Tag Archives: Disney

The true setting

Yes, that is what we want, what we need. What is the true setting? We seek it, because (for the most) the media tends to give us a loaded canon, the question becomes for who they are loading their canons? This is seen with the BBC as they give us ‘Netflix cuts 150 US-based jobs after losing subscribers’ this headline is true, no one denies it and overall I wonder how many people left Netflix as they fired 1.2% of their workforce (150 out of 12,135). I can come up with all kinds of settings, yet we need to accept to some degree that Netflix will do what is best for Netflix, and that is not easy. Netflix has all kinds of issues. The first is that there is saturation in the streaming services. Netflix is apparently offering gaming services and become a competitor to Google and Amazon and as the BBC gives us “The redundancies, announced by the entertainment giant on Tuesday, will mainly affect its US office in California. They account for about 2% of its North American workforce.” This is fair, it amounts to a US workforce of 7500, so why did the BBC not give us that? We then see “In April, the streaming giant shocked the industry when it revealed it had lost 200,000 subscribers in the first three months of 2022, and warned another two million were expected to quit in the coming quarter. The news sparked an investor sell-off, with the firm’s stock plunging 35% in one day. It is now trading at $190 (£152), a 46% drop on its previous premium.” Now it is harder to say something about that. The stage of 2.2 million people is the setting of saturations and to some degree covid ending, or perhaps better stated, the people are expected to go back to work and there we see that Netflix is hurting the most, but not the only one. Covid endings will hit Disney, Hulu, Apple+ and others too. I see another problem, the fact that covid was ending was clearly visible, so the stage of “stock plunging 35% in one day. It is now trading at $190 (£152), a 46% drop on its previous premium” makes me wonder whether the suits of Netflix were wishful thinking or something. They are losing members, they are not correcting for 200K and 10 times that much in the coming quarter and the 35% drop implies an overreaction on one hand, or a lack of information on the other (BBC). This matters, because this knee jerk reactions from investors with their gaming enterprises will make it fail a lot faster than anyone expects. It is good news for Google and Amazon, yet there is the idea that it is not good news for gamers. You see the more game streamers there are, the more interesting it becomes for developers to sit don and seriously contemplate that dimension. Netflix would have been a decent third party. It is still possible with the other two, but three makes for a crowd and therefor for a larger interest by serious developers. That is how I see it.

So how will Netflix fare?
That is not easily seen and whatever I see makes it not truth, mere speculation and I am telling you that upfront. You see, no matter how I see it, how I interpret the knee jerk reaction by investors. There is every chance I might be wrong, and to some degree I do hope I am wrong. I have no idea how Netflix will be as a gaming solution, but a third player makes for more gamers and optionally for more embracing the streaming gaming solution. They do have options, or so we see. With “it’s looking at a cheaper, ad-based model and also planning on cracking down on password sharing which has cost it 100 million households.” We see two parts. The first is one, but one I personally would happily reject. The second one I have no issues with. The idea that 100,000,000 households share passwords implies that Netflix is losing over a billion a month. So they will need to evolve that system. At present I have no idea how, but there is always space for evolution.

So what will the future be for Netflix? I still believe that they can find all kinds of IP in the past, people forgot or merely ignored it and that is no different for movies and TV series. So saving costs in one directions does offer options in another and to be clear, there is an essential need for them to restore the loss of a billion plus. Beyond that? It will be anyones guess and a guess is as good as it gets for Netflix at present.

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Restoring Redacted Recognisance

I have been in a bit of a trance, wondering on a few items that were nagging me, that is until I saw some flamboyant article. The article is a little too Simpson tainted to be taken seriously, but there was a grain of possibility there. My What if procedures started to crush the options. It did not make me happy, because for the most, I hate the ‘What If’ statement, it is something in second grade salespeople and telemarketers. As such I tend to avoid using it, but in this case there is almost no avoiding it. In a stage where there is an optional stage of revenue that could be anywhere between $400,000,000 and $17,500,000,000 the players Amazon and Google stay away? In the first it is more tailored to Amazon, but the stages include 5G, as such Google would be equally chomping at the bit.
Now the stage is about to move to Saudi Arabia, and I do not object. In two settings they have an advantage over the other two, but that is only in two of the settings. So I was puzzled, but then a few items from LA Times to UK papers hit me and the ‘What If’ setting came back. 

