A,B,C,…..D?

We all have ways to promote the thinking pattern within ourselves, we all have our way to get about it, I am no exception. Yet, today is a weird day, I am overwhelmed with a thought and a sensation from the 60s. I was a wee young lad (a little piss ant is more like it), I was never a saint, especially when I was young. And in all this we all had our own ways to deal with ourselves, again, I am not exception. 

The sensation that bugs me today is something that has been in the back of my mind for a while. It is like a nuisance that keeps on bugging me and I do not exactly know why. It is a drink, in the Netherlands it was for a small time (in the 60s) decently wanted. The bottle was long and slim, with a light blue lid, it contained some form of a tangerine drink. That drink has been on my mind for a while now, and I miss it, but until recently it’s been nagging me and I do not know why. I looked up a few things and I noticed that there is no decent tangerine liquor. The drink I used to have was a lemonade, basically tangerine juice, settled with a third ingredient like water, still water. So why was it on my mind so strongly?

I had been considering a lot more from that era, mostly TV series, it was all before the house of Pong set up its shrine (a manhunter New York joke). And then it hit me, it was 1968, the Dutch TV series ‘De Fabeltjeskrant’ created by Leen Valkenier started, the UK got it later titled ‘The Daily Fable’, the setting had connections to the fables of Jean de La Fontaine, Aesop, and others. No matter how simple it was then, it was close to unequalled until it ended in 1989 after well over 1600 episodes, a gem too many had forgotten about, The adventures narrated by Mr Owl, with Miss Stork, 

Mr. Cunningham the Fox, Mr. Crow, Boris the Wolf, Bert and Fred Beaver, Zippy the Hare,Shelly the Tortoise, Miss Ant, Gerald the Pigeon, Milord the Horse, Harold the, George the Guinea Pig in the British version, Mumbles the Mole, Myra the Hamster, Greta the Cow, and Zaza the Zebra. There were more characters, but I stopped watching when I grew a little older, yet consider the simple fact that this series ran for over 1600 episodes and consider all the old tales as well as the tales of Grimm and others, what a treasure trove it could be, even today, we are all looking at the hi-tech series, but there is a reason that Tim Burton struck gold with the Nightmare before Christmas, stop motion animation is still an art that can move all the senses we have and we forgot about that tiny detail. We seemingly forgot about the situation where what was is still good, but how to embrace it? The fair part is that children do not mind, they embrace the story, the interactions, the inclusion, it is the inclusion that tends to take the cake, but it is merely one of a few factors and to be around for 22 years, that matters, that shows that you have a winner. So can it be relaunched? That is the question we need to face. E can remaster it, it can be remade, but in the same way? It is like the original Mass Effect, these gems are close to timeless, in 15 years when we have the Playstation 6 and the Zbox (or XboxX), a game like Mass Effect will still have a value that equals its weight in gold, so TV series too will have their moment and the IP and its owner sees a new life where none was expected. It is the showing of a real visionary, a game like Mass Effect (the original trilogy) is truly one of those. 

So whilst my mind focussed on a tangerine smell and a faint taste of what was, the reason was lingering in the back of my mind and the Daily Fable is not the only thing from those days. Netflix is investing a little over $17 billion in this year alone, but on how much actual IP? What if a fraction could get them several series that could give them a much larger offering of series? As the workflow comes back (after another lockdown), we see that there is a need for materials that will be there for the younger and the not so young viewers. 

It is about series, games, streaming and non streaming. It is all directed via IP, but it is not the only option, there is a whole league of games that lost their IP protection years ago, the same for TV series and the clever mind is one that looks in the past and find the troves most forgot about.  A setting we need to take another look at. So consider on what Netflix is spending and then add the billions that DisneyPlus is spending and see what some can get at a mere farthing per pound, a setting too enticing to ignore, but the will be the name of the game soon enough. 

It links to an old joke, what is the difference between a bookkeeper and an accountant? A zookeeper has a $10 note and hands you 10 $1 coins, an accountant squeezes the $10 note until it gives up 11 $1 coins. We can laugh at the or realise that the Netflix has an optional $1,700,000,000 around, all because not the right accountant took a look at the $10 notes. We can laugh at the joke, or we can consider that there are parts none of them looked at, why is that? Or better stated, where are the gemstones? You already saw one, let me give you one more, it was a Swedish series called ‘Den vita stenen’, a series based on a 1965 award winning book. In a collection of nations, a mere 2 options and that is before you realise that France, Germany, Norway, Estonia, Netherlands, Belgium and Spain. They all have the gemstones no-one noticed or they forgot the impact they had focussing on a local market tends to have that impact and the time goes short, soon more than one will catch on and when they get it done it will be too late for them.

Such is life, as such, did you get to point D? If so, is it a square, a rectangle, a trapezium or a parallelogram? All options and none are the same.

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