Tag Archives: Hollywood Reporter

Saudi Arabia stands alone

I have seen hypocrisy in my time, people selling others down the river for the mere pleasure to afford their share of cocaine and hookers, or as they state it themselves, extra bonus for a family house. The benefit of selling whatever needs be short to afford a lifestyle their ego demands yet, it is a style usually preserved for CEO’s and higher.

It is not always the case, not 100%, sometimes people get ahead because they know someone; they have friends in housing, perhaps a police commissioner who gives them the goods in advance. These things happen. That is not corruption; that is at times merely a small advantage and we can agree that no hard was done, these things just are.

I have always believed that we need to do something when something wrong is done. Yet, what happens if we get played? What happens when there are too many questions and we see governments act on half-baked information? That is at the core of it all. This all started three days ago when I decided to write (at https://lawlordtobe.com/2019/03/28/because-skills-lacked/) ‘Because skills lacked?‘, It was all about the arms embargo for Saudi Arabia, enforced by Germany making both the UK and France uneasy. Yesterday (at https://www.politico.eu/article/germany-extends-saudi-arms-embargo-with-concessions-to-allies/) we saw that it was extended by six months, even as concessions have been given to UK and France, the issue is actually much larger and it is time to call for evidence.

In the first, my emotional response to issues is the question whether Agnes Callamard knew what she was doing. You see, Al Jazeera (at https://www.aljazeera.com/news/2019/02/rapporteur-khashoggi-murder-perpetrated-saudi-officials-190207171824211.html) gave us a few things, issues repeated by many news casters. First there is “her three-member team had access to part of “chilling and gruesome audio material” of the murder obtained by Turkish intelligence agencies“, it is important we see no establishment of identity, we see no mention on authentication as that is unlikely to happen. Then there is “Woefully inadequate time and access was granted to Turkish investigators to conduct a professional and effective crime-scene examination and search required by international standards for investigation“, as well as “US intelligence agencies believe Prince Mohammed ordered the assassination“, and finally there is “His body has yet to be found“.

Her report might end up being more likely than not a failure (I have not read the full report as I have not been able to obtain it at present, and I might not be able to until the presentation this upcoming June. The initial issues seen at present are (with a lot more when we dig deeper):

  1. The authenticity of the tapes have not been verified, Turkey has been facilitating to Iran to the largest degree (who is in a proxy war with Saudi Arabia), in addition several published quotes give a different light of the activities of Turkey (see previous blogs on the matter).
  2. As I mentioned, there is an issue on Turkey and Iran, making Saudi Arabia a little hesitant to give any credibility to Turkey. In addition to all this, the Consulate is Saudi grounds, It is Saudi territory, as such Turkey has no rights on those grounds. Three weeks after the event refused to share all Khashoggi evidence with Saudi Arabia. If it was actual evidence sharing it would not have impacted the evidence, the fact that it was not shared implies optionally that it did not exist. In effect the Saudi prosecutor did not have access to all evidence.
  3. Are those the same US intelligence agencies that vowed that there were WMD’s in Iraq? What evidence did the US intelligence submit? When we consider the Washington Post, we get: “the CIA examined multiple sources of intelligence, including a phone call that the prince’s brother Khalid bin Salman, the Saudi ambassador to the United States, had with Khashoggi, according to the people familiar with the matter, who spoke on the condition of anonymity to discuss the intelligence. Khalid told Khashoggi, a contributing columnist to The Washington Post, that he should go to the Saudi Consulate in Istanbul to retrieve the documents and gave him assurances that it would be safe to do so. It is not clear if Khalid knew that Khashoggi would be killed, but he made the call at his brother’s direction, according to the people familiar with the call, which was intercepted by U.S. intelligence.” I am not stating that this is false or inaccurate, yet the parts ‘according to the people familiar with the matter‘, as well as ‘he made the call at his brother’s direction, according to the people familiar with the call’; these two parts call doubt into the complete stage.
  4. The absence of a cadaver also implies that there is no forensic evidence of any kind (at present or ever).

