Tag Archives: Peter Pan

As ideas come

That happens. We all have (at times) the idea that you wonder why no one else had thought of it. It might have been so, but in the meantime I just wonder what happened to the idea. You see, retail is all about making a splash, yet the larger setting is that they never tend to think long term and that what gave me the idea. I was looking at a YouTube video by some lady who is stark raving bonkers about the Disney and Universal theme parks. In this bonkers is not a negative term. She goes on and on about the great options that these places have. Like for one the monorail that goes around all the parks. I never knew that and today about easter eggs all over the Universal theme park. At some point she was showing some stuff and I started to wonder a few things. You see, we all observe and take delight in (some of us do) the Halloween and Christmas settings of these places. Yet no one considered the creative vibes that kids have. Now consider any Disney or Universal stage and in this stage we use fridge magnets. A simple enough setting. Yet the larger stage is ignored. What if there is a range of A3 based stage screens (like a piece of paper), but these are not merely pieces of paper, they are coated stage screens (like the ship of Captain Hook) and on this we place the magnets, like Peter Pan, Goofy, Tiktok (the crocodile), Mickey and a whole range of other options. Now that we have a set these people (mostly kids) can make their own version of stop animation with a mobile, or merely hand operated movements. Universal has its own pieces (like Hogwarts and the people there) or perhaps Trolls, Minions or Popeye. Now consider that these people can cross match any story with their magnets and create their own story. Soon we will see that Universal and Disney will grow their own kind of Youtube/Tiktok settings where the makers can create their own story and share them with others. They optionally learn about stop animation and as such they all grow in creativity. 

There is no need to grow a massive battery of merchandise. Each season (Easter, Summer, Halloween, Christmas) they would release 1-2 stage placemats, optionally they would be placemats that get a secondary function and as such these makers have more stages to work with. They would also introduce fridge magnets to characters and every season a few more. This doesn’t happen overnight but with a start we optionally see more creativity from the visitors (or people visiting any store globally). That gives us a new focus and the parents will like the idea of a not so expensive hobby to exploit creativity with.

I seen some fridge magnets, but I haven’t seen anyone taking that to the next level. And in this day and age, any loyalty created tends to have a long term impact. So why wasn’t this done? Perhaps it was done in the past but with mobiles the way they are now, no one seems to have revisited that idea. There is even an options that Universal could use that certain items are only there on Halloween (optionally bought online as well, but for the term of the Halloween dates). I think that this has options. Consider that fridge magnets are already there. There is no reason to think that they cannot be used with another setting. And consider the placemat, get a negative sheet below this and it could have serious revenue options for either and that is not merely the end of it. The Dutch have the Efteling and they to could profit from their own setting. If awareness drives revenue, then this awareness have been ignored for the longest of times. That is what I think and believe. By the way the Dutch (perhaps the Belgiums too) have the feast of St. Nicholas (December 5th), another stage where we might see global appeal. Disney has a lot more options when it comes to characters, and they could have an annual focus (like Aladdin, 101 Dalmatians and so on). I saw several Hero 6 magnets and no one took this to that next level, why not? Then there is the option that both (Universal and Disney) could invite an animator once a year to make a video that all could download and take learning from that. A setting that might work (no guarantees), but in this day and age where everyone is so obsessed with revenue that this long term path is ignored? Consider that thousands of creators give voice to creativity and no one drills into that well? Perhaps I am wrong, but I believe that to get something you need to relinquish something and that idea sprouts revenue in all kids of ways, and here there is no “I come first”, the buyer will see through that and a shared setting is a setting all with enjoy when the results are harvested. That is just my view one the matter.

So, lets get these makers get working so that we see creators creating. 

Have a fun day.

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A very different oak

OK, to be honest, this dream hit me some time ago. I had it, but I have no idea why I had the dream and I might never figure it out. The event was at Golden Oak Orlando. I was visiting someone and when we got to his abode (a mansion by any other name) we were overwhelmed. I reckon that this is the feeling that all those who ever visited someone’s place in Golden Oak leaves them. It is a little overwhelming. So we got to his place, we were shown the lower part of the house with an inner courtyard. There was a pool, a jacuzzi and a few other amenities making sure that we all felt a little out of our comfort zone. We went to the corner in the inner courtyard and we had something to drink. There were two pitchers of iced fruit-juice and it was wonderful. I went for the slightly more orange one. It was a mix of peached and tangerines loaded with what seemingly a shrapnel of ice parts. It was icy cold and refreshing. My kind of refreshing. The others were talking and I was listening and looking at the details of the courtyard and the kitchen room through the glass. The stove looked old-fashioned but seemingly bursting with high tech elements. A stove anyone would dream of having in their home. After the drink the second part started. We saw the living room, the kitchen we walked through and we saw a large pantry. The living-room was a little spartan but stylish. We all walked up the stairs and we saw the master bedroom. Not sure what the style was, but it looked neat. The walking bathroom was to die for and had everything on a space that is pretty much my living room. There were the two guest rooms and they both had their own style, nice but very different. And I saw the door, the door that would change it all. The door was out of place. It looked a lot heavier and darker, like dark oak heavy. From a distance it stood out, even as the door was deeper into the wall than any other door in the house. It stood out like a bank vault door would stand out in any apartment, it looked that heavy. The door was dark oak as said, but it was engraved unlike anything I had ever seen. The owner then moved a panel in the door and a small opening revealed itself. 

