Tag Archives: hollywood

May 7, 2023 · 12:11

Changing the narrative

That happens at times. Narratives are slightly altered, but in this case? The media to a much larger degree are changing the narrative of the strikes at the Writers Guild of America. Is it because of advertisement needs? Is it because the streaming corporations now have a hold on them? You tell me. In this I have two examples. The first is ABC and even though the headline is deceptive, they do give all the facts. 

Yet others are seemingly not doing that. They are all about the AI side, yet the two largest issues which are the unbelievable amount of underpaid writers as well as the streaming revenue where writers get next to nothing are massive issues. ABC does mention them but plenty of them do not. I saw at least a few of them copying other texts almost to the letter and no mention of streaming issues. Why is that? It is all nice that the WGA is on strike and picketing, but the media should at least take one small effort to hand the real issues and all of them to the public. The media has lost enough credibility as it is and as such we need to wake up (and fast). 

As I heard it new media (streaming) was not addressed satisfactory the last time around, because it was really new. So to read that some writers creating winning series need a government handout to get by is clearly insane. And it will cost Hollywood a lot more then they realise. What happens when the Commonwealth (Australia, Canada, United Kingdom) take over? What happens when the Dubai stage of G5 starts catering to global streaming? What happens when China with Tencent Technologies adjusts to this stream whilst paying a proper income? America might shun it all and stats that these series are not welcome, yet I believe that parts of Asia, Europe and the Middle East are ready for change and Hollywood better tarts realising really fast that the latter three players are close to 60% of their income stream. When that falls away it will be one of several multi billion income streams falling away. First Defence, then IT now streaming and as I see it both the UAE and China are chomping at the bit to take a slice of that income stage. 

So whilst the media is pondering how to cater to advertisers, they better realise that when that falls away they have nothing left. One of my IP will already hurt advertisement money to a decent amount, the streaming industry will hurt a lot more when the shift to any of the other three players come through. All stages that were out in the open for all to admire, that was until the media changed the narrative as I see it. I have no idea how long this strike will last, but at the end when writers vacate to a place where they end up having a decent income, plenty of series will collapse, perhaps not completely, but several will lose the little talent they had at their disposal. Yet for these providers there is still one option, a reality show based on republican politicians with real republican politicians. They will take any limelight that will have them and it could be hosted by Tucker Carlson, apparently he is looking for a job. So how is that future of streaming? Yes, there is an upcoming issue with AI, but that will take time. The fact that paid writers still require government handouts whilst these series make billions is disgusting and it will not take long until some will show the people this and plead that we cancel out streaming subscriptions. What happens when the people on mass agree?

Enjoy Sunday and consider the price of what you are watching on your streaming channel.

Advertisement

Leave a comment

Filed under Media, movies

Tagged as , , , , , , , , , , , , , , ,

April 29, 2023 · 19:11

The price of exploitation

This time I am going in a different direction, one I know little (say: nothing) about, yet the news the BBC gives me is baffling me. I wonder if the US (and Hollywood) realise the dangers of exploitation, even more important how it could impact their economy. To start this we need to take a look at ‘How a Hollywood strike could affect your favourite TV shows’ (at https://www.bbc.co.uk/news/world-us-canada-65407703). Now to be clear strikes happen, they are almost a fact of life. You are either striking, or you get hit by the impact directly or indirectly. So here we get “The biggest issue is how writers are paid in the new streaming economy, with many reporting lower wages as digital platforms have upended traditional television and film productions, says the Writers Guild of America, the union representing television and film writers.” And then we get the ugly “Hollywood’s business model has been completely disrupted by streaming, and now writers complain of being asked to provide weeks or months of free rewrites of scripts” and that got to me. An institution that gets a billion or more per movie? That institution has to ask for rewrites under zero hours compensation? How fucked up is Hollywood? We can go in any direction, but Hollywood made $7,370,000,000 in 2022. I reckon shelling out 130-150 million for 11,500 Writers Guild member is not that big a leap, especially when you realise that “The last writers’ strike in 2007-2008 lasted 100 days and cost the California economy $2bn (£1.6bn), leading to many cancelled or delayed shows. Some have also credited it with boosting the proliferation of reality TV.” The business person in me states that losing 150 million is preferable to losing 2,000 million to a strike with the added loss of optionally successful TV series. As such I wonder where the greed driven stage of Hollywood is taking them, especially when Canada has its own production companies and they could get up to 100 days of advance house cleaning (the house names Hollywood). That is before you consider Brandon Hines who gives us “I just wrote on a show and I can’t eat, I rely on government assistance.” A series writer on government assistance? And you wonder why the writing guild is angry? Now there is another side, there are so many shows pushed out at present that I feel that something will have to give. A place like Netflix alone is allegedly spending $17,000,000,000 for content in 2024. I have no idea what the drill down is and it is likely too complex, yet I expect that writers are undervalued there as well. So what happens when the cream of the crop vacates to Canada or the UK (or Australia)? You can scream all you like, but these people seemingly have had enough and puts the pressure in other places too. All these TV hosts that suddenly cannot sound funny anymore. All these hosts that have nothing on the tele-prompter when that takes a front seat the Hollywood economy will take a dive whilst they rely on second or third class writers. So what happens to the Kingdom of the Planet of the Apes (2024) when it relies on writing students scripting the day away? What happens when an expected revenue of this movie ($1.7B) makes no more than $850M? I can tell you that the investors will take a run towards Canada and the UK, optionally Australia as well.

