Tag Archives: Franka

Blocked by greed?

It happens, good ideas fall down merely by the setting of greed. I get that some people revere greed, they pray qt the shrine of coin to get more, forever they prey to get more. Yet what happens when greed gets in the way of a good deal? For that we merely have to look at the place where boobs and smiles are as genuine as a crooked politician trying to get reelected. The forever need to drive that movie that will bring in a billion plus and some make it. Some make movies that gets the juices of desire flowing. Marvel is an excellent example. But you need a small education in reality. You see when we think directors one of the most famous and most achieved directors is Steven Spielberg, he gained revenue of $10,665,089,317 yet it took him 37 movies to get there and there are many nowhere near as good as him. So how about that $1 billion mark? When we look at franchises Harry Potter might be one of the most visible ones. In this Harry Potter and the Deathly Hallows: Part II (2011) is the only one that passed the one billion mark. Does this mean that we lower the bar? Not necessarily, yet that one billion mark is too visible, too much of an orgasm point for all the wrong people. All whilst there have been a good selection of options out there and they are overlooked. 

I mentioned before that the comic book called The Trigan Empire has every option with a right director to get to the high point, optionally with a blonde John Cena in the title role. They might not make the one billion, but they could make a massive profit, an amount that goes further than merely return on investment. There are so many others. There was Franka, a modern version of Brenda Starr, but with subjects that matter today, options that make women herald this next hero. There have been so many comic books in the 70’s and 80’s, all making a good chance to rake in the revenue and most of them not from the USA.

So why does this matter?
It matters because SKollywood is becoming a thing, because more and more people are accepting movies with subtitles and South Korea is producing more and more movies that are connecting to people, perhaps not in the US, but guess what? Over 2/3 of Hollywood revenue is often international. That Harry Potter movie only made $381M in the US, the rest, almost a billion came from outside the US and Hollywood needs to change steps and up the game because Korea (south part) is bringing people the Witch and more movies that are connecting to people all over the world. A stage Hollywood never considered is now becoming a reality. Who saw the Japanese movie Audition? That was intense stuff. Other movies like Old Boy and the ring found American versions, but non-Americans look at what is. You see we all liked the Departed, but those who saw the original Hong Kong version will find it lacking. Not the actors, not the script, but the original in Hong Kong just had that little more and Korea is producing a whole fleet of movies, as are several other nations. 

All this and then we get to Netflix, Hulu, Disney Plus and a whole range of others. Hollywood gets 3500 scripts each year and 350 are being made, so what is failing, because something is, the revenues do not lie. So far this year Avatar 2 and Maverick were the only two movies I ran to a cinema for and that is over the last 20 weeks. The well is drying up and Hollywood needs to set the steps to new heights, because they cannot afford to lose more and as I see it pointing the finger at streamers is not good enough. Japan and South Korea have their share of amazing movies,  so it is not merely the materials. I personally believe that it is the process that is failing. People have the wrong mindset at present. It should not be what gets me the most, it needs to be what can I do to get enough and up the quality of movies, that is the real trick and as far as I can tell, they haven’t figured out how to go about it. My evidence? The Trigan Empire, I made mention of it well over a year ago and since then no one picked it up. Not Netflix, no other streamers and not Hollywood. But I do remember hearing all kinds of complaints that Anansi (American Gods) is too black, or something of that nature. With the quote that “Charles Eglee, thought Mr. Nancy wasn’t right ‘for black America.’” In this I think he should talk to the writer (Neil Gaiman), as we see that it is more and more becoming all about perception the natural outcome is that others will reject what is there and over 65% of the revenue comes outside of the US. 

I let you decide what you watch, it was always your choice, but do you want American gods the way it was written, or what some producer thinks it needs to look like? Perhaps some of them remember the Justice league movie and what happened in the end.

Just food for thought, in the mean time South Korea has a few new gems coming this year. I wonder how far they make it this time, so far their record is pretty impressive. 

Leave a comment

Filed under movies

Before the script

That is a stage we find ourselves in. There is no real reason, it was a stage I moved into as I was contemplating a few ideas. You see with any erotic tainted movie it is about how it starts (and for some do they get married at the end). With spy stories it tends to be jumbled, to maximise the impact of the story the movie Anna is a great example. Yet with assassinations it tends to be about timelines, and it needs to start in the middle, a great example is Colombiana with Zoe Saldana.

You see it adheres to a few items. A good assassination adheres to the golden three. 

