congests, a part that too many have not considered to the degree it needs to be considered.

Until 5G and 5G speeds are commonplace, the gamer will be confronted with ISP’s that will react towards congestion through bandwidth throttling, when that happens, you do not want to be in a multiplayer game like Fortnite losing your connection, any promise that this will not happen is bogus from the very start. It is still a tool used, even within the last 24 hours we see throttling in combination with ISP’s all over the world, because it is a tool they need to minimise congestion. The moment throttling hits, the game is quite literally over for these players. So how often does this need to happen for people to trade in their xCloud (and optional Google Stadia) solution?

When that crystalizes in front of you, what will the losses be? I believe that there is a clear future for this kind of gaming, no one denies that, yet until there is a much stronger 5G presence, I am not sure how it will actually properly work (outside of a staged test phase). And for now that stage is for the larger global gaming population 2-3 years away.

 

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Merely the beginning

Yes, the news is full of the overwhelming success that Avengers: Endgame is and rightfully so, yet the Washington Post looks further. The article (at https://www.washingtonpost.com/business/avengers-endgamemakes-disney-invincible-in-2019-then-what/2019/04/29/b5e35016-6aaf-11e9-bbe7-1c798fb80536_story.html) gives light to the strategy that is surrounding Disney plus as owners of the Marvel franchise. We get part of it with: “Disney’s films will no longer get licensed to partners such as Netflix during what’s known as the “pay one window;” instead, they’ll go exclusively on Disney+. That’s a big selling point for the streaming app, but it’s a costly decision that reduces the amount of licensing revenue Disney can earn from its films after they leave theaters.” this is a point of view that is true and the strategy is valid, yet having the stage where we see a time exclusivity (like in gaming) where the others get the option after 6 months is not to be ignored as an alternative. In addition, the mention of the ‘real’ editions of the time honoured animations like Aladdin and the Lion King are now on screws, especially after Dumbo has become a miserable flop. That is the puzzle that comes next, as I personally see it, the cast was golden, the director is phenomenal and the story is sound, so why did it flop and is that the premise for the other movies? We know that Robin Williams made Aladdin the success it was; this puts a megastar like Will Smith in an awkward position. To willingly step into the shadow of a giant takes monumentally sized balls to begin with and even as we know that Will Smith is no coward, willing to step into the fringe of movie making, I cannot stop being worried on how Aladdin will fare. As such the other Disney productions will be under pressure as well and that is just the beginning.

Disney has had the longest issue with being too sweet for most adults and even as we saw Pretty Woman in 1990 as a new view on what Disney could do, there was a distinct feeling that the Disney people were so far out of their comfort zone that they needed guides to find their way back. This is particularly important as Marvel has its own dark parts (more than just a few) and without that defining dark there is a larger concern down the road. I believe that so far they handled it fine, yet the worry remains: “will the wrong Disney executive demand the Marvel TV version to be lighter, sweeter and less dark“, so far what we have seen from X-Men: Dark Phoenix, The New Mutants imply that we should not be worried, yet waiting with worries for too long is not good either. What I saw from Cloak and Dagger season 1 is a clear warning, yet perhaps it is also important to consider that the movies will be less in danger of becoming laced with Disney Sweetness than the TV series. Their Metascore of 68 could be considered as supporting evidence in all this. Some gave the following views: “a horribly sentimental soundtrack“, as well as “If you want a show chock full of “edgy” liberal issues thrown into the plot regardless of if it fits with the story, then look no further” (which was the most negative review) we see the initial issue. Even the more positive ones give us “Through its initial four episodes, the real star of Cloak & Dagger is the structure and editing and overall environment more than any individual actor“. I believe it that some of the changes took away the dark side that would have made Cloak a lot more appealing, it was his dark side that appealed to me in the original comics; the TV parts I saw were too emotional, I am not stating that this is a bad thing, merely that . The comic books decently graphic about his devouring hunger, I missed seeing that in the few episodes I saw. Yet it is not all bad, Mayhem is showing to be the direct confrontational angry type she was in the comic book.

This is in part my issue; Disney is seemingly trying to skate away from the darkness is what will have a larger non positive impact on series that were pretty phenomenal in comic book form. So far the silver screen Marvel productions have exceeded expectations swimmingly; it is what I saw in Daredevil, Luke Cage, Iron Fist and the defenders that felt off, not bad, but off.

It is not the cast or the work done, no matter what, Mike Colter makes Luke Cage totally believable and real. I believe that the scripts fell short (from my personal point of view). Perhaps it is my non-US view, the fact that there had to be complications and conspiracy plots from day one in these series is why it is falling short. Even as we hear noise like ‘creative differences’, I believe that the entire conspiracy twinkle has ran its course to the largest degree, to be honest, that is why I stopped watching Kiefer Sutherland in Designated Survivor. The series started great and then when we suddenly see an FBI director compromised around episode 6 that was it for me. Oh, and before I forget this is a series that is all about conspiracy, but the way it is done was too far out there, it lost flavour. I believe that Marvel series have been pushed into that field too much as well (as well as several other comic book based series). I believe that the effort to go too deep too fast to please an audience is exactly why appeal is lost to some degree and Luke Cage gets to pay for it (as well as Iron Fist). With over a dozen movies coming in the next 2-3 years as well as optional TV series, this critical look early on will be more essential than most realise. You see, a Marvel overdose is pretty much similar to a Star Trek overdose, at some point we lose the interest to watch it, which is actually opposite to the feelings we had with the comic books and as such we have to consider our point of view. Now, like the comic books there is a filtering, most of us do not care for all the franchises. I was a die-hard Batman and X-men fan and I never got into Spiderman that much. I still loved the movies and I read the comics at times, but it was not my number one, neither were the Fantastic Four. That’s fine because Marvel (and DC) had a flavour for everyone, so much choice, as such we would be more protective of the comics we were nuts about and that is fine too.