You tell me what the gain of greed is, because as I see it there is absolutely no positive side to that, but wait until May 8th 2023 and see shows (movies too) getting cancelled. All this was a simple application of Business Intelligence, an abacus was enough to set the parameters of this folly. The weird part is that we see “Hollywood’s business model has been completely disrupted by streaming”, they had years to correct for that and I would reckon that a revue savvy place like Hollywood would have their own regiment of BI people all over the place. So what did I see that THEY ignored, you tell me because I am at a loss.

Enjoy the weekend

Leave a comment

Filed under Finance, Media, movies

Tagged as , , , , , , , , , , , , ,

April 15, 2023 · 00:41

What was could be again

Lets take a step back to 1996, Geena Davis was a big hit, Renny Harlin was enjoying the fame that Die Hard 2 brought and in 1996 they brought the Long Kiss Goodnight. I loved that movie, I am wondering what caused the 95 million over a 65 million investment. I haven’t seen the movie for a while, but it is around somewhere. The story is captivating and the actions were awesome. If there was one issue, than it is the issues that all movies suffer, you can safe the world in 90 minutes, or you can sit down and create a 360-540 minute event. Places like Netflix could enjoy the longer sway that a mini series has and when you see some of the movies from the 90’s like Long Kiss Goodnight, there is a push. You see the list of movies, especially action movies where the woman has the lead are short, as such this movie has a chance to make it a lot bigger, especially as movies is an immediate investment from your pocket and with streamers you give it a chance and that would work well for some. The mini series is debated again and again, but the evidence cannot be denied. Series like the Bodyguard with Richard Madden and Keeley Hawes put the power in the piece and the pressure remains until almost the very end with the final spin that gives you a kick and rewatching it does not take the kick away. And when you do that to a piece like the Long Kiss Goodnight you could end up with the kind of result that puts you to the top of the bill for a long time. The cast was good, yet I had some issues with Craig Bierko. Not the part he played, he played it just fine. His face was the one of a person who seems more in place as an intern at the CIA mail room (enter the lobby, go past security, turn right, then first left. Walk through the corridor, take the elevator on the right and go to -1. Then head, out turn right and the second door on the right. That mail room). I think that a person like Pilou Asbæk could turn this into something truly scary. There are all kind of voices on who would be the best female person. Geena Davis did make this the cult hit it now is, as such my mind wanders towards Lena Headey or Krysten Ritter. Don’t get me wrong, a person like Scarlett Johansson could do an excellent part too. However people like her are the too obvious choices. I think that Geena Davis was never the obvious choice and she put the two women there in a way that is not easily surpassed. In that movie Craig and Geena were the fireworks and they played their parts well. I reckon that with the right cast and the right director, the Long Kiss Goodnight by Shane Black could be raking in the results. And in a mini series that has the foundation to equal if not surpass a piece like the bodyguard (not the Costner version), the question becomes how good and what kind of a killer smash that movie could be turned into.

And lets face it Hollywood will be looking for options when there is a writer strike on their doorstep. It was just a thought. Enjoy the day.

Leave a comment

Filed under movies

Tagged as , , , , , , , , , , , , ,

February 3, 2023 · 22:15

Blocked by greed?

