Tag Archives: Steam Deck

Colouring your coat

That is the term I am seeing, do you? It comes in support of what I wrote yesterday about physical copies. I also added a few points that I felt were important. The BBC however (at https://www.bbc.com/news/articles/c0ryjyvjq41o) failed to disclose them and trivializes other parts. As such I am now decently convinced that the BBC is enabling or supporting the Have’s against the have not group. It is a whole new setting of people classification. So as we get the headline ‘PlayStation will stop releasing games on discs in 2028’ it remains a dangerous thought, because whatever advantage they have over others (Steam Deck, Xbox) end there and quite quick, they don’t have any advantage over Nintendo, but they will hand them a truckload of people, right of the bat.

The first debatable setting we see is ““This is a natural direction for Sony Interactive Entertainment to adapt to consumer trends as the general preference for digital media significantly outpaces physical discs,” it added.” It does not adapt consumer trends at all and I reckon that in 2027 they will face had choices for the simple reason that people like physical copies. It might not like the fact that people are forced in a download setting and the United Kingdom has plenty of rural areas, when they learn that Sony if forcing them out of gaming, the battle lines will be drawn. Gaming journalist Vikki Blake calling it a “Body blow to consumer rights” and she is right, it is. Whilst we are also given ““It’s of huge concern for game conservation and a massive problem for gamers with lower disposable incomes who rely on part-exchanging or loaning games from friends to keep up with the AAA price tags,” she said.” As well as ““Just one console cycle ago, Sony made a tongue-in-cheek advert about how easy it is to share games on PS4 as a dig at competitor, Xbox.” Which gives us the second setting, because it was not a mere tongue-in-cheek advert, it was more. Microsoft had seemingly ‘embraced’ the TPP (Trans Pacific Partnership) and so initially did Sony, their terms of service basically acknowledged it, I warned several news agencies of this in November 2013. They seemingly brushed it away. In the 11th hour, they saw the blowback it was giving, so they laughingly brushed it away with the handing of a game disc. Their was nothing tongue-in-cheek about it, Sony got really scared and did away with it in a public joke. So that was what it was and seeing this makes me fume a little. Christopher Dring, editor of The Game Business gives us ““We still see millions and millions of PlayStation games sold as physical goods,” he said. “It’s a significant business and there are lots of players that prefer to buy this way. It’s tough news for retail.”” It is and if Sony pushes this disclose setting they will hurt their own business in massive ways. And it is shown in other means too, as such we see “Sony has also come under criticism for pulling over 500 films and TV shows purchased on the PlayStation Store from people’s collections with no compensation.” There will be a kick around and Sony will not like that fallout. The question becomes why is this done? There is enough evidence not to do that and I am pushed into the squad of a “have versus have not war” the thoughts that Dutch Journalist Luc Sala gave me 30 years ago is now playing part in what was to come into what is about to happen and it is not mere gaming, I reckon that it becomes about what is after that. I am not sure what ‘that’ is, but we will soon find out. 

As I see it, the fact that the entire TPP part was ‘overseen’ gives me the impression that the BBC is embracing the “have’s” in this war and whilst we can accept that everyone takes sides, the journalistic integrity of the BBC is as I personally see it in play, because the journalistic integrity of a place like the BBC should be merely on the fence and not choosing a side, but that could be merely my view on the matter. 

Another side is seen with “The firm said its arrangement with the film production company StudioCanal has ended, meaning it no longer has the rights to sell those TV shows and movies, and they will disappear from people’s collections on 1 September.” I believe it is short sighted, I get that it can n longer be sold, but taking it from a catalog is different from deleting it from anyone who bought it, I reckon that those people are entitled to a download of these series and movies. The materials will be downed in a different setting and we are already seeing that. For example you cannot buy Shogun (2024) in Australia, there is also a setting that in Australia Good Omens (2019) only has Season 1, you can only buy the other seasons through places like Amazon. This discriminatory setting is now getting more and more attention (mainly through hatred of Amazon, which is also wrong) so as these ‘products’ are deleted we will see more and more non-acceptance of these settings and gaming is likely the one place where people unite rather fast. You should ask Microsoft, their ‘online only’ cost them their place in consoles and now whilst they were on par with Sony, they are now trailing towards 1:4, those are strong results of failure, as such I hope that someone at Sony needs to receive their walking papers. This got started somehow and at some point people want to know how started all that. But that is merely my point of view. So I hope that the BBC will soon colour their coat in a more neutral colour.

Have a great day today, it’s Saturday here already and I am a mere 110 minutes away from morning coffee. In Toronto it is still yesterday’s beer-o-clock.