These four parts do not make Saudi Arabia innocent, yet the guilt cannot be established to any definite degree. I am not trying to twist anything, anyone on a jury in a capital crime knows that the establishment is ‘beyond all reasonable doubt’ and that cannot be proven, even manslaughter cannot be proven at present. Consider that there was a beating, perhaps interrogation with a heavy hand; can we see evidence that this was the case? The audio is not evidence by itself, the simplicity is that we do not know whether the tape is a fake, is there any way to tell that the person in discomfort was Jamal Khashoggi? I have not heard the tape, I cannot tell, how was Agnes Callamard able to tell? In addition, if Turkish intelligence is so good, how did they get the body away and out of sight? The fact that the Turkish intelligence remained clueless should be an answer by itself. The newscasters go all out to contain people on their page, so when the Daily Mail gives us (at https://www.youtube.com/watch?v=GD06WLJH3Wk) ‘Khashoggi’s body parts carried into Saudi Arabia’s consul residence‘, what evidence is there that it was what they claim it to be? I cannot even tell whether they are carrying trash or books, let alone optionally part of a cadaver. CNN at least used the optional word ‘may’, there have been so many speculations, that and the fact that the Turkish government seemingly did not share all the evidence makes this a lost case.

And now for Germany

So in a stage where something went optionally wrong, yet no way to tell how far it actually goes, the Germans started an embargo on a non-event. There is no conviction, there has been no court on the matter, but for Germany it was enough to set the stage for the embargo. For me it is great, I need a second income and I will happily sell any weapon system to Saudi Arabia if that pays the rent. I see no problem to sell any weapon system to the Saudi government that I can lay my hands on. It is the simple application of American entrepreneurship: Ca$h is king!

So when I see: ‘Riyadh denies the powerful prince had any involvement, alleging “rogue” Saudi elements acted on their own accord‘, I am not willing to dismiss it, the optional evidence does not allow me to do so. In addition, “A confidential report prepared by Kroll, a large private security firm, for the Saudi public prosecutor found that none of the WhatsApp messages exchanged between Prince Mohammed and his top aide, Saud al-Qahtani” I see the reinforcement of that part. I wonder if the actual people who optionally caused the passing of Jamal Khashoggi will ever be found, the media made that close to impossible and Turkish posturing helped in the event, the fact that they have the most incarcerated journalists in the world does not help their attempts for the limelight and the Turkish use of the New Zealand tragedy is further evidence still that the Turkish government cannot see the difference to posturing and doing the right thing, making all the evidence they present even less valued and requiring more and more scrutiny to optionally see it as valid and not tainted.

It is the simple application of the Evidence Act 1995. When we look towards Ellis v Wallsend District Hospital 17 NSWLR 553, we see that it was: ‘open to a Court to disbelieve evidence tainted by hindsight‘, it is not about the case, but on the state of the evidence and there is a massive wave of actions giving a large rise to the fact that evidence is optionally tainted. I use the word optional as it would be to a judge to state it to be so, but the quotes and the application of what is not presented makes it optionally so. Time is the tainting factor on all the evidence. The Washington Post adds to this when the readers are treated to: “The accepted position is that there is no way this happened without him being aware or involved“, ‘Accepted position‘? By what standard, what definition and on what premise and applied evidence is that? The overall usage of ‘people familiar with the matter’ makes the issue worse. The stage of manslaughter and higher requires ‘beyond all reasonable doubt‘, whilst in the current state it is becoming less and less likely that the Torts premise of ‘is it more likely than not‘ would be reached.

And that is the foundation of Germany to stage an embargo? Well, if that is to be the case, than for the next 6 months I will try to find a way to supply weapons to Saudi Arabia. I have rent to pay, taxes to pay and I need a wardrobe as well as a new desktop (and iPad), all these things cost money and I have no issues to sell to most governments if the opportunity arrives.

As the media is showing us how Saudi Arabia stands alone, all whilst they seem to overlook the Iranian actions, they are ready to pound others whilst there is a lack of evidence, seems odd does it not? Although, according to the Hollywood Reporter, people in Saudi Arabia have nothing better to do than hack the phone of some Amazon CEO and gives us: “Our investigators and several experts concluded with high confidence that the Saudis had access to Bezos’ phone, and gained private information. As of today, it is unclear to what degree, if any, AMI was aware of the details” less than a day ago (at https://www.hollywoodreporter.com/news/jeff-bezos-investigator-claims-saudi-arabia-behind-leaked-texts-1198348). I have absolutely no idea where that came from, it is not like that guy Jeff Bezos is a famous person, is he?