It happens, good ideas fall down merely by the setting of greed. I get that some people revere greed, they pray qt the shrine of coin to get more, forever they prey to get more. Yet what happens when greed gets in the way of a good deal? For that we merely have to look at the place where boobs and smiles are as genuine as a crooked politician trying to get reelected. The forever need to drive that movie that will bring in a billion plus and some make it. Some make movies that gets the juices of desire flowing. Marvel is an excellent example. But you need a small education in reality. You see when we think directors one of the most famous and most achieved directors is Steven Spielberg, he gained revenue of $10,665,089,317 yet it took him 37 movies to get there and there are many nowhere near as good as him. So how about that $1 billion mark? When we look at franchises Harry Potter might be one of the most visible ones. In this Harry Potter and the Deathly Hallows: Part II (2011) is the only one that passed the one billion mark. Does this mean that we lower the bar? Not necessarily, yet that one billion mark is too visible, too much of an orgasm point for all the wrong people. All whilst there have been a good selection of options out there and they are overlooked. 

I mentioned before that the comic book called The Trigan Empire has every option with a right director to get to the high point, optionally with a blonde John Cena in the title role. They might not make the one billion, but they could make a massive profit, an amount that goes further than merely return on investment. There are so many others. There was Franka, a modern version of Brenda Starr, but with subjects that matter today, options that make women herald this next hero. There have been so many comic books in the 70’s and 80’s, all making a good chance to rake in the revenue and most of them not from the USA.

So why does this matter?
It matters because SKollywood is becoming a thing, because more and more people are accepting movies with subtitles and South Korea is producing more and more movies that are connecting to people, perhaps not in the US, but guess what? Over 2/3 of Hollywood revenue is often international. That Harry Potter movie only made $381M in the US, the rest, almost a billion came from outside the US and Hollywood needs to change steps and up the game because Korea (south part) is bringing people the Witch and more movies that are connecting to people all over the world. A stage Hollywood never considered is now becoming a reality. Who saw the Japanese movie Audition? That was intense stuff. Other movies like Old Boy and the ring found American versions, but non-Americans look at what is. You see we all liked the Departed, but those who saw the original Hong Kong version will find it lacking. Not the actors, not the script, but the original in Hong Kong just had that little more and Korea is producing a whole fleet of movies, as are several other nations. 

All this and then we get to Netflix, Hulu, Disney Plus and a whole range of others. Hollywood gets 3500 scripts each year and 350 are being made, so what is failing, because something is, the revenues do not lie. So far this year Avatar 2 and Maverick were the only two movies I ran to a cinema for and that is over the last 20 weeks. The well is drying up and Hollywood needs to set the steps to new heights, because they cannot afford to lose more and as I see it pointing the finger at streamers is not good enough. Japan and South Korea have their share of amazing movies,  so it is not merely the materials. I personally believe that it is the process that is failing. People have the wrong mindset at present. It should not be what gets me the most, it needs to be what can I do to get enough and up the quality of movies, that is the real trick and as far as I can tell, they haven’t figured out how to go about it. My evidence? The Trigan Empire, I made mention of it well over a year ago and since then no one picked it up. Not Netflix, no other streamers and not Hollywood. But I do remember hearing all kinds of complaints that Anansi (American Gods) is too black, or something of that nature. With the quote that “Charles Eglee, thought Mr. Nancy wasn’t right ‘for black America.’” In this I think he should talk to the writer (Neil Gaiman), as we see that it is more and more becoming all about perception the natural outcome is that others will reject what is there and over 65% of the revenue comes outside of the US. 

I let you decide what you watch, it was always your choice, but do you want American gods the way it was written, or what some producer thinks it needs to look like? Perhaps some of them remember the Justice league movie and what happened in the end.

Just food for thought, in the mean time South Korea has a few new gems coming this year. I wonder how far they make it this time, so far their record is pretty impressive. 

Leave a comment

Filed under movies

Tagged as , , , , , , , , , , , , , ,

July 12, 2022 · 21:36

The blind seeker

This is not a riddle, it is simple. I cannot tell what the rules are for getting a script. I created three of them and I get it, it needs to be a certain format, it needs appeal, but as a storyteller, I do not care, and that is not some short sighted look. Around 35000 stories are submitted and only 350 get made. I am not some person seeking wealth (well I am, but not in stories), and as I have stated in the past. I lived the FX slogan, ‘The Story is everything’, it has been true for the longest of time and it ill remain true decades from now. So as I recall an article I wrote in ‘The stage of a game’ (at https://lawlordtobe.com/2020/09/24/the-stage-of-a-game/) almost 2 years ago, someone in Hollywood or Netflix should have woken up.

