Tag Archives: movies

September 13, 2023 · 12:57

Dreamcraft, the specifics

This morning I came up with an idea. I have had certain elements of this idea in my head for some time, but this morning the pieces of the puzzle started to connect. I am not putting it all out here. It is meant for some Canadian TV maker, not sure which, and with the Americans on strike it seems wrong to hand it over to them. The setting is set to a time traveller with a twist. The setting is set in Canada (the Canadian film maker angle) and is connected to MAGA, making a first setting with America as the evil player.

It starts with “Certain names have been changed to protect the seemingly self-proclaimed innocent players” which could be seen as a twist as well. The movie relies on one player being part of this (as small actor and consultant).

CSIS director Michel Coulombe as himself

A setting that hasn’t happened since former CIA director William Colby in the PC game Spycraft (1996). So there is a precedence for this and I am happy to be to the smallest degree a copycat. I have no idea who would play in this, but a case could be made to give the largest role to Paul Tiberius Shatner (aka Paul Wesley) and I feel that the idea could benefit by a seasoned actors like John Larroquette and/or Patrick Labyorteaux, but I have no clear reason why, merely a feeling. 

The setting is set about a in progress terrorist attack on Toronto and our time traveller starts with an incapacitation gone execution of a person exiting the subway early in the morning. That is where he gets the CSIS involved and after the first evidence is shown to be correct they understand the time pressures and from there we get into a setting of executions showing more and more evidence to become more and more evident that it is all real and that is where we get to the intelligence mulling and a slightly more academic set (the need for an intelligence consultant) and from there we are taken on a rollercoaster of intel and action, but this is not too action driven, we see flashbacks (for the twist part) and a reference to

“Time travel is as I know it was set to reality somewhere in 2060-2070. The math came from an actual AI that IBM developed and as I understand it I can never comprehend it, the math is a dozen blackboards of algorithms. It is safer to go back and this is my second trip. My last trip. The chances of paradoxes become too great after trip one. Also with travelling into the future paradoxes increase exponential with every second you travel into the future. Its a big no-no. See it as as throwing a rock into the river, the river adjusts around the rock, but into the future the rock becomes bigger by the power of its size with every second it travels into the future, the river overflows and the river stagnates, it becomes a mess really quickly.”

As the story unfolds we are also introduced to a female kick-ass gung-ho liaison officer (optionally Nina Dobrev), but the actress is not defined and no sex scenes. She needs to be hardcore gung-h carrying something like a Taurus Raging Hunter 357 Mag 7-Round Revolver (she is a crack shot and every shot is a kill). This is an intelligence suspense movie.

There is a larger twist at the end involving a ring and with the narration showing us the collapse of the Eiffel Tower the movie ends?

There is of course more, but that is for the TV executive, we can’t have the yanks copying everything. It dilutes the script too much. So that was my overly productive morning.

What did you get done this morning? Enjoy your day.

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August 23, 2023 · 20:55

A very different oak

OK, to be honest, this dream hit me some time ago. I had it, but I have no idea why I had the dream and I might never figure it out. The event was at Golden Oak Orlando. I was visiting someone and when we got to his abode (a mansion by any other name) we were overwhelmed. I reckon that this is the feeling that all those who ever visited someone’s place in Golden Oak leaves them. It is a little overwhelming. So we got to his place, we were shown the lower part of the house with an inner courtyard. There was a pool, a jacuzzi and a few other amenities making sure that we all felt a little out of our comfort zone. We went to the corner in the inner courtyard and we had something to drink. There were two pitchers of iced fruit-juice and it was wonderful. I went for the slightly more orange one. It was a mix of peached and tangerines loaded with what seemingly a shrapnel of ice parts. It was icy cold and refreshing. My kind of refreshing. The others were talking and I was listening and looking at the details of the courtyard and the kitchen room through the glass. The stove looked old-fashioned but seemingly bursting with high tech elements. A stove anyone would dream of having in their home. After the drink the second part started. We saw the living room, the kitchen we walked through and we saw a large pantry. The living-room was a little spartan but stylish. We all walked up the stairs and we saw the master bedroom. Not sure what the style was, but it looked neat. The walking bathroom was to die for and had everything on a space that is pretty much my living room. There were the two guest rooms and they both had their own style, nice but very different. And I saw the door, the door that would change it all. The door was out of place. It looked a lot heavier and darker, like dark oak heavy. From a distance it stood out, even as the door was deeper into the wall than any other door in the house. It stood out like a bank vault door would stand out in any apartment, it looked that heavy. The door was dark oak as said, but it was engraved unlike anything I had ever seen. The owner then moved a panel in the door and a small opening revealed itself. 