What If
So what if Google and Amazon just no longer have the manpower and the seniority to see what is about to escape them, it seemed so far fetched, but there was supporting evidence (of a sort) and there is no way in hell I would let Microsoft anywhere near it, I would accept a 35% payment from Saudi Arabia before I would consider a 175% from Microsoft, I am that disappointed and angry with them. And as I refocus towards Saudi Arabia I see a larger stage, one that could fir them taking a larger stake in either Amazon Luna or the Google Stadia, even as the Amazon Luna is a better fit, either will do and that solution alone should be worth well over $350,000,000, as such there is some benefit in having one buyer. Of course the Kingdom of Saudi Arabia might see that different, but that is not a given and as they get more options to diversification.

So we have an alternative stage, but the idea that the resources and brainpower of both Amazon and Google had dwindled to that degree is a little baffling. This has nothing to do with Covid. It has nothing to do with abilities. It dwindles down to two powerhouses, not taking a much better inventory of what is possible and letting it slip again and again until it is too late. Could that be the case? To be honest, I cannot tell, in the first because Sundar Pichai and Andy Jassy did not call me updating me on their HR woe’s and sorrows (and I never expect them to do that). So I am in the dark, but some others should not be and we have not heard from them have we? 

So what gives? Why would either player ignore that much revenue after getting hit to such a degree? It does not make sense, but that was before we see that they face a lot of grievance in the UK, EU and US. The Republicans are willing to slice Disney whilst destroying up to 60,000 small business owners with the attacks on Disney and their IP, Google has a few issues of their own to deal with, so a holding pattern is not the weirdest idea, but in this case revenue could go to China, Saudi Arabia and other players, how does that help any of them in the US, EU or UK? And that is before someone takes a hard look at Canada, with the top 10 of wealth being occupied by banks, but that is the hidden trap, without powerful businesses these banks will falter, time has shown that again and again, so what will be left when the redaction of recognisance is takin its toll? Restoration is the one path left, but that is a window with a limited timespan, I wonder if the UK and Canada realise that there is a point of no return and the US waited too long and now when there is a stage of restoration, the republican party is having a go at one of the most powerful IP holder in history, Disney. A setting that can have only one ending and it is not a good one, as such when Disney loses its protection, the cheap solution bringers in India and China will bring their options cheaper, not better but cheaper and all whilst well over 40,000 small business owners are left with nothing, because the IP kept their business safe and that is about to change, so when that happens and other resources do not grasp the business, what do you think will happen to that $25,000,000,000,000 debt? The interest alone will pull the entire US economy under with absolutely no options to restore any option to breathe. A setting I saw coming a mile away 5 years ago when there was an option, so when the US also losses its IP and more important the two powerhouses that create IP because they no longer have resources, what happens then? 

There is no what if setting here, we can just watch it unfold and I will be watching as well, because to be honest, I never expected these two players to have the IP resource lack they are currently showing. I honestly was caught be surprise (you see, it is possible to surprise me).

I wonder what Sunday brings, a hail Mary and a ZX Spectrum?

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As the swarm settles

It has been hours since the Netflix scare. And a few hours after that, less then 10 hours after I wrote the previous article, we get to see ‘CNN streaming service to shut a month after launch’ the article (source: BBC) also gives us “Warner Bros Discovery (WBD) says it will issue refunds to subscribers after the service is shut down on 30 April. The head of CNN+ has resigned and hundreds more workers could be at risk of losing their jobs. CNN+ was launched on 29 March in an attempt to bring in revenues from news streaming subscriptions”, we can see this in a few ways. Yet in this I personally believe that saturation is part of the issue and it will not go away. The others will feel the brunt. Netflix will bounce in part back, Disney will take a hit, but these two are too big to fail drastically, the smaller ones will take larger hits as CNN+ is doing and some of them will not survive. What I stated some time ago is now coming to pass. I wonder if I was right in the thought that smaller could survive if they would merge. The idea that smaller would combine their channels and subscriptions is a little bit extreme, but it beats being dead, does it not?