The fact that a comic (1965-1982) with artists like Don Lawrence; Oliver Frey; Gerry Wood; Philip Corke; Ramon Sola; Ron Embleton; Miguel Quesada can still tempt the mind of the reader a generation later should have alerted them to the setting that they have a winner here. In the age when special effects and CGI are so close to the real thing that we can no longer tell the difference whether something is real or CGI should have triggered the idea that the Trigan Empire could be big bucks. The fact that this remains a hidden treasure is delighting in so many ways. The series I started to follow at the age of 5 (2 years after it was released) and still has this appeal on me and on thousands who were around when they first appeared is a wonderful feeling. It gives rise to the appeal that Flash Gordon had in the 50’s to the previous generation and this generation who is a lot on the Hogwarts stage. Every generation has its special stories and to consider that the next generation could enjoy on the screen what the previous generation loved in equal measure in comic books, is overwhelming. I wonder if it ever becomes real. Well, Valerian became a reality in 2017, 50 years after the comic book launched. Even as the movie flopped (according to the numbers), I was happy to see it and as part 2 is now ready to be filmed and a part three is on route to become a reality too, I merely hope that I live long enough to see all three parts. But the small voice in me silently hopes that the Trigan Empire will become a reality too. And there is a lot more in the comic books that never graced the American shelves. Don Lawrence gave us Storm, the Spanish artist Vicente Segrelles gave the world a comic named ‘the Mercenary’ in an age of knights, magic and dragons. 

So many awesome stories that one wonders how blind are these Hollywood seekers, these diggers for Netflix, Hulu and Apple+? A stage that is merely waiting to be found by a limelight, any limelight. Dozens, if not hundreds of comic books, all undiscovered as they never graced the American comic book shelves (a speculation of mine). Yet in the stage of what we see now and what we hear now, so many series flop. I honestly do not know why, some I have never seen, some I saw and it was not my favourite, yet it was not bad. The reason of what we see and what some things are rated as follows definitions that some might think ludicrous and mostly because we do not understand what drives the ratings. So under those rules will series like the Trigan Empire and the Mercenary make it? I cannot tell, but I hope they do, to see my childhood hero (Valerian) make it to the big screen was mesmerising, I hope to see the other two there as well.

Leave a comment

Filed under Finance, Media, movies, Stories

Tagged as , , , , , , , , ,

February 1, 2022 · 19:41

The opportunity for 2022

I was just watching a video (Monte Carlo Walking Tour), I was watching it because there is at present no plans or chances to visit the place, so I might as well watch a walking tour so that I get to see what the place looks like and to be honest, walking tours give a better impression of a place than most TV or movie alternatives. So as I was watching I suddenly realised that Monaco has a huge opportunity and no one is taking notice of it. High buildings with a naked wall, a bare piece of stone that looks nice, but could do so much more. What happens when Monaco installs QR codes in several places to invite augmented reality to the thousands of people filming and photographing Monaco? A QR code on a crane or a wall that shows on the phone an augmented F1 car in the street, a special yacht in mid air or simple an area name on your screen. Monaco has so many options and even more tourists. Thy have annually over 365,000 tourists, that is well over 1,000 a day in a place no larger than Hyde Park. In this walking tour I saw 5 cranes, all empty metal husks, a QR code, even two QR codes would not hinder, and it can go so much further. The same could be said for Nice, St. Tropez, Cannes, and that is before you look at the big places. I see an abundant of construction fences, all bland, all non engaging, all whilst technology can offer so much more for the people there. So why is it not implemented? Just saw Crane number 6. That is close to 2 dozen places people try to avoid with their eyes all whilst it could be an eye catcher is very different ways. In a place where pleasing the eye is on the mind of thousands, I see no augmented reality. Why not?

And let’s not forget augmented reality can be used for information, tourist attraction, local advertisements of events and several other options, from air to water, Monaco has it all, well all except augmented reality.

And Monaco might be on the mind at present, but there are close to a dozen large cities who are not using that opportunity either. London had 19,000,000 tourists in 2019 and the list goes on for some time. A decent innovative impression creator ignored. Why? By people who do not understand it, or by people thinking it is a waste of time? As Monaco showed me 6 unused cranes and a dozen other locations, how many locations were overlooked in London? What could Cannes offer? Why is Amsterdam not leading that march and why do I see an utter lack of augmented reality in Los Angeles/Hollywood? All places that thrive on tourism and NEARLY EVERY tourist relies on their phone. So, what gives?

It is only January, some of these places could deliver an augmented summer, and 2022 needs a good start after all that….. achoo!