So is it about that optional famous person, the event, the leak, or is it about the new application of ‘several experts concluded with high confidence‘, exactly like the CIA used. It is a claim that cannot be vouched for; cannot be proven (or disproven) and no evidence is there, but the finger needs to be pointed at someone and the FBI learned the hard way on how blaming North Korea on Sony events was a bad idea. It is basically the Dutch building fraud example of: ‘Dat meen ik mij niet te herinneren‘, which means ‘I don’t think I can remember that‘, the trained response of a politician facing governmental scrutiny in a commission. That is the one sentence they had down perfectly (the Dutch denial version of a 5th amendment), and we see it applied in too many fields. So especially as it impacts larger government concerns, it seems that we need to take a look at the application of evidence towards assigning blame and guilt. Although, if this gets me my retirement fund of $24,445,000, so that I have a golden parachute. I would personally like to thank the German government, as well as the participating media for being this short sighted.

Saudi Arabia does not stand alone, there is always a person willing to facilitate to any government. It was the basic lesson Mossack Fonseca left the people on a minimum income, when a firm is facilitating within the confines of legal structures for 45 years, do you think that governments did NOT know? Give me a break, they merely played the flustered emotional card to keep the people at peace, in the end nothing changes and a new player takes over from the previous one.

The EU grave train provides one way or another, yet in the end it will provide and not to the people the taxpayers believe it does, on the larger international scale, especially in light if so much evidence failure, it was up to all of us to ask the hard questions but the media prevented it, the emotional curve are all the shareholders and stake holders required.

I think I will start Chapman Calibre Ballistics (CCB) and offer my services to the Saudi Arabian Defence Forces procurement division, so that others will readily confuse my acronym it all with either Child Care Benefit or China Construction Bank, giving the media more things to blame China for, because that is apparently how the game is supposed to be played.

 

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Rampling was the domino

It is a side I had not thought of for quite a while. I have my own views, movies I like, movies I go to see. When I do, there is no regard towards race or religion. I just want to see a good movie, for the mere reason that going to the cinema is expensive, so when I go there, it better be a good one. So when I initially read the article ‘Charlotte Rampling finds herself outnumbered in Oscars diversity row‘ (at http://www.theguardian.com/film/2016/jan/22/charlotte-rampling-finds-herself-outnumbered-in-oscars-diversity-row), I was not entirely sure what to think. For me, I am still slightly upset on the Golden globes, because no matter how much I enjoyed the Martian, it is NOT a comedy. A light-hearted drama at best. So in my eyes, the foreign press desperately wanted to get the Martian elected even though EVERYONE knew that the titanic achievement ‘the Revenant’ could not be equalled. So, they were willing to screw over Paul Feig or Judd Apatow, depending on your view of comedy. In that same light Matt Damon should not have won, not because his achievement was bad, it was quite excellent and I will look forward to own this achievement on Blu-Ray in 17 days, 13 hours and 14 minutes (roughly, but who’s counting). Yet, I will see this as excellent drama, not as a comedy. All the movies I saw, had a Caucasian caste. I thought nothing of it, no bad thoughts; no directed thoughts. There was an African American in Star Wars and he played his part really well, just nothing I would nominate a Golden globe or Oscar to. The day is young and I will look forward to him rocking my world as an actor in a future movie hr does. I have seen my share of excellent acting in Sidney Poitier (Heat of the night), Morgan Freeman (loads of movies there), Eddie Murphy (Beverly Hills Cop/Harlem Nights), and Don Cheadle (Traitor). Here I pause for a moment, you see, this is a serious piece of work based on an idea by funny guy Steve Martin. The result is a spy thriller of unrivalled proportions and until the very end, you have no idea what will happen. As Spy stories goes, this is a killer! We tend to look at Freeman in the Shawshank Redemption, or one of my favourites ‘I, Robot’ with Will Smith, but in all this, we are limited by the exposure we tend to see through marketing (trailers). Because of that element I almost missed out on a gem called ‘Seven Pounds’, which is an amazing piece of work. Yes, it is sentimental, and there are truths in the view Todd McCarthy from Variety has, but it seems that his world is about one view, it is his view. I try to see multiple views, not always mine, one I can agree with or a comfortable one, but the fact remains that we all have our own skeletons, sometimes they are dark and leave no sunlight or a shadow. In this his last ‘view’ was “an endlessly sentimental fable about sacrifice and redemption that aims only at the heart at the expense of the head” (at http://variety.com/2008/film/awards/seven-pounds-2-1200472723/), but in all this Variety forgets that movies are made to appeal an audience and in a directly addressable audience of well over 3 billion, there is a need for everyone. It is for that reason I have a similar appreciation for Lars von Trier’s ‘Dancer in the Dark‘ (and ended up being depressed for well over a week).

