Tag Archives: iSpy

It’s about time, slappers only

Even as we look at games, play games and even improve games, we all tend to have our own idea on how things should be. So I decided to take a look in another direction, I decided to look at the Unreal Engine (Unity too), on how to make a game. To be honest, I have no plans to create a game, even though I have a few ideas on at least one original IP, I feel out of my depth on creating the game myself.

So why look at these engines?

I noticed whilst I was observing someone else making a ‘game’ and introducing people on how to make a game, I noticed that my mind wandered into how that applied into my own IP. It also gave me the additional ideas on how to evolve gaming (my IP) and give the player something new, something they have not played before; more important, a version of view that has not been done before, which in light of all the games out there is quite the statement to make. Even as some effects seem familiar as we have seen different visions in games like Splinter Cell (night vision, thermal vision), what can you do to gaming when you do not get to have a choice? What if your evolution also brings with it changes in how you see things? It was an interesting view that we saw (read: read about), in Infocom’s Suspended. It was my first Infocom game (CBM64) and also the only one where I actually had to buy the hint guide for (came with a marker to make invisible statements visible. So as we took control of Iris, Whiz, Waldo, Auda, Poet and Sensa, we saw something different as all of them looked at the same thing. That idea was pretty interesting to read about, yet what happens when we ‘see’ the difference? That was the first foundation of a new title. The second part came from a memory of a game called Mercenary (Novagen). There were the Palyar and the Mechanoids, now what if they were one and the same (a Dark Chrystal reference), what if we have a game where the environment forces us (not allows) for evolution from one to the other, yet also with the setbacks that one or the other has. A game where you can choose to go one way, go the other way, yet gives us the puzzles and challenges that does not merely make it a fun game to play; it would in addition also give us a challenge that makes the fun of replay much higher. As an RPG fan, the option to replay a game is important to me for the mere reason that if I am able to buy a game at $100, I would like to be able to play it several times, or as they say in Fintech, if you can squeeze a $10 bill and you get 11 $1 coins, only then have you maximised your currency. I can do that to games, so hence the stage to create something that is a great return on investment.

So as I am looking at these Unreal Engine presentations, I am seeing all kinds of changes that could make the game even better, more challenging and more fun to play. I am now also seeing a few things that I had not actively considered to the degree that I needed to consider it. After merely seeing 3 hours of presentations, I saw half a dozen items that added to the thoughts of the new IP I am ‘creating’. So what happens when you are in one stage? You want to be in a stage where you can have two challenges without repeating the methods. It is almost an Alien versus Space Marine part, but not the same, the difference is still there, yet in another way. The best example is seen in the original Daredevil with Ben Affleck. So what if our view is based on some version of: ‘sonic plus’? This was merely one of several iterations my mind was going through to set the stage of the game. And just watching the run through gave me additional idea after idea and as such, my version of this non existing game kept on evolving.

Why do we care?

Well, you might not, yet consider the elements I came up with, it seems that it is not entirely unique, yet the version I have has to the best of the knowledge never be seen and if I can come up with this, why de several development houses work with a new version of that same Franchise again and again and we see a total lack of actual original new games. What makes for a game to be squeezed in repetition with a larger lack of new IP? It seems to me that certain houses have been lacking in true new IP and that seems like such a shame. If a gamer is depending on something new, not something relaunched, we see the flaw that is out there, and in that same light we see the growing desire of golden greats like System Shock. Do not get me wrong, I loved that game and I hope to play the remastered edition when it is done. More importantly, it also gave me other ideas on how to resolve play value. You see, in System Shock, what was working had to be destroyed (camera’s) systems had to be switched (VR Cyberspace level parts). Yet what happens when you have to get it fixed. Not some blatant ‘repair tool’ that shines on the object. No, what happens when you have to scrounge systems to find parts to rebuild a server, strip tools, strip consoles to get the keyboard, the display and the processor system? Get to the router and then get to the server? We seem to think of such elements too easy. So what value do you get when you play the game in hard core mode and you have to set the stage to repair network access systems? You might only have to do it once, but there we get the additional choice of fixing a system, versus stripping systems to create a mobile version. Now what additional solutions will we see when it goes beyond merely network. In System Shock it is on a space station, so water, environment and other elements would optionally be broken and that is how I saw my new IP, not merely fixing and scrounging, but the fact that in any biological disaster we see the impact and limitations of a dangerous zone. Now, what if that is not set straight, but could alter from game to game? New routes, now solutions and other options would need to be found to get to a certain stage, in addition, as we change those parameters, the steps to do certain things will also alter as to where and when we choose to make changes and that too adds to the challenge.