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Food for thinking

That is what I saw last night. The source (Tom’s Hardware) an excellent source of information gives us (at https://www.tomshardware.com/video-games/playstation/sony-officially-kills-the-playstation-disc-ending-physical-game-production-in-2028-shutting-down-the-playstation-store-on-the-playstation-3-and-ps-vita-systems) ‘Sony officially kills the PlayStation disc, ending physical game production in 2028 — shutting down the PlayStation Store on the PlayStation 3 and PS Vita systems’ and there are two parts in there. The second part the PS3 and Vita store shutdown is less of an issue. The be clear I am still amazed they survived them, the PS3 ended its ‘life’ in 2012 when the PS4 came out and as I see it it was quite a run and for it to be supported for this long only gives credit to Sony. The first part is where my mind wen into overdrive. The end of physical media in 2028. Not a good thing as I see it. I for one love my physical media. And for it to end is not a good thing. Consider the congestion the internet faces in 2028/2029. So at present we have God of War Laufey and GTA6 giving us 150GB-250GB each, now consider that there are 93.7 million PS5 systems in the world, so we are given (conservatively given) 50,000,000 times 200GB that is 10,000,000 TB on day one and this is merely two games on day one. As I see it, the global internet is not ready for that much traffic in a week and this is not the whole enchilada, this is merely a day one setting for two games. We aren’t ready for that and taking into account a whole range of other software, the alarm chimes of congestion will resound all over the internet as such I am thinking that this stage should not even be entertained until at least 2035. I reckon that the global internet has been over 80% upgraded by then (a speculative thought), as such we aren’t even sure when this is ready because even as I love the materials of Tom (and his hardware). There is a thought that this was a mere spark of consideration and I reckon that Sony would ill survive the onslaught of that consequence. 

So how serious is this thought? 
As we are given “I say “anyone could have guessed” because you’d have to have your head in the sand to ignore all the factors pointing this way. The biggest of such factors is arguably the reality that Blu-ray drive production has sharply wound down outside of game consoles. But there’s also the fact that the vast majority of games purchased today are already purchased digitally; in Q4 2025, 85% of PlayStation games were purchased digitally, and if you zoom out to look at the entire US video game market, the PC and mobile markets are already effectively 100% digital.” There are a few wishful thinking parts (like “anyone could have guessed”), but there is a larger setting, even if we consider “85% of PlayStation games were purchased digitally” the setting is nice and I have bought a few games digitally (like classics) but the stage where millions of ‘lovers’ of the god of War and GTA6 trample over the internet to get their copy and optionally more titles. Congest would be a lovely setting and as net neutrality is given its stage of hardship, we need to acknowledge that some voices (like allegedly Microsoft giving some people “we can easily with that traffic”) there is a setting that they want Sony to fail, so that they can revive their failed console, because at that point as a ‘treat’ for their gamers they have revived their top 10 physical copy onslaught and ‘just for the fans’ they are making them steel-box novelties. Or that is how I see their marketing throwing these sides about. This last part is purely speculative, but that is how I would play it and as Microsoft is a lot more sneaky than I am, they must have considered this. Nintendo does not have this setting as their largest game (from sources) set that tone at a file size is FC25 (EA Sports FC 25), taking up 45.8 GB, not really large by any standard and a few other titles are a mere 18GB, so they could play this all in a digital store. But the fans (like me) are still handed that feeling when we pick up our physical copy in a story. The unwrapping of our game, the game card in our console. I still remember the day in October 2002 when I picked up my Super Mario Sunshine. That day was magical in part because that game was a step above whatever was out there.

It does not compare to ‘I clicked the download button’ and that is merely on me and a lot of gamers who think like that. But the setting that the internet on a near global setting cannot accommodate people in rural Europe (France, Germany, Italy, Greece, Sweden, Norway, Denmark,) and a few other places is a real setting. And that also counts in America. Why do you think that the power of Amazon came from? That neglect gave Jeff Bezos billions and now as we see that some are giving strength to gaming in that way is not a negotiable thing. So, I am not sticking my head in the sand. It will go this way, but not until the internet has had a massive upgrade and that is not liable to be in place before 2035. 

So think of this what you will and I regard Tom’s Hardware one of the finest sources. But this caper is bound to be a cut to the revenue of Sony. So, anyone that disagrees, I say fine. But consider the numbers of merely two titles and consider that 30 to 50 true AAA games released globally each year and they tend to take over 75GB each, now consider that my numbers are actually a lot more conservative than expected and it is merely one system, so now consider Steam deck, Sony, 12 Xbox systems (OK, that was mean) and now rerun these numbers and consider that players like Ubisoft tend to put out patches that can range from 10 GB to 70+ GB depending on compression and their titles are out on many systems. Now rerun those numbers again and see how wrong I might be and not in a good way.

So have a nice day and consider the food for though I left you.

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Skins

That was the thought that was invading my mind and for the biggest part it came from an app known as WinAmp. The current generation might not know what I am referring to, but their mommies and daddies know exactly what I mean.