Yet there is more underfoot. There is ‘Cinedigm’s DMR Unveils Cinehouse – A Curated Lineup of Free Streaming Channels for Superfans’ (Source: Accesswire) where we see “Digital media and entertainment company DMR, is letting fans stream their favourite niche channels with the launch of Cinehouse. A wholly-owned subsidiary of Cinedigm (NASDAQ:CIDM), DMR is unveiling this new free ad-supported streaming television (FAST) service to super-serve enthusiast fan bases across several popular genres.” You can take these thoughts in many ways but when I see “Cinehouse is dedicated to bringing fans the best movies and TV shows from around the world – from ancient mysteries and heart-stopping action, to classic anime, comedy, gaming, K-pop and more.” I personally believe that some are dropping small channels with ‘free’ materials to subvert the populations requiring free options to make them unavailable. A bait to get rid of the smaller fish and clean the pond, decrease saturation levels by getting rid of the opposition. It is a personal believe and I might be wrong, but we see new free channels after the drowning of CNN+?

The swarms seem to settle and some are playing the free card to take out the competition. It is one thought and my thought could be way off and massively wrong, but when you see one source that can verify the setting that the rest ‘seems’ to overlook, my wandering lobe starts to take a look at the information others leave lying round and this is where it got me. Is it me, or not?

I will let you decide.

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Netflix Prime

Yup, that is it and it is not a conundrum. This setting applies to both Amazon Prime and Netflix (other layers too). You see, their valuation is set to a larger stage of WHAT and HOW MUCH they can bring. And in a stage where we are on the brink of active militant debates, having an alternative is never a bad idea. You see, for some unknown reason I have been thinking of the Dutch movie ‘De Prooi’ (1985). 

I remember how stunningly beautiful the leading lady played by Maayke Bouten was. But there is more (there always is), the story was quite good, it was done as it always was in those days. Like a race to the destination with several scenes in the middle. Yet the foundation of a decently good movie was there and it could be remade, the story needs a little adaptation, and if it is set to a different location (San Francisco, Vancouver, Fort Lauderdale, New Orleans) a little extra work might need to be done. A script ready for collecting (whomever has the rights) and it is not a small setting. There are hundreds of scripts out there where the rights are no longer active, where the rights to a movie are nickels and dimes away from ownership (instead of tens of thousands or more). A setting that all streamers need at present and they are all over Europe, all over the commonwealth too. We forgot about the younger watchers, did we not? So what happened to the dozens of movies that were part of the Enid Blyton collection, the hardy boys, and there was a female version too. Sweden has its treasures (beyond Pippi Longstocking that is) and so forth. Even the Netherlands has its share of treasures. All forgotten, all in some drawer catching dust, all whilst everyone is chasing the next mediocre version that comes from one of these great stories. 

As such I wonder how long these stream chasers keep on chasing a reinvented wheel, whilst there is a place where you can find a good collection of second hand wheels at 10% of the price. You will spend op to 5% rewriting it, but is one in 5 is a decent success, you will have an interesting track record as well as a decently fast growing library of works. If we look back to the 70’s, 80’s, and 90’s we see movies all with a gimmick, but as long as the story is good, it can be rewritten with the gimmick of today and tomorrow. So where are these writers? What will Netflix (Amazon Prime too) do when the budgets are trimmed down? I did not forget about Apple and Disney, but it seems that they have a different approach to where they want to go, or how they want to get somewhere. I might be wrong, but that is how they feel to me. It is up to them and it is up to Netflix and Amazon, they might to get ahead of the curve before the are chasing it in some uphill battle against that very same curve, because that is what falling behind the curve tend to be. A never ending uphill battle. 