A next stage

So what happens when we take that to a new level? What if we consider Watch Dogs 4 (three is being made now)? What if the setting of the stage is completely out of our comfort zone? What if we impose limits on ourselves? How willing are you to go into true survival RPG when it is not some irradiated mess (Fallout series) or Post-apocalyptic (Horizon Zero Dawn). How ready are you to be a real gamer and in the game you ended up in Korea or Japan and that game is all Korean or Japanese? Will you fold or rise to the occasion? In my view in Watchdogs 4, you and your sister/brother escape from people smugglers and you swim ashore to end up being in either country. Having no knowledge of the language, in Seoul or Tokyo and the introduction leaves you with a clean smartphone and Google glasses. Now you have to get the software, use the glasses to translate signs on the go, you need to learn language and you need to figure out how to get another party free (who is still captive somewhere). You get to choose on a criminal or non-criminal lifestyle all with its own challenges of work, odd jobs, a place, food and other elements. Can you complete both sides whilst also freeing your parents and not set of the alarms that running to the police will get your parents killed? Now consider doing that in a completely set city (a 900% version of the Watchdogs 2 map), also consider the elements that can be added, additional challenges and a true evolved NPC stage of interactions. I got part of the idea when watching the YouTube channel Only in Japan * Go (at https://www.youtube.com/channel/UCDsvL48jluG3tvlyurB4K3g), what if the interactive part is truly AI driven and it has a lot more responses than we have now (like 5,000% more). A stage where time is more important, not merely a day rotation where 30 minutes represents 24 hours, but where time is closer to actual and the game will have constraints in time management. We have seen elements of what I described here and there, yet for the most we have never seen them all united and when you are in a game that should last you 100-150 hours of gaming to complete. Taking the stage forwards by adding long term playing challenges, with the essential need to avoid grinding we see a new stage in gaming, a new stage in RPG, even as we see the truck load of people being anti-Bethesda for now. They did make a huge change and even as there is an essential need to patch the 34,554 bugs and glitches (a mere speculated rough estimate), we are looking at a game that is more about survival than the series have ever added before. We see the option to push a similar evolution into the Watchdogs series, where survival becomes an issue when we are no longer in our element; also we are no longer in a place where we can just walk around. The option to show new technologies and add technologies in a new light, where a device like Nudle Glass, could translate any sign we see in the game by adding a text balloon with the translation. where the phone will do voice translation and we add mobile technologies where we start getting the ability to hack, the ability to interact and the ability to emboss the storyline and challenges. A place where you need to get the odd job (on a food market, a market or just some courier job) where you get the cash to get by for the daily cycle whilst still having to find a way to safe your parents. More importantly, a stage where you have to get it done within a certain time (250 days for example) before their health gives out, these are all stages that we have seen before, yet never all at the same time and not to this extent. We need food and water (the one real fault in Subnautica), yet when we are given hours to get things done, we see options to stretch a game in more meaningful ways. the need to get transportation and to get on public transport as we cannot run from one end to the other (like in Watchdogs), as we have to get from one place to the other in Tokyo (or Seoul), yet when we have to get by 13Km to do that, time becomes a factor and that is the part game makers ignored because they lived by the act that all of it had to be fast and dynamic, yet the longer RPG game could benefit from the additional challenge of getting transport and learning to find your way by public transport (time skipping). It is not merely for the challenges and the storyline. You get to be part of the environment; you will need to clearly think on your feet. We might have been able to forego sleep in Fallout 3 for 200 days, yet the need for sleep will be here (even if we skip it in a few seconds wait time), we impact the other elements and when time becomes a deciding factor in the game we get a more true survival game. In opposition of Elder Scrolls (Oblivion or Skyrim) where we loaded up al every mission we could, making time a factor means that we need to focus on a mission. Even as we need not consider time for everything, we get to have a time driven to do list, affecting the way our NPC’s regard us, as we miss the deadline for jobs.

