Tag Archives: Netflix

In Netflix we trust

Yup, as marketing titles go, it is not the worst and to be fair, Netflix has its ups (and downs), yet there is no denying, they have been offering a lot more than most and the really good series that they do not have (Billions for example) does not mean that they are not on a high. In that setting I was considering to additional titles for the Netflix barn.

Title unknown

It is a weird title to set the stage to, I saw the movie about 25 years ago and I still remember parts of the movie, this movie sticks with me like nothing I have ever known. In the movie a man basically commits a misdemeanour and unknowingly leaves the state, as he lives his live, a well respected man, engaged to a nice lady and a decent breadwinner, he is contacted about the event. He is willing to pay a fine, he is willing to make repairs (he did no damage to anyone), and he is offered a deal one months of light jail time in the state the crime was committed and the slate is wiped clean, when he gets to the town he is arrested and in court he is made an example of, nothing of his goodwill is shown and he gets a much longer jail term and not in a light jail, the system intentionally thoroughly destroys the man and after a long time, he escapes. A little later we see the man approaching his fiancé, she asks him how he will survive, his response “I’ll make it, I’m a criminal now”, the man is a psychotic shade of his former self.

I was unable to find the movie, but I would love to see it again, I also believe that this movie could be remade into a modern version, I reckon Will Smith might be a great fit, but that is not a dealbreaker, there are several really good actors, Chiwetel Ejiofor, Don Cheadle, all great choices, all established actors, because this is not a soft movie, this would be a much darker version as today is a much darker reality than the people in 1950 could dream of. 

Hiding Out

Hiding out is a 1987 comedy drama. It is not one of the best 140 movies from the 80’s, yet I still remember the movie. I believe it to be a diamond in the rough (sorry Disney). Jon Cryer made it into an above average movie. And it could be made into a serious piece of work, perhaps a 3-4 episode mini-series. The story is about 3 stockbrokers passing off bogus stock for the mob, when the issues start the mob get rid of one of them and the other two run for cover into the arms of the FBI, yet on route things happen and one more bites the dust. The one remaining (Jon Cryer) goes underground in high school. I believe that it could be a much larger story, especially if we add darkness and realism to the remake. The original was fine, especially in 1987, but in 2022, if we set the stage in episode one into a more realistic view of stock markets and how bogus junk bonds are created, the risk involved and how the US government is basically unable to stop it, merely limit the damage at best. From that we get to episode two and shed light on FBI protocols and activities. How they work (to some degree) and the options of evading the FBI (and the mob) as the protagonist ends up in a less visible state (like Arkansas, Ohio, Idaho, or Wisconsin). As such we see the stage of how the new protagonist sets up his new identity in one of these state colleges as an economics teacher. Episode three will be set in college life and how he falls for one of the other teachers, and her life (so we can use the ATM part to get the mob and FBI back on track), and in light of that we get to the final episode where we get the showdown, the arrest of some (not all) of the mob and the essential need of the protagonist to enter witness protection. The episode ends with him falling of the radar and some look on how witness protection works. I state all this in an academic approach, but it will be a drama (some comedy would be nice too), Jon Cryer is too old for the role now, but I believe it would be nice having him as the clued in FBI agent, or perhaps one of the mob bosses. Merely two ideas mixing in my mind, and it is only Monday, what will I be capable of on Wednesday? 

Well, that will be another story, optionally another creation whilst I wait the terms I have to wait for.

 

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The Fantastic Four and the bully

Yup its Friday! The match is set and also tempered and set against the Fantastic Four, they face it because the people who they are defending against are not that clued-in on the abilities of the digital economy and they merely want better pickings from these four, I am actually surprised that Netflix is missing there on a few stages, but perhaps they promised the not so clued in spectacle seekers to give them all the illumination they are worthy for, it is a dicey call, but when you can lose it all, you can also play it all.

They are up against a congress who has fiddled and played away well over 8 trillion in stupidity, the rest was unavoidable, they are that not clued in and the batter is about to hit the hedges, so they need a play so that they can retire unabated and without accountability. This was not new, there had been announcements and for the most, I actually thought that in light of what was playing now, that US Congress might give this a miss, but no, I was wrong.So as we look t the article (at https://www.reuters.com/article/us-usa-tech-congress/big-tech-ceos-ready-defenses-for-u-s-congress-hearing-into-their-growing-power-idUSKCN24O16K), we notice the lead ‘Big Tech CEOs ready defenses for U.S. Congress hearing into their growing power’, yet did we also notice “The panel is questioning the companies as part of its probe into whether they actively work to harm and eliminate smaller rivals, while not always making the best choices for their customers”, perhaps you remember the old court case, where we get the number one hilarious moment (at https://www.nbcnews.com/video/senate-gop-and-white-house-tentatively-agree-on-1-trillion-coronavirus-relief-88172613521), NBC was not the only one giving us that, but you get the idea on how clueless American Politics seems to be. You see, there are two parts in this. The first is “while not always making the best choices for their customers”. The sides here are 1. ‘Who is the customer?’, and 2. ‘What are the best choices?’, as I personally see it, congress does not have the brightest players in the first place, so there is every chance that at least 20% of that panel is clueless to the digital environment. And that is not all. If we consider “The high-profile hearing, which will bring together Amazon’s Jeff Bezos, Facebook’s Mark Zuckerberg, Apple’s Tim Cook and Google’s Sundar Pichai, will be a key moment in the growing backlash against Big Tech in the United States and is likely to set up a face-off between the executives and skeptical lawmakers from both parties”, we see an optional stage of discrimination. In the first Twitter and Netflix are not there, in the second, as far as I (and others can tell), these players have acted on the letter of the law, the fact that others can’t do that, is not competition Law, it makes it something else (not sure what actually). I agree that I do not have all the answers, but this in the end we need to see that this is optionally not about what they say it is, the European Law and their GDPR is biting hard, as the US privacy shield is falling short by too much, there is every chance that the US government is missing out on terabytes of personalised data as their FISA act opted access for and that is not sitting pretty with them. So where is my evidence?

We see part off this in “Apple is likely to be quizzed about the way it manages its app store after facing criticisms it hurts newcomers. Apple told Reuters it will argue it does not have controlling market share for apps. The iPhone maker views its store as a feature designed to ensure the security and reliability of its phones.” The App Store is a rather large being, but it is amped towards Apple products, and as such security is key. So far the issues we see are a mere fraction of what could be. In this Forbes gave us that part yesterday with “With the July 22 launch of the Apple’s SRD program, security researchers will be able to go and hunt bugs much deeper within iOS. Apple said that the iPhones, which will be dedicated exclusively to such work, and known as security research devices, will come “with unique code execution and containment policies.” What this means, for example, is that the file system will be accessible for inspection rather than just looking at crash log snapshots or using jailbroken devices. The latter being far from perfect as jailbreak vulnerabilities are generally patched quickly, and so any research is more easily denied by Apple as being flawed.” Again, this shows two parts, the first is that Apps are often defined by hardware and Apple hardware is in transit, making most issues moot for Apple, the second part is that we see “the file system will be accessible for inspection rather than just looking at crash log snapshots”, we can argue that this betters the US government access to data, but does not really prove it, the merely get a better look at where to seek what they desperately want. I am still not convinced that this hearing isn’t an option for old goats (oops, I meant members of Congress) to get selfie time wit the 4 most wanted selfie objects in history.

I wil forgo on Amazon, these people have enough problems to set a proper definition of what is a hazard and how to identify it, I briefly discussed that in ‘6 simple questions’ in February this year, where a load of shortcomings, or is that shortcumings? Are set in motion, I never understand how people get their rocks of on bad work, but that might merely be me. I discussed it (at https://lawlordtobe.com/2020/02/03/6-simple-questions/) it also had a link to another article that shows questionable parts of FTI Consulting, as such and quoting CNN who gave us “The report’s limited results are a reminder that it can be extremely challenging to reconstruct the activities of a determined, well-resourced hacker”, all whilst the identity of the hacker is still up in the air, and this is set against a person who has more money than the combined resources of all who live in New York, which is saying something. He is 25% of what Congress faces? To be honest, I feel that the US audience are facing another Mickey Mouse show, which is weird as Disney is not in the dock, but I got extra popcorn, so that I can watch and giggle at the same time. Oh and by the way, I wrote this all on an innovative MacBook Air, as such we see that other players are not up to scrap to show us what is truly innovative. As I see it, this is the first truly innovative piece of hardware since the release of the G5 in 2004, so I wonder what Congress is really trying to achieve. And when we see “in recent weeks the firm has published blog posts and a white paper asserting that it still faces plenty of competition and that the fees it charges ad buyers and sellers are justified.” We see an optional path for Google, all whilst the non US Data centres of Google are being upholstered to avoid GDPR issues, as I see it the US Bully, oops, I mean Congress, are out of their depth in an age where computers and hardware changes quicker then the identity of the average man’s mistress. There are so many tackles and interactions, I have no trust in what US Congress is trying to achieve, but there is an upside for me, a they fail more and more, we see that my IP is still untouched and no one got near it, all this whilst the 5G site is going forward in most area’s, l except the USA. Perhaps Congress should have other priorities, like sorting out the tax laws that these four face, is that a little over the top?

