Tag Archives: Ran

What is unintended discrimination?

It is a question that came to mind when I saw a piece by David Cox on the Baftas. I missed this year’s Baftas, so I watched some of it on YouTube, we all have these days, 35 things to do and we cannot change the rotating speed of this planet, so I remained in a setting where I had 24 hours to get things done. As such I missed the speech by Prince William (and the rest of the show).

I do not believe that I would ask for any resignation, especially a royal, that is how I am wired, but I was still curious. When I read that part I wondered if there is an actual issue. I understand the position that David Cox gives, but let’s not forget that this is about excellence. Diversity will be hard to achieve in excellence (for a few reasons).

To clear my mind I went back to an event I always wondered about. It was 1986 and a legendary book got made into a movie by no one else than Steven Spielberg namely the Color Purple, then I got a small shock, I had forgotten that Kathleen Kennedy was part of that too, the recipient of the Fellowship Award. And there we see the first part, excellence is about perfection and even as I see the Color Purple as sheer perfection, those who are in the field and judge perfection did not see it my way, and in addition to that, 1986 also produced Ran, Out of Africa, Prizzi’s honor, Jagged Edge, Brazil (a personal favourite), the original French movie that would result in the making of Three Men and a baby, Witness and Kiss of the Spider Woman. A year full of greats and only a few make it to become winners, the Color Purple did not make it, they did get 11 nominations, no wins. In that same light we see Kathleen Kennedy, as a producer she has a massive list of achievements, most people are revered when they only deliver on 50% of what Kathleen delivered, and I have seen most of her work. Yet I see that a lot of them would never be best movie material. Is that bad? No, it was not on her plate as producer and she was part of flawless gems too. Raiders of the lost Ark, the Color Purple, Jurassic Park, A.I., Munich are a few extracts of a list that is well over 10 times larger and this year she got the Fellowship Award. So when I see ‘Prince William’s Baftas tirade was insultingly misdirected – he should resign as its president‘, I merely wonder what the angle of David Cox is. 

Does he have a point?

From where I am sitting we see that 871 movies were released in 2018, and in 2019 786 movies were made, as such I wonder how many were seen? I am certain that the account of best feature-length film and documentaries of any nationality that were screened at British cinemas in 2019. will give the sitting that not all have been seen, and the limitation that I am merely looking at the movies, I have not even gone into the documentary setting. 

Then there is ‘that were screened at British cinemas‘, a limitation from the get go, as such is the call for scrutiny that bad a thing to ask for? 

As such when we get to ‘Is the Duke of Cambridge sabotaging the voting system? Or simply saving face by attacking an acceptable – if innocent – party?‘ (at https://www.theguardian.com/film/2020/feb/06/prince-williams-baftas-tirade-insultingly-misdirected-should-resign-as-president) I am not sure if the stage is warranted. Consider the Nollywood movie ‘Lionheart‘, it was not regarded in a few places, just like the Irishman, oh wait! It was not released in the cinema, it went to Netflix. he Irishman did go to cinema’s as well, as such we see the first level of discrimination, discrimination through the paticipation rules. So was Lionheart ‘screened at British cinemas‘? I actually do not know the answer to that, as such we see a larger stage, do we allow for a larger group or is the stage ‘screened at British cinemas‘ a final point?

So as I see “What can he have meant?” as a asking rule in the article, I wonder if that was considered in the right stage? When we see the limiting factor right there in red. Yet then we also see a larger point that I reflected on “when compared with the competition, I don’t think any of these constitutes the year’s “best film”. Many of these titles were well-directed, but they tended not to require the outstanding directing skill required to snag the director award” this is how I see it, there is a larger stage and I would not have elected some titles and elected others, yet I am not a movie expert. I would have elected the Color Purple over Out of Africa, but that is my personal view, and it has nothing to do with winner Sydney Pollack, it is a great picture, but i prefered the other one and I believe that I am not alone, as 5 movies were elected as nominees and all 5 were worthy to become best picture, which is unlike 1982 where I merely liked Raiders of the lost ark. It is no reflection on the other nominees either.

Was the speech of the Duke of Cambridge wrong?

I personally do not think so, the stage where all factors are under scrutiny is a good thing, especially these days, and lets not forget that most of these are awards based on votes, and the BBC (at https://www.bbc.com/news/entertainment-arts-51345085) gives us ““There’s definitely a problem,” said actor Daniel Kaluuya referring to the diversity row engulfing this year’s Bafta nominations (all shortlisted actors are white, all shortlisted directors are male)“, in this I have a slightly different view. If we look at the graduated directors list by gender over the last 20 years, how many women made it? No one debates that Kathryn Bigelow is a GREAT director (Hurt locker and Zero Dark Thirty being excellent examples), yet how many female directors are that good? I am not posing a point, it is an actual question as I do not have an answer. 