We also get to consider how we survive, not only is making the wrong enemies a much larger concern, adhering the game to, for example, Japanese law where they have ‘No one shall possess a firearm or firearms or a sword or swords’ gives new needs for being creative. The Thunder ball in WD2 was extremely innovative, in WD4, we might resolve to set the stage for a walking cane, or perhaps a belt (strangling). By adding the locations realism in practise, we also create new solutions towards game play. We can still use the WD hacking weapons, yet now we add new elements to the challenge. We might think it is not cool to be unarmed, however when we consider the reality of ‘Japan has some of the world’s strictest gun control laws with punishments that even scare gangsters‘, when we see that, the need for creativity makes the entire enterprise more rewarding too. I hope we can all agree that opening vents via remote in WD2 was as lame as it could get, the challenge can still be met in other ways. So when it is no longer about the killing, but now it is about creativity (like collecting data) we create a new kind of survival game, an entirely new challenge and is that not what gaming is about? When it is not about dropping bodies; when the stage becomes about paths that are about industrial espionage, true surveillance and getting the wealth that could purchase freedom, or perhaps the paths that will expose the people holding your parents, we see applied creativity in another way. We open the door for people to find another way to get to the end and that journey is open for anyone, yet by making time a new constraint and a more truthful constraint we see that people will try to adopt ‘glitches’ when that fails (and it should), we end up getting a real gamer and the game that does that changes the dimensional view of anyone playing a game. When the silenced scope is not available, when the knife gets you years in jail (parents dead, end game!) we can start looking at what we can do to give the challenge of a watchdog. You see, a watchdog is a person who ‘warns members of the community when potential or actual problems arise‘, we saw that to some degree in WD2, running all over San Francisco, yet we can take it to a much larger scale. When the game allows for the criminal side by data invasion, corrupt journalist devices and hack police terminals, or do the opposite by resolving hacks, by deleting criminal data bases and transmitting video of criminal activities in the game, we can become rich, famous and well known or have both worlds by getting a second identity and do both. If we can set the stage of double dipping and we can also create the stage where we can be found out playing both fields and as such impede progress, angering both sides of the social isle; we get a much larger scale to play with and a much bigger challenge. It makes the game more rewarding when we replay the game.

Is this a good idea?

Most likely in this shape not. It needs work and we now have the resources to take it to this level, yet most software houses have not shown the willingness to take it this far (exception Ubisoft- Far Cry 5 and Bethesda- Elder Scrolls), and a lot more is possible. You merely have to look at Horizon Zero Dawn and how much further it could go is a clear indication of what might be reached. Having the map online is one solution (Fallout 76), yet when we realise that in Horizon Zero Dawn is in a scale of 107.5:1 (in miles) compared to real life. What if we see a game where it is less than 10:1 (1:1 being the optimal solution), what other parts will you open? Not merely a place like Tamriel with suddenly the space for 24,999 additional locations, but the stage where we actually need to keep mind on mapping to find the location of Telepe, we see a new challenge added to it all. The nice part is that we can still scale according to level of gameplay, having from easy (90:1) towards hard-core (1:1) we get a game that is not merely more challenging, we get a game that no one has seen before, it needs a true new approach to skills, levelling, completing and time that changes the game. The nice part we saw in Fallout, is where we in Survival (hard-core mode) we see the one life part as well as the absence of fast travel. We see them all as interesting challenges to try, yet when we add them all together we create an entirely new level of gaming. The PC has been there for some time, and with their drives installing it all to the drive is a breeze nowadays (one Blu-ray for the map, and one for the game) For consoles it is a different matter and one that needs work, optionally requiring an online connection for single play, where all the other players will work from an ‘image’ of the same map. No matter how we slice it, the players and gamers are all ready for a new level of gaming.

The downside?