 

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Multiple rulers

We have a ruler at times. A ruler so we can see whether the size measures up to the setting we held ourselves to, and a size to what we hold others. We are all like that, and sometimes we use more than one, it is almost like we set a standard metrical and then another one to get the inch setting. There is one stage we avoid; not on purpose, but the stage we set because we did not think of it. That is the stage that I found myself in this weekend. Anyone who has a Playstation 4 (or better) has either been playing the Last of us part 2, or has been contemplating playing it. There might be the smallest group that did not (and that is fair) but that group is really really small. It started in 2013, a (small) player named naughty dog, famous for Crash Bandicoot and a few other titles, had an idea and made that game, that game was titled The last of us, we might not have realised it at the time but gaming history was written that very moment. They made the game that heralded the end of the Playstation 3 on a high. The game was graphically, musically and technically at the very top of gaming, do not take my word for it, the game got over 200 game of the year awards, which is a record by itself, so when it was remastered for the Playstation 4, I did not hesitate to get it, now there is the second part and what I have seen so far is blowing my mind (again). It als gave me the idea to come up with the two ruler rule. So far the only three passing that standard are Naughty Dog, CD Project Red and Bethesda. This does not mean that others are not good, some are great. Yet to fit this measurement you need to be better than the best. I believe that those makers could have turned their game into a movie and it would be as groundbreaking and as appreciated as the game. As I see it CD Project Red did that by getting the Netflix the Witcher made. OK, they cheated by getting Superman to play the lead, but still they got it done and it is every bit as amazing as the game was. Excellence is transcendental (or so I believe) and I feel certain that the Last of US (both 1 and 2) would make amazing movies/mini series. I played part 2 to some extent and then I remembered (I thought back to the first one) and I decided to play it again. Even now, 7 years later, the first game is as overwhelming as any new game is, yes, the second one surpasseds the first one by a fair bit, but both of them leave most others in their wake, the games are that good. This is not bad for the others, there will always be rocksteady, there will always be rockstar and they will endear the gamers in their own way, there is no doubt about it, yet when we see the bullet point memo people at EA and Ubisoft, they are done for. The few franchises they hide behind will not help them, even now, their games at 70%-80% reduced rate are a debatable buy and that is not a good place to be in. When a two billion company like Ubisoft gets passed over by what some regards as small studios, we need to realise that gaming has been on the fringe of technology since the 80’s. Some people decided to give the thought that gaming too is iteration (like every year an Assassins Creed game), some exploited other means, some good and some bad, and before some think that Ubisoft is all bad, they did bring us Assassins Creed 2 (and brotherhood), Far Cry 3, AC Origins, Watchdog 2, The Division and a few others, when we look past the iteration, we see that they make good games, if only they were properly tested and vetted before release, it is the largest flaw that Ubisoft brings us today. And it is getting noticed more and more as we take notice of games like The Witcher and The Last of Us. Wecan add games like Elite Dangerous and Subnautica and the remastered edition of System Shock (hopefully 2020), we see that the original ideas are still there and they are wiping the floor with the iterative wannabe’s. You see the stage is changing and gamers are not completely aware.

We see the created hypes and we see how Microsoft is hiding behind the marketing cry ‘the most powerful system in the world’, yet they got defeated by the weakest system of them all (Nintendo Switch) and as Microsoft hides behind the hype screen we are all missing the larger point. As 4K gaming hits the front yard of many gamers this holiday season, they tend to forget that the games will be twice the size and so will the patches. In this situation consider that in places like Greece and Turkey a Ubisoft patch will take up to a day (estimated), a day per game downloading a patch. The UK, Ireland, Germany, Belgium, Italy and a few others have better connections, yet in these places in Rural areas their internet is not great, so the long term view of the approach that they are currently holding is that they will not be in a great place. Yes, France, Spain and Scandinavia the connection is well above decent, yet is that the same in rural areas? In France it is not and I just set the pulse point on millions of gamers who will be in an extremely agitated state soon enough, yet not if Ubisoft continues as it currently is. And we need to review that too. A game might seem amazing, yet in the 4K life, patches will be increasingly larger and larger. So what do you think will happen when a patch is not 38 GB, but 70 GB? How long until gamers lose their shit over this, because the second time it happens might already be enough for the gamer to demand a refund, and with some places having the 7 day purchase option in place, that cooldown will be enough to end the lifespan of places like Ubisoft, Electronic Arts and Activision. Yes, I get it, others will be in a similar place, but consider keeping a list of all your games and all the patches that come through, who will win the patch race agitation list? 

Yes, we get it Bethesda will also be in a bad place, yet RPG games like Skyrim are too great and will always have patches coming their way, yet overall when I look back at the games like Oblivion, Skyrim, Fallout 3, Fallout 4 the amount of patches have not been overwhelming. As I see it one breakpoint patch has had more to download then the sum of nearly all Bethesda games, that is the station we see, yet we forget that the station we face is nothing more than a small way station, the stations we are about to hit are proper terminals with larger needs. We need to measure what was and what will be to a much larger extent and use two rulers, the size of the game and the size of the patches, whilst we tally the number of patches. Breakpoint was regarded by gamers as the most disappointing game of 2019, 38GB of patches later and it is still up for debate, as I see it, they no longer have any freedom of movement, gaming will change but not in their direction, the games will need to be better and their infrastructure is not ready, the patch notes give a clear indication of that. So yes, we will see a console war, but we will see a lot more than that. Santa Monica Studios, Naughty Dog and a few others are ready and they make Playstation games. The people at Microsoft are not ready for the issues that sme games bring and their Azure cloud is useless at this stage, it is about innovative gaming, the iterative clowns have no place being here. We are about to see a console war and Microsoft could soon end up in 4th position, so when we consider the big three, who else will surpass them? Their marketing hype of the most powerful console for sale, and they forgot that they still needed good games to stay in that place, with less than half a dozen exclusive games, the pickings are slim for Microsoft, to see that you needed an additional ruler, a different stage of measuring. Just like the measurement of power, there are two ways of measuring it, all whilst the elements for both formulas were readily available, too many players were looking at one formula and forgot about the other one, and that is what the limelight will show at the end of the year and when that limelight shows bright, we will see that some players are done for, one ruler would not have shown it, they all focussed on the revenue and they forgot that revenue is hindered by the resistance that patches bring, these players forgot or basically ignored the danger of large patches and now that they are 26 weeks away from a new standard these players will panic, they will panic more and more and let marketing do the fight of the public arena all whilst it will merely stop activities for a few days and some patches required months. Now, we accept that both Sony and Microsoft have that house of Pox looming, but as I see it, Sony has more alternatives and in this fight, the one with alternatives is the most likely to win. In all this there is strength to any marketing endeavour, but its flaws are there too and once your board of directors start to earnestly believe the stories they tell, they have already painted themselves into a corner. 

 

 

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Contemplations

We all contemplate, we consider, we weigh and we make decisions after the contemplation. Yet it is not always that simple, at times the contemplation comes after what preceded. I cannot continue my novel until the laptop arrives, and even as it is completely unrelated to the idea I had for an optional TV series, the idea is still sound, as such I am considering whether the elements in it can be added to my novel, I am only at 60,000 words, it is something that I have to contemplate. We all have similar issues, it is notalways about writing, or playing a game, some contemplations are serious, some are not, yet they too tend to refract into serious parts of our lives, even if we are not initially aware of it. 

It is not the only thing that I am contemplating. I have seen over the last few days all kinds of messages, ‘tweaked’ advertisements and messages of a sort on how we can change business decisions after the Coronavirus. I am baffled on the premise of ‘new approaches to business’, I am willing to accept that new business is where you find it, yet the oversized issue is misreporting, mismanagement of government funds and mismanaging of attempts to look cool, all whilst we know that actual scientists need actual time to investigate. The greed driven elements before the Corona situation had created empty shells with the idea that some time in the future it would fix itself, all whilst those elements knew perfectly well that these things never fix themselves, they are merely pushed onto the next administration. An abuse on a global scale and the people see the impact now, they now get to live in a new situation and they elected the people that put them in that position. These governments never went out to muzzle the EU to the degree needed, as such well over € 3,000,000,000,000 in debt, as such the EU had no reserves left for what is coming now. And it did this after it was clear that the first trillion did not do what they hoped, yet they wanted it, because money has to roll and as such another stint of spending became the concept of normal. All this, whilst the proper stage of properly setting up tax laws for corporations have never been done, delayed decade after decade. All this whilst the EU had no issues to reject (in November 2019) any move to show names of those using tax avoidance a stage where the people would see the proposed situation where firms had to reveal profits made and taxes paid in EVERY EU nation they operated in, I reckon that the FAANG group has powerful friends all over the EU, and these 12 members should be looked at with a lot more scrutiny. The FAANG group is avoiding an estimated $500,000,000,000 a year, as such the irony is laughable, it would have paid for the issue they face now and in that same setting education and housing in Europe would be close to fixed, a stage history never had before. Yet, those with a low tax shelter option were happy to reject, they included Ireland, Hungary, Luxembourg, Malta, Cyprus, Latvia, Slovenia, Estonia, Austria, Croatia and the Czech Republic. We all see the damage, but we are all so relieved that Apple is now a $1,500,000,000,000 company, Yes, at what expense? It is food for contemplation.

