Tag Archives: X-men

Merely the beginning

Yes, the news is full of the overwhelming success that Avengers: Endgame is and rightfully so, yet the Washington Post looks further. The article (at https://www.washingtonpost.com/business/avengers-endgamemakes-disney-invincible-in-2019-then-what/2019/04/29/b5e35016-6aaf-11e9-bbe7-1c798fb80536_story.html) gives light to the strategy that is surrounding Disney plus as owners of the Marvel franchise. We get part of it with: “Disney’s films will no longer get licensed to partners such as Netflix during what’s known as the “pay one window;” instead, they’ll go exclusively on Disney+. That’s a big selling point for the streaming app, but it’s a costly decision that reduces the amount of licensing revenue Disney can earn from its films after they leave theaters.” this is a point of view that is true and the strategy is valid, yet having the stage where we see a time exclusivity (like in gaming) where the others get the option after 6 months is not to be ignored as an alternative. In addition, the mention of the ‘real’ editions of the time honoured animations like Aladdin and the Lion King are now on screws, especially after Dumbo has become a miserable flop. That is the puzzle that comes next, as I personally see it, the cast was golden, the director is phenomenal and the story is sound, so why did it flop and is that the premise for the other movies? We know that Robin Williams made Aladdin the success it was; this puts a megastar like Will Smith in an awkward position. To willingly step into the shadow of a giant takes monumentally sized balls to begin with and even as we know that Will Smith is no coward, willing to step into the fringe of movie making, I cannot stop being worried on how Aladdin will fare. As such the other Disney productions will be under pressure as well and that is just the beginning.

Disney has had the longest issue with being too sweet for most adults and even as we saw Pretty Woman in 1990 as a new view on what Disney could do, there was a distinct feeling that the Disney people were so far out of their comfort zone that they needed guides to find their way back. This is particularly important as Marvel has its own dark parts (more than just a few) and without that defining dark there is a larger concern down the road. I believe that so far they handled it fine, yet the worry remains: “will the wrong Disney executive demand the Marvel TV version to be lighter, sweeter and less dark“, so far what we have seen from X-Men: Dark Phoenix, The New Mutants imply that we should not be worried, yet waiting with worries for too long is not good either. What I saw from Cloak and Dagger season 1 is a clear warning, yet perhaps it is also important to consider that the movies will be less in danger of becoming laced with Disney Sweetness than the TV series. Their Metascore of 68 could be considered as supporting evidence in all this. Some gave the following views: “a horribly sentimental soundtrack“, as well as “If you want a show chock full of “edgy” liberal issues thrown into the plot regardless of if it fits with the story, then look no further” (which was the most negative review) we see the initial issue. Even the more positive ones give us “Through its initial four episodes, the real star of Cloak & Dagger is the structure and editing and overall environment more than any individual actor“. I believe it that some of the changes took away the dark side that would have made Cloak a lot more appealing, it was his dark side that appealed to me in the original comics; the TV parts I saw were too emotional, I am not stating that this is a bad thing, merely that . The comic books decently graphic about his devouring hunger, I missed seeing that in the few episodes I saw. Yet it is not all bad, Mayhem is showing to be the direct confrontational angry type she was in the comic book.

This is in part my issue; Disney is seemingly trying to skate away from the darkness is what will have a larger non positive impact on series that were pretty phenomenal in comic book form. So far the silver screen Marvel productions have exceeded expectations swimmingly; it is what I saw in Daredevil, Luke Cage, Iron Fist and the defenders that felt off, not bad, but off.