Well, there is no real downside; there is an additional challenge of avoid the mistakes we see in AC Odyssey. Several sources give us: ‘Lots of level grinding‘, ‘Repetitive missions‘ and ‘Long load times and stuttering‘. The last one is a technology issue and should be resolved; grinding needs to be avoided at all times, yet at times will be there. If your daily routine requires income, we get grinding to some extent and food and rent, yet when you pay rent every month, we need to find the week to get through, whilst getting paid in the process. The challenge is to keep grinding to a low. when we see the comment ‘Simplistic combat’, we accept that in some cases, yet when we are in a game where combat is to be avoided and reduced to slappers only (pugilism), we still get a decent challenge if the AI is good enough. In addition, as I see it I want the gender to set the stage for entirely different play throughs, As the girl you have retail options, and also a stage where invitations to the right party places could offer all kinds of opportunities, yet on the criminal side of the game, it might not be so rewarding. To overcome (in a creative way mind you) on how we can add no less than 5 dozen ways to get income (two dozen of one and 36 of the other), we have the setting for not merely an achievement, depending on where it is, we might set a financial stage, as well as a social stage that opens up location (housing opportunities) to shift the range of time requiring to be spend doing one or the other.

When we approach that part, the game becomes bigger, not more tedious. Some might say that if there is no kill score, there is no game and perhaps those people would feel better moving to Detroit, yet in light of any RPG, is violence required? I never did it myself, yet some have played and finished the game in pacifist mode. I admire that as I never considered that in the first few play throughs. Those are defining moments in gaming, when you go out and try that one option you never tried. When you are merely left with the MacGyver placement to get the dough you need for next month, how can you apply it in enough ways to avoid getting the ‘grinder’ label?

In light of the AC Odyssey reviews that might be the larger challenge, especially when you want to equal or even surpass the 150 hour game challenge. I particularly like the Watchdog setting as we get to explore new ways where technology is pushing the envelope of gaming, not the hardware, but the devices in the game. When we need to evolve the software in the smartphone used to get better at hacking, get more in receiving and skim more from people, how can we do this in creative ways? As the locations change and we see that in ‘richer’ places we see more NPC’s with RFID protection, how can the player still get by? In WD2 we merely got the apps and that was it, it was an opportunity missed. Several apps had the potential to be upgraded to a ‘better’ version. When we see that in action, we can contemplate what foreign refugee life in that new place could be. Push beyond the apps and elements like health tags, domotics, smart monitoring, entertainment hacking for students (extra income in game), so many options to add to the game. At some point the question becomes, will that much data break the game?

The other way round

The largest issue we see in many RPG games is that linearity is an issue; Infamous Second Son is the best example. It starts truly great, yet when you get to Seattle it becomes as linear as a ruler and even in hard mode it is not a real challenge (apart from the third boss). To avoid that we can do what they avoided in Horizon Zero Dawn. There (in my personal view) the Tallneck had too much information; it is an equal flaw in the AC series. What if we change it so that some sets have some types of information (not unlike the server hacks in WD1), yet other information like food, shops, are found in other places. What happens, when we need some version of Yelp for one and a WD version of Lifull (Japanese rental app) for another part? Why did they not use a much larger App Shop tool, where apps had advantages and disadvantages and you can only use one, giving a new challenge in the game. You see we can use it as a benefit and a limitation. We get the benefit of one, whilst losing out on the other (luck becomes a factor) and if every game tweaks these elements (like rental prices, income per hour) we take a risk in using the same solution, diversifying the choices we make, enhancing the replay option.

Every time the ship sinks

It is an old joke, yet did you imagine in 1997, that watching Titanic (preferably in IMAX) had a different outcome when you watched it the second time? It might not work in the movies, in gaming it will. When we are confronted with a new challenge and we can reset the parameters, we can add a chance that some actions happen, making the rush towards a goal more urgent and by moving from easy to normal or even survival some chances increase. It gives two parts, the benefit that you are truly challenged and the stage where there was no chance to win (like in Shanghai, when you end up having two identical stones on one another), we can try to avoid the chance, yet should the chance be zero?