The opening had a key, a very old fashioned one and if I had to make a guess it was a 17th century key, but it looked off somehow. The panels showed us characters from Peter Pan and Mr. Smee (the first mate from Peter Pan) was the center piece of the door. The door opened smoothly but seemingly heavy and the door didn’t open at the end, the door opened with the axial at one third of the door and the door was a lit thicker than a door should be. What I saw then blew me away. The room was almost entirely made from wood, hardwood floors, and I saw to the right what could have been the navigator desk from a galleon. To the left was an admiral’s table with swanky seat. The navigator had its own swanky seat, both a chesterfield design, both chairs build for comfort and I walked in. I saw the small door to the end and I walked towards it, it opened up to a small balcony with seats. The wooden balcony seemed to have been part of a slightly enlarged balcony like the admirals room on a galleon with a small table and chairs. 

I looked around and I was slapped across the face a second time. The walls I can in from were the  rear of a galleon, complete with stained glass and a view of the ocean. The wall that connects to the house was an ocean and the smell of salt water was invading my nostrils. A freakin ocean? I slowly walked towards the end of the ship realising that it was smoke and mirrors (of sorts) the windows were real enough, the sound of a seagull was there, but as I stared closely I noticed the fine lines. The view on the ocean were TV screens 4 meters wide in total, about a meter high. 4 of them. There was a hidden vapour in there feeding us seawater. The sound came from the screen. It was the sound of the ocean with a bird every no and then and the screens were merely showing us the water waves, almost like it would have been were we on a galleon. The walls had pictures. One in heavy sterling with the image of Bill Thompson (the name was engraved in the centre of the bottom side of the frame. I knew the name as I grew up with Disney movies. He was the voice of Mr. Smee in the Disney version of it. There was an image an autographed one of Bob Hoskins, the man who played Smee in Hook and there were more Smee memorabilia all over the room. The navigator desk was a desk, it was fully functioning with a large map of Never-never land. The map rolled up and stayed rolled up. Beneath it was a screen a 32” touch display that showed the Mac screen and applications. There were all the Adobe ones, all the Apple ones and several I had never seen before. I noticed that below it were extensions that came out, for both the keyboard and to the right of that an A4 digital writing pad. The system was super-fast, faster than the average G5 and it looked super intuitive. I looked around to the admiral’s desk which as a large and very nice desk with all kinds of amenities. The top of the desk was wood and I think a strip of leather, for writing on I reckon. The drawers were all engraved and to the right of the desk was a panel like it was some kind of food elevator. The panel was opened and two plates with canapé’s came out. They were delicious. The door I came in through was no longer visible, well not until you go looking for it. I saw the lines of where the door was and it was almost invisible to the naked eye. 

The chair was bordeaux red, it looked extremely comfy. We ate the food and we all were mesmerised on the room. I was not the only one blown away. This was his office space and it was one hell of an office space. It was a few minutes later when we left the room and as the door opened the screens shut down, the sounds faded and to room lights all dimmed but did not turn off. As I left the room I heard the room lock and I heard more clicks, almost like a set of alarms were set to sharp. We went down again and in the kitchen I now noticed the same panel we hd upstairs. A food elevator and a chef was there with plates of food that staff were bringing around. There was a Japanese plate with marinated eel. Plates with what seemed to be wraps with chicken and I had another fruit juice. I took the yellow now, which was I reckoned pineapple with Limes and I guess pear. It was slightly sweeter, I preferred the orange one. Which was my third drink. We sat down in the living room and I was listening. I also figured out I was the plus one of one of the ladies there. She was way out of my league, so no idea who she was and why she was with me and as I was sipping my fruit juice I faded away and woke up in my own bed. 

The dream stuck with me and at first I thought it was the setting for some kind of game, but there was no relation to any game I thought up. Then it could be for TV or movie, but the office space was too distinct. I would have loved to have a house and with such an office, but too much was not my initial desire in office choice, even as the computer clearly was. Sometimes the brain takes you on a meaningless quest, so I might never know why, but that feeling of looking around and watching the ocean still haunts me and I have no idea why.