So as we see not on how we can work from home and what we need to do it properly, I wonder what happened to all those tax reductions in the 90’s so that we could work from home, there is an apparent lag in what was regarded as enough and is now showing to be inadequate. So whilst some applaud ‘EU did not witness any major internet congestion’, it comes without the mention that Netflix and YouTube slowed down services to avoid congestion, apparently full services are not possible, but that is a story for another time (in the very far future if it was up to them). So whilst BEREC (an EU regulator) was all about the reporting mechanism to monitor internet traffic, we see that I gave you the links yesterday to other people who see that most of them cannot even report the amount of people getting the Coronavirus and optional those dying from it. As such we see another optional example that human lives matter less than any danger to what is laughingly called ‘the economy’, weird is it not? 

OK, I agree that one is not the other, but it seems that when the economy is in danger a whole additional range of support services come into play, when the lives of people are on the line, this support is seemingly missing. The EU shows even more signs of lag on different levels. In other news (as stated in my previous blog) we see Humanitarian actions that are empty and other pacifist actions that are useless, yet their actions pushed close to $13,000,000,000 out of UK and US hands and handed it to both Russia and China, in addition there are several damaged deal thatSaudi Arabia had with Germany, but I have no numbers on that. So whilst I am not anti-Humanitarian, I am a pragmatist and it seems that hollow actions are just that hollow in a time and age that none can afford, even now, we seem to be utterly anti-Saudi Arabia, yet there is no factual reason to do this. In opposition we see that the actions against Iran are close to non-existent, all whilst Forbes reported yesterday that there are 100 new naval vessels in Iran, it seems that there is a lot to contemplate, especially as some EU players are hiding behind the Nuclear deal like it is a Santa wish list, all whilst we see from several directions, some less than a day old ‘New tensions dim hopes for salvaging Iran Nuclear deal’ and ‘New IAEA report is reminder of old problems with the Iran Nuclear Deal’ a stage that shows that Iran does what it pleases and takes no time to be civil about it, when it is conventional it is one thing, the nuclear side is a direct threat to Israel and Saudi Arabia and the EU players are willing to burn those two elements if they look better, because Iran will make some bullshit excuse on how it was not their fault, that it was a fanatic and they possibly misjudged the situation and those European players will all nod in agreement, their pockets optionally lined with income never earned. And we are all letting it happen.

It is perhaps our greatest flaw, we do not act when we should, we let greed driven motivations overwhelm our needs and we seek to blame someone when we all let this happen, as contemplations go, we have to think through a lot at present and we need to do it faster.

 

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Remaking the past, facing tomorrow

I have been working on my novel, at 58,000 words, I am more likely only 50% done, but there is a lot more to come and as I was considering (creating in the mind) a new IP in the form of a new TV series I realised that the same idea could be an addition to the book I am writing. As such I felt a little bit of a traitor, as such I feel I have to make amends, even as no one has been hurt, I felt that smudge of treason to the idea. As such, my mind decided to take a turn towards the past, not the distant past (Iran in the old days), but a little more present (like the 70’s). I have written about the best drama series that the UK ever made (I Claudius), yet it was not alone, in that age two other series were made, both in the 70’s and both had a Greek origin. The first was Who pays the ferryman and the other was the Aphrodite inheritance. Both (for that time) excellent pieces of work, both based on excellent books and both with a setting that was mesmerising. Who pays the ferryman gave me the interest for Crete an interest that still lives on today, I have seen it three times. 

Cyprus (where the Aphrodite Inheritance was made) was less on my radar, yet the story was fun and gripping. 

I believe that places like Apple and Netflix could turn these two into interesting remakes, put Greece again and more visibly on the map. Even as the episodes are timely, the remake could set the spirit in the now and the issues that grip Greece, the stories could be upgraded and the issues that were skated round can be gripped with connected nearby historic places like Spinalonga, a stronger interaction with Agios Nikolaos and so on. Crete has plenty of stages and plenty of options. 

The Aphrodite Inheritance, started strong and the story takes on a nice turn, yet in today’s environment, the stage could be set with optional IP theft and industrial espionage (on top of the relic part in the story). It all hit me as I saw the Aphrodite inheritance on YouTube the other day, I believe that the older series and especially the mini series are getting more and more views, not because of the lockdown (partially driven by it), but the fact that plenty of Americans are now looking through the UK base of drama and it has them hooked (I agree that is speculative of me). Yet the number of views and the turn that SBS is making with Name of the Rose, shows that there is a growing interest in remaking good drama into something larger and even more astounding. I admit that I was skeptic on seeing the first few episodes of Name of the Rose, but so far that series exceeded whatever I thought was possible and I think that players like Netflix and Apple are always looking towards new IP, yet they too realise that what was made almost half a century ago was often not surpassed in all these years and the two titles I mention are on that list too. 

And in addition, no matter how many franchises there are and how many Marvel movies are coming, the people also want excellent drama and a lot of franchises just do not deliver on that to the degree described (neither do the Marvel movies). This is nothing against the Marvel movies as their origin is very different from many movies and we get that, and we love them. Yet we want more and we seem to want it now. Apple seems to be on top of the New IP with the new shamalamadingdong series (the man who made the Sixth sense) and now with Servant he makes another stab at our dread factor, he does it (as stated by others) in an exceptional way. 

Yet in this day and age, movies and TV series that rely on the Wow factor do not make it very long and that is where the stage of drama can add to the venue. In the first, the rewatchability of any drama is a lot higher than most other series. Yes, we love horror and Science fiction, yet how often will we rewatch them? Consider an American drama series like The West Wing, the fact that even today a lot want to see it again, even as the series ended well over 10 years ago is decently exceptional, there are other series and yes, there are plenty of wow based series that have the same, but the stage of drama is larger, there is no denying it. Whether a drama is dipped in Fantasy, Science Fiction or Horror does not matter, it is the drama effect that draws the people in and I believe that the audience wants to see more of that and there is every chance that Netflix needs to adhere to that part if they do not want to witness a audience transfer towards Apple plus. That will be seen towards the end of the year as more series and remakes hit Apple plus, they took a swing and hit the ball out of the ballpark. The remakes are more than just a choice, series and movies that were quirky and often fun will optionally become the TV series that are drama’s with a coating of wow. There is no way to tell how this will fare, and this is not an attack on Netflix, but Apple took the war to the next stage and they were ready for bear in this fight. To coin a phrase ‘they brought a bazooka to a gunfight’, and that bazooka merely has to be aimed into the vicinity of Netflix, Netflix will get hit no matter what, the amount of damage cannot be foreseen and the entire Covid setting brought it to the forefront. It hastens the setting we see now and even as Netflix has a lot more series, there is every indication that a 10% shift might be enough to get the Netflix investors running for cover and for them to find a way to break even at best. Yes, we see how Netflix shares are rising faster and faster, but lets not forget that as Americans and Europeans get back to work, they will stop using Netflix to a much larger degree, and in all this the internet congestion we see all over the world does not help Netflix, Internet providers were not ready all whilst they claimed they were. I warned people of that fact in 2018, now I am proven correct, even better, there is every chance that the entire congestion stage will increase over the near future and it has nothing to do with gamers. Zoom with its conferencing side will set a much larger international stage and consider how many firms work internationally now and under the strain of a reduced workforce how many more zoom meetings people have to look forward to.

A stage that goes from bad to worse and there is no way to stop that event. Yet this too is a stage we must give value to, as I see it the entire congestion setting is a drama all by itself, a stge of interactions that will not work and will show other wait time and loading icons, but no movie and no shows to see. It is important because it will hit both Apple plus and Netflix. 

There is nothing as hilarious as both offering 4K whilst the internet providers cannot deliver, the entire Corona stage is merely pushing to the foreground what was there all along. So as that stage is debunked more and more all over Europe and the US, we will soon see a stage where the material not the resolution matters and there we see another stage evolve, the quality of the story, because a wow film is only as good as we get to 4K and uninterrupted view and so far there was a lag and has been for almost 2 years, and as we see the congestion pushed to the foreground more and more, because under 5G the matters will only get worse, not less. 

Yet in all that the remakes will give rise to another lag, the stage of crowd control on the internet. Yes, you might laugh yet the stage is already there, the people will demand the full service all whilst Netflix, Google and others are limiting resolutions to appease the covid pressures of online. And in that stage we see a much larger need, the need to deal with congestion right in the middle of the stage of switching between 4G and 5G. Congestion has not been dealt with and cannot be dealt with, not in the immediate future, as such the people will see a much larger shift to appease their demand and the smaller players will now face the hardship of not being able to deliver, it is a drama all by itself.