And I reckon that this is a race where the number two has no reward, they merely chased the other one too late. Who will it be? I have no idea, I am not buddies with either on that level, I need not be (not entirely true), I have my own stories to write and for now I reckon that I might have a new chapter coming up in the mini series ‘Residuam vitam’, I think it had a different name earlier. For some reason the others have titles set in stone, this one does not. I cannot figure that part out, even as the story was pretty much set, but now there is a new stage, but I need to write it differently, because the party involved are not like us and that changes the stage. I should say that Meng Po alerted me to that part, but I cannot, because every time she serves me soup I forget what I was doing, but the soup is so delicious.

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Sadness in my heart

Today I feel sadness in my heart, but not for any reason you would expect. The Dutch NOS informed us (at https://nos.nl/l/2414328) that the Haunted castle will go. The Haunted Castle is one of the oldest attractions in the Dutch Efteling. I remember seeing it in its first year in 1978, it was my third visit. I would visit the Efteling about 6 times more but every time I wanted to see the haunted castle, it felt magical and there was so much to see. So when I see that future generations will be denied this, I merely feel sadness. I get it, it is almost 45 years old, but it kept millions of people staring at the floating violin, the running couple, the hanging man and so many other parts engaged, its departure is saddening. 

In part I hope that the access route to the haunted castle will remain as the entrance for what comes next, but that is merely my look on the matter. 

I decided not to include photo’s of the attraction, not that I am against it, but because the image would never show what it offers, even a YouTube film will mis parts of the show, it was that amazing. Yet the Efteling had so much more. In 1955 the Belgium Queen Fabiola wrote stories one of the was the Indian Waterlilies. It rook some time, but in 1966 the Efteling pulled it off and gave light to the Indian Waterlilies. I saw it in its second year, I must have been 5. I remember the overwhelming atmosphere it held and over time I would see it again, now as an engineer I would see through the show, but weirdly enough it would not lessen the show, because it was not a trick , it was a show and that made all the difference. The Efteling would bring more over time, the Pagoda, the Python, The Halve Maen (the half moon, a galleon on a swing), the enchanted forest, Villa Volta. So many amazing feats, and always there was the Haunted Castle. This summer will be its last time, so see it if you can. We can go on an awards and so on, but the truth is that the Efteling is a journey in itself. You should take the time to treat yourself at t’ Poffertje (The Little Dutch Pancake). It gives the vibes of the old Pancake house that I visited in the 60’s and 70’s. I still have an Anton Pieck Replica of that, the image takes me back to those years and the smells surround me. Only the Efteling got me there before and over time too much of this will vanish. There is the awful realisation that M2 must exceed €x for the event to survive. We have become a much larger accountant than history would be pleased with and too many parts will vanish over time. Not merely in The Efteling, but any themed Parc will go through these motions. I reckon that the same will be seen in Disney and Universal. I never saw the Jaws exhibition with my own eyes and perhaps I will have time to see the Harry Potter places, yet I am not holding my breath on that. For now I feel the sadness of the Haunted Castle leaving us and I cannot say goodbye, I last saw it in 2004, 17 years ago. The things we are denied because M2 did not exceed €x is just sad, it really is, as economy decides on what is worthy the numbers deny another path, that of the people it inspires on art and new ideas? A question most of us (including me) cannot answer, only historians have that ability, and even then it is limited and redacted to a hypothesis. 

Sadness over what once was and soon will be no more. Consider what you will miss out on and if you have that ability, do something about it whilst you can. Just an idea to consider.