You see, the world has forgotten the medium of long term marketing. And it saddens the brain. Creativity starts by shedding this to all the brains it can entice. And we seemingly have forgotten that. Consider that the TV goes on and the same settings are given to everyone. But there Is nothing stopping you from adding that to your TV or digital medium player. Have library that could be added to your TV or even PS5, a skin where we see the addition to your Netflix, Disney+ or Hulu app that gives it a little spice. A setting where the creative person turns the Netflix logo into a Cauldron and we see the books appear, where the books are movies and soundtracks. The Disney+ logo where the image of the Mandalorian comes alive and we see items that are movies, but refer to items seen in that series (never saw the Mandalorian) and the idea is not even merely  being scratched. You name it and it is likely to have a fanbase of millions. 

We can go into any venture from that and the brands themselves might shed ways into that setting. Whether it is Sony, Coca Cola, Steam Deck, Disney, Harry Potter or any other brand that speaks to the mind of others. 

Now consider that you are a brand bitch (like me) and you see your Sony environment, but when you also have your PS5, you might wonder why everything is so clearly cut and whilst the PS5 invites creativity, so does the Nintendo and I see a flaw here. They might have their own boundaries, but there is nothing stopping from a Switch (or PlayStation) to invade the borders of the TV and make over what people do there. As I see it, I would my Switch to take over the TV and set its boundaries there, so whilst we see Pikmins all over the screen of my TV, others might realise that some PikMins have familiar titles and as such, we might see games on that screen, games that we currently and almost forever have been playing. It might be the icon of a game box, the con of a hero (like Luigi) or the dreaded Bowser on his kart. All images we and others relate to the game we love to play. And on top we see the icons that relate to our needed setting like a D+ logo that gives us the Disney look and from there the iconic series that they have invade the screen. The better part is that the kids will relate to this instantly and it gives them an edge in creativity. The same could be said for the PS4/PS5, Netflix, or Hulu groups. Something got lost over the last 15 years and it saddens me, because for amount I thought it made sense and that I the sad part. We are so drawn to making achievements in games that we are forgetting the image to play. Someone once said that the more complex the end becomes the more enticing the image of play gets to be. And they were seemingly right. 

A setting is getting lost in the wiring and it should sadden us all. And the Australian Financial Review is giving us ‘Jamie Dimon is counting the straws that will break the market’s back’ which comes with “JPMorgan’s chief executive can see a long string of growing risks, from geopolitics to private credit. Will that be enough to burst the market’s optimism?” And he came to me last night in a dream handing me 4 billion for my IP (it was a lovely dream) but here he is right on his turf but it is also the setting of a larger play. He sees a “a long string of growing risks”, yet I see a string of losing strings of creativity that will hold us down, because those who turn away from creativity are lost forever to a sea of demands and the turmoil of loss and that deeply saddens me. Simply because if we become pawns of the populist voices, we are actually doomed to make mistake after mistake and we need to see now that there are more ways. This all adds up to President Trump saying (according to the Guardian) “Donald Trump said he was “not at all” concerned about committing possible war crimes as he again threatened to destroy Iran’s bridges and power plants”, but in this setting he defies his real fears, the first time is the use of ‘possible’ and the second setting was that he said it at all. He is really scared that he will be put in the Hague in the accusers box facing the consequence of his illegal war. I reckon he is counting on the world being to broke when America folds its finances and he would be wrong. There are dozens of people who are actually innocent and used the Black letter law to the extent they could and President Trump is the one who stopped the game from continuing. I reckon that the one place where President Trump might be save is as a new inmate of Lefortovo Prison or Lubyanka Prison. Anywhere else he is likely to be toast. So there is no easy escape to the Bahama’s or Monaco for him. Too many people there will blame him for their easy escape and they will hold him to account. And there isn’t enough ammunition to keep him safe in the United States. 

So that is where I am and the people who needs distractions are being withheld a simple setting where their creativity is fed, not their frustrations and rage. And my mind is grabbing back to the simple setting of Winamp controls or the theme settings that Microsoft opened in 1995. Who did not have a whole range of themes to brighten up their Windows experience? That is seemingly lost now in a sea of patches and Knowledge Base (KB) numbers. So who gave the world the outlets of creativity? Adobe?

So have a great day and consider where we might be when our need for creativity is fed in all sorts of ways. Time for dinner now.

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Who sets the stage?

That is at times and particularly now the question. Metro UK gives us ‘Sony has not choice but to release the PS6 in 2027 but it’s huge risk’, first of all, who decides this? Metro? The audience? I think it is up to Sony to decide this and I am open to a release of the PS6 at some time. But at present, my PS5 (the non-pro edition) is doing ints bit right and proper and as I see it, there is only the Nintendo that is a possible ‘threat’ and I see no reason why the Sony people cannot have a Nintendo Switch (1 or 2) next to it. I still have my PS4pro as well. Both are behaving particularly nice. So what gives? Games? The ones that are coming in 2026 are well adjusted to the PS5 and so is are the ones also facilitating to the PS4. So why would we need a PS6?