No matter how we see the coming of more remakes, they are the stuff we demand, for all kinds of reasons, yet enjoying it on a decent quality will remain a question not merely for the direct future, for the larger timespan, even as people will stop to some degree the stage of streaming, the stage of TV series without advertisements is a lot more appealing than most think and when they are confronted with advertisements the entire stage of Apple Plus, Netflix et al will come to the forefront again and still it comes with internet congestion just below the surface, pushing its head above the waterline sooner than ever before. 

A view to face in the sights of tomorrow.

 

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Playstation is Go!

Yes, the console war is off to a nice start. It is important to you (the reader) to know that for whatever reason, I am a Sony guy, hence, take no offense and if you are a dedicated Xbox person (no offense taken) then you might not like this article.

The event started last saturday when I saw this article that was massively Microsoft minded and how the new Xbox would be 30% faster, that person went on by throwing teraflops at us and making all kinds of speculated boasts, fair enough, I merely glanced at it and disregarded it to the largest extent. There will optionally be differences between the two, but the difference will be less than 50% (personal conviction) of what that person claimed. In the end, the PS5 will be a huge step up from the PS4 and a decent step up from the PS4 pro.

CCN (at https://www.ccn.com/sony-ps5-reveal-beats-xbox-series-x-without-trying/) gives us “Sony’s PS5 reveal video gets more views than the Xbox Series X trailer after being criticized for being boring and technical“, yes that was always going to be the case, in the end there are two parts, the technical superiority and the games, the first one we can see and anticipate, the second one we can hope for and in coming towards our hopes and dreams the PlayStation has been a lot more rewarding than its counterpart ever was. The one time the other one stood out was when the date was October 27, 2017 and that was the day that Ubisoft released Assassin’s Creed Origins. Even as a Sony person I have to give voice to the amazement that the Xbox One X brought at that time. Assassin’s Creed Origins blew my socks off, and as a 4K title it was overwhelming. Yet that was pretty much the only time that the Microsoft console truly shined. As the self-proclaimed most powerful processor system it was surpassed by Nintendo, which with the Switch has the least powerful processor of the three, so that is the impact of superior hardware.

As such CCN gives us “The PS5 video has 13.5 million views compared to the 10.6 million views on the Xbox Series X reveal. This suggests that Sony may not have to try very hard to make the PS5 more successful than the Xbox Series X.” My response would be, Sony listens to its gamers, Microsoft only claims to do so and then does what the bottom dollar presented tells them to do, the gamer is not a consideration (proven twice over), that is how I see it (Die hard Microsoft console fans are allowed to disagree).

For me it is a much more interesting field, even as I am considering two IP’s on the matter, I can clearly see that the advantage that Microsoft created with the Xbox 360 has gone. My personal achilles issues is that the entire matter of storage has not now, not ever been properly addressed by Microsoft since the first One was released, that is 8 years ago. In all that time it was about being online, about being able to download, all whilst we see that on a global play there is a bandwidth issue, it is to such a degree that some people see how some players (YouTube and Netflix) decided to limit the video quality so that they won’t congest the internet in Europe in this Corona beer environment. It had grown to such a degree that Brussels decided to talk to Netflix on reducing internet congestion (at https://www.politico.eu/article/brussels-in-talks-with-netflix-about-reducing-internet-congestion/) and the quote “Internal Market Commissioner Thierry Breton today spoke with Netflix CEO Reed Hastings to discuss ways to help reduce internet congestion, a Commission official told POLITICO“, as such a case I saw coming years ago (not on the how it would happen) is seen three days ago in the article, there is congestion and in that environment Microsoft wants to be an ‘Always Online‘ player? As such the Sony solution with their secondary internal drive (SSD) might be a slightly limiting factor, but as it would (speculated) fit the 2tb and 4tb drives from Samsung, the Playstation 5 will have a great situation, and the 2tb SSD version is now $325, which is not required in the initial year (unless the games become really big) I reckon that Microsoft has a lot more to lose, superior processor or not. Even as they come again with their ‘most powerful processor‘ song, the moment the gamer chorus starts with ‘Yet where can we store our shit‘ they will fall silent very quickly, 1TB in 4K/8K gaming will do that. Sony has a similar start but you can add a drive to enhance player needs and 2tb/4tb will do that nicely. I expect that the 2tb drives at the end of the year will be $250-$300, so there is that too.

The larger issues is not merely that, Tom’s guide (at https://www.tomsguide.com/us/ps5-release-date-rumors-specs,news-26954.html) gave us “In his Road to PS5 talk, Cerny gave more details on the SSD again, with the key spec that it could load 2GB of files in 0.27 seconds. That should make for some unnoticeable loading times once game devs get to grips with the new console.” in this consider a Bethesda RPG where the load times in between locations becomes almost zero, the additional joy we get by replaying Fallout 4 and Skyrim, this evolution is one I anticipated, although not the “load 2GB of files in 0.27 seconds“, that is just the icing on the cake. The idea that Elder Scrolls: Restoration (see several other articles) becomes a technical viability opens up a lot of doors for RPG games, in this I wonder what Guerilla games could make of Horizon Zero Dawn 2. It is almost beyond belief and that is before we consider other franchises that offer us more and more. 

You see in the end it is not about Sony or their Playstation, it is about the gamer and gamemaker and it seems that Sony is facilitating to an amazing degree to those two, as I personally see it Microsoft is merely facilitating to those embracing Azure, in lesser degree to the game makers and last to the gamers, it is another setting entirely. Gamers are the first priority, Sony learned that lesson when they launched on 3 December 1994, a first try to debunk Nintendo as the king of gaming, they succeeded. So whilst we are all in folds on how much it is going to cost, consider that the Xbox360 was $699 and we all shelled out because we were going to get an awesome experience. That was proven true by Microsoft and I never regretted buying a second one when the red rings of death came to ring my front door bell (two days before Fallout New Vegas was released).

It seems to me that Microsoft forgot about what gamers need and they seem to listen to those who want gamers to take a certain direction, it is not the same. Still there are options where Sony could improve too, not the gaming side, but the connected social media side where we share what we want to share, that side is up for a tremendous amount of improvements, and when they do this considering that people are not always online (consider rural France and Germany) they might just wipe Microsoft out of existence, they don’t seem to care what happens to those gamers without excellent digital path access. As i Personally see it, it is due to a population of gamers without a global scope on the matter. 

The Sony presentation (at https://www.youtube.com/watch?v=ph8LyNIT9sg) is nice, but as CCN told us a little boring, still boring or not Google told me that it is #20 most trending videos at present, so boring is nice. Yet the presentation is also important as the OS is part of all this and the improvements in social media we will see before 2022, is lacking at present. As I personally see it both have that weakness and just like I was correct in storage, I expect that the social evolution on sharing becomes a much larger issue down the road and it seems that both are not ready for this part, even as it is not part of the console, it will be part of storage and synching (when possible), as such the console needs a pass through need that developers would have to adjust for and that is at present not a given. Even if it is easy, getting this in place BEFORE the console releases gives the makers of games a lot more to be ready for and I believe that it will impact the success of any of the consoles. 

How am I right?

This is much simpler. We have our friends and our social circles, at times we want all our friends to be aware, yet we have gaming friends and a social circle. They are not the same (for the most in Europe and America they are very different), I think that Sony did not consider this, or rejected this even as their PS3 presentation years ago gave sight of their plans. It was in that case a rejected plan that is now on their plate.

I am not talking about some marketing play, I am talking about gamers talking to their other gamers in an actual way, not pushing them messages (what happens too often). In this Google Plus had solved a few of the issues in the very beginning. Having circles solves it. Circles of connections playing the same game, playing a type of game and the individual messages that you can direct. So another game gets some of the messages and if that person is curious he or she can come look at YOUR wall where you see everything. So you basically have several walls, your wall, your shared wall, and circles and a message will be on some or (ill advised) all walls, your friends can select from your wall what they are interested in, and as you gain gaming fame they will optionally want to see more. It makes for a much easier social media, and that is the foundation of the dictionary “applications that enable users to create and share content or to participate in social networking” it is not about pushing content, but sharing content and like in any conversation, when the other party is not interested, they cut off the conversation, that part is often ignored because some players in social media need the traffic and the advertisements to go through, actual social media is about connecting and conversing (via sharing). It is a lesson that Microsoft (for the most) never learned in the last 8 years. Sony did not learn it either, but their solution was not about pushing marketing (to the degree Microsoft did) and as such we were a lot more happy, as well as the fact that we were not required to be online all the time, the system synched when we were (most often when synching achievements).

As this approach is matched with the games, we can select for games where the information goes (all to our wall) but then we can select per game where it goes (those who have the game too), when it is a genre we can also share it with those sharing that interest. So Fallout 5 is initially shared with those who have Fallout 5 and an interest in RPG, these players can then disregard (optionally temporary) Fallout 5 materials or disregard your material. That is a reality too, I have several friends and we shared Mass Effect 3 multiplayer gaming, but only that, as such my achievements in Mass Effect Andromeda was not interesting to them. In this I mentioned ‘optionally temporary‘ as a person starting in a game might not be interested in someone’s achievements who is at 90% (for means of spoilers and optional envy). This too makes for a much nicer experience in social media.