RPG & Realism

I added the no guns part earlier not because I like it that way, but because I admire the option of the pacifist path, it adds to a game, so we can still have weapons, we can still use them in the equation, making the penalty and danger a lot larger if caught. Yet having a weapon and especially in the far east where we all think that life is incomplete without Katana or Geom, we see all kinds of options to enhance the game and gameplay. Yet in my mind WD4 should be much stronger on technology, hacking and devices, maximising what we can do with them. It was pathetic in WD1, yet in WD2 we saw a really nice boost, we can however do a lot more than it had and we should push for that. At present there are a whole host of actual hacking apps. iRet, netKillUIbeta, iWep Pro, Myriam iOS Security App, iSpy, Hopper App, Cycript, Frida, Firecat, Highster Mobile, et al. What if there is a Watchdog version of some (or all) where we have to rely on other means to get information to get further in the game? We can have one to three apps that have these abilities and as we get access to another app, we can evolve one of those three to give us more hack power. In addition, the merging of app and stealth gives us more time to get what we need before we are blocked (an income limitation). So as we go forward we get challenged more. We could just go Fred Flintstone, bash the person hack the phone an walk away. Getting more initially, yet also getting loads of infamy from the boys and girls in law enforcement blue.

All options that would have been available, yet the present RPG lines never truly pushed the envelope, it seems a little bizarre. There is no way of telling how popular any RPG game gets, yet when we see that the greatest foes are ‘repetition’ and ‘grinding’, it seems odd that some of my ideas were not there in WD2, as it was something we could have seen coming a mile away.

This might not have been interesting to anyone but gamers, yet when we see how the US is seemingly angering Iran and Saudi Arabia to an equal degree, do you really want to wake up and drink coffee, or play a video game and hope that after 4 hours it was all merely a bad dream? When we consider the dozens of additions that took less than a few hours to add, against the fact that some of these games have been out since 2014 and sequels in 2016. Is it not interesting that so much of the same is shown to gamers? Not merely Watchdogs (Ubisoft), Fallout (Bethesda) could have made additional usage of terminals, writeable holotapes and other bits as well, between 2008 and 2018, we saw 3 products and we see forward momentum to a decent degree, no one is debating that, yet how much more could we have seen? When we see in regards to Far Cry 5 ‘it’s very much More of the Same‘, should we fear the beginning of iterative gaming? I can tell you now that this would be a really really bad thing. We went from Forbidden Forest (1983) to Tekken 3 (1997), which shows a 1000% improvement in all directions, yet when we consider Tekken 6 (2007) and Tekken 7 (2015) we are for the most merely confronted with better graphics and the list of games with a similar issue is growing rapidly. A truckload of gaming leaps all ignored for a few reasons I gather, so in my view there is too much wrong and the fact that we are confronted with Forbes asking “is it fresh enough, or is this just another Ubisoft open-world game checking off all the boxes?” and the fact that Metacritic gives us 78% rating for the game. When you consider that the game had a budget between $80 and $130 million, and a 78% score, we need to worry. Ubisoft might not care as some claim that it made over $310 million in the first week. Yet, if we consider that it could have been a 90% game, is this a stage where Ubisoft missed out of an additional $150-$200 million? There is no way to tell and it is highly speculative from my side. In this I am not hammering Far Cry 5, merely using the most visible example. Is one a sign of the other and as such is it also a sign of iterative game development? It is an important fact and one that needs investigation as the game in gaming is set for more and higher budgets. As gaming was set to a $108.9 billion stage in 2017, and as the predictions given to us, that in 2020 $20 billion more will be made, is it not important to maximise that as much as possible? Especially now in a stage where too many are on a tight budget, relying on Black Friday and Week 12 discounts, getting it right as much as possible will be adamant in getting the larger chunk of that $120 billion pie.

When we (speculatively) see that ‘more of the same’ is part of the 78% rating, a diversified game is becoming more and more important. Some might not care, others might oppose, yet when we see that GTA5, a game (not my style of game mind you) that some regard as perfect as a game can get, that game made $6 billion, my case is, as I personally see it made.

If some are to be believed, there is the idea that 2020 would be the year of GTA6, with the view as is, there is every chance that every owned of GTA5, will get GTA6, implying that all the other game makers will vie for the additional budget left for gaming. In that stage, as I personally see it, they will not spend it on a game that is more of the same, so the other game makers will have to consider upping their development ante by a lot.

Whatever comes out then will also require extremely serious testing, as the people are getting mighty annoyed with the amount of huge day one downloads they face.

 

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