Enjoy the day, we are now past the 50% point towards the weekend.

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July 16, 2023 · 10:58

Single-mindedness towards greed

That is how I see it in this case. To see this we need to take a look at the CBC article (at https://www.cbc.ca/news/entertainment/box-office-slump-2023-1.6906554) called ‘Blockbusters are failing spectacularly, but how that changes Hollywood is anyone’s guess’. First of all, are they failing? To the requiring mind of these movie releases they seemingly are. Yet I am not of that mindset. Lets see if I can get you on board. A second article is from the BBC and seen (at https://www.bbc.com/worklife/article/20230713-how-the-cost-of-living-crisis-is-fuelling-job-quits) where we are getting told about the cost of living. They call it ‘How the cost-of-living crisis is fuelling job quits’, especially in families with children, the revenue of worker number two is no longer covering the cost of the children. They tell us “Rising prices and interest rates are pushing some workers to move around the labour market, rather than dig in their heels at their current employers.” This is not merely a British thing, it is a global thing and when you add Australia with age discrimination we have a very different picture. We see a growing global community that can no longer AFFORD to go to the cinema. I used to go to the cinema at least once a month. Now I am happy if I can afford to go once a quarter, that is a drop of 60% and I am not alone, millions are in the same boat. To get any kind of tinsel town satisfaction we are driven to Netflix. $15 a month versus $15 per visit is simple math (if you have a proper internet connection), yet the CBC has merely one mention of Netflix and it is in the wrong direction. The article has nothing on ‘cost of living’ a clear first in any household. A week ago CBC gave its readers ‘Families face ‘hidden homelessness’ as Hamilton shelter system is consistently overwhelmed’ and no one was able to connect the dots? In ‘generalising’ statistics we tend to agree and accept that for any household collapsing, at least 50 more are on the verge to go that direction. It isn’t a foolproof stage, but with the lack of data that is a clear path to walk on and now we see that this implies that in Hamilton alone a thousand households are on the verge of collapsing. So how many of those would consider going to the cinema? It amounts to $25-$40 per person, and that is just for starters. There are travel cost to consider as well. So when you add it all up, Canada alone has close to 250,000 households that actually can no longer afford to go to the cinema. Add a few million from the US and a similar amount from the EU and it explains why people aren’t going to the silver screen, they lack funds. This doesn’t make the movie a flop. I would have loved to have seen Shazam 2 (or the new Indiana Jones, or Oppenheimer, or Mission Impossible) I just couldn’t afford the ticket. It is life on a budget and I reckon that Jackson Weaver has some rewriting to do, perhaps add a chapter (or two). The funny part is that I saw this path clearly within the first 2 minutes. Me, for now is saving up so that I can see Dune Chapter 2 on launch date (which is November 2nd). This is the reality that millions face, we aren’t happy, we aren’t thrilled. This is our lives and the people in the entertainment better take notice (like the CEO’s making 135 million plus annually). You are either getting smarter on how you do things or lose more and more money and downgrading payments of actors is definitely the wrong road to travel on.

And why is this single-mindedness? Simple, you see Google and Amazon should be running circles around me. Yet for now I am growing my IP count where they should have been ahead of me and they are not. The simple setting is that they (and Hollywood) should have the goods, but I wrote several stories (could be scripts) in directions they never contemplated. So, why not? Are they the next creative failings after Ubisoft? You tell me, I should never have been ahead or even close to equal to them, but it seems that I am. I will tell you that I am not driven by greed, I believe that this is the setting that is drowning them. When did this happen? My personal feeling is that Avatar and the Marvel movies opened a door they never saw and now they are all rushing to get to that revenue. It is a greed driven drive, which is why they will never equal people like James Gunn (even when he is wearing glasses), the creative minds like Ridley Scott, James Cameron, Christopher Nolan and Martin Scorsese are titans because it is about the creation, not the revenue (it is a nice side effect for them). Art is never bankable, but it is collectable when completed. A simple premise that most never seem to get and they all rely on one other element. People who can afford to go to the cinema and for now that equation is massively out of balance.

It might not be their fault, but it is still on their plates today. Not hard was it?

Try to enjoy the last day of your weekend.