It is the side effect of any facilitating system of news events and achievements.

I believe that the PS5 will have a large base growing much faster if the social media template is set to facilitate to a much larger degree to gamers. Whether it is done or not will not affect the initial need and desire for the PS5, but I feel certain that over time it will be a much larger facilitating and desired part of any console. I also need to emphasize the win that Nintendo had on the switch with the calendar, I am amazed that none of the others see that part. You might not want to share your calendar, but an overview of achievements gained over a week is not something a gamer is not interested in, and the option to keep that calendar for years (an option the Switch does not seem to offer). I believe the option for gamers to open this part (per game) to the developer will be much more interesting to the makers too (as the gamer decides whether to inform others). It allows for an optional  deeper connection between maker and gamer. 

This allows for two elements the first being a direct gauge where the maker can inform (once) the gamer on season passes and DLC options. The second is that we can be aware of updates required on games we have, not blindly updating a game we haven’t touched for weeks (Microsoft actually has a much better system in play here than Sony does).

As we see that the PlayStation is Go! (Thunderbird pun) we see that no matter how great any system is, there will always be space for improvements. Sony however seems to have been listening to its gamers for the longest of times, lets see what the PS5 brings and what the second wave brings. This time around there are benefits and disadvantages for Sony. The last time around the Nintendo Switch was not a factor, this time it is and no matter how strong any system is, gaming is about joy and that is a lesson Nintendo has taken to heart every single time, they did this long before the Nintendo 64 (at $699 in those days) became a reality.

Even as the PS5 players will adjust to “We believe that the overwhelming majority of the 4,000+ PS4 titles will be playable on PS5“, we see that the ‘truth’ of the matter is that the largest Sony base will initially be interested in less than 200 of them, especially if they upgrade from the PS4 and never had a PS4pro. 4K will be the larger reason for that. As such even the makers will benefit from the setting where someone did not buy it initially, their title was good on what was and optionally now will be a great added title (especially with patches in place). 

It is still early days, for the most, I am merely anticipating what is and what we will get, not what might optionally be missing. In that regard the Playstation family has never disappointed us (apart from the day one games on PS4) and it is still 9 months away, as such I believe that there will be a lot more information coming our way soon enough, most of that is most likely around the time this year’s virtual E3 hits us.

 

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Value and validation

We all see both, we need to be valued and our work, our thoughts and our point of view needs to be validated. It is for almost every person the same, the value and validation drives him and her alike. As a blogger I have to do with rants and bad mouthing, but that is what comes with the terrain, with my IP it is different, like a writer I need validation, but I cannot get it without putting my IP in the public domain and that is a really bad idea any given day of the week, so how will I get value and validation if there is no feedback? Well in my case there are a few items that work. First there is the validation on what I write. I wrote in September 2019 ‘It’s been that long‘ (at https://lawlordtobe.com/2019/09/28/its-been-that-long/). I had written about the issues before in ‘Gaming ‘after silence’ or ‘pre noise’?‘ (at https://lawlordtobe.com/2016/05/14/gaming-after-silence-or-pre-noise/). there I wrote May 2016 “This is just my view on it and I expect to be proven correct before the end of 2018, possibly even sooner” and as I see it System Shock (delayed, 2020), Moonshades (a Dungeon Master style game) have proven me correct, basically I feel validated beyond the value of Ubisoft at present (nothing wrong with my ego). Dungeon Keeper and a few others were already out (or openly in production), so that does not count. These are a few of the little things showing that I was right all along. This does not prove that my IP is da bomb, but if I am right in my way of thinking in one way, I will also be right in the speculative reasoning, and as my path is still not showing in 5G, I feel more and more happy.

In all this, my mind needs to create, it needs to be creative and I wonder when we see ‘3 Reasons 2020 Will Be a Make-Or-Break Year for Netflix‘, whether this is merely a ploy to bounce the stock or something else. Yes, the Nasdaq article gives us “Will Netflix finally win the Best Picture Oscar?” as the second reason, making the article bogus (to some extent), some of the best movies in the history of film never got awarded best picture and that did not hinder them, did it? The Independent (UK Newspaper) shows us Citizen Kane, Vertigo, the Graduate, 2001 (a computer going nuts), Taxi Driver (Robert de Niro with a decent haircut), Apocalypse now (Martin Sheen as a teenager), Blade Runner, Pulp fiction and the list goes on, the paper gives us 23 movies (a lot with De Niro) all worthy to rub shoulders with the Irishman, none of them Oscar winners, does it matter? What matters is not the billions spent ($15 billion last year on materials alone), the matter at hand is if Netflix keeps on making quality stuff, even if it is less, quality is quality. In that light I thought

Wouldn’t it be nice

Let’s take a look at Rendezvous with Rama, the atmosphere of the book gives us a handle, yet what if we turn this around, what if a group of people wake up on a space station with a diameter of around 250 meters, it is a way station, between us and the Sombrero galaxy, all indications are that the people wake up at 1/3rd between us and the Sombrero galaxy, in the middle of nowhere. At what point will we consider that we are merely rats in a maze? Even as every piece of equipment works, even as most of it is beyond most technology firms, what is the test? Is it the one we are given? Will we abide? What happens when two more teams arrive? What happens when we start taking initiative? 

As the situation presses and another platform is found, we see that there is division in the groups, one group (from the three arriving teams) decide to use it only to find themselves on a station more than twice the size, yet now only 1/3rd away from the Sombrero galaxy. As we consider the hardware available and working that it can get us to another galaxy, how much more advanced were the makers and what do they want? With one or two twists, one involving a priest going nuts (a wink at war of the worlds) we are left with questions, because we now know enough to know that there is no way that we are alone in this universe, yet the people here have no clue what we are missing to go travelling and yes the cold fusion we claim to have does not cut it (not without two elements and Celestrium) the last part is essential as its existence answers a few question, including how to find others.

When we take the science apart and see that we are often too clueless to consider leaving us alone with that equipment. Would you leave a box of matches in YOUR house with your 2 year old? The considerations I had on a Sunday evening would become the foundation of an optional mini series, with my additional mind on games, TV series and IP, I see that there is nothing wrong with my imagination! Now Google and Huawei need to wake up for the circuit to be completed (almost literally so).

In all this, we can feed our need for science and our need for fear, fear makes its own conclusions and it has no reservations taking the upper hand, just like it tends to take over giving doubt in a stage of our ability to value and validate ourselves, and it all matters! Did you think that I am so much brighter and better than some others? (Well I am to some degree), the issue that we see nowadays with the US playing tantrum child all over the field is showing a larger lack of imagination. The movie industry sees the imagination of a man like Stan Lee take over, but it was his imagination that spoke to millions of people all over the world, a lot of them having seen at least a dozen of his comic books, and Marvel cashed in, in a world where we see a lack of imagination we see the people of Stan Lee comics making a killing, imagination gets to do that. In that same view I see the Irishman, an amazing piece of work and if that is the quality that Netflix brings, then best movie Oscar or not, Netflix is likely to be around if those holding their credit is standing strong too. for that is the game too, if the credit holder is not a visionary, if that person is a short term bullet point oriented Excel user, you tend to be royally screwed (pardon my French).

And in this I am not alone, Forbes (at https://www.forbes.com/sites/greatspeculations/2019/08/20/all-the-reasons-why-netflix-is-doomed/#59953e37465e) gave us last year “Content Spending Not Adding Enough Subscribers“, an optional issue to some degree, yet we seem to overlook that there are 170 million subscribers, with 100 million outside of the US, in all this we tend to forget that France has a dismal internet (outside of Paris and Defense au Lille), and they are not alone. there is still the need to see Netflix, in many nations and as more people see the pull to new series (like the Witcher), Netflix will survive, by the way, in all this we see the lack of visibility on HOW MANY watched The Witcher, none of the cable services EVER had that much viewers. A small item easily overlooked and as Netflix moves through time, we will see more players and some will switch, but Netflix remains a name not to be forgotten, no matter who shows the Marvel movies.

And as I see the writer of Forbes give us “As I wrote about in “Loss of Licensed Content Is an Underrated Crisis for Netflix”, Netflix doesn’t appear to have a plan in place to replace these beloved shows when they depart the service in 2020 and 2021” and there it relies on the Office and Friends, a TV series that was big in 1994 and the ten years running. Yes it was fun and it is highly regarded, yet so it Star Trek, so is Altered Carbon, so is Bojack Horseman and that list can continue for some time. I believe that it is the new material that will pull in the subscribers, not old series (although a case can be made for the West Wing and Babylon 5). And what we like is out in the open, with 4 billions ooptional watchers, what we like is spread between Aaron’s Way and Zorro, there is a need for almost all and over time they all will be watched (at some point). If there is one flaw in the Netflix formula, then it is the abundance of choices, we are like children in the candy store having to make a choice, yet whenever we make one, we see another lolly overwhelmingly tasteful. It is great for the creative inspiration, but you tend to miss out on perseverance or a lack of sleep, whichever comes first and ask around you, whomever saw the Witcher, how many watchers turned into overnight bingers? Now consider that Netflix releases one show a month, how much sleep did you forego?

