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Paradoxical thinking

This is not reality, this is not what is happening, but it could have been. Surprised? I actually was when my mind (the back of my mind) came up with a third idea for a TV series. Perhaps that is the wrong setting, a mini series is better. You see any story needs to have a beginning, the substance, optionally with twists, plots and loads of question marks. After that we get an ending, the satisfaction of any story is that there is completion. Now, I love the works of Terry Gilliam and as such I loved 12 monkeys and Brazil, they leave question marks. It is not a fine refined story from beginning to end. A setting I homaged to in the third season of Keno Diastima. The series needs to keep a question mark or two in place, let the watcher, the reader, the appreciator of any story find their own epilogue in this. If a story draws in the person taking notice of that story continues and sparks their own imagination, the story goes beyond success. That is how I believe that stories need to go at times. Here I giggle towards Jimmy Carr who stated more than once that women watch porn movies to see if they get married in the end. Or as I see it an alternative to ‘Try before you buy’ or is it ‘Fit before you commit’?. So in any paradoxical setting we need to take the stage of ‘a statement that is seemingly contradictory or opposed to common sense and yet is perhaps true’, here we see the use of ‘perhaps’ and that is fine, only history is to some degree is set in absolutes and even those are at times debatable. You see, in the two elements of what could be we need to see the stage of what could be possible and that is where we need to go. A stage where it is not about what happens when X and Y do not happen, but a stage where we see what is happening because X1 and Y2 never did happen, and we can set a stage to adhere to this and that was the stage my mind was tinkering with the last 2 days (it might have been longer but I was not aware of it) and seeing this come to pass is important. 

It does not interfere with any of my IP, so I have no issues making that public now. Yet is it interfere or inter phere? Weirdly enough it is a larger setting that applies and there my mind keeps me out for now. 

So when I stated in the past “being able to test” there is a stage where we see what happens, but because some elements are in play it did not happen. So when I talked about the assassination of a fictive character named Marty Walsh there was a larger stage, that stage was that fictive character Patrick Pizzella would have served longer and he would have given his seat to a person named Julie Su in 2024. Because that is no longer happening certain labour adjustments were never made and that is the rub, for some players that change would have been detrimental to their profit margins. Yet how can you set the stage of what never happened? Well if you think of the Patents in play, if the change happened, the stage for 2026 would alter slightly, not a lot but enough. Because of a stage Julie Su favoured, 3 students would enter the halls of ISG, they started having lunch together and they come up with an idea that would set the foundations of 5G in a new direction, it would create 4 patents setting a new direction that creates the partnership of Rogers Wireless and Amazon and that 5G goes into new directions, this never happens but the changes towards that were really small and even if you cannot prove it, the stage was close to alter economic boundaries and more important Technological settings on nanotechnology and 5G, three people were essential to that part and as Marty Walsh the threshold is shifting towards the not happening. A paradoxical stage that becomes a non-event and Julie Su would never know, because she was not where she needed to be for the events to happen. 

So when we see the story evolve we do not merely see when did not happen, but we get a glimpse of what else was never a reality and what more is on the stage to be considered an option. Paradoxical settings are never the stage of one stone in a pond and watching the ripples, they are the second, third and fourth stone that interfere with the ripples seen. The caster will hope that the second stone will create enough chaos, but that person knows that more might be required. The story is then an almost given certainty, and the story evolves as it had the caster, the stones and the ripples to focus on, and as such the paradoxical parameters are set to the audience. Yet in all this there is a finite amount of actions that we can take and that too sets the stage towards a maximum stage that any story can hold. I believe that this is a stage that American producers can never comprehend, they watch the story and see how the spreadsheet goes green, yet that part had nothing to do with either the caster, the stones or the ripples. That person needs to trust the finite approach to the storyteller and so far they either over manage or merely cut off hoping to get better grounds elsewhere. A sad stage, but in this the storyteller does not care, that person can revert to books to tell the story for those who care, for that person the story was everything and in this FX has always been right from the moment they gave that slogan to their audience.

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