The question becomes, how correct is Charlotte Rampling. She is not wrong and I feel that the issue goes a lot further than is currently illustrated. That part is also shown in the Guardian article when you see the video on that page with Mark Ruffalo. But neither show the element I am aiming for. You see, it was not until the Golden Globes that I saw that Will Smith was nominated for a role in a movie I had absolutely ZERO awareness of. Wiki and the trailer of Concussion shows a drama that hits at the heart of America. It shows two sides, one, do not ever mess with their ‘sport’ and the second issue is that America remains in denial as long as it is convenient for their bottom dollar. In that Concussion seems to surpass several dramas. You see, this issue goes a lot further than what we see from either Charlotte Rampling or Mark Ruffalo state, although Mark reflects on the direction. You see it goes further than we see in the article. the quote “An analysis by the Los Angeles Times in 2014 found that the 6,000-plus members are 93% white and 76% male, with an average age of 63“, a system that is set around a nation where the median age is 39, state wise spread from Utah (29) to Maine (44). You see, the people looking at the entertainment industry are no longer representative of their age, which gives a new problem. It is their marketing and publication side. The fact that a gem like Concussion, a 2015 movie that only gets visibility after the nominations of the golden Globes is a bigger problem than many realise. Now we see in the Hollywood Reporter, the following quote by Charlotte Rampling “I simply meant to say that in an ideal world every performance will be given equal opportunities for consideration“, which is true and part of the problem, because that is unlikely to be the case. Equally true is the quote we see from Michael Caine “You Can’t Vote for an Actor Because He’s Black“, which is equally true. The actors I mentioned earlier did the work, the hardship and ended up with the nominations, yet in opposition I offer that my view is in equal measure that there is an indication that votes are lost, or not duly received because of colour. In that light I offer ‘the Color Purple‘ which in 1986 rocked da house! The Academy awards had given it 11 nominations, ZERO wins. Whoopi Goldberg did get her Golden Globe, but they lost out on 4 other nominations. One out of 15, which is statistically a joke. Yet is it mere fate? You see Out of Africa was good, but not great (a personal view). I feel this because I enjoyed both movies, but I have since (1986) watched the Color Purple at least 8 times on DVD and Out of Africa? Nil times! In other lights, it had fierce competition from Prizzi’s Honor (Anjelica Huston) and Ran (Emi Wada), yet are the other 9 times deserved non-winners? I feel I cannot state this for certain, but with the exception of Best Original Screenplay I have a few too many question marks.

In all this we see that the Color Purple is more than a failing marketing and visibility campaign. Which is at the heart of non-recognition. In 2016 there is another side that we see in the Oscars. Concussion gets zero nominations. Here is it harder to oppose it, because the Revenant, Spotlight and Bridge of Spies are massive pieces of Work, which does allow for the situation to exist, yet in that same light, as we see the group that represents the Academy Awards, how many were clearly aware of Concussion and how many of them would see Concussion as the gem it is? In that same light, did the failure of marketing and publications now propagate the situation that Concussion is not making the BAFTA list? We have to accept that this is about American Football and as such, when we see that the BAFTA’s stated purpose is to “support, develop and promote the art forms of the moving image, by identifying and rewarding excellence, inspiring practitioners and benefiting the public“, we have to consider that American Football is an American interest and as such, Will Smith could miss out for the interest group, not because of his quality or the fact that he is an African American. But the issue remains, has marketing and publications cut themselves in their American fingers?

An issue that will remains for a longer time, because as the power players are growing away from the average younger audience, the selection could become a lot more disjointed, which might actually be a little too strong an expression.