Yet there is still Disney to consider and their long term need to make everything too sweet and too ‘pink’. Even as we realise that most cancelations might be linked to IP and the fact that Netflix will be a direct competitor of Disney+, yet the idea that Disney is a little too uncomfortable with these dark tainted series on Disney remains a concern for many fans and as such it is a concern for some fans of these series that they are now part of Disney. The factual reasons are not out there, or perhaps better stated, there is no source I trust to give me the actual truth (except a joint statement from Marvel and Disney and that is unlikely to happen).

Even as Forbes gives us: “Marvel meanwhile plans live-action series for characters including Loki, Scarlet Witch, Winter Soldier, and several other characters“, the die-hard fans will now wonder whether we will get the Asgardian Wars on TV or silver screen, not only as it was an awesome story, but that also puts Asgard, the X-men and the Canadian Alpha Flight team on the range implying the coming of a few more series, or movie franchises. All of them have a large following, so Disney would be nuts to walk away from an optional few billion more. Yet that does require Disney to allow for very dark streaks in their acquired paintings and that is where the problem is likely to rise, or at least that is what I think is likely to happen.

Even as Disney can ignore everything this year, the year that Avengers: Endgame broke every record, the long term view is less of a given, with view n 2020-2023, there will be more issues and other issues to deal with, not all of them revenue driven, but revenue will be the mainstream in any discussion that surrounds whatever ‘creative differences’ we will see make the headlines on all kinds of media channels and to ignore this so early in the year is not a healthy thing to do, especially as most of the upcoming movies will be staged to bring in a billion plus each. As stated, I do not think we need to worry about the movies too much, but the Marvel TV series that will be another matter, they will be the bread and butter of Disney+ and those people like their shows a little too sugary to my taste.

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Removing the floor

OK, I have made predictions in the past and most were close to spot on, some were just a little off, yet I had not ever for the life of me gotten it wrong by half a billion before. In ‘First the Soft‘ at (https://lawlordtobe.com/2019/04/27/first-the-soft/), I made the prediction: “we now see that Avengers: Endgame is heading towards a 700 million opening weekend (globally) is no stretch, it would make it the largest opening weekend in history“. Some claimed I was being too optimistic, perhaps I was at that a little; I now see from several sources that the estimate was off by a lot. The sources mostly re-quote Variety and when we realise that the reality of “According to Variety, ‘Avengers: Endgame’ pulled in $350 million in the US and an incredible $1.2 billion worldwide in its first weekend. This smashes the ‘Avengers: Infinity War’ take by over $500 million“, we can agree that my thoughts on it being the best Marvel movie ever is not even close to the mark. The movie is now listed on 18th position of the best money making movies ever on a global scale, from naught to 18 in one weekend. This now implies that the movie could shoot to 3rd position in a week, optionally replacing Titanic in 2nd place, it is a record that James Cameron held for 21 years, and he also held the number one spot for 10 years which is now in equal danger of getting surpassed by Avengers: Endgame soon thereafter. I believe that will happen, yet the speed at which this could be happening at has never been seen before.

This news is actually more important than you might think. You see Hollywood is nothing if not revenue driven, so there is every chance that my beloved comic books form the 70’s and 80’s will find themselves to the big screen or some Netflix streaming channel. This is both awesome and optionally sad. When the money makers see the amount of money Marvel just grossed, it will make them step into the fairway and claim their own billions. The sad part is that there is every chance that people will concentrate on their dollar shaped pupils and forget that Avengers: Endgame is the result of 11 years and 22 movies, so whatever they do they need to be careful not to squander the option they would acquire.

One of the front runners in this would be the work of Don Lawrence. He became famous with the works of the Trigan Empire as well as Storm. The Trigan Empire has everything to become stellar, it is placed in what would be a ‘Nova Roma’ A roman empire but in the 21st century, so we get decadence, martial impact (for references see the Spartacus series), direct encounters (read: sex, combat and confrontational resolutions) as well as other elements making it highly desirable to the watchful eyes of millions. Getting it right would be an essential part in all this. Remember, that I Claudius failed in the first attempt until it was done right in the 70’s.

In second place there is the Spanish artist Segrelles who gave us ‘El Mercenario‘, a little more fantasy, but most pleasing to the eye in more than one way. It is utterly lacking realism (the dragons are a dead giveaway) but the stories have been intriguing since the beginning and the art has a certain flair that does go with the need for excellent story telling.

I am not giving you a top three. There are so many considerations. There is the Flash Gordon from the 70’s, there is Diabolik, although in this case it seems that Murdoch’s European pay-tv operation are already on that case, so I reckon that if they make that one dark enough, they might have an instant hit. This all has one additional benefit for me, there is every chance that someone will consider reprinting the comics by Angela and Luciana Giussani, a win-win for all. I believe that technology was the greatest push here. Now that special effects can set the stage more closely to what the comic book makers envisioned and gave to their audience, the sky has become the limit and as we see more and more revenue towards streaming, there is every chance that the biggest delays will be finding the actors committing to a series and finding the right actors, manpower will become the largest obstacle for moviemakers in the foreseeable future. I will happily volunteer there, but I know I am no Inspector Ginko (or inspector Gadget for that matter).

Yet we can also look into the other direction, for that we merely need to seek out André Franquin and his office boy Gaston, every company seemingly has one and therefor would bring instant joy, laughter and entertainment on a global scale, all mostly untapped ideas as American Netflix has been too localised in their searches (as well as the method of finding new stuff). Yet with Disney Plus on the horizon and other players like Stan making more and more waves, we might see a bidding war for the IP rights of these works soon enough.