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June 25, 2023 · 15:39

Shaping Domestic Conscription

This is the stage my mind has been in for the last 24 hours and yes it is a DC comic reference. You see, the movie Thor, Love and Thunder woke something up in me. It was the mid 80’s and there was a Dutch version of an Avengers comic book I read. In this there was a reference on a ‘villian’ which led to all kinds of things and I remember that in the end there was an image of all in hell for torment felt relieved for a second as Lucifer felt fear for the very first time. It was about the optional undoing of Eternity. The end god in the Thor movie and he was just like the real thing, except for size (the length of his foot is about the size of the Chrysler building) but lets keep this to semantics and creative freedom. Yet these is the stage, it started my thinking. You see, it started at that time and the movie Black Adam merely build on the stage my mind devised. 

I gre up being a huge Batman fan, in my preteens I grew up on the Batman that Adam West gave us and the man was dope. He was the real deal. OK, that is and will forever be the kid talking in me. But as others went for all the other comic book heroes for whatever reason they had and this tainted the thoughts I had. There was a side in that comic book that gave me pause to think, even now almost half a century later these thoughts are still there. What if the villains were right? They might go about it wrong, but what if there is truth in their actions? Joker, Lex Luthor, Ares, sorceress Circe, Lucifer, and that list goes on. So what happens when we create a hidden trap. A mindset where Batman does the ‘right’ thing, but he falters to see what he does is right. The encounter with someone like Eternity brings it to the surface? It allows for an interaction with Constantine, it allows for all kinds of options. And today’s world is all about what is legally right and what could be correct and they are not the same thing. We have all seen versions of that and as far as I can tell the comic movies aren’t digging into that, even though Black Adam gives a nice stage to exploring that side deeper. The creation of Amanda Waller allows for a deeper investigation of that side and perhaps the people behind DC movies should do just that. You see, there is too much polarisation in these movies and for the most we accept this as the villains in these movies are over the top bad. Yet what happens when the hero (unintentionally) overreacts? We see that in some cases, but at times it is some plot twist. What happens when we wrongly hunt down a person and we learn after we stop them that they were trying to set us all free? Consider that we have ben misled by the church for almost a millennium. Now consider that we have an Arabic setting where an Afreet is set free, but that Afreet is tinted by the history up to 1200AD, that character missed out on 800 years and that anger is now unleashed. We want to ‘protect’ and stop that character and we now have a setting that approximates what we are trying to achieve, because we learn of what was done is only now beginning to surface, in this we create a new level of ambiguity. One that most comics never touch on and it is these new borders where we get a much larger setting for who are the actual villains? Perhaps some are tainted through polarisation and recognising that opens a new dialogue, a new stage of more interesting movies. 

Consider an article from 2019 ‘Medusa was punished for being raped—so why do we still depict her as a monster?’ This sets a new premise towards the stage of a Medusa. In the Theogony, by the 8th-century BC poet Hesiod, she is described as being the child of Phorcys and Ceto and she was raped in the temple of Athena by Poseidon and Athena punishes her of all people. So what happens when we see this in a new DC setting, but until the end of the movie we aren’t told of HOW the transgression started and that opens up new doors, opens up other doors too. What if the avenging demon is Lex Luthor, getting aid by Lucifer no less and the stage is that Constantine is trying to figure out what Lex Luthor is up to (and of course Superman gets involved). Yet as we are given a partial tapestry, the loom will see the involvement of others, but until that for example the daughter of Wonder Woman Trinity was kidnapped which starts the manhunt, but at the end we learn that Trinity feared her future and got Lex Luthor to aid in her escape her dark future. Lex feeing for her and feeling his heart for her aids her and it starts a much larger feud all fuelled by Lucifer (which gives us Constantine) and there we have the making of a larger tapestry and the loom involved has the wires in one direction and cannot vouch for the fabric of the tapestry (an Odysseus reference). The stage that still bothers me is how the loom is managed, someone is pulling the strings behind the curtains of the stage and that comes to light after we see parts of the truth involved. It creates new settings of polarisation, not entirely unlike the people choosing team bat (team Cullen) or team hound (Jacob Black). The same is said for the Underworld saga. When the people are left to chose which team is the right one, you get a lot more interaction, a lot more social contribution and that pushes the story and the movies to the top of so many lists. Ambiguity gives us one side, but not all sides. What happens when Ares (opponent of Wonder Woman) is pushed to this degree by the fates Clotho, Lachesis, and Atropos? What happens when they are pushed by the future and by someone wielding that side to push towards a reality free of Αion, the god of eternity? We now have a very different setting and we get the question into the open, what makes a hero a hero and a villain a villain?