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Google and the militant woman

I was underway to consider and learn about the Chengdu J-20 Mighty Dragon. I am till focussed on getting my 3.75% bonus from China and selling a heap of these to Saudi Arabia will seal the deal. I reckon that selling the goods amounting to $2,000,000,000 will seal my retirement deal, I will get a few additional services sold, but I am not greed driven. So whilst I was setting up the presentation on the versatility of the stealth systems, it was then that I saw the flaw in the Indian Indian Air Chief Marshal B.S. Dhanoa presentation on the Sukhoi Su-30MKI. I rechecked the files several times, someone there was tying the cat to the bacon! I reckon that unless the Chengdu was flying right in front of that Sukhoi, the Chengdu could never be seen, for me and my capitalistic nature, this is good. You see, Iran is all over those sexy Russian beasts and so they should; America and the UK will not do business with them, as such two remained and they chose Russia. Now the Kingdom of Saudi Arabia will end up with the better racehorse of the sky and I should get the bonus of my desire. So it was around that moment when my memory took me back to 1987. I got exposed to Framework 2, it was an interesting and short lived introduction. I was already on board with Ashton Tate, dBase 3+ was revered by me and in the two years that followed I created database systems, container systems and I found out how people in Rotterdam were cooking the books. All with one program and it was running on an IPM PC XT. Two years later with the Nantucket Clipper compiler I went off to the races to a much larger degree and that is where my programming skills stayed. I only blame myself, there was too much infighting, to much politics on software decisions, who had the best friends, not who had the superior software and in that era Frameworks 2 was lost to the crowd, what had the potential to crush Lotus, set limits on Microsoft Office and a few other beasties was drowned in marketing disasters. 

This matters, you will catch on soon enough. It was then that my mind took a leap. You see Apple, Google, Amazon, Disney, HBO and a few others are on the fence. They are in a spending setting that goes nowhere. They think it is, they claim that others will solve it and they are ignoring the larger danger that is staring them straight in the face.

You see they all make the claim that Final Draft is the bees knees. I agree it is good, it really is but it is set to the singular writer, I had version 6 at some point, it is now at version 12, so improvements will have been made and the industry calls it the standard. But what decides that standard? Final Draft, the writer or the industry and its needs? 

There is the rub, when you see that they are all relying on larger series, all hoping to be the next game of thrones. In that era you need a better solution, a much better solution. You need something that has the abilities of Frameworks 2, a Microsoft successor (OneNote) and take it all to the next level. A system where the writer writes and can set the backstory to any person, any object and any event. You can then set the view to a moment and see where everyone and everything is. The power is to add to the writer, not limit the writer. So the writer can or his writing to set text segmentations. He can flag people, he can flag objects and he can flag places, and so on.

The story book now gets an upgrade, the stage of 3+ people keeping track of it all one system does so and when that system passes the industry standard, places like Netflix and Disney will jump at the chance, you see whomever has THIS advantage gets to shape the industry. It is the one who is the most efficient and it is the one that shows that savings are made, As long as the producer sees the magic moment of 189% profit being passed that is the one who wins, you can make more money, or limit expenses and in this world the one who limits the expenses has the clearer field to win that game, go look for yourself, the knowledge is out there. I am simply amazed that no one thought this through. Not the militant woman (Amazon) and not Google. 

Me? I do not care, this is not the place where my strengths are, but if it is you take this idea and make it the new industry standard. My Christmas present to you. So enjoy the idea or throw it aside if it is not for you, which could be fair enough as well. And it is now 19:41 (pure coincidence), so it is your early Christmas present for the year. 

Getting back to my (upcoming) bonus, I just realised that intelligence analyst Robert Gates copied to some degree the deception that Air Marshall B.S. Dhanoa started in 2018 by downplaying the significance of the Chengdu J-20 by questioning how stealthy it would be, they all forgot how stealthy it could become and by downplaying that part, they optionally squandered funds to keep equal. That made me realise that it is possible that the fuel tanks were upgraded, consider two hardpoints that are weapons or auxiliary tanks, now consider a new kind of hardpoint that can have both. A fully armed J-20 with an additional 12% range, a side none of the adversaries considered. I cannot prove this part, but it made sense, and the images I saw 2-3 years ago gave me unwittingly the idea, the shapes were off, this was a way to have both, not aerodynamically reasoned, but a tactical choice. A side ignored by all, oh I hear the sleigh-bells ringing for me too (I am allowed to delusional at this point), for me it is about to be Christmas too. 