 

 

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The TV as a weapon

There is an old saying and there are alternatives to it. In Australia we say:

Q: Do you know the difference between ABC and Channel 7?
A: ABC shows you how bad things are in the world, Channel 7 shows you how screwed up your TV life is.

In the Netherlands it used to be NOS versus SBS6, and every nation has its own version. So what happens, when we see the millions of smart TV’s and Apple enters the race opposing Netflix? The New Daily gives the quote: “Spielberg who appeared live, touted the revival of his Amazing Stories anthology, while Reese Witherspoon, Jennifer Aniston, and Steve Carrell then took the stage to discuss another Apple original, The Morning Show” with the added: “a range of new streaming entertainment services, as well as financial products, at a star-studded event Tuesday morning“. the message was apparently clearly brought and when we get to see: “Apple is expected to spend US$2 billion this year on original content to challenge established steaming players Netflix, Hulu, Amazon and the forthcoming Disney+ service“, we need to realise that Apple has an optional goldmine in the making. In addition we see: “Hot on the heels of the Google game streaming service, Stadia, Apple launched Apple Arcade in a bid to grab a slice of the multi-billion dollar gaming market“, which will be fun to watch as Apple has shown a keen interest in negating the need of gamers (which is not all their fault in all honesty), will they figure it out this time? At least with the established Android gaming platform size, Google does have a huge advantage for now. OK, apple does have a gaming community on IOS and I was not short selling that (yes, I was). Yet the overall view I have seen in the past gives a better light of gaming to gamers on the android, than the Apple (a mere personal view on the matter).

So here we are watching two streams being created. First is the Netflix drain by Apple and as soon as they realise that 2 billion is a mere stack of money, to get the TV series that get the people to sign up, even besides Netflix will requires series that surpass The Chilling Adventures of Sabrina, The Haunting of Hill House, Bird Box and a few other gems, Netflix has the writers, will Apple have them? We all know that Game of Thrones will enter their final season, so there are plenty of needy watchers to pick up after that conclusion, yet if Apple does not have the IP, they are not going anywhere. Even with the added Spielberg Amazing Stories anthology, which was actually quite decent when it was initially released on VHS, they will still have quite the task at hand. More important, even if they have all the ducks in a row, they will still having to deal with the market shares of Hulu, Stan, Amazon and the forthcoming Disney + service as well (and a few local others). Do they have the IP when that goes online? I can see half a dozen series that could be hits, and I am not the only one. Plenty of dedicated story tellers will have a list. Yet, does the Apple executive (whomever Tim Cook handed this hot potato to), does that person have a clue? The difference between a good presentation and an actual good idea comes with a gap that can fit the Grand Canyon and many Apple executives are a little lost when they face that gap.

It goes further, having a great idea is not enough and most visionaries have that in mind. to see that part we need to reflect on: “Apple, which became the world’s first trillion-dollar company in August last year, had been dropping cryptic hints about the launch event for weeks, sending the internet rumour-mill into overdrive“, yet since then Apple lost well over 20% of its value and the next few ‘slam bam’ misers will dent that even further. The next part is interesting as it impacts gaming and TV.

To get a great product you need at the very least (before marketing gets to have a go):

  1. A script, a story that will compel the reader to go on. Loading it with sex and graphics will only hold a small percentage for some time. A great example of a near perfect script was I Claudius by Robert Graves.
  2. A cast that works well together, each good actors, but together they become ambrosia, wine and nitro-glycerine, all at the same time. Again I Claudius became the golden standard. With Derek Jacobi, George Baker, Siân Phillips, Brian Blessed, James Faulkner, John Hurt, Patrick Steward, Ian Ogilvy, John Castle, and John Rhys-Davies we got something unheard of. They were already good actors, yet together they created greatness, they are now globally celebrities, but in 1976 that was not a given, they were iron rods and the director shaped them into high tempered steel increasing their mark close to tenfold.
  3. The director. Not merely the man implying 3, 2, 1, action! No, he is the person that becomes the visual visionary and Herbert Wise delivered. The evidence is seen in his work. As a director he has 91 marks on his career rod and when we look at it all, it is all decent work, insightful work, yet I Claudius is a 180 cm person walking in Indonesia (where the average height is 152cm), it stood out tall above all others. So, even as we accept that I Claudius could not have been done without the cast, it equally required the right director to make it work.
  4. The Producer (in this case the BBC), who had to put up the dough with a need of blind faith and no idea how much they were going to lose. These four required to be completely in sync and they were as such I Claudius is still seen as the best BBC drama ever produced, even now, 43 years later we see that new TV series merely hope to equal this achievement, thinking that it can be surpassed is mere folly (yet optionally not impossible).

This is the setting that Apple is trying to get into and throwing 2 billion at it thinking that it will be easy by presenting a few famous people is as reliable as getting rich by spending what you have on blow and hookers. It looks pretty, yet it is an absolute non-winner 100% of the time. Finding the right people will be the task for Apple and as they are all competing for the same pig through increasing the value of good scriptwriters, yet they too are starting to look critical at the offers, because they lose value with every failure and often enough, they do not get to blame the director of the production company, they get to be the scapegoat. So they will require their optional bosses to set an income and levels of freedom and commitment to a much higher degree.

As for gaming

Gaming has a similar setting. It will be about getting the gamers on board and that requires a great product, in an age where Apple has been all about marketed iteration, they are vying for innovation? In a market they do not seem to really comprehend? I am slightly puzzled.