Don’t get me wrong I would be happy to have one if there are games that go way beyond the need of the PS5pro, but the only games that might (might being a stretch) get to the edge of the PS5 pro are allegedly Wolverine and optionally Horizons 3.

I imagine a setting where the PS6 could be the Horizon start tile, but I would love to see this release with the trilogy release with Zero Dawn, Frozen Wastes, Forbidden West and Burning Shores as part of this trilogy release. These would be a must for all PS6 gamers. But is that the case? Is Horizons 3 running at the edge of what is possible on the PS5pro? I doubt it, because the makers made it to run on the PS4 pro like a Swiss watch. Wolverine is still not in a golden status, as such it is possible and we see what is possible and we love it, but is it demanding a PS6?

So where does metro come with ‘Sony has no choice’? As is see it, Sony has plenty of options, especially as Microsoft dropped the bal and their balls on the gaming industry, Sony has plenty of choice so whilst wee are given “Namely, if there’s the demand businesses will produce the commodity to satisfy it and if not, they won’t (or else go under). But things are rarely that simple and Sony are its proof.” So this is called an idiots premise. The business doesn’t demand, teenagers without money desire it, that is not a demand, it is folly. And whilst we see that there are teenagers making demand, it is seemingly merely the people who trusted Microsoft for all the wrong reasons. They are not even steam deck masters. So whilst Metro needs to give a real reason (best with supporting data) there is the setting that we filter out the wannabe’s without cash, which takes care of allegedly several millions of wannabe’s.

Oh, and there is another side, whilst many are awaiting Hogwarts Legacy 2, there is every chance that this will require a non pro PS5 to run smoothly. So whilst many gamers are now looking in getting the additional Nintendo Switch 2, we see that the gaming era is changing. Now that Microsoft is likely leaving the scene, the actual gamers will focus on enlarging their focal points. Some will get a steam deck, see will add Nintendo to their domain, but the Sony domain is clear, it is set and it is in that gamers life. I have my PS5 and I am happy beyond believe. At some point I will consider the PS5pro, but at present, my PS5 is doing what it needs to do and it does it well. 

I am merely wondering if WW3 comes to town if I can still play my console if I am glowing in the dark. There is a lesson here, but I cannot see it. No matter what happens, I got Aloy to come out of the forbidden west victoriously even with the plus game requirements largely filled. So will we get a new Hogwarts? Likely but not before 2027, as such the need for a PS6 before 2028 is likely ludicrous and that makes sense. 

Consider the following timelines:
PS3 – November 2006
PS4 – November 2015
PS5 – November 2020

As such there will not be a PS6 before 2028, but there is another level and we are forgetting that. The games, we can see that the games pushed the hardware, only when we saw The last of us on PS3 did we realise that the limits of the PS3 were reached and it showed its superiority again on the PS4. Zero Dawn did the same for the PS4 in 2017 and that was proven the moment the PS5 appeared. I reckon that we will see several games that will push the PS5 (or PS5pro) to the limits. There is a chance that Wolverine will push those limits, but it is unlikely. The PS5 is just too powerful, but that doesn’t mean that Insomniac won’t reach these limits. Time will tell, and that will give us a real anticipated release date. Still the games are only part of this and the sudden chance of a war will also stop these hardware frolics from becoming reality (that and this so called fake AI). We see escalations and the demand for more and better stuff comes when limits are reached and as I personally see it, the PS5 is nowhere near these limits. These limits are not reached because some developer thinks he needs them, he get there by delivering short of where he wanted to get and that require people like Hideo Kojima flexing his muscles, only to realise that he cannot flex them any further. I this trend I have only seen Mathijs de Jonge (Guerrilla Games) and John Blackburn (Avalanche Software) get there in the last 20 years and they seemingly have not reached the limits of the PS5, so we have time. 

As I see it, Sony has choice and plenty of time. They merely need to keep the gamers on the 92.2 million PlayStation 5 happy and as I see it, we are plenty happy. The offside of the cow that influencers try to persuade there is require data and they cannot hand is data, merely conjecture (if at all). Metro UK should keep that in mind. We are happy because we get to play the games and we would like to play more games, so players like Bethesda and Ubisoft might remake some of their games for the PS5, it does help, but it would be better if they consider making games that will genuinely take us to the edge of the PS5, only then when we have these titles and we are considering that it could have gone further will we see the impending need of the PS6. 

Have a great day gaming today on whatever system you like to game on. My weekend ends in 87 minutes, darn.

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