Just a few thoughts going through my head (its Sunday after all) and tomorrow is another day.

Enjoy the end of the weekend, soon it will be Monday.

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May 12, 2023 · 19:43

Behind the eyelids

Two dreams got to me and they both happened on the same night. The first one is weird in all kinds of ways. I cannot tell whether it is the foundation of a game, a movie or something else. In this dream it is mostly about some new MMORPG. It has a scientific side. You see the premise is that in these games most people become like herd-people. They will cluster into tasks. There will always be the ‘hero’ and goes racing into enemy hands getting himself (or herself) killed. In this my mind reached back to the original Star Trek specifically the episode ‘Shore Leave’ there we learn “The more complex the mind, the greater the need for the simplicity of play.” That quote always meant something to me. Now consider the MMORPG and now we can monitor interactions, but not draining the game. In this two bird types are addd to the game. The Albatros, a bird that flies around the shores of a nation and it has the ability to carpet the fields collecting thoughts and observing interactions to groups of people and the second bird is the Hawk. That one focusses on smaller areas and can pick up one specific character. Now you think that there is not a lot more, but consider that these two can like the character to the actual person outside of the game. Now we have a way to tag people, the undesirable and the willing. You see, the more simplistic the setting (Roman, Greek, Carthaginians, Egyptian), the more basic the weapons, the more that person will embrace his character, the character will more and more be the real person. That also means that now those behind the screens can unite the both and find the willing, the dangerous and the unknown players. Without any real intrusion to that persons ‘privacy’ the people orchestrating the game can make a mould of groups and clusters of people. That was as far as I got. There are all kinds of ‘measurements’ in real life and for the most they are all marketing based, but what happens when games take them to the next stage? It is not out of the realm of possibilities and that could make for a nice game, or movie for that matter.

The second dream took me to Slovenia (never been there myself). In the dream it was a movie (of sorts) the main roles were a spymaster of the CIA being called to the issues in Slovenia where he spend his early years and he had fond memories of it. Slovenia was overrun by the Russians and it was a power-knot of Russian forces, the FSB and the GRU. Central in the story was a fort or castle where they were housed at. The spymaster was played by Brian Cox (the true love of Helen Mirren, R.E.D.) and his student and main protagonist Ryan Gosling (aka Barbie’s Ken). The story is that taking out the heads of the FSB and GRU will throw the entire setting in turmoil and there they have an edge. A electrician and sympathiser found a door leading to a secret exit. He closed the door and sealed the door claiming it has dangerous toxic fumes. The door doesn’t lead to anything as such it was accepted. And he leads the people through the secret exit into the castle. We see him rewire lights and rewire options and the exit leads to a small room with two connecting rooms. They smuggle in hardware, they smuggle in equipment and they are ready. They have to wait three days until that sumit starts and several Russian bigwigs are in attendance.  In the meantime Brian and Ryan are around town confirming what they can and as the buildup of Russian forces are visible they seem to be on the wining side. In the meantime the Slovenian resistance has their head people in the room as well, they all want a claim towards striking such a blow to Russia. It is whilst driving Brian notices something, He grabs a baby monitor (CIA edition) and quickly states “It’s a trap, get out, get out now”, they sit in the car surrounded by Russian trucks being as small a shadow as possible. He states to Ryan “How many Russian soldiers do you know reading the bible whilst on watch?” The electrician was FSB, this was a play from the beginning to capture the Slovenian resistance. And yes, the door opens and Russian forces come pouring in. They had set up some traps with Ammonia and bleach (creating Chlorine gas) but the two dozen soldiers are all wearing masks. The resistance is all captured. Ryan has an idea to get back in and complete the mission, but he has a trump card. He studied the plans and that room links to another place. That is where he placed some boobytrapped weapons and he gets there by stealth killing the Russian soldiers and placing MRUD’s (Slovenian claymore) on the stairwell. He then goes to the place he knew about and uses some clustered RPG on the dignitaries stand who were there to watch the resistance leaders die. He escapes as quickly as possible and we do never know how the resistance people fared. He hopes that the confusion gave them an escape option. He then aids Brian as he was suckered into this deal by finding a former CIA executive, who was a Russian double all along. 

Brian walks away from his friends corpse stating “Sometimes you bite the bear, when you do make sure you bite hard” and Ryan follows him. 