2 Comments

Filed under IT, Media, Science

Tagged as , , , , , ,

December 5, 2021 · 06:48

Before the script

That is a stage we find ourselves in. There is no real reason, it was a stage I moved into as I was contemplating a few ideas. You see with any erotic tainted movie it is about how it starts (and for some do they get married at the end). With spy stories it tends to be jumbled, to maximise the impact of the story the movie Anna is a great example. Yet with assassinations it tends to be about timelines, and it needs to start in the middle, a great example is Colombiana with Zoe Saldana.

You see it adheres to a few items. A good assassination adheres to the golden three. 

Separation
Segregation
Isolation

You separate the target from his support system, we do not need to comedy capers to involve themselves making matters worse, the career person likes to get away from it all before it is too late. You segregate the person from the people that know and trust their insight, their family, it is a separate cog in the machine and not always required, but it should always be considered. Isolation is the kill moment. It is best to have that person apart when you perform the deed. I do not believe in the Jason Statham method (the Mechanic), it is nice, it makes for good movie suspense, but too many things can go wrong and they tend to go wrong at the wrong instance. 

So in all this when we look at the Saad bin Khalid Al Jabri case, I just have to laugh. 12 people? I am still decently convinced that he got out (with the money) by setting up an attack and warning the US of that attack, but that is me. It matters because now we see (source:  Reuters) “A former top Saudi intelligence official who is living in exile accused Crown Prince Mohammed bin Salman on Sunday of targeting him, and made an unprecedented public plea to the Biden administration to help obtain the release of his children jailed in Saudi Arabia”, a larger stage as he is in Canada, so why is he not pleading with Canadian authorities? Did you consider that?

It matters in this stage as we look at ending the involuntary heartbeat of a person. He has to some degree isolated himself, he is decently segregated, but not completely and there is the mere need of isolating him, that never required 12 people and any intelligent person would see that, lets be clear MBS is not stupid, so the entire song and dance that the media gives us does not make sense.

But back to the story. When the golden three are adhered to the decimation can begin. The important first part is information, in case of the person we discussed earlier, he is in Toronto, a city. This means that there are more options to get to him. The opposite is that he got there with hundreds of millions, so he can afford all kinds of security. The second consideration is given by The Star “It is alleged one of the companies, Sakab Saudi Holding Company, “had no operational business” despite receiving $8 billion US in government funding and was used “almost exclusively” as a vehicle to funnel money to the other companies, which did carry out legitimate business, as well as to Aljabri and his co-conspirators”, so in what universe do you get awarded $8,000,000,000? 

The stage for any target is to understand what is going on and this implies that he is more than an exile, he is optionally a US intelligence taskmaster (Middle East minder of intelligence). Using him as an example is nice, for a few reasons. He has Canadian protection and he gets American protection, in Canada it will be the CIA, optionally the CSIS is involved. The problem for any target of this size is that the Canadians have their own Navy Seals, they are extremely capable and on a person like this, they are somehow involved. There is no way that stakeholders walk away from a $8,000,000,000 jackpot. 

So why does it matter? Well the story is about more then suspense, it will be about realism. So how to get to such a target? Well we could ask Saad bin Khalid Al Jabri and that is where we get to the good stuff. You see, the foundation of this was seen in a comic book in 1978.

It was the first Franka, a comic made by Henk Kuijpers. The researchers researched a crime for a movie, which then was soon thereafter done by criminals. The stage to get the experts to solve the problem for them, simple and brilliant. You see there is nothing wrong with a silenced .50 from the top of any building, but when you see what you are up against, the stage changes soon thereafter. I saw the premise of a c4 loaded drone, which allows for a few settings, but that pesky CSIS. These people get awfully cranky when you trespass on their soil and if you think the CIA is trouble, wait for the CSIS to get creative and nasty. So you need two options. The first is that you were never there. The second is that you need to vanish with a clear path (to your fake alibi) that can be tracked on the other side of the world. Like what they did with the RAF, spending some of their money in a place like Buenos Aires, all whilst the missing people were already laid to rest (mom, dad and the three children). When a large enough pile of cash goes missing people will find you, unless the money is burned (apart from the cash spend in BA) and the bodies can not be found, not in decades, not ever. 

That setting when united gives a much larger stage to play and when it is done, I reckon that it is better if the assassin is a she. (Zoe Saldana made good on that in Colombiana). So whilst we wonder what more we can do, I personally believe that simplicity is best. It is the one stage I did not like in the Mechanic. Even it all seemed simple. The air-vent scene showed how things turn sour in an instant. Simplicity is key. What is simpler then flying a DJI drone three buildings away straight into the open window and boom? After that it becomes a mere exercise to vanish, which in Toronto is still a massive undertaking, unless they look for the wrong person, it becomes a little easier then. You could join an Oracle event in Mississauga, or take across lake Ontario and vanish via Rochester, at which point you are in the US. 