The opening had a key, a very old fashioned one and if I had to make a guess it was a 17th century key, but it looked off somehow. The panels showed us characters from Peter Pan and Mr. Smee (the first mate from Peter Pan) was the center piece of the door. The door opened smoothly but seemingly heavy and the door didn’t open at the end, the door opened with the axial at one third of the door and the door was a lit thicker than a door should be. What I saw then blew me away. The room was almost entirely made from wood, hardwood floors, and I saw to the right what could have been the navigator desk from a galleon. To the left was an admiral’s table with swanky seat. The navigator had its own swanky seat, both a chesterfield design, both chairs build for comfort and I walked in. I saw the small door to the end and I walked towards it, it opened up to a small balcony with seats. The wooden balcony seemed to have been part of a slightly enlarged balcony like the admirals room on a galleon with a small table and chairs. 

I looked around and I was slapped across the face a second time. The walls I can in from were the  rear of a galleon, complete with stained glass and a view of the ocean. The wall that connects to the house was an ocean and the smell of salt water was invading my nostrils. A freakin ocean? I slowly walked towards the end of the ship realising that it was smoke and mirrors (of sorts) the windows were real enough, the sound of a seagull was there, but as I stared closely I noticed the fine lines. The view on the ocean were TV screens 4 meters wide in total, about a meter high. 4 of them. There was a hidden vapour in there feeding us seawater. The sound came from the screen. It was the sound of the ocean with a bird every no and then and the screens were merely showing us the water waves, almost like it would have been were we on a galleon. The walls had pictures. One in heavy sterling with the image of Bill Thompson (the name was engraved in the centre of the bottom side of the frame. I knew the name as I grew up with Disney movies. He was the voice of Mr. Smee in the Disney version of it. There was an image an autographed one of Bob Hoskins, the man who played Smee in Hook and there were more Smee memorabilia all over the room. The navigator desk was a desk, it was fully functioning with a large map of Never-never land. The map rolled up and stayed rolled up. Beneath it was a screen a 32” touch display that showed the Mac screen and applications. There were all the Adobe ones, all the Apple ones and several I had never seen before. I noticed that below it were extensions that came out, for both the keyboard and to the right of that an A4 digital writing pad. The system was super-fast, faster than the average G5 and it looked super intuitive. I looked around to the admiral’s desk which as a large and very nice desk with all kinds of amenities. The top of the desk was wood and I think a strip of leather, for writing on I reckon. The drawers were all engraved and to the right of the desk was a panel like it was some kind of food elevator. The panel was opened and two plates with canapé’s came out. They were delicious. The door I came in through was no longer visible, well not until you go looking for it. I saw the lines of where the door was and it was almost invisible to the naked eye. 

The chair was bordeaux red, it looked extremely comfy. We ate the food and we all were mesmerised on the room. I was not the only one blown away. This was his office space and it was one hell of an office space. It was a few minutes later when we left the room and as the door opened the screens shut down, the sounds faded and to room lights all dimmed but did not turn off. As I left the room I heard the room lock and I heard more clicks, almost like a set of alarms were set to sharp. We went down again and in the kitchen I now noticed the same panel we hd upstairs. A food elevator and a chef was there with plates of food that staff were bringing around. There was a Japanese plate with marinated eel. Plates with what seemed to be wraps with chicken and I had another fruit juice. I took the yellow now, which was I reckoned pineapple with Limes and I guess pear. It was slightly sweeter, I preferred the orange one. Which was my third drink. We sat down in the living room and I was listening. I also figured out I was the plus one of one of the ladies there. She was way out of my league, so no idea who she was and why she was with me and as I was sipping my fruit juice I faded away and woke up in my own bed. 

The dream stuck with me and at first I thought it was the setting for some kind of game, but there was no relation to any game I thought up. Then it could be for TV or movie, but the office space was too distinct. I would have loved to have a house and with such an office, but too much was not my initial desire in office choice, even as the computer clearly was. Sometimes the brain takes you on a meaningless quest, so I might never know why, but that feeling of looking around and watching the ocean still haunts me and I have no idea why.

Enjoy the day, we are now past the 50% point towards the weekend.

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