OK, we all have these moments where we think ‘I can do that’, in my mind I can be an NHL goalie, becoming the wall in a goal that no one can pass (Wayne Gretzky eat your heart out). I can be as delusional as I want to be thinking that I could be the goalie of the Edmonton Oilers, the San Jose Sharks, or perhaps the Vancouver Canucks. Yup, nothing wrong with my capacity to dream, but what happens when we truly believe that? When we create something bigger than ourselves? I have created the IP of 5G, of videotapes that have not yet released and the other day I came up with the concept of a new TV series, based on an all time classic. Yet what happens when we add our own spice to the equation? In my case it is a space station, it is about 500 meters, roughly vibe shaped and when the 8 people wake up, they realise that they are no longer home, but they do not know where they are. It is that setting that I used to create a new series. So far 8 episodes per season.
As I started, I got to (avoiding spoilers as much as possible)
Here we start the introduction of the 8 people, it seems a little familiar, because that is how introductions tend to be. We see it from the first person, then the second person, all are confused and all are a little scared, both the males and females alike. The 16 represent different people, the pragmatic lady where we see flash backs where she is a bag lady in Chicago, now cleaned and like the others in some kind of a white overall, the African American who is on the flashback a hedge fund manager, cold and calculating, a mechanic from Paris Texas, looking at the rooms around him, having his own thought. The story continues and as we see the rooms who are all spic and span, we end the episode where they see a large window with fish, corals and no light in sight. The fish are according to one of the man, really deep sea fish.
Where are we? (+ continuance backstory)
The story continues, but more focussed on the where they are, with here and there a small back story recall. We see the icons on the doors, the coloured icons on the wall, the 3d maps and icon based settings of the rooms, as they are setting in their new environment, three groups form, two groups of 5 and one of 6. At that the groups start to focus on the icons on their overalls, speculating on the icons of gender and trying to work out the meaning of colour.
Symbols, iconography, Rosetta Stone (+ continuance where are we?)
One of the 5 groups finds a stone, The icons that are around them and on them and the stone gives three other versions of the symbol, the gender, the setting mechanical, financial, medical, logistical, and many more, they all reflect on what is on the station in one way or another. It is the that another group finds a tablet, and group three finds another display tool. When they unite they compare notes and they united in the rosetta stone room to share the knowledge they have found and what they think things are.
First breakthrough, water
They are still in the setting that thy do not know just how deep they are, there is nothing to set the stage of how deep they are, the entire setting is a little unnerving. Yet they start to identify icons and when they see the icon for water, they all rejoice, their first stage of survival is found, they now have water, thirst and the need for a bathroom.
That was a bidet. second breakthrough food, first 24 hours passed
As they approach the first 24 hours in their new environment, they find the food stash, the C-Rations give light to them being in a military experiment.
The map room, memories, the last hour of some
In this episode they find a map room, giving them status, giving them a view of the size of the station, and we see the last moments of some of the members, their abductions are in a stage where they were in a bad place.
Coffee corner with coffee, the map room continuance, more water
As they are outside to the map room, the corner there is a place where they relax a little. The setting is one where they discuss what some of the systems are, and as they are somewhere deep in the ocean, they are not willing to test the devices that much, fear sets in, but everything looks OK, they sit together translating the icons as much as they can. It leads to a different water symbol, one that turns out to be the showers, they have found a place where they can clean up.
Almost 48 hours, the view of a lifetime, where are we? and what is that?
This starts in the so called coffee corner, there is a button that was out of sight, one of the women finds it and presses it, the wall moves up and they get to see the vast blackness of the ocean, or so they think. So as the stare t the blackness, they see the light come from the side, it is bright light, and as the view becomes more in sight, they all realise that they are staring at the sombrero galaxy, almost a dozen times bigger than the Hubble telescope can project. Then one of the men realises something and they run through the corridor to the other end of the corridor, where a similar wall is, they press the button and they get to see the spiral galaxy, it is absolutely huge, they are not in the ocean, they are in space and they are far from earth, the view ends season 1. So far I got most of season 2 designed with a rather spooky cliff hanger towards Season 3 and I got to be a little eager beaver when I set up the cliffhanger to season 4, but left the rest of season 3 alone.
Yup, that was my creativity, and I reflected on the Rendez-Vouz with Rama, a book by Arthur C. Clarke, a book he wrote in 1973. My introduction to the book was a video game produced in 1996 by Sierra On-Line. It was my introduction to the story, it is what drove me to make my version of it whilst trying to embody the thoughts of Arthur C. Clarke (based on 2001).
So when will you design something unique to you? I got my creativity with me, the list is long and distinguished. And I do not care where this ends, I have a plan with my 5G IP and it will more than set me right for life. The direct way to deal with greed is to make the other thoughts public domain, so that no one can claim them and they are basically free to use, that too is an option in IP, only the greed driven forget about that part of the equation. Should you deny that part, then have a little look at the HSBC bank and the FINCEN document leak, look at that level of greed and consider where we are. When we see the facilitation to crime to this degree and we realise that governments are basically doing nothing, you know where you are and I bet you haven’t even realised that you are without a paddle. I think that Arthur C. Clarke got it right when he named the vessel the Rama. He got it right 47 years ago, so how wrong have we been for the last few decades?
Just a thought to consider.