That script is easy enough to write, it will be about the details and about how the details play out. There is no use if the event results in a global hunt by the CSIS and their seal equivalent giving you less then a 1% to survive for any decent amount of time, a number no career person wants to consider. And these are the thoughts before the script is made. If you can pull it off you have the making of a new Hollywood (or Netflix) blockbuster. 

Darn, it is only 06:36, what ever will I do the rest of the day? 

Leave a comment

Filed under Media, Military, movies

Tagged as , , , , , , , , , , , , , , , , , ,

November 30, 2021 · 18:59

The Trap

There is a trap out there, we all fall for it, it is in part our own ego, it is in part the way we believe, or we think we believe and it is in part the elements steering us. I fell for it yesterday and there is no shame, it happens to us all. I was merely happy I figured out what I was doing. I will not give the exact trap I fell for, but it comes down to a weird thought. An example is “People are old when they turn hundred, because that is the boiling point of water”. The link between the two is 100. There is no other link, but the mind at times uses the link to get more out of it and as it finds these supposed links we fall into the trap. As stated it happens to us all at times. So as I was relaxing I noticed two articles by the CBC. 

The first is (at https://www.cbc.ca/radiointeractives/docproject/warhammer-40k). We get ‘Warhammer 40,000 was a sanctuary during my high school years’. This is true, but then we also get “The irony that some Trump fans equated the 45th U.S. president with 40K’s desiccated Emperor isn’t lost on Gillen, author of Marvel Comics’ first Warhammer 40,000 mini-series, Marneus Calgar”. The issues is that behind the larger story (which is actually quite good) is “it has been embraced by Trump supporters and white supremacists”, you see there is another expression we need to see: ‘The sun shines on the just and unjust alike’. This matters, because if you do not you will fall in the trap I almost fell for. The just and unjust all need a game to play, they all need to relax and some play Warhammer, some play Skyrim and some play ‘Bo Red takes a gander’, it does not matter what they play. The game does not make them extremists, they were that and they decided to play a game. Yet there is a larger stage, the unjust will find a game where they can talk and where they can communicate and the more that is done outside of the monitoring elements the safer they feel. I saw this in 2011 in a game (I think), it think it was called ‘Lords of Ultima’, this has nothing to do with the game makers, they had a game and people in a guild could communicate privately, there were 99 private channels. And over time more games offered the option to communicate and the makers got cash for everything. 

The game and its makers are not to blame, the events are merely there. There is no deeper connection (at present). The second story is (at https://www.cbc.ca/news/entertainment/holiday-movies-christmas-inclusive-1.6261313) the article is called ‘Diversity in holiday movies improves, but gaps still need to be filled’, so why is that? I am not opposing, I am asking. You see movies and TV shows are a business, they cater to the largest section they can because it gives them the best revenue. Do you think that Hollywood is anything but a siphon for revenue? And in that setting the bulk of all there watchers are white. It has a market. Bollywood (India) and Nollywood (Nigeria) figured out that there was a gap and they  figured out how they could fill their pockets with the gaps. So will there be a Gollywood, a Lollywood, or a Tollywood? I cannot tell, but those in that direction are seeing whether they can make a profit in this market. Collywood (China/Hong Kong) is steadily growing and as its watching population grows, so will they. So when I see “the film industry is making moves to change what some have previously called a “whitewashed” movie genre, some critics say more work remains to be done”, I am not sure I can agree. You see the business model is there but it is not inclusive. And in that setting when we consider Gollywood, Lollywood and Tollywood. We see people in that market like David Geffen, and they weren’t making large moves to set up that premise, why is that? I reckon that at present the business model is not affordable enough. Even break even might do the trick, but that doesn’t seem to the case. So when we see ‘Geffen has an estimated net worth of $10.8 billion, making him one of the richest people in the entertainment industry’, as well as ‘David Geffen has been ranked the most polluting individual American and second most polluting individual in the world, largely due to his yachts’ we need to wonder how much of it is true. You see, there are 17 yachts bigger than him, and yes none of the owners are American, yet who bought the yacht that was owned by Paul Allen? What happened to the yacht of Bill Gates? So when I see ‘the most polluting individual American’ all whilst we can find the larger setting of “nonprofit Environmental Working Group tested tap water at 19 sites in Northern Virginia and found levels as high as 62 parts per trillion”, a pollution setting three times higher than was noted in 2019, in two years it got to be this bad, but that doesn’t make for good gay-bashing, does it? There was the EPA giving the US citizens “In 2020, about 68 million tons of pollution were emitted into the atmosphere in the United States. These emissions mostly contribute to the formation of ozone and particles, the deposition of acids, and visibility impairment”, as such, does anyone want to make a serious bet that the most polluting individual American was not behind that, or even any serious part of that? So who were and why are their names omitted from any report?