At times validation takes its own currency as payment and it tends to be the currency you did not see coming, and it is not a currency that holds water at the check out of the supermarket. We all tend to forget that a little, as well as the small thought that creativity starts in someone’s mind, not as a bullet point on a document. This is important, especially as I agree (and oppose) with ‘Ubisoft: A Number Of Risks Make The Company Non-Investable At This Point‘. Those who know me, have seen that I have spoken out against Ubisoft on a number of occasions, yet the issue is that this (source: Seeking Alpha) article is all set to the investors and there we have another matter. Yes games are reasonably high risk, yet there is a reason that places like CD Projekt Red are successful, they went the extra mile. Ubisoft needs to adjust course. I cannot completely disagree with “We don’t think that Ubisoft is worth investing in right now and believe that the market offers greater opportunities with less risk“, they do have a point, yet this investment report is set around the overall, not the specific. As we see “While shares are slowly rebounding from the bottom” we see a reason to consider Ubisoft, even as we have to agree with “poor decision making in the past and a ruthlessly competitive environment are making Ubisoft non-investable at this point“, we forget that the engine is set around creativity. It is watching two channels at the same time, and Ubisoft did this to themselves. There is the creative channel that is showing delay upon delay as they need to get it right and there is the hype creating business channel that needs to get muzzled, the stage is wrong, the PS5 and Xbox releases at the end of the year require their best foot forward, if Ubisoft is able to release a game in the quality settings of AC Origin, they are saved, if they do it AC Unity style, they are buggered and their marketing department is not helping, there are almost literally hundreds of shouts from all kinds of publishers on delays and other news that does not make the coffee, creation is equally about muzzling that part. All while one source is giving us the image of WatchDogs Legion: “The release of Ubisoft’s new animal-themed action-adventure game“. It was 4 days ago, why is Ubisoft marketing not all over that? I should be less concerned, Ubisoft did this largely to itself, yet the creative minds like Jason VendenBerghe were lost in this marketing shuffle. An amazing game that should have made his desk at Ubisoft a permanent one, was shown in Netflix as we are shown what the creative minds go through when they are bounced of other creative minds and off the walls, we see the need of validation and how it was missing at Ubisoft, at least that is how I saw it. There will always be a large part that is not on any camera, but what some see as validation is not always picked up as such and the need for clear communication tends to go in every direction, you merely need to look at several surveys and how people perceive brands to get that part of the picture, as such a driven creative mind with a single focus tends to go in any direction, except the direction it had to go in and the lack of validation tends to be a larger concern. As for value? that remains to be seen and that remains open, yet I do believe that if there is validation, the value of oneself tends to go up, that has been the case since before Brutus was slapped on the shoulder for treating Caesar to a dagger on 15 March 44 BC. He was validated, but his value remained that of a traitor (hence he comitted suicide). In all this we rely on one, knowing all too well that the second does not give validation to the first, or it does, yet it will not give value to both and that is where the internal person and the realist tend to sway, how to assess value? We have been on the false brink of stockmasters for too long and our  assessment of what is value is in the wind, time will tell how we go about it, because that is something we cannot do on the fly or in an instant.

 

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In light of projected greed

This is an odd phrase, projected greed is not the same as greed, it is not. Projected greed is about speculated revenue, but greed tends to be a driving motive here, no matter how you stage your response. The salesman states words like ‘pipeline’ because it gives him a handle on quarterly bonus, he’ll tell you that it is about the continuity of sales, but it is not, it really is not. The CEO uses all kinds of terms for the ‘saleslife of his quarter’, but the stage of the quarter and their extra monetary incomes are linked to it. So how do we see this in movies? For producers it tends to be about the above break even point, even as it tends to be disrupted by visibility, but good visibility is movie momentum that a producer can push onto his next project. 

As I made mention before in ‘What is unintended discrimination?‘ (at https://lawlordtobe.com/2020/02/07/what-is-unintended-discrimination/) we need to see that recognition of revenue and the missing of unadulterated vision and attention which drives down movie revenue, the stage of projected greed gets bitten by being the biter.

In the last few days we have seen all kinds of people critics, movie stars, directors and producers give voice to diversifying the Oscars and Baftas. 

Bafta

This is actually the simple one, the ‘mission’ of the Bafta is stated as “The stated charitable purpose of BAFTA is to “support, develop and promote the art forms of the moving image, by identifying and rewarding excellence, inspiring practitioners, and benefiting the public”“, all whilst the supported part is “Films must have been available to the UK public for the first time in the UK between 1 January 2019 & 31 January 2020. There is an exception for Films Not In The English Language (FNIEL) which are eligible if they have been made available to the UK public for the first time between 1 January 2019 & 28 February 2020” which we see at https://awards.bafta.org/sites/default/files/images/ee_british_academy_film_awards_1920_-_rules_and_guidelines_-_feature_categories_october_2019.pdf

As such a movie is eligible when it was available for watching in England, seems all very correct, does it not?

In 2019, a total of 786 movies were released in the United States and Canada, which implies that when we consider Bollywood and Nollywood that number goes up by a decent amount. At which stage can you diversify when we see that there are around 775 cinemas in the United Kingdom? Now we need to consider that some movies are in a cinema for weeks and that some movies are almost in every city for example, in 2019 Avengers: Endgame played in 682 cinema’s in the UK alone, as such when you see that there are 775 cinema’s, we see that ONE TITLE takes up a lot of space in the display area. As such there is no way that these 786 movies can be shown. And the British people want sensational movies (as do people in most nations), so tell me where does that leave a title like Lionheart?

 

Abacus

This was simple stuff that could have been figured out by a 5 year old on an abacus, it was not that hard and I like putting this out there as some critics requested the dismissal of HRH Prince Harry (or was that Prince Albert Victor, Duke of Clarence and Avondale?), ah well that person (the critic) will optionally fall over his on words of misinterpreted denial soon enough.

And I forgot about one part that was actually obvious and clearly out there, but just for jollies “Films are not eligible when they have been previously entered into the British Academy Film, Television, or Television Craft Awards“.

So in all this in 2019 when we consider Avenger: Endgame (Robert Downey Junior, Chris Hemsworth), 1917, Once Upon a time in Hollywood (Brad Pitt), Joker (Joaquin Phoenix),  Star Wars: The Rise of Skywalker (John Boyega, Daisy Ridley), Bombshell (Charlize Theron), Jumanji: The Next Level (Dwayne Johnson, Karen Gillan), Fast & Furious: Hobbs & Shaw (Jason Statham, Dwayne Johnson) all movies in multiple cinemas for multiple weeks, it makes the remaining space not spacious, it is the drawback of more and more film releases. I left the Marvel movies and Cats alone for obvious and opposite reasons. I also have not even taken movies with Will Smith and Angelina Jolie into consideration. As such, when we see Steve McQueen (the director, not the actor) give us “BAFTAs risk becoming irrelevant“, we see an optional valid argument, but the stage to diversification is stale and now almost obsolete, the need for greed took care of that part. His view of “After a while you get a bit fed up with it. Because if the BAFTAs are not supporting British talent, if you’re not supporting the people who are making headway in the industry, then I don’t understand what you are there for. If (film-makers) are not recognised visually in our culture, well what’s the bloody point? It becomes irrelevant, redundant and of no interest or importance. End of“, when we consider the rules, we see that the deck is warped through the need for greed (producers call it getting their investment back), we can push to change the rules, yet the environment of being able to watch a movie is not in sync with the needs of those good enough to win. Lionhart was merely one example, there are plenty more and whilst the filling of cinemas is set around the release of Marvel movies (not a bad thing) we need to consider that time is also a factor, income is a factor. I went to the movies at least once a week when I was young, bills and payments have set this back to once a month and from there to 2-3 times a year, Also limits factors in movie revenue because each trip to the cinema is $25 at least and that is when I bring my own bottle of soda and a pack of lollies. As such can you deny that Netflix had become a gift from heaven to millions of people?

The final rule for Bafta that matters is “An entry can be made either to the Film Awards or to the Television and/or Television Craft Awards, not both“, as such how did the Irishman get in? It is a superb movie, yet which category did it get mixed in with? In addition when we see ‘Andy Serkis to receive top honour at BAFTA for ‘revolutionary’ contribution to cinema‘ and we see him getting all that well earned credit, yet we saw no mention of him being a cut throat mercenary in two Marvel movies, odd is it not? 😉

Oscar

Here we almost get a repetition of the Baftas, although what I did not know (never looked it up before “to be eligible for awards consideration, a film must have a minimum seven-day theatrical run in a Los Angeles County commercial theater, with at least three screenings per day for paid admission“, as such we see a small bewilderment, he idea that the voice of America is based on ‘a minimum seven-day theatrical run in a Los Angeles County commercial theater‘, in light of this we see a larger issue, from what I am speculating (I could not get the numbers) we see that the Oscars are likely based on a much smaller sample size than the Baftas, with the previous arguments in sight, as well as “Voting on all achievements shall be restricted to active and life Academy members“, which we accept makes sense, yet as the movie industry goes on, as it intertwines with HBO, Netflix, Apple and Stan. How much time will a voter get? The rules could be found at https://www.oscars.org/sites/oscars/files/92aa_rules.pdf and even as it looks a little more ‘lawyeree’ than the Bafta rules, it is not unreadable. Yet in light of voters, how much time did they get (as well as interest) to watch 786 movies? Consider the personal diary of Adam Driver (or Tessa Thompson for that matter), how much time did they have to sit down and watch a movie they liked and a movie they thought had to checked out because the critics were raving about it? When we consider that, we see a shifting image and the movie list given earlier (we might think that Adam was biased seeing Star Wars: The Rise of Skywalker), we need to consider a much larger stage. Oh and cutting down on Oscars and time on TV would not be a bad thing to consider either.