One night, optional watching two movies for free. Well, they don’t exist yet, so that is my creative mind on a binge in dreamland.

Have a great Friday, only 3 days until Monday.

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April 29, 2023 · 19:11

The price of exploitation

This time I am going in a different direction, one I know little (say: nothing) about, yet the news the BBC gives me is baffling me. I wonder if the US (and Hollywood) realise the dangers of exploitation, even more important how it could impact their economy. To start this we need to take a look at ‘How a Hollywood strike could affect your favourite TV shows’ (at https://www.bbc.co.uk/news/world-us-canada-65407703). Now to be clear strikes happen, they are almost a fact of life. You are either striking, or you get hit by the impact directly or indirectly. So here we get “The biggest issue is how writers are paid in the new streaming economy, with many reporting lower wages as digital platforms have upended traditional television and film productions, says the Writers Guild of America, the union representing television and film writers.” And then we get the ugly “Hollywood’s business model has been completely disrupted by streaming, and now writers complain of being asked to provide weeks or months of free rewrites of scripts” and that got to me. An institution that gets a billion or more per movie? That institution has to ask for rewrites under zero hours compensation? How fucked up is Hollywood? We can go in any direction, but Hollywood made $7,370,000,000 in 2022. I reckon shelling out 130-150 million for 11,500 Writers Guild member is not that big a leap, especially when you realise that “The last writers’ strike in 2007-2008 lasted 100 days and cost the California economy $2bn (£1.6bn), leading to many cancelled or delayed shows. Some have also credited it with boosting the proliferation of reality TV.” The business person in me states that losing 150 million is preferable to losing 2,000 million to a strike with the added loss of optionally successful TV series. As such I wonder where the greed driven stage of Hollywood is taking them, especially when Canada has its own production companies and they could get up to 100 days of advance house cleaning (the house names Hollywood). That is before you consider Brandon Hines who gives us “I just wrote on a show and I can’t eat, I rely on government assistance.” A series writer on government assistance? And you wonder why the writing guild is angry? Now there is another side, there are so many shows pushed out at present that I feel that something will have to give. A place like Netflix alone is allegedly spending $17,000,000,000 for content in 2024. I have no idea what the drill down is and it is likely too complex, yet I expect that writers are undervalued there as well. So what happens when the cream of the crop vacates to Canada or the UK (or Australia)? You can scream all you like, but these people seemingly have had enough and puts the pressure in other places too. All these TV hosts that suddenly cannot sound funny anymore. All these hosts that have nothing on the tele-prompter when that takes a front seat the Hollywood economy will take a dive whilst they rely on second or third class writers. So what happens to the Kingdom of the Planet of the Apes (2024) when it relies on writing students scripting the day away? What happens when an expected revenue of this movie ($1.7B) makes no more than $850M? I can tell you that the investors will take a run towards Canada and the UK, optionally Australia as well.

You tell me what the gain of greed is, because as I see it there is absolutely no positive side to that, but wait until May 8th 2023 and see shows (movies too) getting cancelled. All this was a simple application of Business Intelligence, an abacus was enough to set the parameters of this folly. The weird part is that we see “Hollywood’s business model has been completely disrupted by streaming”, they had years to correct for that and I would reckon that a revue savvy place like Hollywood would have their own regiment of BI people all over the place. So what did I see that THEY ignored, you tell me because I am at a loss.

Enjoy the weekend

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February 3, 2023 · 22:15

Blocked by greed?

It happens, good ideas fall down merely by the setting of greed. I get that some people revere greed, they pray qt the shrine of coin to get more, forever they prey to get more. Yet what happens when greed gets in the way of a good deal? For that we merely have to look at the place where boobs and smiles are as genuine as a crooked politician trying to get reelected. The forever need to drive that movie that will bring in a billion plus and some make it. Some make movies that gets the juices of desire flowing. Marvel is an excellent example. But you need a small education in reality. You see when we think directors one of the most famous and most achieved directors is Steven Spielberg, he gained revenue of $10,665,089,317 yet it took him 37 movies to get there and there are many nowhere near as good as him. So how about that $1 billion mark? When we look at franchises Harry Potter might be one of the most visible ones. In this Harry Potter and the Deathly Hallows: Part II (2011) is the only one that passed the one billion mark. Does this mean that we lower the bar? Not necessarily, yet that one billion mark is too visible, too much of an orgasm point for all the wrong people. All whilst there have been a good selection of options out there and they are overlooked. 