The trap is that we make claims that ‘gaps need to be filled’ all whilst the people with the ability to fill them do not want to fill them and as long as the media is willing to emphasise on partial claims like ‘the most polluting individual American’ whilst avoiding all other kinds of information, we see a larger station, a station of obfuscation and denial. The trap the media sets out for us, just like the Guardian with their ‘carbon print’ all whilst they do a lot to avoid the 15 million flights increase over the last 15 years. 47,000 (or there about) a day more and that situation has no carbon footprint? 

So did we put our foot in the trap, or are we avoiding to look into the direction where the trap is? It works for the stakeholders of the media either way. And that is the larger trap we are faced with. 

Enjoy the week.

Leave a comment

Filed under Finance, Media, Science

Tagged as , , , , , , , ,

October 12, 2021 · 19:10

The creative mind

The mind is a weird thing, in this that I went in the stages I write about today. The first was a video about thieves using a relay device and stole one of them keyless cars. It was done in under a minute in the dead of night. This made me think of what could be seen as a Faraday box. A box, optionally looking like an Apple mini with the logo of a car on it that will block any signal, as such the relay device will no longer work and consider the idea, will a car buyer stop spending the $50 to keep a $35000 car more safe? The benefit is that you can put your company phone there too, out of office means out of office. The process took less than 2 minutes to consider. There was the minute I took to consider a multi layer (Outside Aluminium, graphite and copper versus Aluminium, a graphite fabric weave and plastic inside but it became too detailed and I instructed the mind to move on.

The mind then considered the take on a female bond. My mind was dead set against it and me too. I have nothing against female leads (evidence coming shortly). You see this comes from the 60’s, it is the legacy of Ian Fleming and in all this 007 was a male agent. The 007 brand is as such and so far I like it. Daniel Craig upped the brand by a lot, so we need to keep the setting the same. In that same setting I thoroughly enjoyed True Lies (1994) the team, including Bill Paxton as the BS artist was fun and a good play was created, one worthy of remaster, remake and sequeling.

The first is Adele Blanc Sec, to be honest, I only NOW found out that Luc Besson used that character for on of his movies, I never saw it, so something else I need to seek out. The second is a Dutch comic I read in my youth, it was about a girl named Franka who got in al kinds of trouble. Last but not least there is Modesty Blaise from the 60’s. All options to consider. Yet when we dig deeper there is so much more to find. And even as they might not be the ‘great’ role models, when we think back to the origins of Elektra, an assassin created by Frank Miller. There are numerous routs to take, but not unlike Ubisoft, they are ‘mauling’ their franchise into something different and they are in danger of destroying their creation. All whilst creating a new franchise could be so much more rewarding. Adèle Blanc-Sec might be taken, yet the world of books and their comic variety have created dozens of options, so why not dig into them? There are some that claim that there are more than 1,500,000 comic books created (globally), in this is it so hard to find one with a strong female character in the lead? The 70’s had more but they are too non-usable, yet some might find options. There are also male comic books that lack a franchise identity and is it so hard to create the franchise set to a female character? I got you one in less than 30 minutes, so how much time do you need? Dr Spektor, Cradle of Filth, Olivia Twist. Then there is Daimon Hellstrom, son of Satan. There is no reason that our level 9 demon created a sister too, that is before you seek out Lillith. All options that require strong Female leads, so are producers such cowards that they prefer using and endangering one franchise, just to optionally create a less strong new one? And history has something to teach us as well. Margaretha Geertruida MacLeod, later known as Mata Hari was active for most of WW1. In WW2 the SOE created a whole flock of female agents, many of them French. The list goes on and on and in all this, we are stuck with a female edition of a male boiled down version of a male agent by a writer made from 1952 onward? There is more and we need to seek it out, or create it and for that you need to ask a woman. I have nothing against a man making one, but if she is going to be realistic finding a creative female writer would be my first bet. And this I all found in under an hour. So what are the chances I might be better than Kevin Feige, David Heyman or Jerry Bruckheimer? I am not stating I am, but they allegedly never came up with that, did they? Well, Jerry Bruckheimer has a decent excuse, he was one of the minds behind the creation of the NHL Seattle Kraken team, so I will give him a pass (but only just). 