It is not the cast or the work done, no matter what, Mike Colter makes Luke Cage totally believable and real. I believe that the scripts fell short (from my personal point of view). Perhaps it is my non-US view, the fact that there had to be complications and conspiracy plots from day one in these series is why it is falling short. Even as we hear noise like ‘creative differences’, I believe that the entire conspiracy twinkle has ran its course to the largest degree, to be honest, that is why I stopped watching Kiefer Sutherland in Designated Survivor. The series started great and then when we suddenly see an FBI director compromised around episode 6 that was it for me. Oh, and before I forget this is a series that is all about conspiracy, but the way it is done was too far out there, it lost flavour. I believe that Marvel series have been pushed into that field too much as well (as well as several other comic book based series). I believe that the effort to go too deep too fast to please an audience is exactly why appeal is lost to some degree and Luke Cage gets to pay for it (as well as Iron Fist). With over a dozen movies coming in the next 2-3 years as well as optional TV series, this critical look early on will be more essential than most realise. You see, a Marvel overdose is pretty much similar to a Star Trek overdose, at some point we lose the interest to watch it, which is actually opposite to the feelings we had with the comic books and as such we have to consider our point of view. Now, like the comic books there is a filtering, most of us do not care for all the franchises. I was a die-hard Batman and X-men fan and I never got into Spiderman that much. I still loved the movies and I read the comics at times, but it was not my number one, neither were the Fantastic Four. That’s fine because Marvel (and DC) had a flavour for everyone, so much choice, as such we would be more protective of the comics we were nuts about and that is fine too.

Yet there is still Disney to consider and their long term need to make everything too sweet and too ‘pink’. Even as we realise that most cancelations might be linked to IP and the fact that Netflix will be a direct competitor of Disney+, yet the idea that Disney is a little too uncomfortable with these dark tainted series on Disney remains a concern for many fans and as such it is a concern for some fans of these series that they are now part of Disney. The factual reasons are not out there, or perhaps better stated, there is no source I trust to give me the actual truth (except a joint statement from Marvel and Disney and that is unlikely to happen).

Even as Forbes gives us: “Marvel meanwhile plans live-action series for characters including Loki, Scarlet Witch, Winter Soldier, and several other characters“, the die-hard fans will now wonder whether we will get the Asgardian Wars on TV or silver screen, not only as it was an awesome story, but that also puts Asgard, the X-men and the Canadian Alpha Flight team on the range implying the coming of a few more series, or movie franchises. All of them have a large following, so Disney would be nuts to walk away from an optional few billion more. Yet that does require Disney to allow for very dark streaks in their acquired paintings and that is where the problem is likely to rise, or at least that is what I think is likely to happen.

Even as Disney can ignore everything this year, the year that Avengers: Endgame broke every record, the long term view is less of a given, with view n 2020-2023, there will be more issues and other issues to deal with, not all of them revenue driven, but revenue will be the mainstream in any discussion that surrounds whatever ‘creative differences’ we will see make the headlines on all kinds of media channels and to ignore this so early in the year is not a healthy thing to do, especially as most of the upcoming movies will be staged to bring in a billion plus each. As stated, I do not think we need to worry about the movies too much, but the Marvel TV series that will be another matter, they will be the bread and butter of Disney+ and those people like their shows a little too sugary to my taste.

Advertisements

Leave a comment

Filed under Media, movies

Bread and games

We seem to ignore the past, yet a lot of our lives revolve around the bread and games of the matter at hand. Yesterday, the LA Times (at https://www.latimes.com/entertainment/herocomplex/la-et-hc-star-wars-episode-9-wrap-photo-20190215-story.html) gave us the first image of Star Wars IX, part nine, the final part of the entire saga. Principle filming and photography finished yesterday, the cast is done. They are all in a state of upper excitement, perhaps some anxiety too. JJ Abrams is all over the place (in joy) and why should he not be? A trip that started in 1977 propelling Carrie Fisher, Mark Hamill and Harrison Ford to heights never imagines before, that trip that started so long ago has been completed. For good measure we saw the added Rogue One and Solo added to the fold. And there is much to celebrate, a whole score of actors added the fold down the line and even if some were not immediately recognised in America, it is people like Peter Cushing, who was the Hammer House of Horror prodigal son, as well as one of the Dr Who players who added to the shine of the Star Wars making an epic story truly epic. Now we need to wait until Christmas to see the finalised version on the big screen, dozens of special effects experts will be wielding their mouses and pens to make magic reality and make the impression of special effects fade away and show us something that DARPA might have actually created, we can no longer tell the difference, the effects have been that stunning for a little while now.