Yet how will that go over with the people cut from consideration? When we look back to the first Oscar, where the presentation ceremony lasted 15 minutes and had 12 winners, in this the most notable part is that Charles Chaplin lost out on three nominations, it is a big difference from the 92nd Oscars, is it not?

I do optionally not disagree with the ‘So White’ part of the outcry, but as I see it, there is a limiting factor in place that makes it hard to get distinguished here and in the 2020 Oscars we get to see Parasite, a South Korean movie (the distinction of South is important here) ending up with 4 wins and two nominations is pretty amazing. How excellent must this movie be to get that many awards (I did not see it yet), it is also amazing that it is the first non-English picture to ever win best picture. 

So until we change the premise of who is allowed to win, we will get a grey collection of movies that are in the running. In all this Parasite and Joker are already a larger step towards exceptional movies that are less mainstream than what mostly takes the slices of the cakes. And in light of all this, there is still the factor of projected greed; it is not the continuation of getting your money back. Avengers: endgame, cost 365 million, revenue 2,800 million. Then there is the real life Lion King with a cost of 260 million and a revenue of 1,700 million, two movies that took up exactly how many theatre rooms in Los Angeles County? That is part of the premise as well, because as they run, other excellent movies could not be set to the rules of being a nominee. Now I am not blaming these two movies, yet the premise of the Oscars is most easily seen when you consider that part of the equation. Projected greed might be the most dangerous part in all this, first of all because it is not actual greed, but it is closely related to its awful brother, and movies have become too much about projected revenues, in this, which studio exactly used to rely on ‘Ars gratia artis‘ (Art for art’s sake) before they (and all others) seem to have transferred it into ‘Ars pro reditus‘ (art for the sake of revenue)? It seems unfair on the directors, actors and actresses, yet they too are linked to their careers and they need to be the person who grows the income of the producer if they want to stay employed, in this I reckon both the Bafta and Oscar get to draw the short straw.

 

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We’ve seen it all before

That was the thought I got stuck with when I was looking at The Disappointments Room, a movie with Kate Beckinsale, shortly after I stopped watching it. Now, this was not the fault of anyone, not her (watching her is as pleasing to the eye as watching a Rembrandt), not the director, the lighting, the camera work, it was all high end good, yet the issue for me remains, I have seen at least 15,000 movies, so there is an issue with me watching more movies. Lately I have been taking notice of that, and with Kate who made her debut in Much Ado about Nothing (1993), a small part I had actually forgotten about, I remember the movie well. Implies that there is a sliding scale ahead for me and I am not happy.

There are still happy moments too, I loved Earthquake bird and was amazed that Alicia Vikander was so great at Japanese pronunciation, apart from that (and the fact that Lara married a Ubisoft character, LOL) made it an interesting ride, that is all before that the movie is one hell of a psychological drama, that includes some level of triangle relationship is pretty awesome, the fact that it plays in Japan is merely a plus for many (including me). That entire movie was an interesting one, we had all seen it before, but as we experience the setting, we see a movie, one that is for the most totally new, and there is a point where I wonder how the makers Wash Westmoreland and Susanna Jones pulled it off.

Was it all about Japan, was it Alicia in Japanese surrounding, or was it that for the most the movie was not laced in a sexual setting, there are 1-2 screens, but they seem to make sense as this was the relationship between two people. Yet in all that, the entire Japanese setting is overwhelming and we look around as we notice more and more differences, but what set it off? I believe that the script was a big part of it, but all movies have to face that, so what made this movie different, why did I not have the ‘We’ve seen it all before‘ feeling? I think it is important, as we are all running to the next Marvel movie, a remake of Charlie’s Angels or a Ford v Ferrari movie, I wonder what we will get next year, because it is becoming slim pickings for anyone who grew up being a movie fan. There are movie makers who are a given, people like Ridley Scott, who seem to be answering questions in the movies as they make the movies, a lot has been done before and some movie makers seem to distinguish themselves in that way, but the scary question for me remains, what comes next? Oh, I believe that we will see plenty of fine productions, but the overwhelming feeling that I have is that the ‘We’ve seen it all before‘ will return and that saddens me a little because it will not be the fault of the maker, or the actors or the actresses. It resides in me and all the movies I have already seen, that is the part that saddens me and it is laced in another part as well.

When we watched a movie (in a far distant past in this galaxy), my grandmother would comment on ‘How she had already seen that movie‘ whilst I was in the frame of mind that the movie was new, yet she was proven right again and again as these were remakes, it is nice to be in the first viewing of a remake, but I got old enough to have seen the original of whatever movie was re-released in the last 5 years so it is a little less fun for me now.

For me this is like watching the Female Ghostbusters, or the real live Aladdin, both movies have one setback, the original was pretty darn good, in the original Ghostbusters, we got to see special effects that until a few years ago no one surpassed, in addition to it all it was a great fun film to see, so the female version had a different ghost to fend off, and they were unable to, we kept comparing to the original, Will Smith faced that and worse in Aladdin, he had to fight of the ghost of Robin Williams, in addition Disney had taken the voice section to the next level and we all still remember Gilbert Gottfried as Iago, it is hard to fight off those ghosts, especially when the current generation still remembers them so well. It was different for Oceans 8, yes it was all female, yes it was linked to Danny Ocean (George Clooney) but that was it and the theft of a $150,000,000 necklace was truly next level shit (to coin a phrase) and I am avoiding all kinds of twists that the movie has, you have to see them for yourself, and James Corden was not a twist, the man really can act ;), and the ladies in the movie set out to plan a great heist.

To think back, I really have no idea who at Disney was stupid enough to invest and to allow the entire real live version of Aladdin to proceed decades too early. Although that is merely my thought on the matter, the movie did become a billion dollar plus movie, so there is that too. For me next year, I am worried about the Grudge, an amazing original Ju-On (2002) yet the remake 2 years later was still good, there were two reasons for that, the first is Sarah Michel Gellar, we had just admired her in Buffy for 7 years and seeing her in a different movie was well appreciated, the second and not the least important one was that it was from the original maker Takashi Shimizu, so seeing another remake next year will not be on my list to watch. I have a few reservations on Fantasy Island, yet we have seen Michael Peña in several good movies and there is every indication (from the trailer) that they are taking the sweet caramelized smell of the original TV series with Ricardo Montalban (Mr Roarke) and Herve Villechaize as his assistant Tattoo in a new direction, that I want to see because the trailer is indicating that the caramelized part is gone, it will be a liquorice cured salmon, the first time is the most powerful one because most people have never had it, it is also an acquired taste, so you’ll love it or hate it, but it will be new and that is the part that matters to me.

There is another wave coming, but not made as re-release or remake, it will be a sequel of Candyman, with Tony Todd as the murdered son of a slave, for me it means that there is every indication that I can finally replace that movie as a Blu-ray and it made me realise that it was released 25 years ago, wow, when I was half my age (extremely approximately), I remember the movie, meeting Clive Barker and a whole range of other events around it, seeing it sequel will (hopefully) be an awesome experience.