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Watch it again!

There is a nice side to the 90’s. We all had a go at new things, there was the start of a new side of gaming, there were new frontiers in IT, there were all kinds of approaches to marketing and there were all kinds of new movies, movies that before that were never pushed to the larger extent. It gave us David Cronenberg, it gave us comic books and there was a new side of horror, at times more playful, but for the people who loved the comics, it was just awesome. One of these makers (Clive Barker) was already pushed into a few realms, but one side was to often ignored, I cannot tell whether it was because of how the non knowledgeable try to sell it, perhaps the review line of “a commercial and critical failure” was linked to it. Yet the story of the Nightbreed, Cabal and Median has potential, not as a slasher movie, but as a horror thriller that needs to be really dark. The kind of story that will make any average psychiatrist decide to retire on the spot. The story has so much to offer, that I am a little bewildered how movie makers 32 years later are ignoring that gem. Craig Sheffer played it decently (considering that there were the 90’s). And. Personal speculation is that he might have been chosen as he more roughly resembled David Boreanaz in Angel (and Buffy) and the makers knew how excited the ladies got over him. Yet I believe that Craig played a decent Boone, the rest of the cast was OK. That is not against them, but against the film makers who were all about slashers and posturing and not about maximising the impact of the large amounts of side stories that Cabal represented (as did Median). I reckon that Nightbreed might too large for a movie, and a miniseries (4-6 episodes of an hour) might make it a lot better and lets face it, this station is ruled by Clive Barker, wasting material that excellent should be considered a crime in TV and tinseltown land. 

Is there more?
Well yes and it is not limited to Clive Barker (although if I can ever revitalise Lords of illusion, I would). Consider the amazing result that IT became and what we saw in the works of Anne Rice in other movies. Now consider the challenge that the Mayfair witches leaved the film makers with The Witching hour. Anne Rice drenched the story in all levels of controversy and that works great in most horror, now add new levels of darkness that we can push for today and you have three books that could ultimately be a next generation focal point of fear for decades, I reckon that the film makers can push into this when the film maker looks at the colour black and considers it to be too light. That is where the boundaries are pushed and there is a larger station, the books of Wes Craven, Clive Barker and Anne Rice have shown them to be masters, they were used for quick revenue fixes and discarded, yet the people at Netflix, Amazon and Disney can make that into a realm of options with 3-5 movies, or larger miniseries with several movies in 5-7 parts, not as a cash cow, but as a station of creating new levels of fear. We can see Neil Gaiman stories making it into that realm, yet he need not be alone (even though he might like it), there is plenty for a while range of stations and now, 30 years later it is time to drill into those treasure troves again, the darker film maker is the most likely winner here and you only have to look at successes like American Horror Story to see that I have a decent case here. 

I wonder if someone in Tinseltown wakes up to that part of the equation, first come, first chance of becoming an accomplished winner. The 90’s produced a whole range of excellent ideas for the big and the 75” screen. 

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Then the bite

In support of the previous article, I add a little more. We were talking about the creation (on Sony) of new RPG games, I gave part of that setting in that article but the largest station is not merely the game, it will be the story. A stage where we game away generations, we need the setting of a larger stage, a larger story. The story needs to be bigger than us, or bigger than any person could fit. Not exactly Disney’s ‘Once upon a time’ but you get the idea. It is there that we need to set the storyline.

