Tag Archives: Aphrodite inheritance

Remaking the past, facing tomorrow

I have been working on my novel, at 58,000 words, I am more likely only 50% done, but there is a lot more to come and as I was considering (creating in the mind) a new IP in the form of a new TV series I realised that the same idea could be an addition to the book I am writing. As such I felt a little bit of a traitor, as such I feel I have to make amends, even as no one has been hurt, I felt that smudge of treason to the idea. As such, my mind decided to take a turn towards the past, not the distant past (Iran in the old days), but a little more present (like the 70’s). I have written about the best drama series that the UK ever made (I Claudius), yet it was not alone, in that age two other series were made, both in the 70’s and both had a Greek origin. The first was Who pays the ferryman and the other was the Aphrodite inheritance. Both (for that time) excellent pieces of work, both based on excellent books and both with a setting that was mesmerising. Who pays the ferryman gave me the interest for Crete an interest that still lives on today, I have seen it three times. 

Cyprus (where the Aphrodite Inheritance was made) was less on my radar, yet the story was fun and gripping. 

I believe that places like Apple and Netflix could turn these two into interesting remakes, put Greece again and more visibly on the map. Even as the episodes are timely, the remake could set the spirit in the now and the issues that grip Greece, the stories could be upgraded and the issues that were skated round can be gripped with connected nearby historic places like Spinalonga, a stronger interaction with Agios Nikolaos and so on. Crete has plenty of stages and plenty of options. 

The Aphrodite Inheritance, started strong and the story takes on a nice turn, yet in today’s environment, the stage could be set with optional IP theft and industrial espionage (on top of the relic part in the story). It all hit me as I saw the Aphrodite inheritance on YouTube the other day, I believe that the older series and especially the mini series are getting more and more views, not because of the lockdown (partially driven by it), but the fact that plenty of Americans are now looking through the UK base of drama and it has them hooked (I agree that is speculative of me). Yet the number of views and the turn that SBS is making with Name of the Rose, shows that there is a growing interest in remaking good drama into something larger and even more astounding. I admit that I was skeptic on seeing the first few episodes of Name of the Rose, but so far that series exceeded whatever I thought was possible and I think that players like Netflix and Apple are always looking towards new IP, yet they too realise that what was made almost half a century ago was often not surpassed in all these years and the two titles I mention are on that list too. 

And in addition, no matter how many franchises there are and how many Marvel movies are coming, the people also want excellent drama and a lot of franchises just do not deliver on that to the degree described (neither do the Marvel movies). This is nothing against the Marvel movies as their origin is very different from many movies and we get that, and we love them. Yet we want more and we seem to want it now. Apple seems to be on top of the New IP with the new shamalamadingdong series (the man who made the Sixth sense) and now with Servant he makes another stab at our dread factor, he does it (as stated by others) in an exceptional way. 

Yet in this day and age, movies and TV series that rely on the Wow factor do not make it very long and that is where the stage of drama can add to the venue. In the first, the rewatchability of any drama is a lot higher than most other series. Yes, we love horror and Science fiction, yet how often will we rewatch them? Consider an American drama series like The West Wing, the fact that even today a lot want to see it again, even as the series ended well over 10 years ago is decently exceptional, there are other series and yes, there are plenty of wow based series that have the same, but the stage of drama is larger, there is no denying it. Whether a drama is dipped in Fantasy, Science Fiction or Horror does not matter, it is the drama effect that draws the people in and I believe that the audience wants to see more of that and there is every chance that Netflix needs to adhere to that part if they do not want to witness a audience transfer towards Apple plus. That will be seen towards the end of the year as more series and remakes hit Apple plus, they took a swing and hit the ball out of the ballpark. The remakes are more than just a choice, series and movies that were quirky and often fun will optionally become the TV series that are drama’s with a coating of wow. There is no way to tell how this will fare, and this is not an attack on Netflix, but Apple took the war to the next stage and they were ready for bear in this fight. To coin a phrase ‘they brought a bazooka to a gunfight’, and that bazooka merely has to be aimed into the vicinity of Netflix, Netflix will get hit no matter what, the amount of damage cannot be foreseen and the entire Covid setting brought it to the forefront. It hastens the setting we see now and even as Netflix has a lot more series, there is every indication that a 10% shift might be enough to get the Netflix investors running for cover and for them to find a way to break even at best. Yes, we see how Netflix shares are rising faster and faster, but lets not forget that as Americans and Europeans get back to work, they will stop using Netflix to a much larger degree, and in all this the internet congestion we see all over the world does not help Netflix, Internet providers were not ready all whilst they claimed they were. I warned people of that fact in 2018, now I am proven correct, even better, there is every chance that the entire congestion stage will increase over the near future and it has nothing to do with gamers. Zoom with its conferencing side will set a much larger international stage and consider how many firms work internationally now and under the strain of a reduced workforce how many more zoom meetings people have to look forward to.

A stage that goes from bad to worse and there is no way to stop that event. Yet this too is a stage we must give value to, as I see it the entire congestion setting is a drama all by itself, a stge of interactions that will not work and will show other wait time and loading icons, but no movie and no shows to see. It is important because it will hit both Apple plus and Netflix. 

There is nothing as hilarious as both offering 4K whilst the internet providers cannot deliver, the entire Corona stage is merely pushing to the foreground what was there all along. So as that stage is debunked more and more all over Europe and the US, we will soon see a stage where the material not the resolution matters and there we see another stage evolve, the quality of the story, because a wow film is only as good as we get to 4K and uninterrupted view and so far there was a lag and has been for almost 2 years, and as we see the congestion pushed to the foreground more and more, because under 5G the matters will only get worse, not less. 

Yet in all that the remakes will give rise to another lag, the stage of crowd control on the internet. Yes, you might laugh yet the stage is already there, the people will demand the full service all whilst Netflix, Google and others are limiting resolutions to appease the covid pressures of online. And in that stage we see a much larger need, the need to deal with congestion right in the middle of the stage of switching between 4G and 5G. Congestion has not been dealt with and cannot be dealt with, not in the immediate future, as such the people will see a much larger shift to appease their demand and the smaller players will now face the hardship of not being able to deliver, it is a drama all by itself.

No matter how we see the coming of more remakes, they are the stuff we demand, for all kinds of reasons, yet enjoying it on a decent quality will remain a question not merely for the direct future, for the larger timespan, even as people will stop to some degree the stage of streaming, the stage of TV series without advertisements is a lot more appealing than most think and when they are confronted with advertisements the entire stage of Apple Plus, Netflix et al will come to the forefront again and still it comes with internet congestion just below the surface, pushing its head above the waterline sooner than ever before. 

A view to face in the sights of tomorrow.

 

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