Yet it is not just Star Wars, even if that is the most visible one. We are weeks away from Captain Marvel, soon to be followed by the conclusion of infinity wars (Endgame) and that s just for starters. When Jon Favreau started the Jungle Book in 2016, he might not have had a clue on what he started, but he did start something. In that same trend we will see in 2019 Lion King, Dumbo and Aladdin. Disney just woke up from slumber and is watching billions come their way. We should have reservations on Aladdin, not because of Will Smith, merely because of the shoes he has to fill, the role Robin Williams played was more than legendary, they broke the mould when he was done and it is one hell of a shadow to live up to, I do not envy Will Smith for doing so, yet I applaud his approach to the challenge.

The movies of 2019 will be comic book driven, Joker, New Mutants, X-men, Hellboy, they will all make an appearance, as will Frozen 2, It part 2 and many more. Many of us are planning our calendar one film at a time, trying to see as many as we can, this is how many changed the approach to their lives.

Even as some give us: “the Cost of living in Australia is 3.40% higher than in United States“, than we get “Rent in Australia is 10.04% lower than in United States“, which is massively bogus (as I personally see it). I found more than a dozen 160 square meter apartments in inner city places (not in LA, SF or NY mind you) that are close to 50% cheaper than in Sydney or London. And yes, when you add those (as well as Malibu, the Hamptons and a few other places, the rental prices tumble in the other direction), in addition, the rent in Australia merely seemed lower, the numbers are a little to skewed for my liking, the truth is simple. The cost of living is up all over the place, even now, yesterday I noticed that beef was up 10% that is the way the impact goes when food is thoroughly looked at. We might see the price of beer and think that it is not that expensive, but when the price is based on the need to buy 24 instead of a singular bottle, the scale shifts and not for merely one article, too many articles have speculatively been ‘loaded’ that way. It is not merely in Australia, the UK, many places in Europe, they all have an increased cost of living whilst the incomes have been frozen, in some cases for more than two years. When we see a source give us Levis 501 Or Similar at $98,24 (AU) whilst shops at the same time have prices that vary from $119 to $249, you know that there is a selective weighting in place, or merely some aggregated average that included ‘myworstonlineshopdotwhereever‘, one item already changed the cost between 21% and 154% (if we included the most expensive solution). That is where we are at least 21% more out of pocket for one item. There are a lot of prices that are on the mark and some might even have a seasonal nice discount. So when we are confronted in that stage of live, the bread and games we face matter, they matter a great deal. A list that includes a cinema ticket for less than $20, which is often enough wrong by at least $5, so how does your cost of living add up? How do the small items like popcorn and lemonade add to the pressure of your budget?

This month seems to be all about news on how places have a cost of living that is lower than their national average. Initially it sounds great for those living there, until you realise the other news (not really given to the reader) where we see: “Columbia area named 25th most dangerous in America“, yes there is a drawback to everything. So in one of the places where I was looking, I got treated to: 3 crimes in this area. What? Are you flipping kidding me? Three crimes over the last 4 weeks and one was the disturbance involving an unwanted person. How is that for pristine living? It is not actually that rosy for the entire city there were reported 135 thefts, 106 assaults and 138 arrests, which when you consider it includes Fraud, Forgery, threat complaints, and loads of drug incidents (which mostly includes having a joint) we see a place that Sandra Dee would happily call home.

These are all elements that impact out cost of living, the paths we take to get safely from work to home, the places where we buy stuff, where we get medication and groceries. It is all too some degree connected and the bread and games we have to escape it all is very much part of our lives. For a while we had true escapism via Netflix, and even as that part is not as shiny as it was, the financial geeks still see Netflix as the escape mechanism for most of the players. In that we need to recognise that Netflix over the last year has risen 45.63% since February 14, 2018 and is up trending, we need to see that St. Valentine is definitely in play in all this. You might not find live there, but many watchers are losing their hearts on the feeling of momentary bliss. This feeling relates to the big screen as well. As we seek more ways to escape the stagnating lives we lead, we see that the cinema and the home screen are the two reliable paths to follow (apart from gaming that is).