  1. The drive. Bethesda was pretty good in starting with the prisoner part (Oblivion, Skyrim) and even as that seems appealing, I needed a larger stage (and avoid copying Bethesda). I wanted more than a steeplechase of serving (or servicing) others. In this upcoming poverty tends to be a decent stage, we all avoid that and we tend to van more or less ethical constraints. In addition there is the need to be more than one’s expected self, I tried it, it is mesmerising. In the age when too many people stated that I would never amount to anything, I ended up with a Master degree, the first in my entire family tree, so trust me, it is mesmerising, and that is also the push. If you can relate to a push, the story becomes a lot easier to write.
  2. The Narration. On some early Monday in my youth I actually worked (freelance) for Playboy for a short time and the editor gave me the biggest wisdom in writing that any person had given me in decades. ‘Write like you are talking to a friend’, I have taken that to heart for training manuals, for articles and for other writings and I believe I became a better writer because of it. The narration is more important then the dialogue, the narration sets the foundation, the atmosphere and the chase.
  3. Bullet Points. Yes, I do hate them when they are in some memo, but to get the story train rolling setting up 1-2 dozen bullet points of what you need to cover in a chapter tends to be a decent golden rule, it keeps you on track, it keeps you focussed. For me, whilst pondering the concept TV series ‘keno diastima’, it helped me focus on what was important (at that moment and that part of the story), and if it works there, it will work in a RPG game as well.
  4. Realistic. Yes it is an odd word to find in an RPG, but the realistic approach still matters, sometimes when the bridge is out, it ends, swimming across the stream seems nice, but the rules of thermodynamic are no joke and that is before you get introduced to Mr. Salty, he tends to be where you do not expect him and you never expect him in the first place. In other news, realism also applies when you try to kill an enemy the size of a main battle tank with a dagger, Daniel Boone is the only one who actually pulled it off, if the stories are true. That is one in thousands over the last 200 years, the odds are not good my friends, they are not good indeed.

In previous stories I gave something towards that storyline, but in the end, you are the best storyteller, you need to be, because you are making an RPG, and that is one play-style that cannot survive without narration. In this there are two ways, keep the stories separate (always good) and try not make them intertwining too soon, when you have enough of a narration, you can start to see if they can be combined or intertwined. It is a lot easier to have 12 small stories (300-400 words each) and after that see if and how they can connect, than trying to be clever and make one story of 5000 words that goes nowhere (i tried this earlier in life and failed dismally). 

And there you have a decent winning combination into the storyline for an RPG. Have fun Playstation programmers!

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Our Disney lives

Yes, we have a life, it is staged on the Disney mould, but we do have it. We are empowered by the marvel characters, we are defended by the Jedi, we feel entrusted by Frozen, a Disney production. It has to be, there is no other explanation. You see there was a story that I saw on BBC, and now on the Dutch NOS. We are given “The Royal Family of Dubai, one of the United Arab Emirates, has released a statement about Princess Latifa, the Emir’s daughter. Videos appeared this week in which she says that she is being held hostage by her family and that she fears for her life” (source: NOS), I get it, it plays nice yet it is a princess, one princess. Yet in this, who remembers “Yemeni minister accuses Houthis of using displaced people as human shields in Marib” (source: Arab News), over the last two weeks, the NOS was all about reporting on how the Houthi movement is not a terrorist one, and that is it. We now see ‘UN: Houthi Attacks in Northern Yemen Risk Triggering Humanitarian Crisis’ (at https://www.voanews.com/middle-east/un-houthi-attacks-northern-yemen-risk-triggering-humanitarian-crisis), there we are given “The Marib governorate has been relatively unaffected by Yemen’s six-year long civil war. That is until Houthi rebels recently mounted a military offensive to try to seize control of the region from Yemeni government forces. Because of its relative safety, hundreds of thousands of people have fled there to escape fighting in other parts of Yemen. At least 800,000 of them are now in the region” and they are not alone we also have ‘Yemeni minister condemns Houthi bombing in Taiz’ (at https://www.arabnews.com/node/1813001/middle-east) mere hours ago where we are given “Mubarak said the militia had drafted students to frontlines instead of schools, and was working to change school textbooks to “lay the landmines of death and extremism in the minds of young generations instead of dialogue and peace.”” All less than a day ago, most of the western media ignores it, merely the Disney approach towards a frozen stage, a stage of a princess. So at what point have you, the reader become obsessed with the Disney life? 