I am for the most (unlike the past) more into watching blockbusters, not because it is what I want, but like many others our budgets have shrunk, and as such I have limited choice. there is another part, it is shown in the BBC article “Berry said she thought it was because the film wasn’t very high-profile when it came out in the UK, and that a lot of her members didn’t know about it and hadn’t seen it.” the quote comes in response of “Amanda Berry, Bafta’s chief executive, appears to be aware that her members are not seeing all the films, which obviously affects the nominations” there is the crux, because 786 movies were made, I reckon that 500 made it into the UK (a mere guess) as such how many were seen? If the stage is ‘screened at British cinemas‘, how many were not seen and as thus not considered? Did David Cox consider that? 

Perhaps he did and perhaps he did not, as such we see a different stage, there is only so much that a person can watch and there is the discrimination, only those we see get considered, it is not based on colour or faith, it is for many merely the limitation of time to the equation. And that gets us to the BBC gem “The assumption should be that Bafta voters are knowledgeable and curious and above being swayed by the big movies with the big stars and the big marketing budgets. The implication from Berry suggests otherwise.” I believe that this is the issue that we currently face. 

It was still good to read the point of view that David Cox gave us, but I do not believe it to be correct, or at least it is inaccurate. The BBC gives us the goods that have the impact we need to consider and I got there even before I read the BBC article. Even as people like Steve McQueen states that there is a risk if talent is not recognised, we need to consider that the amount of movies made largely outstips the ability to see them, to see all the movies of 2019 I would have to watch 2 movies on most days and remember them all in the end, I wonder how many are up to that task, as such the stage that the Duke of Cambridge brings has a larger footing and becomes a truth by itself “In 2020, and not for the first time in the last few years, we find ourselves talking again about the need to do more about diversity in the sector and in the awards process. That simply cannot be right in this day and age.” In this the Duke was correct and David Cox was wrong, the mere acceptance of one element and the direct impact of simple metrics brought this to the surface and I am a little surprised that David overlooked this, I wonder how many movies he watched for the 2019 election and which ones they were.

Perhaps he saw them all, perhaps not, I cannot tell and when we look at that part especially in light of what was ‘screened at British cinemas‘, will we see a dissenting voice of titles that were overlooked or forgotten about?

 

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Rampling was the domino

It is a side I had not thought of for quite a while. I have my own views, movies I like, movies I go to see. When I do, there is no regard towards race or religion. I just want to see a good movie, for the mere reason that going to the cinema is expensive, so when I go there, it better be a good one. So when I initially read the article ‘Charlotte Rampling finds herself outnumbered in Oscars diversity row‘ (at http://www.theguardian.com/film/2016/jan/22/charlotte-rampling-finds-herself-outnumbered-in-oscars-diversity-row), I was not entirely sure what to think. For me, I am still slightly upset on the Golden globes, because no matter how much I enjoyed the Martian, it is NOT a comedy. A light-hearted drama at best. So in my eyes, the foreign press desperately wanted to get the Martian elected even though EVERYONE knew that the titanic achievement ‘the Revenant’ could not be equalled. So, they were willing to screw over Paul Feig or Judd Apatow, depending on your view of comedy. In that same light Matt Damon should not have won, not because his achievement was bad, it was quite excellent and I will look forward to own this achievement on Blu-Ray in 17 days, 13 hours and 14 minutes (roughly, but who’s counting). Yet, I will see this as excellent drama, not as a comedy. All the movies I saw, had a Caucasian caste. I thought nothing of it, no bad thoughts; no directed thoughts. There was an African American in Star Wars and he played his part really well, just nothing I would nominate a Golden globe or Oscar to. The day is young and I will look forward to him rocking my world as an actor in a future movie hr does. I have seen my share of excellent acting in Sidney Poitier (Heat of the night), Morgan Freeman (loads of movies there), Eddie Murphy (Beverly Hills Cop/Harlem Nights), and Don Cheadle (Traitor). Here I pause for a moment, you see, this is a serious piece of work based on an idea by funny guy Steve Martin. The result is a spy thriller of unrivalled proportions and until the very end, you have no idea what will happen. As Spy stories goes, this is a killer! We tend to look at Freeman in the Shawshank Redemption, or one of my favourites ‘I, Robot’ with Will Smith, but in all this, we are limited by the exposure we tend to see through marketing (trailers). Because of that element I almost missed out on a gem called ‘Seven Pounds’, which is an amazing piece of work. Yes, it is sentimental, and there are truths in the view Todd McCarthy from Variety has, but it seems that his world is about one view, it is his view. I try to see multiple views, not always mine, one I can agree with or a comfortable one, but the fact remains that we all have our own skeletons, sometimes they are dark and leave no sunlight or a shadow. In this his last ‘view’ was “an endlessly sentimental fable about sacrifice and redemption that aims only at the heart at the expense of the head” (at http://variety.com/2008/film/awards/seven-pounds-2-1200472723/), but in all this Variety forgets that movies are made to appeal an audience and in a directly addressable audience of well over 3 billion, there is a need for everyone. It is for that reason I have a similar appreciation for Lars von Trier’s ‘Dancer in the Dark‘ (and ended up being depressed for well over a week).