I mentioned before that the comic book called The Trigan Empire has every option with a right director to get to the high point, optionally with a blonde John Cena in the title role. They might not make the one billion, but they could make a massive profit, an amount that goes further than merely return on investment. There are so many others. There was Franka, a modern version of Brenda Starr, but with subjects that matter today, options that make women herald this next hero. There have been so many comic books in the 70’s and 80’s, all making a good chance to rake in the revenue and most of them not from the USA.

So why does this matter?
It matters because SKollywood is becoming a thing, because more and more people are accepting movies with subtitles and South Korea is producing more and more movies that are connecting to people, perhaps not in the US, but guess what? Over 2/3 of Hollywood revenue is often international. That Harry Potter movie only made $381M in the US, the rest, almost a billion came from outside the US and Hollywood needs to change steps and up the game because Korea (south part) is bringing people the Witch and more movies that are connecting to people all over the world. A stage Hollywood never considered is now becoming a reality. Who saw the Japanese movie Audition? That was intense stuff. Other movies like Old Boy and the ring found American versions, but non-Americans look at what is. You see we all liked the Departed, but those who saw the original Hong Kong version will find it lacking. Not the actors, not the script, but the original in Hong Kong just had that little more and Korea is producing a whole fleet of movies, as are several other nations. 

All this and then we get to Netflix, Hulu, Disney Plus and a whole range of others. Hollywood gets 3500 scripts each year and 350 are being made, so what is failing, because something is, the revenues do not lie. So far this year Avatar 2 and Maverick were the only two movies I ran to a cinema for and that is over the last 20 weeks. The well is drying up and Hollywood needs to set the steps to new heights, because they cannot afford to lose more and as I see it pointing the finger at streamers is not good enough. Japan and South Korea have their share of amazing movies,  so it is not merely the materials. I personally believe that it is the process that is failing. People have the wrong mindset at present. It should not be what gets me the most, it needs to be what can I do to get enough and up the quality of movies, that is the real trick and as far as I can tell, they haven’t figured out how to go about it. My evidence? The Trigan Empire, I made mention of it well over a year ago and since then no one picked it up. Not Netflix, no other streamers and not Hollywood. But I do remember hearing all kinds of complaints that Anansi (American Gods) is too black, or something of that nature. With the quote that “Charles Eglee, thought Mr. Nancy wasn’t right ‘for black America.’” In this I think he should talk to the writer (Neil Gaiman), as we see that it is more and more becoming all about perception the natural outcome is that others will reject what is there and over 65% of the revenue comes outside of the US. 

I let you decide what you watch, it was always your choice, but do you want American gods the way it was written, or what some producer thinks it needs to look like? Perhaps some of them remember the Justice league movie and what happened in the end.

Just food for thought, in the mean time South Korea has a few new gems coming this year. I wonder how far they make it this time, so far their record is pretty impressive. 

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January 11, 2023 · 17:09

Wakey, wakey Amazon

I had an idea, it is not my IP, even though it might be possible to create an innovation patent. You see, the original idea came from Hans Breukhoven who in the Netherlands created the Free Record Store in the early 80’s (perhaps late 70’s). His idea was that you could request a CD, any CD and it would be created on the spot. It never came to anything, because data speeds were not ready for this. He had the insight when 300KB/s CD drives were regarded as high technology. The idea was good, but the timing was wrong. Today I wanted to see/get the movie StarGate, I had not seen it for a long time and even though I have it on DVD somewhere, the Blu-ray would be preferred. At that point my mind started to think. You see in the same way that Spotify is destroying the music industry. Netflix et al are doing pretty much the same to the movies (not intentionally mind you). People are stopping to care about physical formats and that is where it soon will be at. You see when congestion hits (and it will hit hard), people will rely on anything to see a movie and that is where physical formats will come into its own right again. In that same way console games are hitting new spots and even as this is not a short term track. A system that can create games, 4K movies and so on might have a real future in metropolitan areas. There will still be a need for games and movies on disc and having it in stock when it concerns new releases does make sense. But what about a movie from 2018 and before that? What about a game that is 2020 or earlier? This sets the premise of thousands of titles. Yet in this day and age shops cannot have it all, there is no space and moreover, the money becomes scarce in their pockets. So what if a store had such a machine? You can order, you can pay upfront of online and you get a voucher and the time when to pick it up and that is when you pick up YOUR request. Now it might be ordering, but soon (within 2 years) devices can burn a 4K movie in under 5 minutes and that is when the setting changes. No longer a stage of waiting for stock, just go to the store and get what you want and considering that the stage contains thousands of movies there will be a real market soon enough. I reckon that by the time we get to PS6 and whatever Microsoft has, these systems will have the burners and when you order overnight, the next morning a quality 4K movie will be waiting for you. Optionally you can keep it on an SSD so that you can watch within minutes and the disc is created overnight (home systems will not have the high speed burners that commercial places will have). 