There the director is the project director; the cast are the graphic designers and the scripters and coders. The art and stage might have similar issues, but finding these parts to intertwine and interconnect is where good coders are required. Then there is the learning curve of the game. And it gets to be worse fast when it becomes a product relying on micro transactions. Ubisoft, Bethesda too never quite worked it out and the first screw up will diminish the value of the event overnight. Apple will have to steer clear of micro transactions in the first year by a certainty of 100% and in the subsequent 2-3 years for 90%. Can they afford that game? Their essential path will be the RPG games that call the horn of attendance for gamers on a global scale, if not, than this becomes a long term project that will not end up becoming a winner. In that they have additional competition form makers like Nintendo, their Switch is still gaining momentum and the games I have seen lined up for that system shows that Nintendo is taking this momentum extremely serious. I wonder if Apple has thought this through beyond their return on investment expectations from executives who rely in spreadsheets and lack essential data skills other than identifying their ROI and bonus column. Once that goes south Apple will take a few hits in short succession and they will be painful. If it goes wrong (I am not stating or indication that this is the case), they could face the hits where their total value is a mere 50% of what it was on September 16th 2018.

Yes, Apple could rise high with streaming on TV and consoles, but in the end they require the golden eggs to get there and I am not convinced that they have what it takes to get there. For the most it is an art, I have been involved in gaming since 1984 and I still miss elements in all it. It is both science and an art, the moment you separate the two is the moment you lose. That has been an essential given for close to two decades. Ubisoft got it wrong more than once, Bethesda took massive hits with miscalculations and they are dedicated experts in that field, I doubt Apple has seen that shortfall at present.

To illustrate that we need to look at a game called the Division 2, an Ubisoft product. Important fact, it is seen as a really good game, better than the first version and steps forward, at times leaps forward, some reviewers have stated that is sets a new bar of online gaming and that is awesome to learn. Now add the two headlines: ‘Ubisoft Patches Annoying ‘The Division 2’ Skills Bug‘, as well as ‘The Division 2 PC players report a 100% CPU usage issue, Ubisoft is investigating‘, on games this size this will always happen and the fact that it is looked at and fixed this early is really good, so this is not about pulling Division 2 down. This is what happens on games this big depending on online elements, which is besides server down times. A consequence of online gaming and in this Apple is as I expect it not ready to see gaming to the higher levels it needs to see it.

If they see these two elements as a method to use the TV as a weapon, a data weapon for additional wealth, we see a company that is about to get hit really hard. That is in the foundation of it all. I believe that they are making the same mistake that Microsoft made. Microsoft is talking a good talk, yet the people all over the world are seeing the impact, the most powerful console in the world is being surpassed by the weakest of the three. Their setting of always online, their bullying tactics, their essential inability to listen to gamers (or ignoring what they are being told) is what is dragging down Microsoft and Apple will experience that lesson in a very hard way soon enough if they walk that same silly line.

Just like Microsoft, we see a company that more likely than not does not comprehend gamers and will falter because of corporate ROI needs soon enough. They see the two as connected to grow better, but these are two separate entities (TV and Gaming) representing 6 dimensions that can go in any direction, when these executives learn that lesson the hard way and they are looking what to do next, I will offer Tim Cook my last $99 for the company (Apple, a fruit of the loom division).

Could I be massively wrong?

Absolutely, yet the Apple marketing need of the hype and their viral needs seem to be on my side, as the gaming industry as a whole tends to be as gossipy as any old tea lady, so word would have circulated into my inner core of contacts much earlier, as such I think that Apple is not ready, nowhere near ready, personally I do hope to be proven wrong. I would love to see more contenders in the gaming world, more choice, more innovation and better games is the consequence from that war, and I do love playing good games.

I will keep you all posted on what happens next.

 

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With Netflix in mind

I was getting my zone on this morning (through caffeine) and as I saw something pass by last night (way too late) I decided to try and revisit what I shoved on the side something that was regarding Netflix. It was the only bold word I remembered from the 03:12 moment, and as such I did a search. I was not successful (at present); I did get a whole range of other items. Titles like ‘Terrace House on Netflix is an antidote to a world gone insane‘, ‘Netflix’s New Mini-Seasons Steal an Old Trick from Broadcast TV‘, as well as ‘Why Ben Affleck’s ‘Triple Frontier’ is your new macho Netflix guilty pleasure‘, the title or whatever passed me by was not there. It got me to thinking about certain series. You see, in a sea of options people get to drown because they cannot decide. Most (like me) want more than just a little 42 minute hype and that got me to one of the best BBC Drama’s around in decades (besides I, Claudius that is). Waking the dead was brilliant for several reasons. Not only because of the cast Trevor Eve (Eddie Shoestring), Sue Johnston, Wil Johnson and Claire Goose (Jane Kennedy) all awesome as a team! The issue is that the story was deeply overwhelming as every case was a two episode one hour each. The series were not a collected short stage of items; it was an actual story, complete with events to connect to. The makers were brilliant in a few ways as the stories were amazing, but that 2 part one hour approach was the pusher to set the stage much higher than ever before. So when we see these Marvel series, these crime series and other elements. I am surprised that places like Stan and Netflix have not pondered a much larger bet, one that could pay off for a much longer time. Not some vanilla series with happy endings. But based on the stories like Constantine, Elektra, Moon Knight, and optionally some series in the 90’s and 80’s that flopped. Everyone is looking at a new Buffy, Buffy was a huge success, but in that drive we forget to look at series because they failed. Some failed not because they were bad (well they were in that shape), but because we were not willing to make them dark enough and people have taken a real shine to dark TV series. By making them so dark that it makes black the new vanilla, that is the path some need to be on and it should not be some 42 minute series. It should be more like Waking the Dead, 2 episodes of a full hour. You can actually give the people a real story. This is not a new idea, others have voiced it and even as Hollywood is too scared to make that leap, for places like Stan and Netflix it could be the game changer. Netflix learned that when they gave the people ‘the Chilling Adventures Of Sabrina‘, the totally vanilla (and family friendly series) with Melissa Joan Hart has been rewritten into something that people teenagers and those who passed that age limit decades earlier go bonkers over; the mention of a new teaser poster auto evolves into a new viral wave of messages on a global stage. We should be more like Leonard Cohen in You want it Darker? And as we remember “You want it darker, we kill the flame“, we see the stage that several ideas should push towards. It gives light to the 1973 movie ‘The Legend of Hell House‘ which seems to have been the inspiration at least in part for ‘The Haunting of Hill House‘, Netflix blew the roof of their maximum ability to entice an audience and they are not done, not by a long shot.