The question becomes, how correct is Charlotte Rampling. She is not wrong and I feel that the issue goes a lot further than is currently illustrated. That part is also shown in the Guardian article when you see the video on that page with Mark Ruffalo. But neither show the element I am aiming for. You see, it was not until the Golden Globes that I saw that Will Smith was nominated for a role in a movie I had absolutely ZERO awareness of. Wiki and the trailer of Concussion shows a drama that hits at the heart of America. It shows two sides, one, do not ever mess with their ‘sport’ and the second issue is that America remains in denial as long as it is convenient for their bottom dollar. In that Concussion seems to surpass several dramas. You see, this issue goes a lot further than what we see from either Charlotte Rampling or Mark Ruffalo state, although Mark reflects on the direction. You see it goes further than we see in the article. the quote “An analysis by the Los Angeles Times in 2014 found that the 6,000-plus members are 93% white and 76% male, with an average age of 63“, a system that is set around a nation where the median age is 39, state wise spread from Utah (29) to Maine (44). You see, the people looking at the entertainment industry are no longer representative of their age, which gives a new problem. It is their marketing and publication side. The fact that a gem like Concussion, a 2015 movie that only gets visibility after the nominations of the golden Globes is a bigger problem than many realise. Now we see in the Hollywood Reporter, the following quote by Charlotte Rampling “I simply meant to say that in an ideal world every performance will be given equal opportunities for consideration“, which is true and part of the problem, because that is unlikely to be the case. Equally true is the quote we see from Michael Caine “You Can’t Vote for an Actor Because He’s Black“, which is equally true. The actors I mentioned earlier did the work, the hardship and ended up with the nominations, yet in opposition I offer that my view is in equal measure that there is an indication that votes are lost, or not duly received because of colour. In that light I offer ‘the Color Purple‘ which in 1986 rocked da house! The Academy awards had given it 11 nominations, ZERO wins. Whoopi Goldberg did get her Golden Globe, but they lost out on 4 other nominations. One out of 15, which is statistically a joke. Yet is it mere fate? You see Out of Africa was good, but not great (a personal view). I feel this because I enjoyed both movies, but I have since (1986) watched the Color Purple at least 8 times on DVD and Out of Africa? Nil times! In other lights, it had fierce competition from Prizzi’s Honor (Anjelica Huston) and Ran (Emi Wada), yet are the other 9 times deserved non-winners? I feel I cannot state this for certain, but with the exception of Best Original Screenplay I have a few too many question marks.

In all this we see that the Color Purple is more than a failing marketing and visibility campaign. Which is at the heart of non-recognition. In 2016 there is another side that we see in the Oscars. Concussion gets zero nominations. Here is it harder to oppose it, because the Revenant, Spotlight and Bridge of Spies are massive pieces of Work, which does allow for the situation to exist, yet in that same light, as we see the group that represents the Academy Awards, how many were clearly aware of Concussion and how many of them would see Concussion as the gem it is? In that same light, did the failure of marketing and publications now propagate the situation that Concussion is not making the BAFTA list? We have to accept that this is about American Football and as such, when we see that the BAFTA’s stated purpose is to “support, develop and promote the art forms of the moving image, by identifying and rewarding excellence, inspiring practitioners and benefiting the public“, we have to consider that American Football is an American interest and as such, Will Smith could miss out for the interest group, not because of his quality or the fact that he is an African American. But the issue remains, has marketing and publications cut themselves in their American fingers?