Consider the stage that Yemen has and stop blaming the Kingdom of Saudi Arabia, Iran has been fuelling this from day one, but the news ignores it. Terrorist actions by Houthi’s against children and civilians, yet the media ignores it. Why is that? Why are these actions not on the front pages of EVERY newspaper in the west? This is what I meant with filtered information. I wonder if you investigate the news not given which share holders and stakeholders are seen with their fingers in the pie. Yes, there are several issues, there are hard times. The people in Texas are seeing that. In the UK we are given ‘More than 7,500 families across north-east given winter hardship payments’, which is fair news, it is news yet it seems that the BBC did not pick it up, yet the princess story did.

We seem to be given an emotional charged Disney life, are you not sick of that? There are huge problems out there and someone is trying to make us look somewhere else. When is that ever a good idea?

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RPG Arms race

Yes, I had not forgotten my promise, so before I start resetting the Saudi Airforce from the American options to either the BAE Typhoon or the Chinese Chengdu J-20, all whilst bagging myself a rather nice (and large) commission, I have a promise to keep. It took me a whilst, yet when Bethesda made the Elder Scrolls, they had the alone stage for Fantasy RPG and they grew it rather nicely, close to perfection. Yet I am no ones second fiddle, as such I thought it would be nice to change the game. In the setting where you are a ranged ‘fighter’, or a stealth type, I decided on the Indonesian blowpipe. It has the benefit of stealth, speed, some distance (not overly large) poison dart options and a few more, as such the blowpipe would be in, there is the Trisula (Indonesian version of the Japanese Sai), the Gollocks, yet they also have swords and spears, so there is a whole range of new weapons giving the RPG lover a new set of discoveries to make in how to best give the realisation of mortality to your enemies. And as I was taking a look at the weapons, I came to the conclusion, that as I spread the power of magic, the same could be done to the weapons. Even as we might like all weapons (some people do), giving them the power of one (agility for the blowpipe) removes strength for the sword and spear. It is a little more natural that way. Stealth still has knives and blades, but that person would be less in other weapons, the other way as well, those adapts and better in swords and spears are lousy in the precision of the blowpipe, they can still use knives for stealth parts, but not much more, the stage to reply is set. As I set the stage of magic and weapons, the third need would be there.
The support of the craft of artisan. The agile are good at pottery, but slow and less able to be the armorer or blacksmith, the blacksmith would be less of an alchemist and pottery person, item can always be bought and the fighter can still be a good alchemist in nearly every way, yet the division pushes a person to become passable and average n all directions, or set towards excellence in one or optionally two directions. Too many RPG’s are about inclusions, the ‘you can be all approach’, yet as I have stated towards Ubisoft for the longest time, a game that states it pleases everyone, in the end will please no one. That setting set a larger stage, a stage where you can reply the game, optionally multiple times and face the stage where you see new things at least twice over, it makes for longer joy in a game. 

And all whilst doing this, I got the inside idea of yet another game, based on a golden oldie. It was done by Melbourne House in 1985, yet not unlike the older version, you have to grow your skills, go to places and unlock abilities and unlock moves. So what happens when the stage is not all, but you get one night to do it, you get 5 hours until the final showdown where you are the challenger, and every time you play the game, the powers are somewhere else, so no running to the 6 points to get the max character, you get a stage where the skills you acquire are the skills you have for the final fight, yet the stage is not who presses the button faster, it is more like Nioh, a tactical challenge, we keep on forgetting that the old games have actual diamonds in the rough (sorry Disney), actual gems that can shine, even now on the PS5 can bring joy to millions of Playstation gamers (as such all ideas are always free for Sony Playstation exclusive games). 

So as I finished the ideas of fighting, artisans and magic, it is time to think of a storyline, a main story where we need to set a new level of adaptability, because if you are in one place in one chosen group, you will not face the same story, so what happens when the main storyline is not one story, but there are 5 for you to find? How to go about that part? I can tell you one thing, that has never been done before, I wonder why not?

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