The question is how will this go on? As the movies come, we see consistent continuation, yet there is another problem. You see even as we see that 300,000 jobs were added, the direct impact is not seen, not in the workflow and not in the US reduction of debt. Others have stated this before me, and it is an important part. The workforce in the US is changing, yet I am not convinced that this is limited to the US, it is a global change. We see more and more that there is a high tier and a low tier of workers, yet the middle tier of workers seem to have been gone. The low tier is all there is in many places and that is where the problem resides. The low tier is definitely growing and more jobs, but they are often minimum wage jobs, there is no room for quality of life, merely contending with the cost of living and whilst most parents both work to make ends meet, we see a family break in place and the only glue left are the bread and games. The view that Reuters gives with ‘the economy was running out of workers‘ is not wrong yet it is not accurate either. Most companies are focussing on cheap labour where possible and that part is now running low. I personally believe that this shifting trend will push itself into the commonwealth and Europe as well. The middle group is either reduced to the lower group or merely pushed into retirement (for as long as that exists). I predict that there will be a rude awakening when we see that the low groups have little tax to pay, but the government have been overspending for too long being in the wrongful believe that the middle tier comes back (any day now they think), the moment that they realise that this will not happen, we will see a collective 68 thousand billion dollar debt that has no place to go, because adjustments that had to be made 4 years ago were never made. They had to be made before that but I reckon the point of no return was passed 4 years ago and now we see the essential need for bread and games. The governments do not want to people to wake up and see that there are no options left, the corporations want the bread and games so that people will not realise that they ended up with a really shitty deal in the end and the rest is looking forward to finding any kind of a solution where they end up in the high tier and they are willing to sell their soul to get there, the lower tier is just a road to nowhere and nothing.

This is exactly why politics is shifting in the US, with Alexandria Ocasio-Cortez and her social agenda, we get to see the direct impact of the size of the lower tier, everyone wants her impact and the true stage where people like Alexandria Ocasio-Cortez never has a chance in politics is now gone, greed driven America pushed the middle tier, the buffer of reason away, now we see the high tier (a few thousand) versus the low tier of millions and now Alexandria Ocasio-Cortez has the platform she needed. So as we see Alexandria Ocasio-Cortez versus Bill Gates who actually made a really good case (not a console case mind you) and his correct vision gets to be blasted away by the millions who have had no quality of life for the longest of times. Now that the middle tier dissipates they have no future to look forward to either and now we see that Alexandria Ocasio-Cortez has a growing platform. And it is in that light where we see that Dutch Historian Rutger Bregman in Davos (at https://www.news.com.au/finance/money/wealth/dutch-historian-who-called-out-billionaires-at-davos-goes-viral-becomes-social-media-star/news-story/45d75de96d5161ed3bf9205d79a0c063) makes not one but three points. He mentions at 0:53 ‘What must Industry do to prevent a broad social backlash?‘, and now we see happen exactly that, Alexandria Ocasio-Cortez is the upcoming broad social backlash that none of the industrials wanted, and they did this to themselves.

If she comes with Eisenhower methods (read: solutions), she will be the bane of industrials and the darling of the working class for 2 presidential elections and generations to come. The danger of bread and games, when the games become less rewarding and the bread turns stale, people start considering the bad place they were in. That setting was shown and basically proven by the Roman poet Decimus Iunius Iuvenalis well over 1900 years ago. Interesting that the industry forgot their history lessons, it might not lead to profit, but they could have avoided monumental losses, a harsh lesson that they might get to learn in the two years ahead.

Change is valuable; it lets the oppressed be tyrants!

 

Leave a comment

Filed under Finance, Media, Politics, Science