Tag Archives: Mesopotamia

And then there were three

This story starts a bit flaky. It started a little while ago, but today I saw Morbius and that clicked with a few other thoughts. The movie was OK, it was not great but I never read those comics, so I went in blind. The acting was good, the special effects were nice and there are two disadvantages, the first that it come across as an origin story and the second is that I never read those comic books. As such, I believe that those who read those comics are a much better source of criticism. Yet still it gave me food for thought, food from sources decades ago. You see it takes me back to the comic Dracula.

I was not the biggest fan, I read a few, not all and one thing stood by me. At the end of one of these stories Dracula says “You forgot, even demon’s have nightmares, in those nightmares it is me they see”, it is not a literal translation, but it comes close. You see, we think that the darkness is scared of the light, it is not, it fears a deeper darkness. You see if it was the light they feared there would have been an outright war between forces of light and forces of dark. But the dark fears a deeper darkness, it is where they cannot see, that is where their fears lie. This fear goes back to the age that preceded ancient Greece. And that is where I am now (to some degree). 

Part 0
It was a sunny Sunday and I have been living is relative quiet for some time. He had been living in London for a few months now and most of the day, hours in the morning, the afternoon and the evening he was bend over a book he had received. In-between these moments he went to the foodcourt in Harrods, walked on Regent street and let the noises of London infest him. It brought a lull to his mind that he rather enjoyed. Day after day reading Ἐλευσίνια Μυστήρια’ (see Another episode) was taking its toll. He had read as much as he could on Eleusis, he had studied maps, he had even been digging into the stories of Demeter and the search for her daughter. A much larger setting that had connections all over, but he was not able to see them yet. There were links to longevity of the Eleusinian Mysteries, with connections to a consistent set of rites, ceremonies and experiences that spanned millennia, and it all seemingly came from psychedelic drugs. The problem here was that the drugs were unknown, or at least they were not in the book, making matters a little bit of a problem. There was in addition the small sentiment that Eleusís, seemed to be Pre-Greek, and that name was inclined to be linked to the goddess Eileithyia. A daughter of Zeus and Hera, but if the town was pre-Greek, there was more to all this and that was a rather large damper to the party, because what was still in existence that was pre-Greek? He was about to give up when he walked into the British Museum. He was walking and taking in the art it displayed when he noticed something, he was about to walk away when something within him told him to look deeper. He was staring at the the roaring lion from King Nebuchadnezzar and he suddenly noticed two words in there. It was faint, it as in the mortar and it was behind the stones. He had to stare longer to make the words out, The words were Eleusís and Nabu. Nabu was known to him, he was Mesopotamian, not Greek, what was the daughter of Zeus and Hera doing there? 

As clues go, it was slither thin, but between thin and nothing he would take thin any day and now he had a new path to walk on. Where would it lead?

Part 1
To be continued…

Yes, it needs continuation and this is not a cliffhanger. It was as far as I got. You see, if despair opposes hope, what drives either? Consider a simple clock, the cogs that make the seconds move and form a circle in EXACTLY 60 seconds, now consider the minutes that are pushed one part forward every t60 seconds and 60 minutes later an hour will have passed. The setting of a clock. Now set that machine up to reflect hours, days, months moon setting (28 days) and years. A clock that does not ever stop and has been precise for millennia. That is the clock we need to find, because the Olympians have no concept of mortality. They are here forever, and that drives both despair and hope. You see a person that never fears anything has nothing to look forward to, that person is merely passing time. Eternity is the harshest taskmaster we could ever fear to face. And we must fear eternity, the Olympians certainly did. And there is the rub, there is the setting. If Eleusís is the goddess of childbirth, who is one the other end? Not the fates, not Hades and no one knows who is there and that is the setting towards a path we find ourselves on. 

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Delusion in two part harmony

There is a time when we get creative, we all do that and we let the mind take a gander into a direction we never considered before. In one part it is an essential journey towards finishing my novel, I left that part alone for the longest of time. Even as I already set out 55,000 words with about 20,000 on the back burner. Things were going from place to place, but it was too linear, too much of an expected anticipation (if that made sense). Then two things happened at pretty much the same time. The first one is that either I am getting hacked (in a clumsy way), or the Optus network is in a massive level of disarray, it is not doing its job, whether it is from a congested network, or services are failing on a much larger degree. But it also gave me an idea for the book.