So how do you think the audience will react, not to some 45 minute chase, but a 2 hour hunt for some truly bad person, raw, bloody and unforgiving by someone like Elektra Natchios, not some sexy looking Jennifer Garner (there will be minimal opposition against that element), but a well-trained, decently muscled and super agile version of a comic book assassin making short work of the bodyguards. Not some 1:43 scene, but a close to a realistic invasion of a well-protected house, taking our guards, optionally avoiding staff and brutally slaughtering the target in one quick sweep, a Jane Wick without all the noise-making, to coin a phrase.

And the people will love that story; we saw that in the original Day of the Jackal with Edward Fox (not the Willis version). There are several series out there that have parts of it, but not all of it and making a double one hour episodes on that would optionally give us all, it would give a totally new appreciation of quality writing and it would show the need for actual stories, it seems that all these marvel series will soon come to a grinding halt. Too much is the same, too much are transferred idea’s from series to series. Waking the dead was never that, it was unique. The BBC writers had a golden equation. It cannot be improved upon, but it can be the mould for something entirely new. and believe me, places like Stan and Netflix are looking for new, they have billions riding on that and they cannot get it wrong, not even once, not in this day and age when they are confronted with an additional $2 billion totaling their debt presently at around $12 billion. Even as they have 139 million subscribers giving them close to $1.6 billion each month, a lot of it is infrastructure and technology. Netflix needs to find new niches to give rise to new and fresh blood that can see series and movies no one else offers and for the most others do not offer dark. Do you expect to see that happen at Disney any day soon? That is the one handicap that Marvel, now part of Disney would face, series that are slightly too vanilla for most, it gives Netflix (Stan also) an opportunity, but it is merely one window and it will not be open for too long, in the end Disney needs to find the proper valves to keep it all afloat making profit, their optional delay in making the call, that is the one brief window that places like Netflix and Stan have for now, for now that is.

They are not the only ones vying for more viewers, in that regard Season One of American Gods hit the spot right on and with the pilot of season 2 hitting just four days ago, noise is rising from so many people on needing to see it, it shows not just how right I am, it might show that what I consider dark is just not dark enough. The numbers will show soon enough if this is what will drive Amazon Prime Video faster and larger soon enough. Even as some are less positive, I believe that it is merely the story taking a moment to adjust to what comes next and that is just my personal take on it, I reckon that in 4 weeks I will be proven correct (or wrong), it is in all that we need to ask, is it about pushing the envelope, is it about something truly novel? Not unlike the Japanese movie ‘the Audition‘. I believe it to be a blend of factors; the entire 43 minute mess to write it all in is no longer holding our attention well enough. There is plenty of short, there are enough movie, but in between there is a whole range of nothing. Waking the Dead had us covered and they were pretty much the only ones. It is time to see that and adjust form something like that. My money is on series of a much darker nature, most people are truly fed up with vanilla, it there is something to be learned from Bird Box that would be pretty much it. We cannot get a decent stress in a total frame of 42 minutes, yet in a double one hour episode we can get more than one and without it interfering with the quality of the story. It is not about the scare moment, it is about binding us to the scene and get us captured for the entirety of the episode, BBC solved it in the most brilliant way possible and we need to use that wisdom to create something the audience has not seen before. Novelty gets us there and having the best quality story keeps them there. From that part I believe that there is space very deep space for a new totally awesome Star Trek Movie. People were not happy about Star Trek Beyond; I do not believe it was about the acting or the directing. It was the story and there is enough evidence that they could have a two part cash cow if they hire the right writer to head that team. The nice part that if he is willing to make that jump you will get to see 125 million star Trek fans (globally) to go utterly nuts with joy, but to get that done, J.J. Abrams and Quentin Tarantino must be willing to make quite the jump into a direction neither had taken before. If they do they end up with two movies each passing the one billion revenue mark with ease. The classics can get you there, if you know the right classical writer who can give to you what wasn’t shown before.

Innovation is not merely seeing new, it is about the need and ability to adapt into another frame not making it merely novel, but giving a classical pressure to what still is, that is the field where all the leprechauns bury their pot of gold. There are plenty of plots to draw from; you merely need one man and a decent shovel to get you there.

 

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Bread and games

We seem to ignore the past, yet a lot of our lives revolve around the bread and games of the matter at hand. Yesterday, the LA Times (at https://www.latimes.com/entertainment/herocomplex/la-et-hc-star-wars-episode-9-wrap-photo-20190215-story.html) gave us the first image of Star Wars IX, part nine, the final part of the entire saga. Principle filming and photography finished yesterday, the cast is done. They are all in a state of upper excitement, perhaps some anxiety too. JJ Abrams is all over the place (in joy) and why should he not be? A trip that started in 1977 propelling Carrie Fisher, Mark Hamill and Harrison Ford to heights never imagines before, that trip that started so long ago has been completed. For good measure we saw the added Rogue One and Solo added to the fold. And there is much to celebrate, a whole score of actors added the fold down the line and even if some were not immediately recognised in America, it is people like Peter Cushing, who was the Hammer House of Horror prodigal son, as well as one of the Dr Who players who added to the shine of the Star Wars making an epic story truly epic. Now we need to wait until Christmas to see the finalised version on the big screen, dozens of special effects experts will be wielding their mouses and pens to make magic reality and make the impression of special effects fade away and show us something that DARPA might have actually created, we can no longer tell the difference, the effects have been that stunning for a little while now.

