That is the setting, I completed one and I almost completed my new script ‘Information Overload’ my new nightmare towards General Joshua M. Rudd (NSA), Anne Keast-Butler (GCHQ) and optionally Nicolas Lerner (DGSE). You an try to appease a population of millions, but what are the chances? So if I merely get three people on board of this nightmare, I will have filled my quota of scared bunnies. The rest of the population of those nations will follow soon enough. The media takes care of that and it is nice to use the media to fruitfully adhere to my needs. They tend to be debatable at best, but we have to start somewhere and when the NSA gets nervous, my guess is that Alexey Alexeevich Rarenko (Center16, FSB) might get twitchy too, which gets me an additional 144,998,000 (they allegedly lost 1000 Russians last night) optional interested parties. We start small and we enlarge that population through traction as we get along. But this time it is about me (my favourite subject, all the way from the township of ‘Whogivesafuck’ population: 1).
But in all this I learned a few things. No matter how Final Draft is ‘meant’ for Hollywood and scriptwriters. It has a few kinks in all this. So as I write ‘my’ script, I tend to do this in Pages. But there are two issues, when I past it into beatbox all is fine and when I try too paste it into the FD editor, things go weirdly wrong. Even when trying to adjust to FD, it seems like hidden codes make a mess of it all, in case of this script and the other one ‘How to assassinate a politician’ which got the secondary title ‘Essay’ things are different. These are relatively small. One of the scripts surpasses 50,000 words and there are three more and that is where things get dicey.

As such I kept all the mails Final Draft sent me from the beginning, so it might be there, but at present I cannot find it. As such Final Draft might want to spend a day or two making a white paper on “From Word/Pages to Final Draft’’ as far as I could tell it isn’t there (or I missed it) So I am a little lost at present, but soon I have no other option to either type it all or make the Pages version look like it is Final Draft, a slight horrible setting. Don’t get my wrong, Final Draft is seemingly excellent. The first script went almost without a hitch, so in any way I don’t blame them, and as the pages texts go into Beatbox, I am getting the stuff across, but getting from Beatbox the text formatted into FD is slightly beyond a pain (irritating, aggravating and frustrating as well).
So I am in a little bit of a binding setting. So next on the list is dig through over 230 emails I have from Final Draft, perhaps there is a solution there. I reckon that a lot could be fixed if you could go (in the editor) in some kind of code view and delete the separate codes you see there. I reckon it should be there, because Word gives the users the most garbage codes out there, so I reckon that Final Draft has solved this option, but I didn’t find it (yet).
So whilst I have a small victory with yet another script done, there is that larger setting of the other scripts, because ‘Information overload’ is not a full movie, a short movie at best, as such reason for coffee and cakes, but only when the other three are converted the brandy and ice creams come out.
Have a great day all