Separation
Segregation
Isolation

You separate the target from his support system, we do not need to comedy capers to involve themselves making matters worse, the career person likes to get away from it all before it is too late. You segregate the person from the people that know and trust their insight, their family, it is a separate cog in the machine and not always required, but it should always be considered. Isolation is the kill moment. It is best to have that person apart when you perform the deed. I do not believe in the Jason Statham method (the Mechanic), it is nice, it makes for good movie suspense, but too many things can go wrong and they tend to go wrong at the wrong instance. 

So in all this when we look at the Saad bin Khalid Al Jabri case, I just have to laugh. 12 people? I am still decently convinced that he got out (with the money) by setting up an attack and warning the US of that attack, but that is me. It matters because now we see (source:  Reuters) “A former top Saudi intelligence official who is living in exile accused Crown Prince Mohammed bin Salman on Sunday of targeting him, and made an unprecedented public plea to the Biden administration to help obtain the release of his children jailed in Saudi Arabia”, a larger stage as he is in Canada, so why is he not pleading with Canadian authorities? Did you consider that?

It matters in this stage as we look at ending the involuntary heartbeat of a person. He has to some degree isolated himself, he is decently segregated, but not completely and there is the mere need of isolating him, that never required 12 people and any intelligent person would see that, lets be clear MBS is not stupid, so the entire song and dance that the media gives us does not make sense.

But back to the story. When the golden three are adhered to the decimation can begin. The important first part is information, in case of the person we discussed earlier, he is in Toronto, a city. This means that there are more options to get to him. The opposite is that he got there with hundreds of millions, so he can afford all kinds of security. The second consideration is given by The Star “It is alleged one of the companies, Sakab Saudi Holding Company, “had no operational business” despite receiving $8 billion US in government funding and was used “almost exclusively” as a vehicle to funnel money to the other companies, which did carry out legitimate business, as well as to Aljabri and his co-conspirators”, so in what universe do you get awarded $8,000,000,000? 

The stage for any target is to understand what is going on and this implies that he is more than an exile, he is optionally a US intelligence taskmaster (Middle East minder of intelligence). Using him as an example is nice, for a few reasons. He has Canadian protection and he gets American protection, in Canada it will be the CIA, optionally the CSIS is involved. The problem for any target of this size is that the Canadians have their own Navy Seals, they are extremely capable and on a person like this, they are somehow involved. There is no way that stakeholders walk away from a $8,000,000,000 jackpot. 

So why does it matter? Well the story is about more then suspense, it will be about realism. So how to get to such a target? Well we could ask Saad bin Khalid Al Jabri and that is where we get to the good stuff. You see, the foundation of this was seen in a comic book in 1978.

It was the first Franka, a comic made by Henk Kuijpers. The researchers researched a crime for a movie, which then was soon thereafter done by criminals. The stage to get the experts to solve the problem for them, simple and brilliant. You see there is nothing wrong with a silenced .50 from the top of any building, but when you see what you are up against, the stage changes soon thereafter. I saw the premise of a c4 loaded drone, which allows for a few settings, but that pesky CSIS. These people get awfully cranky when you trespass on their soil and if you think the CIA is trouble, wait for the CSIS to get creative and nasty. So you need two options. The first is that you were never there. The second is that you need to vanish with a clear path (to your fake alibi) that can be tracked on the other side of the world. Like what they did with the RAF, spending some of their money in a place like Buenos Aires, all whilst the missing people were already laid to rest (mom, dad and the three children). When a large enough pile of cash goes missing people will find you, unless the money is burned (apart from the cash spend in BA) and the bodies can not be found, not in decades, not ever. 

That setting when united gives a much larger stage to play and when it is done, I reckon that it is better if the assassin is a she. (Zoe Saldana made good on that in Colombiana). So whilst we wonder what more we can do, I personally believe that simplicity is best. It is the one stage I did not like in the Mechanic. Even it all seemed simple. The air-vent scene showed how things turn sour in an instant. Simplicity is key. What is simpler then flying a DJI drone three buildings away straight into the open window and boom? After that it becomes a mere exercise to vanish, which in Toronto is still a massive undertaking, unless they look for the wrong person, it becomes a little easier then. You could join an Oracle event in Mississauga, or take across lake Ontario and vanish via Rochester, at which point you are in the US. 

That script is easy enough to write, it will be about the details and about how the details play out. There is no use if the event results in a global hunt by the CSIS and their seal equivalent giving you less then a 1% to survive for any decent amount of time, a number no career person wants to consider. And these are the thoughts before the script is made. If you can pull it off you have the making of a new Hollywood (or Netflix) blockbuster. 

Darn, it is only 06:36, what ever will I do the rest of the day? 

Leave a comment

Filed under Media, Military, movies