Yet it is not just Star Wars, even if that is the most visible one. We are weeks away from Captain Marvel, soon to be followed by the conclusion of infinity wars (Endgame) and that s just for starters. When Jon Favreau started the Jungle Book in 2016, he might not have had a clue on what he started, but he did start something. In that same trend we will see in 2019 Lion King, Dumbo and Aladdin. Disney just woke up from slumber and is watching billions come their way. We should have reservations on Aladdin, not because of Will Smith, merely because of the shoes he has to fill, the role Robin Williams played was more than legendary, they broke the mould when he was done and it is one hell of a shadow to live up to, I do not envy Will Smith for doing so, yet I applaud his approach to the challenge.

The movies of 2019 will be comic book driven, Joker, New Mutants, X-men, Hellboy, they will all make an appearance, as will Frozen 2, It part 2 and many more. Many of us are planning our calendar one film at a time, trying to see as many as we can, this is how many changed the approach to their lives.

Even as some give us: “the Cost of living in Australia is 3.40% higher than in United States“, than we get “Rent in Australia is 10.04% lower than in United States“, which is massively bogus (as I personally see it). I found more than a dozen 160 square meter apartments in inner city places (not in LA, SF or NY mind you) that are close to 50% cheaper than in Sydney or London. And yes, when you add those (as well as Malibu, the Hamptons and a few other places, the rental prices tumble in the other direction), in addition, the rent in Australia merely seemed lower, the numbers are a little to skewed for my liking, the truth is simple. The cost of living is up all over the place, even now, yesterday I noticed that beef was up 10% that is the way the impact goes when food is thoroughly looked at. We might see the price of beer and think that it is not that expensive, but when the price is based on the need to buy 24 instead of a singular bottle, the scale shifts and not for merely one article, too many articles have speculatively been ‘loaded’ that way. It is not merely in Australia, the UK, many places in Europe, they all have an increased cost of living whilst the incomes have been frozen, in some cases for more than two years. When we see a source give us Levis 501 Or Similar at $98,24 (AU) whilst shops at the same time have prices that vary from $119 to $249, you know that there is a selective weighting in place, or merely some aggregated average that included ‘myworstonlineshopdotwhereever‘, one item already changed the cost between 21% and 154% (if we included the most expensive solution). That is where we are at least 21% more out of pocket for one item. There are a lot of prices that are on the mark and some might even have a seasonal nice discount. So when we are confronted in that stage of live, the bread and games we face matter, they matter a great deal. A list that includes a cinema ticket for less than $20, which is often enough wrong by at least $5, so how does your cost of living add up? How do the small items like popcorn and lemonade add to the pressure of your budget?

This month seems to be all about news on how places have a cost of living that is lower than their national average. Initially it sounds great for those living there, until you realise the other news (not really given to the reader) where we see: “Columbia area named 25th most dangerous in America“, yes there is a drawback to everything. So in one of the places where I was looking, I got treated to: 3 crimes in this area. What? Are you flipping kidding me? Three crimes over the last 4 weeks and one was the disturbance involving an unwanted person. How is that for pristine living? It is not actually that rosy for the entire city there were reported 135 thefts, 106 assaults and 138 arrests, which when you consider it includes Fraud, Forgery, threat complaints, and loads of drug incidents (which mostly includes having a joint) we see a place that Sandra Dee would happily call home.

These are all elements that impact out cost of living, the paths we take to get safely from work to home, the places where we buy stuff, where we get medication and groceries. It is all too some degree connected and the bread and games we have to escape it all is very much part of our lives. For a while we had true escapism via Netflix, and even as that part is not as shiny as it was, the financial geeks still see Netflix as the escape mechanism for most of the players. In that we need to recognise that Netflix over the last year has risen 45.63% since February 14, 2018 and is up trending, we need to see that St. Valentine is definitely in play in all this. You might not find live there, but many watchers are losing their hearts on the feeling of momentary bliss. This feeling relates to the big screen as well. As we seek more ways to escape the stagnating lives we lead, we see that the cinema and the home screen are the two reliable paths to follow (apart from gaming that is).

The question is how will this go on? As the movies come, we see consistent continuation, yet there is another problem. You see even as we see that 300,000 jobs were added, the direct impact is not seen, not in the workflow and not in the US reduction of debt. Others have stated this before me, and it is an important part. The workforce in the US is changing, yet I am not convinced that this is limited to the US, it is a global change. We see more and more that there is a high tier and a low tier of workers, yet the middle tier of workers seem to have been gone. The low tier is all there is in many places and that is where the problem resides. The low tier is definitely growing and more jobs, but they are often minimum wage jobs, there is no room for quality of life, merely contending with the cost of living and whilst most parents both work to make ends meet, we see a family break in place and the only glue left are the bread and games. The view that Reuters gives with ‘the economy was running out of workers‘ is not wrong yet it is not accurate either. Most companies are focussing on cheap labour where possible and that part is now running low. I personally believe that this shifting trend will push itself into the commonwealth and Europe as well. The middle group is either reduced to the lower group or merely pushed into retirement (for as long as that exists). I predict that there will be a rude awakening when we see that the low groups have little tax to pay, but the government have been overspending for too long being in the wrongful believe that the middle tier comes back (any day now they think), the moment that they realise that this will not happen, we will see a collective 68 thousand billion dollar debt that has no place to go, because adjustments that had to be made 4 years ago were never made. They had to be made before that but I reckon the point of no return was passed 4 years ago and now we see the essential need for bread and games. The governments do not want to people to wake up and see that there are no options left, the corporations want the bread and games so that people will not realise that they ended up with a really shitty deal in the end and the rest is looking forward to finding any kind of a solution where they end up in the high tier and they are willing to sell their soul to get there, the lower tier is just a road to nowhere and nothing.