An issue that will remains for a longer time, because as the power players are growing away from the average younger audience, the selection could become a lot more disjointed, which might actually be a little too strong an expression.

The truth remains that we all have valid questions at times, yet in that same light we must accept (to some degree) that the bulk have an opinion, an impression and a preference. It is at times influenced by marketing as the people are given the royal tour by the promoters of the movies. We see at PRSA.ORG “Oscar campaigns are not cheap — campaign budgets can run $24 million per film. Mailing DVD screeners to the Academy’s 6,000-plus members, advertising in trade publications, attending festivals, hosting screening events and conducting media tours are only the beginning“, the Public Relations Society of America is decently outspoken here. Money rolls, which means that the name alone will not do it. Will Smith is a bankable name, but in the end, it is more than just the name, the DVD screeners and opportunity here. It is a business model, which now implies that art is not at the heart of the matter, product marketing is. The question that remains here is that if a movie needs that kind of marketing, how memorable was it?  Perhaps that is the wrong question too. Not everyone has time to see all the movies and the fact that some movies are not released on disc long after the Oscars is equally an issue, so is that approach wrong?

I cannot vote against it unless it is more than the actual book, the movie or the soundtrack. Optimising any product is far enough, but in that light, was Concussion properly optimised for exposure to the public and the audience at large? If not, who was behind that part? It is a Sony production, yet should this be about the awards? I wonder if the really good actors really take a role for that reason. In this I like to quote Tim Mincin In his UWA acceptance speech. There he states “Happiness is like an orgasm: if you think about it too much, it goes away. Keep busy and aim to make someone else happy, and you might find you get some as a side effect“, which seems to be (in my mind) how the great actors could think. Will Smith has had 85 nominations and 45 awards. None of them golden globes or Oscars. In the Golden globe section he lost out to Russell Crowe and Forest Whitaker who both delivered amazing performances that year, yet as The Fresh Prince of Bel-Air he lost out to both John Goodman and Jerry Seinfeld, both series I was never a fan of, but they have their own following. In the Academy Awards he lost out to Denzel Washington and Forest Whitaker. A much harder choice, because both The Pursuit of Happyness and The Last King of Scotland are amazing works of art. I found the call between Ali and Training Day much harder because of my admiration of Muhammad Ali. So I know that I have bias here, I feel valid bias as the arts are about moments and ideals, Will Smith has been on that fine line many times. It is CNN (at http://edition.cnn.com/2015/12/18/sport/nfl-head-injuries-will-smith-movie-concussion/) that gives us “I probably won’t be getting my free Super Bowl tickets this year“, which is part of all this (apart from the fact that I never received ANY free tickets for any of the Ashes games), we see again that America will be in denial or in opposition as the NFL is the bottom dollar at least one day a week. I cannot oppose this. Yet reflecting on this, I feel a little uncertain when it comes to an outspoken #OscarsSoWhite. My issue in this case is that the opposition this year is massive, Spotlight, the Revenant, Bridge of Spies and the Martian are outstanding pieces of excellence. We can complain that these roles were too absent of African American roles, but that is based on different elements, in my view, not a #OscarsSoWhite view, or is it?

In all this we must see that we are not part of the actual world the actors and actresses live in. They would have a more realistic view, which makes the entire #OscarsSoWhite such an uneasy issue. You see, I feel that #OscarsSoWhite is almost a personal attack, I see the movies I like, and because of the reasons I see them. So, even as a written off product like ‘Seven Pounds’ is one I enjoyed, I enjoyed Gravity as well, and I enjoyed the Martian in near equal measure (the special effects in Gravity were just so awesome). In all this race was never a consideration. That is my personal view, I cannot answer for others, you must decide on your reasoning and your preference, which is as it should be with anything that comes from the arts.

This now gets me to the final part. As I saw it, from the first moment I saw the movie (not when it was released as I was 5 at that time), is that Virgil Tibbs made ‘In the Heat of the night’ the movie it was, the legend it became. Sir Sidney Poitier made the movie what it was (Rod Steiger was great too). So here we have our issue we want to feel that #OscarsSoWhite is valid, we do however want to base it on the now, not on 50 years ago. So can we question the issues, or is there a second layer that we are to some extent conveniently ignoring. One of marketing and PR, the other on the denial that the NFL (Americans with their idolisation of their sport in general) seems to bring. Two elements that seem to equally make the movie Concussion fall short. Those elements are not illustrated in equal measure here, which does not give any less value to Will Smith, it only impacted the topic Will Smith illustrated (as I personally see it).

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