The truth remains that we all have valid questions at times, yet in that same light we must accept (to some degree) that the bulk have an opinion, an impression and a preference. It is at times influenced by marketing as the people are given the royal tour by the promoters of the movies. We see at PRSA.ORG “Oscar campaigns are not cheap — campaign budgets can run $24 million per film. Mailing DVD screeners to the Academy’s 6,000-plus members, advertising in trade publications, attending festivals, hosting screening events and conducting media tours are only the beginning“, the Public Relations Society of America is decently outspoken here. Money rolls, which means that the name alone will not do it. Will Smith is a bankable name, but in the end, it is more than just the name, the DVD screeners and opportunity here. It is a business model, which now implies that art is not at the heart of the matter, product marketing is. The question that remains here is that if a movie needs that kind of marketing, how memorable was it?  Perhaps that is the wrong question too. Not everyone has time to see all the movies and the fact that some movies are not released on disc long after the Oscars is equally an issue, so is that approach wrong?

I cannot vote against it unless it is more than the actual book, the movie or the soundtrack. Optimising any product is far enough, but in that light, was Concussion properly optimised for exposure to the public and the audience at large? If not, who was behind that part? It is a Sony production, yet should this be about the awards? I wonder if the really good actors really take a role for that reason. In this I like to quote Tim Mincin In his UWA acceptance speech. There he states “Happiness is like an orgasm: if you think about it too much, it goes away. Keep busy and aim to make someone else happy, and you might find you get some as a side effect“, which seems to be (in my mind) how the great actors could think. Will Smith has had 85 nominations and 45 awards. None of them golden globes or Oscars. In the Golden globe section he lost out to Russell Crowe and Forest Whitaker who both delivered amazing performances that year, yet as The Fresh Prince of Bel-Air he lost out to both John Goodman and Jerry Seinfeld, both series I was never a fan of, but they have their own following. In the Academy Awards he lost out to Denzel Washington and Forest Whitaker. A much harder choice, because both The Pursuit of Happyness and The Last King of Scotland are amazing works of art. I found the call between Ali and Training Day much harder because of my admiration of Muhammad Ali. So I know that I have bias here, I feel valid bias as the arts are about moments and ideals, Will Smith has been on that fine line many times. It is CNN (at http://edition.cnn.com/2015/12/18/sport/nfl-head-injuries-will-smith-movie-concussion/) that gives us “I probably won’t be getting my free Super Bowl tickets this year“, which is part of all this (apart from the fact that I never received ANY free tickets for any of the Ashes games), we see again that America will be in denial or in opposition as the NFL is the bottom dollar at least one day a week. I cannot oppose this. Yet reflecting on this, I feel a little uncertain when it comes to an outspoken #OscarsSoWhite. My issue in this case is that the opposition this year is massive, Spotlight, the Revenant, Bridge of Spies and the Martian are outstanding pieces of excellence. We can complain that these roles were too absent of African American roles, but that is based on different elements, in my view, not a #OscarsSoWhite view, or is it?

In all this we must see that we are not part of the actual world the actors and actresses live in. They would have a more realistic view, which makes the entire #OscarsSoWhite such an uneasy issue. You see, I feel that #OscarsSoWhite is almost a personal attack, I see the movies I like, and because of the reasons I see them. So, even as a written off product like ‘Seven Pounds’ is one I enjoyed, I enjoyed Gravity as well, and I enjoyed the Martian in near equal measure (the special effects in Gravity were just so awesome). In all this race was never a consideration. That is my personal view, I cannot answer for others, you must decide on your reasoning and your preference, which is as it should be with anything that comes from the arts.

This now gets me to the final part. As I saw it, from the first moment I saw the movie (not when it was released as I was 5 at that time), is that Virgil Tibbs made ‘In the Heat of the night’ the movie it was, the legend it became. Sir Sidney Poitier made the movie what it was (Rod Steiger was great too). So here we have our issue we want to feel that #OscarsSoWhite is valid, we do however want to base it on the now, not on 50 years ago. So can we question the issues, or is there a second layer that we are to some extent conveniently ignoring. One of marketing and PR, the other on the denial that the NFL (Americans with their idolisation of their sport in general) seems to bring. Two elements that seem to equally make the movie Concussion fall short. Those elements are not illustrated in equal measure here, which does not give any less value to Will Smith, it only impacted the topic Will Smith illustrated (as I personally see it).

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