I will try to explain.
Consider a cube, consider the image of a cube. The absolute centre is a large battery, it creates 101% energy. The corners of the cubes are smaller and in their way they also create 101% energy.

If they are maxed, they hand power over to their neighbour. First the other corners, then the midway points. As such the complete cube consists of 20+1 energy points.

As the power is maximised the system can operate on 100% all the time, the rest is bled out towards a matrix taking the cube to (for example) a hexagonal prism, from there to a 8 sided shape. The issues is when maximum power is maintained for too long. That is what my mind wanted to figure out. It seems silly, but it matters for the story and I believe that the story needs to be as well set as anything else. To let the story go on faith is for fantasy and I have nothing against fantasy, but there is a larger setting here, so I feel it matters that I try to make the story fit on as many parts as possible. 

In the image the symbols are atoms, but in this, what they are cold fusion systems? The problems is that ‘our’ version of cold fusion systems are flawed (to say the least) to get it to work you need two elements (see the book when it is done), one of these elements is on Jupiter (3-5 miles deep), the other one is not in our solar system because the element requires a specific situation, the element is called Celestrium and that is a 8 layer noble gas which we do not have here and it cannot be manufactured. As such we are in a quandary, but I always stated that is where we tend to get really innovative. 

So in this setting we can fuel a large system (or ship) but not all the time, or at least to some degree all the time and the larger this system becomes, the larger the ship or the larger the power output. In all these settings there is an equation, but that one eludes me for now (my science degrees only took me so far). So as I rely on science drenched fiction (which is not the same as science fiction). I see a larger station to add pages to the story and it also gives the larger reality of a place without all the elements and all the facts, making speculation and innovation a larger setting towards reality (or at least as I see it). 

So my delusional mind came up with a few more pages into a tory that might lead to something larger, or so I hope. Anyway, the idea goes back to anther state of mind, It is one I had in secondary school. I considered that a dimensional element has a shadow that is one dimension less. So a line leaves a point as a shadow, a cube leaves a 2d shadow, a 4d shape leaves a 3d shadow and so on. It is simple, lame and clearly debatable, but that was my thought at the time, so my mind was always in the setting that space leaves the shadow like a cube, so what does the shadow of time look like? And my young mind could never figure it out. 

But the journey of learning that I had limitations is also a nice one. You see, limitations are good, it allows us to look beyond and seek new paths to overcome limitations and some journeys are positive and some are negative, that is always the case. In this we rejoice in achievement, but we learn so much more from failure, some learn this early in life, some will never learn it. It is up to the person learning to handle that lesson and we all do that in our own ways. We always do.

The creative person finds a way, the less creative circumvents it, or avoids it, whatever their preference is. I am merely happy that I found another element in a larger story and that story matters, because it started in Iran, in early Mesopotamia, in the age when someone build a ziggurat known as the Tower of Babel (a much larger story) and that part is still important today, even if we ignore it, but not the fable, not the christian lore of apprehension, it is the real part of a story that has larger considerations, or so it is my thought on the matter. When the lore fails, the words can be seen for what they are and there is more into that side. We need to see beyond lore, especially in storytelling and gaming, because that will enable us to create and recreate what was into a story that we find easy and able to digest, because digesting stories is what it is about. It is our own approach to delusion in two part harmony. I have mentioned Bethesda several times in the last few weeks, but they did create greatness, it is seen in Skyrim, who did not consider to live in Skyrim? Who did not want to have a house like Windstad Manor, with our own fishery, a nice comfy bedroom and a cellar where we could smooth the day away? When you realise that want, that internal need, you can start seeing the application of lore, the application of an altered story. This is not about changing truths that are centuries old, it is about an altered narrative that comforts us, not history, but fiction and fiction is all about personal comfort, it has been for decades, even longer when we go back beyond Jane Austen, Charles Perrault, Laurence Aldersey and that already takes us back 500 years. We can go back a lot further, or we can see how far we can move forward. And what can we do to get there? I do not have all the answers, you will not either, but together we can see what is possible. Yet this is merely my view on the matter.

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