Yet overall I see that there is more behind me than in front of me and for a lot of us, when we have budgets to keep to we need to select the movies we see on the big screen, I went from a movie every week to a life where I saw no more than 6 of them on the big screen last year and that is a big difference, nowadays I see the movies that are in the libraries, and with Netflix, Disneyplus and other streaming media, on one side I wonder how much is left for the silver screen. Yet on the other side, as far as I can tell, no one ever took Ryū Murakami 1999 masterpiece Audition to the western world, now that is a movie you want to invite Harvey Weinstein to. I won’t give away anything, but if you want to see horror with a difference, that is one movie to watch, there is a whole range of movies where we seem to forget that there is a whole planet outside of Hollywood that makes good movies, and even if we want to see a re-master, or a re-launch, personally I am still hoping for Claude Leloch’s Les Uns et let Autres to make it to Blu-ray, let alone to get it re-launched (if that was even possible). The Netherlands (who got caught up in WW2) has its own views on the resistance and occupation and it resulted to amazing works, like Black Book (2006) and Riphagen (2016), most people will remember the decorated movie the Assault (1986), yet very few of the non-Dutch will have any idea about a movie called Undercover Kitty (2001), whilst the person behind this (Annie MG Schmidt) is in Dutch circles on a level that equals Walt Disney, or perhaps a little more correct the Swedish writer Astrid Lindgren, who created Pippi Longstocking. Yet how many remember or even know of the Swede Gunnel Linde? He wrote over 40 books and in 1973 the White Stone (Den Vita Stenen) became a TV series. I wonder how many options a place like Disneyplus would have when we see how large the collection of children’s series would be, the same when we look at Netflix in light of Audition (not really a kids movie), yet more revealing, will this become the age of ‘We’ve seen it all before‘, or will we see that like the new Fantasy Island, we end up with movies that show a surprising twist, one we never saw coming, to be honest, not unlike some movies, we will have seen it before, even if we would accept the new special effects, there is a chance that we get to see another Thing (1982) which makes for an interesting version from its original 3 decades before, yet nowadays, we are more likely to see another Insomnia (2002) which was its own perfect remake, yet when it comes to remakes, it is a wild card, because no matter how we love the Departed (2006), there is a chance that you saw the original Hong Kong film Infernal Affairs (2002), at which point the timeline is too close together. I was lucky enough to have seen the original and yet Scorsese makes a magnificent movie, yet the original was made in such a way that it was brilliant in its own right and in this my mind would love to give Andrew Lau and Alan Mak the credit they deserve, yet in opposition, there are plenty of other movies that a lot might not have seen and seeing some of those works (again), in a new light is still worthy of watching. Sweden has jewels like Lilja 4 Ever (2002), we might have seen the Norwegian movie Trollhunter (2010) in a different form, yet when you see this movie, you wonder which one is the original (the other movie was released a decade before this), so there is not much call on that, yet the stories are unique, original and the stages we see are also a question ‘We’ve seen it all before‘, yet have we?

In 2015 Norway produced the Wave, like other movies we want to say ‘We’ve seen it all before‘ yet that too would be wrong, we have seen something similar, but never in this setting, that is where the feeling gets in the way, The Wave is an intelligent piece of work that takes Norwegian customs and leaves us wondering whether we choose the right place to live for the right reason yet can we avoid choices? (I am really trying hard not to give anything away here), the world is filled with movies that seem to look like a movie we had seen before, but we had not and this group of films is now going to be a central part in places like Netflix and DisneyPlus (as well as AppleTV) to set their markers for gaining a following. Sometimes remakes work really well Zatoichi (2003) is a nice example. Yet even more overwhelming are the works of fiction, the books that were released in other nations that no one thought of translating. Even known works like Swedish Sjowall and Wahloo resulted in amazing movies a decade ago when the world got to see Beck; in this Peter Haber made an amazing Beck, finally replacing the image that Sweden had through Gosta Elckman. Germany is another nation where there is an abundance of great art. We all seem to remember Das Boot, Downfall and Der Baader-Meinhof Komplex, yet how many have seen a version of Das Leben der Anderen, where we see the impact of Stasi (the East German secret police)? Perhaps you might not know it by Die Welle was based on the true story of a high school teacher in California who designed an experiment to teach his students about Nazism, when you see that in real life, you wonder what you know. We seem to believe that modern day fascism is impossible, yet the movie casts doubt on that and this was all before social media, so there is room for new versions and altered (read: different) versions.

It is hard to see the light in so many seemingly remakes and re-launches of past greats, but there is light and there is room for plenty more, as such I wonder whether it was just me when I thought ‘We’ve seen it all before‘ or was it the maker who was not aware of other versions of great stories?

I wonder about this not because of Christmas, you might think that we will get re-runs of other versions, I know that this is not the case as Netflix gave out Let it Snow (2019) which is actually a decent movie to watch, which was a nice surprise for me. As I feared that plenty of repetitions seem to be the case when it comes to Christmas, I merely chase that one side in movies, the one I had not seen before and as we get from stage to stage, that risk is increasing, yet the cameraman as he uses his instructed skills to show something different will be able to thwart that danger for all of us (one might hope).

We are about to get 6 times the releases that we have ever had before, because the large screen and Blu-ray line is gone, there is now a large screen, Netflix, Disneyplus, Stan, Amazon Prime and Foxtel release plan, even as they all end up on Blu-ray, we need to pick what we can optionally watch and they are all slamming whatever they can lay their hands on, so there is 6 times the likelihood that they hunt a similar story. Yet there in the end we get to see the issue at hand ‘We’ve seen it all before‘ and as out budgets are now a lot more defined, we all end up being in a place where we rather avoided that part of the equation.

 

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Finally!

Yup, there is a new fashion in town and it will force the companies to fix the one element in IT that most corporations have ignored fixing for the longest of times. The issue that needed fixing for the longest time was non-repudiation, the issue has been clearly around for almost 10 years, 15 if you want to set a time table, but today on LinkedIn ‘Netflix and don’t share‘ shows that the industry will start doing something about it. The problem is what drives the masses to think that a paid service could ever be free. And even as we see: “Market leader Netflix has already declared it is examining how to curtail password sharing among family and friends. But streamers are treading carefully in teaming up “against the grifters,” aware of the backlash record labels previously generated in the Napster era” we need to be aware of the setting that it is a Netflix world and if you don’t pay, that is fair enough, but it also means that you can’t have Netflix. This issue is not limited to Netflix, it has a setting in video games, a setting in programs and in the past it had a setting in music. The problem is how to go about it. For places like Netflix, there is the non-repudiation solution, so in your network there are a few devices that could be set to receive, in the home environment the router tends to be the most culpable solution, yet in equal measure the home devices are also solutions that give rise to the patch of hardware that will allow one person to be connected, as such, Netflix was nice enough to allow 4 devices to be linked. Yet what to use as a system of non-repudation?

Well, email is certainly one way of doing it, but that only helps to some extent, the nice part about e-mails are that it allows Netflix (and like-minded people) to communicate with the owner on hardware, so as long as the email address is not hacked, this is decently safe.

Non-Repudiation

The term Non-Repudiation is not new, It refers to the ability to ensure that a party to a contract or a communication cannot deny the authenticity of their signature on a document or the sending of a message that they originated. So you and only you could have instigated the connection, bio-metrics are only one part of it, so is a password, non-repudiation is more, an autograph have the elements to complete non-repudiation, but in automated traffic, a copy of a autograph is becoming exceedingly simple, so we need to set the state where two tiered enabling is the way to go. Even if the origin of the two tiers was done in separate ways, combining them in any stream would be a decent level of assurance to convict a jury of peers (and Netflix) that only you could have instigated the stream. And Netflix is not the only one seeking for a solution. Bank solutions, use a pin and a bank pass, it is close but in in the end it is not real non-repudiation. Netflix needs to find a solution and whatever they find will push authentication technology.

And the system needs to be simple, not just for customers sake, the setting of complexity in these matters was best described by Scotty the Chief Engineer in Star Trek 3 whilst sabotaging the Excelsior: “The more they over-think the plumbing, the easier it is to stop up the drain“, it does apply to authentication and non-repudiation systems, especially when distance is an issue. So whatever we have at point X requesting for an authentication that tends to be the soft spot in the track.

It has to be simple, it needs to always work and it needs to set 2-3 alternatives at the spot. The problem with such a system is that it is not really non-repudiation at that point.

For example

A programmable dongle can be hacked; the hacked account can be copied. And these dongles will come from somewhere, so criminals will end up having access to the stuff they need.

As such the best you can hope for is a system that will take out 80% from accessing such a solution, add proper cyber solutions in the form of law and you have a solution that a company can live with, as it deals with 10% of the outstanding 20%. It is not pretty at times, but at least it works. So these solutions could stop 90% from using stated systems in a non-paying capacity.

We can go in all directions from there, but the world needs a solution where non-repudiation will stop 96% dead in its track, and only up to 1% would be able to find a workaround. Making the non-repudiation system a 98.9999% working solution. I reckon that this is as good a solution as we are going to get and the solution is needed faster as 5G will require correct non-repudiation solutions to be up and running. With 5G out and about, the criminals get a 500% chance to get to more systems to infect more and more devices as such the need for Common Cyber Sense is becoming a pressing matter and from there we can move onto non-repudiation. Consider that the current situation allowed cyber criminals to lay their fingers on $120 billion dollars and with 5G out and about criminals will have access to well over half a trillion dollars, one could argue that it is a great day to be a cyber-criminal, or we can do something about it, because the one thing I do know is that the banks will only take hits for as long as they cannot make a case for ‘negligent care, the person did not take care of the item like a father would take care of its child‘, that is not some rant, the art world is already working with terms like that. How long will it be until banks and payment systems will take the same steps? At that point, the hardship will fall on the owner of the hit bank account, not the bank, unless a clear established path of evidence is presented that the bank itself was the intended target.

Oh, and when banks are no longer held accountable how much attention do you think that the FBI has for little you? Common Cyber Sense will be the immediate requirement.

Non-repudiation will be the big next thing soon enough and whoever gets a system like that up and running will make an absolute fortune, it would change my 5G IP systems into small change, nothing more. It is the next thing and we are in dire need for such an inventor soon enough, not just Netflix.

 

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