A setting that could be here a lot sooner than we think and a man named Hans Breukhoven paved that way 30 years ago. By the way try finding some of your favourite movies, how many are still on the market? How many does Netflix (et al) have?

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December 26, 2022 · 22:34

As conditions changed

There is a movie, it was a movie that had impact. I was never in a military academy, but I do have military training, so the movie affected me in different ways. It was a good movie (any movie with George C Scott will become one) and it had Timothy Hutton from ordinary people. Tom Cruise is in it, but he was relatively unknown at the time. It might have been one of his first movies, before Legend and Risky Business.

But the movie was good (I thought it was), and it comes to mind that in this day and age (invasion of the Karens), the shift of values as well as the squandering of morality in the US there is actually a need to make a new version of it. Especially as we see Russian values move into every basement there is, the clear stage that some man will hold onto values is not too far out of place. I reckon that a movie like this in 2023/2024 could be a new start for a new generation of actors and actresses. In addition the changes that the military have faced over the last 4 decades might be an additional reason. There is actually no need to shoot this or base this on American settings. NATO an the EU would introduce a whole range of issues. The political field has changed from the rejection of military value to the embrace of its stability. There are plenty of reasons to do this, but a few to not do this either. It is more than a remaster, it has new storylines and new challenges. In all this the additional setting of an academy in shutdown could be seen as one of the main stories, but 4 decades have shown us that there is more. The gender setting has changed over 4 decades, as such this is not merely a male and a male led environment. The one part that I missed originally was the stage of why (really why) the shutdown was ordered. It was a little in the middle and now we could rectify it, or better stated, the filmmaker that takes up the gauntlet will be able to rectify it. A stage that launched Tom Cruise and Sean Penn is not something one should overlook and they did a lot more to stand out, but it was the beginning and TAPS excelled in a few ways, too bad it was never seen that way but there is hope that the new movie might also inspire the original to get more visibility.

Just a thought, do with it what you will. In the mean time, it is back to the drawing board. I just had a new idea for a video game. Perhaps I will be able to tell a lot more about it in tomorrows episode. 

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November 19, 2022 · 15:25

Correlating the mode

A weird term to say the least, but it will soon make sense. I was watching the Patriot today (the Mel Gibson version) which I had not seen in over a decade and something came over me. I suddenly wanted to play Assassins Creed 3 again.

One called or the other. I did not think it was a bad game, it had interesting elements and for one, the intro was brilliant. Yet the game had a missing part. It was a lot less AC then the previous ones and that is not bad, the game was not bad. It was merely less great. Yet one called for the other and I needed to recognise that. As such I wondered if BOTH directions work. You see the PS5 and Streamers (soon enough) have an optional additional side. To get there you need to answer a question. Have you ever watched a YouTube with cutscenes? What if there was another mode with more? To keep in the AC line, what if there wasn’t some DNA you were filling, but film reels? Consider any game, you have a main line and side lines (in RPG’s at least). So what happens when we find all the reels, more important when we find them all a new mode opens up that we can see at the end of the game. The movie! Not merely the cutscenes but a complete movie in 4K based on cutscenes with additional footage, footage that tells part of the story, but we never played that part of the story, it merely completes the entire storyline. Now consider that we play a game like Diablo 3, the cutscenes are fabulous, but what if the acts become additions to the movie and we have a wizard edition, a necromancer edition, a barbarian edition and so on. A game, nearly any game giving us a 4K movie to watch. Streamers are better equipped for it, but I am willing to bet that any Horizons Forbidden West gamer will go nuts when they complete the game and are then treated to the HFW movie. What surprises me is that this feature was never part of any game, why not? We can argue that previous editions weren’t ready for this, but these systems (Nintendo Switch gets an exemption) are and this option could be available in the next decent RPG game. 

I wonder who will bring us the most exciting game movie next. 

 

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