So if my creative mind can come up with all that, can we assume that Hollywood has lost the plot? In a race to create more and more (because of streaming) they overlook that there are many ways IP can be created. There are several ways to set the stage towards a female lead, we have seen them in the past, so why not now? It can’t be the money, with almost 4 billion women on the planet there should be enough options, you merely have to create a good movie and that is up to Hollywood and their siblings in Canada, UK, Australia, New Zealand and a few more places. So what is stopping them?

The creative mind tends to find a way, a side-road a parallel main-road and at times a whole different mode of transportation. All paths towards optional success. I cannot tell which one would be successful, yet my mind was willing to explore, so am I alone here? It can’t be, not in this day and age.

So be creative lets your mind steer the ship and see where it takes you, it might be a fruitful shore you never saw before.

Leave a comment

Filed under movies

Tagged as , , , , , , , , , , , , , , , ,

October 6, 2021 · 23:03

What sells better?

That is the question that was racing through my mind today. We all know (or have heard of) the expression ‘Sex sells’. It is used to market, to advertise and to entice (usually the men). But what if that is merely the setting? What if in actuality fantasy is the part that sells better? I had a small daydream this afternoon. I was in Toronto and I was chosen to be the backup goalie for the Toronto Maple Leafs (yes, the dream is not very realistic). I was sitting in some cafe, the staff was nice and suddenly addressed by Sheldon Keefe (their coach) and he said to me “Lawrence, today your most desired dreams becomes a reality”, my dry response was “What? You arranged a weekend of wild and passionate sex with Laura Vandervoort?” The team was howling with laughter and the coach deadpan response was “Well almost most desired then” and I was given the 62 Jersey to be the backup goalie that week, and lets face it, not unlike my blog name, if we want to have a fantasy, lets go for the really satisfying ones. 

So there I was with my jersey there were a few other jokes and giggles after that I woke up from my daydream (without the LV special), such is life. But the dream stuck and when I was watching someones drawing of Alice in wonderland I started to put things together. What if we are not looking at a porn or some sex movie, but what we used to call in the old days a soft porn movie (all innuendo and little or no show, except for the boobies). What if the movie is a new take in Alice in Wonderland? We go through the motions (or Alice does) and the Cheshire Cat, the Caterpillar, the rabbit, they are all men with masks and onesies. A movie that is like not some cheap movie, but high end special effects (not unlike The Imaginarium of Doctor Parnassus) and a storyline that does follow the book, but with a twist at the end. The end being that [CENSORED]

A stage that reminded me of a movie that impacted with me, Jacob’s Ladder. So what happens if Virtual Reality takes over our lives too much? There are settings (Elite Dangerous) where I would love to have the hardware to do just that, but the hardware for now is too expensive and (for now) not immersive enough. So when that changes (most likely in 2-3 years) what are the applications? What happens when we can dig into the fantasies of any person (like The Cell) 

So what can we learn? I am not merely thinking healing, but interrogations, information retrieval and a few other avenue’s. So when we take the stage and turn on the fantasy, what could be achieved? We have seen this in the past but always as the end goal, as far as I can tell it was never used as a mere waypoint. Why was that? It cannot be the limit of Hollywood, it could be the limit of any producer yet I believe that this path could lead to a load of green as the faith of Americans go. I believe that there is a host of options here, and as streaming channels are competing more and more, whatever we can do that is truly original is one that streamers will entice, I merely hope that they wake up before they cancel the series too soon (way too many examples) because it is the slow start and the deep story that entices a crowd and engages them. Not the Marvel versions. This is not me having a go at Marvel movies, because I love them, but there is more and that part is not explored, or perhaps explored too little. I personally would have loved where Dollhouse season 3 would have taken us. Eliza Dushku, Dichen Lachman, Enver Gjokaj, Tahmoh Penikett, Fran Kranz, Olivia Williams, Harry Lennix and Amy Acker were all beyond good, the story was engaging and enticing, yet we were sold short, a cancellation after season 2. So will a new approach to Virtual Reality as a weapon make it? I honestly do not know but as far as I can tell no one took that route and in a stage where games can almost take us there, the lack of such a direction seems like a loss.

Leave a comment

Filed under Gaming, movies, Science

Tagged as , , , , , , , , , , , , , , , , , ,