There is a nice side to the 90’s. We all had a go at new things, there was the start of a new side of gaming, there were new frontiers in IT, there were all kinds of approaches to marketing and there were all kinds of new movies, movies that before that were never pushed to the larger extent. It gave us David Cronenberg, it gave us comic books and there was a new side of horror, at times more playful, but for the people who loved the comics, it was just awesome. One of these makers (Clive Barker) was already pushed into a few realms, but one side was to often ignored, I cannot tell whether it was because of how the non knowledgeable try to sell it, perhaps the review line of “a commercial and critical failure” was linked to it. Yet the story of the Nightbreed, Cabal and Median has potential, not as a slasher movie, but as a horror thriller that needs to be really dark. The kind of story that will make any average psychiatrist decide to retire on the spot. The story has so much to offer, that I am a little bewildered how movie makers 32 years later are ignoring that gem. Craig Sheffer played it decently (considering that there were the 90’s). And. Personal speculation is that he might have been chosen as he more roughly resembled David Boreanaz in Angel (and Buffy) and the makers knew how excited the ladies got over him. Yet I believe that Craig played a decent Boone, the rest of the cast was OK. That is not against them, but against the film makers who were all about slashers and posturing and not about maximising the impact of the large amounts of side stories that Cabal represented (as did Median). I reckon that Nightbreed might too large for a movie, and a miniseries (4-6 episodes of an hour) might make it a lot better and lets face it, this station is ruled by Clive Barker, wasting material that excellent should be considered a crime in TV and tinseltown land.
Is there more?
Well yes and it is not limited to Clive Barker (although if I can ever revitalise Lords of illusion, I would). Consider the amazing result that IT became and what we saw in the works of Anne Rice in other movies. Now consider the challenge that the Mayfair witches leaved the film makers with The Witching hour. Anne Rice drenched the story in all levels of controversy and that works great in most horror, now add new levels of darkness that we can push for today and you have three books that could ultimately be a next generation focal point of fear for decades, I reckon that the film makers can push into this when the film maker looks at the colour black and considers it to be too light. That is where the boundaries are pushed and there is a larger station, the books of Wes Craven, Clive Barker and Anne Rice have shown them to be masters, they were used for quick revenue fixes and discarded, yet the people at Netflix, Amazon and Disney can make that into a realm of options with 3-5 movies, or larger miniseries with several movies in 5-7 parts, not as a cash cow, but as a station of creating new levels of fear. We can see Neil Gaiman stories making it into that realm, yet he need not be alone (even though he might like it), there is plenty for a while range of stations and now, 30 years later it is time to drill into those treasure troves again, the darker film maker is the most likely winner here and you only have to look at successes like American Horror Story to see that I have a decent case here.
I wonder if someone in Tinseltown wakes up to that part of the equation, first come, first chance of becoming an accomplished winner. The 90’s produced a whole range of excellent ideas for the big and the 75” screen.