This is exactly why politics is shifting in the US, with Alexandria Ocasio-Cortez and her social agenda, we get to see the direct impact of the size of the lower tier, everyone wants her impact and the true stage where people like Alexandria Ocasio-Cortez never has a chance in politics is now gone, greed driven America pushed the middle tier, the buffer of reason away, now we see the high tier (a few thousand) versus the low tier of millions and now Alexandria Ocasio-Cortez has the platform she needed. So as we see Alexandria Ocasio-Cortez versus Bill Gates who actually made a really good case (not a console case mind you) and his correct vision gets to be blasted away by the millions who have had no quality of life for the longest of times. Now that the middle tier dissipates they have no future to look forward to either and now we see that Alexandria Ocasio-Cortez has a growing platform. And it is in that light where we see that Dutch Historian Rutger Bregman in Davos (at https://www.news.com.au/finance/money/wealth/dutch-historian-who-called-out-billionaires-at-davos-goes-viral-becomes-social-media-star/news-story/45d75de96d5161ed3bf9205d79a0c063) makes not one but three points. He mentions at 0:53 ‘What must Industry do to prevent a broad social backlash?‘, and now we see happen exactly that, Alexandria Ocasio-Cortez is the upcoming broad social backlash that none of the industrials wanted, and they did this to themselves.

If she comes with Eisenhower methods (read: solutions), she will be the bane of industrials and the darling of the working class for 2 presidential elections and generations to come. The danger of bread and games, when the games become less rewarding and the bread turns stale, people start considering the bad place they were in. That setting was shown and basically proven by the Roman poet Decimus Iunius Iuvenalis well over 1900 years ago. Interesting that the industry forgot their history lessons, it might not lead to profit, but they could have avoided monumental losses, a harsh lesson that they might get to learn in the two years ahead.

Change is valuable; it lets the oppressed be tyrants!

 

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Facebook Folly and 5G

There was an article in the Guardian last Thursday. I had initially ignored it for all the usual reasons, yet when I sat down this morning, there was something that made me take another look and the article is actually a lot more important than most people would think. The article (at https://www.theguardian.com/technology/2019/jan/31/apple-facebook-campus-permissions-revoked-teens-access-data-iphone-app) named ‘Apple leaves Facebook offices in disarray after revoking app permissions‘ shows a different side that goes a lot further than merely Facebook. We see this with: “We designed our Enterprise Developer Program solely for the internal distribution of apps within an organisation. Facebook has been using their membership to distribute a data-collecting app to consumers, which is a clear breach of their agreement with Apple”, this statement alone shows the failing of their legal department, as well as their senior board that works under the strict sense of assumptions. We see this not merely with ‘Facebook had allegedly exploited a loophole in Apple’s approval system to bypass rules that banned the harvesting of data about what apps are installed on a user’s phone.‘ We see another level when we reconsider “Facebook Research, an app the company paid users as young as 13 to install that routed their iPhone traffic through the company’s own servers“. This is not merely about hijacking data; it is about the fact that both the IOS and Android paths are a little too transparent. Academically speaking it would be possible for Apple to distribute a similar app guiding Android people to the IOS data path.

The fact that we now see that others are affected through: “According to an internal memo, obtained by Business Insider, apps including Ride, which lets employees take shuttles between buildings on the company’s sprawling campus, and Mobile Home, an employee information portal, were down“. And it is not merely the Guardian, the Apple Insider gives us: “A report from December claimed Facebook had made special data sharing arrangements with other tech companies, enabling Facebook to collect more data on its users generated on Apple devices, without either Apple or the users’ permission or knowledge.” This now gives the setting that Facebook is getting desperate, when any company needs to rely on Data snooping to keep their momentum up that is the moment we see that any tower, data based or not will fall over.

Part of that came from an article last December giving us: “A damning report on Tuesday provides further details on Facebook’s shady data sharing practices, already under intense scrutiny for the Cambridge Analytica fiasco, suggesting the social media giant enabled Apple devices to surreptitiously collect information about users without their — or apparently Apple’s — knowledge” and the nightmare scenario is not merely that Facebook is gathering data, it is the ‘data sharing‘ part and more important, who it is shared with. This has over the last two months changed my position from waiting what is actually afoot into investigation into actively prosecute Facebook for their actions.

I am certain that the prosecution goes nowhere, mainly because the legal departments allowed for the loopholes to get into position in the first place. It enables the train of thought on how involved Apple was in all that. That train of thought continues when we revisit the Apple Insider quote: “It was revealed yesterday Facebook paid users $20 to sideload a VPN onto their devices, allowing the social network to monitor what participants aged 17 to 35 did online. Claimed to be a “social media research study,” the Facebook Research iOS app took advantage of Apple’s Enterprise Developer Certificates to allow the apps to be distributed separately from the main App Store, as well as effectively providing root access to a user’s device.” In all this the legal teams did not consider the usage and installation of linked VPN applications? Is that not weird?

Bloomberg is trying to water down the event with “Facebook seems clearly to have earned its latest privacy black eye, but it’s important not to overstate what’s going on here. This is essentially a contract dispute“, is it? It seems that the users are victims of deceptive conduct; it seems to me that root access clearly implies that all data and content of the mobile device was made available to Facebook, was that ever clearly communicated to the users installing that?

It is my sincere belief that this was never ever done. So as Bloomberg in trying to add more water to the wine with “Apple’s concern about it’s “users and their data” might well be sincere, but this particular dispute isn’t about the fact that Facebook collected user data; it’s about the way that Facebook collected user data.” Here we see more than merely deceptive conduct, or to use the quote: “I’m not suggesting that what Facebook has done isn’t serious. But neither is it the end of user privacy as we know it“. You see, when you had over root access it means that you had over everything and at that point you have revoked your own right to privacy. And at the top of the watering down of wine, making it impossible to distinguish between the taste of either we see: “But users seemed to know what they were getting into — and were also paid for the privilege“, likely to be Bloomberg foulest statement of the day. Not only do they knowingly hide behind ‘seemingly’ they know for certain that no one will ever knowingly and willingly hand over root access to an unknown third party. It also tends to introduce security flaws to any phone it was installed to, when exactly were the users informed of that part?

So whilst we get another version of: “Twenty dollars per month might not sound like a lot to, say, the typical Bloomberg reader. So imagine Facebook instead had promised one free local Uber ride per month” you all seemingly forget about the international community, who like all others will never get to cash in on those events, or paid responses or alleged dollars for donuts deals. That becomes for the most direct profit for Facebook, access without a fee, how many of those people were part of that event?

Cnet phrases it a lot better with: “I think it’s highly unlikely that the vast majority of the people who went through this whole process really knew the kind of power they were giving Facebook when they clicked OK to install this (app),“, which we see (at https://www.cnet.com/news/facebook-shuts-down-ios-research-app-it-used-to-access-user-data/) by Bennett Cyphers, a staff technologist for the Electronic Frontier Foundation.

And that is not the only part, not when we enlarge the circle. Two days ago, my predictions become fact after the Sydney Morning Herald gives us: ‘Optus concedes 5G service without best technology after Huawei ban‘, which is awesome, as the IP I came up with does not affect either and allows for Global Huawei (or Google) continued growth. So as we are treated to: “”From a pure technology perspective, Huawei is probably ahead of the other three “Mr Lew said after Optus unveiled plans for a $70-a-month unlimited service with guaranteed minimum speeds of 50Mbps. “But what we’ve got from the other suppliers will enable us to provide a globally competitive service.”” This is actually a lot more important than you think, when mobile app users seek the fastest solution, the more bang per gigabyte, the Huawei solution was essential in all this. So as Optus chief executive Allen Lew now concedes that those not using Huawei technology will be second best in the game at best, my solution will set a new level of e-commerce and information on a global scale and all I asked for was $25M upfront and 10% of the patents, the rest was for Google (or Huawei). It is a great deal for them and a really nice deal for me to, a win-win-win, because the consumer and SMB communities will equally profit. I merely circumvented paths that were not strictly legally required; merely a second tier to equal the first tier and when the speed map drives us forward, the players using second rate materials will end up losing customers like nothing they have ever seen. It’s good to use political short sighted policies against them. So whilst the world is listening on how Apple and Facebook values are affected, no one is properly looking on how Huawei and Google have a much clearer playing field on how 5G can be innovated for the consumers and small businesses. It will be on them to restart economies and they will. They are moving from ‘Wherever the consumer is‘ to ‘Whenever the consumer wants it‘, the systems are there and ready to be switched on, which will be disastrous for many wannabe 5G players. I am giving a speculative part now. I predict that Huawei holding players will be able to gain speed over all others by 0.01% a day when they go life. This implies that within 6 months after going life they can facilitate 2% better than the others and within a year is double that. These are numbers that matter, because that means that the businesses depending on speed will vacate to the better provider a hell of a lot faster than with other players. This effect will be seen especially in the Middle East and Europe. And before you start screaming ‘Huawei’ and ‘security threat’ consider that the entire Facebook mess was happening under the noses of that so called cyber aware place America. It happened under their noses and they were seemingly unaware (for the longest of time), so as security threats go, they are more clueless than most others at present. It boils down to the boy howling Huawei, whilst his sheep are getting eaten by fellow shepherds, that is what is at stake and it shows just how delusional the Huawei accusations have been form many nations. How many of them were aware of the Facebook data syphoning actions?

This gives us the final part where we see the growth of Huawei as we see ‘Saudi-based Telco opens joint ICT Academy with Huawei‘, you might not find it distinct and that is fine, yet this is the same path Cisco took a decade ago to grow the size it has now and it was an excellent example for Huawei to adopt. The middle East is the global 5G growth center and with Qatar 2022 introducing maximised 5G events, we will see that Huawei took the better path, feel free to disagree and rely on AT&T and their 5G Evolution, yet when you learn the hard way that it is merely 4G LTE and now that we also see that ‘Verizon likely halting its ‘5G Home’ service roll-out after test cities, waiting for 5G hardware to actually exist‘, we see the events come into play as I have said it would, America is lagging and it is now likely to lag between 12 and 18 months at the very least, so whilst the world is starting their 5G solutions, America gets to watch from the sidelines, how sad it all is, but then they could still intervene into the Facebook events. They are not likely to do so as they do not see that as a ‘security threat‘. So as we are given: “As reported by VentureBeat, Verizon has detailed that it won’t have true 5G hardware for its 5G Home service ready until later this year. That means expansion to more markets beyond Indianapolis, Los Angeles, Sacramento, and Houston won’t be likely until the second half of 2019“, how many people have figured out that ‘expansion to more markets beyond Indianapolis, Los Angeles, Sacramento, and Houston‘ implies the largest part of the USA and they are not up for anything before 2020 (and that is me being optimistic).

It is he direct impact of a stupid policy, which in the end was not policy at all, it was merely stupid and we all get to witness the impact and the carefully phrased political denials linked to all that; funny how evidence can be used to sink a politician.

This reminds me of my blog of August 2018 (at https://lawlordtobe.com/2018/08/23/liberalism-overboard/) where I opened the premise of “the topic would be ‘How to assassinate a politician‘“, I should sell it to Alibaba Pictures or Netflix, it could be my Oscar moment (and cash in the wallet). So, it is true, political folly is good for the wallet, who would have thunk it?

 

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