Tag Archives: Alicia Vikander

We’ve seen it all before

That was the thought I got stuck with when I was looking at The Disappointments Room, a movie with Kate Beckinsale, shortly after I stopped watching it. Now, this was not the fault of anyone, not her (watching her is as pleasing to the eye as watching a Rembrandt), not the director, the lighting, the camera work, it was all high end good, yet the issue for me remains, I have seen at least 15,000 movies, so there is an issue with me watching more movies. Lately I have been taking notice of that, and with Kate who made her debut in Much Ado about Nothing (1993), a small part I had actually forgotten about, I remember the movie well. Implies that there is a sliding scale ahead for me and I am not happy.

There are still happy moments too, I loved Earthquake bird and was amazed that Alicia Vikander was so great at Japanese pronunciation, apart from that (and the fact that Lara married a Ubisoft character, LOL) made it an interesting ride, that is all before that the movie is one hell of a psychological drama, that includes some level of triangle relationship is pretty awesome, the fact that it plays in Japan is merely a plus for many (including me). That entire movie was an interesting one, we had all seen it before, but as we experience the setting, we see a movie, one that is for the most totally new, and there is a point where I wonder how the makers Wash Westmoreland and Susanna Jones pulled it off.

Was it all about Japan, was it Alicia in Japanese surrounding, or was it that for the most the movie was not laced in a sexual setting, there are 1-2 screens, but they seem to make sense as this was the relationship between two people. Yet in all that, the entire Japanese setting is overwhelming and we look around as we notice more and more differences, but what set it off? I believe that the script was a big part of it, but all movies have to face that, so what made this movie different, why did I not have the ‘We’ve seen it all before‘ feeling? I think it is important, as we are all running to the next Marvel movie, a remake of Charlie’s Angels or a Ford v Ferrari movie, I wonder what we will get next year, because it is becoming slim pickings for anyone who grew up being a movie fan. There are movie makers who are a given, people like Ridley Scott, who seem to be answering questions in the movies as they make the movies, a lot has been done before and some movie makers seem to distinguish themselves in that way, but the scary question for me remains, what comes next? Oh, I believe that we will see plenty of fine productions, but the overwhelming feeling that I have is that the ‘We’ve seen it all before‘ will return and that saddens me a little because it will not be the fault of the maker, or the actors or the actresses. It resides in me and all the movies I have already seen, that is the part that saddens me and it is laced in another part as well.

When we watched a movie (in a far distant past in this galaxy), my grandmother would comment on ‘How she had already seen that movie‘ whilst I was in the frame of mind that the movie was new, yet she was proven right again and again as these were remakes, it is nice to be in the first viewing of a remake, but I got old enough to have seen the original of whatever movie was re-released in the last 5 years so it is a little less fun for me now.

For me this is like watching the Female Ghostbusters, or the real live Aladdin, both movies have one setback, the original was pretty darn good, in the original Ghostbusters, we got to see special effects that until a few years ago no one surpassed, in addition to it all it was a great fun film to see, so the female version had a different ghost to fend off, and they were unable to, we kept comparing to the original, Will Smith faced that and worse in Aladdin, he had to fight of the ghost of Robin Williams, in addition Disney had taken the voice section to the next level and we all still remember Gilbert Gottfried as Iago, it is hard to fight off those ghosts, especially when the current generation still remembers them so well. It was different for Oceans 8, yes it was all female, yes it was linked to Danny Ocean (George Clooney) but that was it and the theft of a $150,000,000 necklace was truly next level shit (to coin a phrase) and I am avoiding all kinds of twists that the movie has, you have to see them for yourself, and James Corden was not a twist, the man really can act ;), and the ladies in the movie set out to plan a great heist.

To think back, I really have no idea who at Disney was stupid enough to invest and to allow the entire real live version of Aladdin to proceed decades too early. Although that is merely my thought on the matter, the movie did become a billion dollar plus movie, so there is that too. For me next year, I am worried about the Grudge, an amazing original Ju-On (2002) yet the remake 2 years later was still good, there were two reasons for that, the first is Sarah Michel Gellar, we had just admired her in Buffy for 7 years and seeing her in a different movie was well appreciated, the second and not the least important one was that it was from the original maker Takashi Shimizu, so seeing another remake next year will not be on my list to watch. I have a few reservations on Fantasy Island, yet we have seen Michael Peña in several good movies and there is every indication (from the trailer) that they are taking the sweet caramelized smell of the original TV series with Ricardo Montalban (Mr Roarke) and Herve Villechaize as his assistant Tattoo in a new direction, that I want to see because the trailer is indicating that the caramelized part is gone, it will be a liquorice cured salmon, the first time is the most powerful one because most people have never had it, it is also an acquired taste, so you’ll love it or hate it, but it will be new and that is the part that matters to me.

There is another wave coming, but not made as re-release or remake, it will be a sequel of Candyman, with Tony Todd as the murdered son of a slave, for me it means that there is every indication that I can finally replace that movie as a Blu-ray and it made me realise that it was released 25 years ago, wow, when I was half my age (extremely approximately), I remember the movie, meeting Clive Barker and a whole range of other events around it, seeing it sequel will (hopefully) be an awesome experience.

Yet overall I see that there is more behind me than in front of me and for a lot of us, when we have budgets to keep to we need to select the movies we see on the big screen, I went from a movie every week to a life where I saw no more than 6 of them on the big screen last year and that is a big difference, nowadays I see the movies that are in the libraries, and with Netflix, Disneyplus and other streaming media, on one side I wonder how much is left for the silver screen. Yet on the other side, as far as I can tell, no one ever took Ryū Murakami 1999 masterpiece Audition to the western world, now that is a movie you want to invite Harvey Weinstein to. I won’t give away anything, but if you want to see horror with a difference, that is one movie to watch, there is a whole range of movies where we seem to forget that there is a whole planet outside of Hollywood that makes good movies, and even if we want to see a re-master, or a re-launch, personally I am still hoping for Claude Leloch’s Les Uns et let Autres to make it to Blu-ray, let alone to get it re-launched (if that was even possible). The Netherlands (who got caught up in WW2) has its own views on the resistance and occupation and it resulted to amazing works, like Black Book (2006) and Riphagen (2016), most people will remember the decorated movie the Assault (1986), yet very few of the non-Dutch will have any idea about a movie called Undercover Kitty (2001), whilst the person behind this (Annie MG Schmidt) is in Dutch circles on a level that equals Walt Disney, or perhaps a little more correct the Swedish writer Astrid Lindgren, who created Pippi Longstocking. Yet how many remember or even know of the Swede Gunnel Linde? He wrote over 40 books and in 1973 the White Stone (Den Vita Stenen) became a TV series. I wonder how many options a place like Disneyplus would have when we see how large the collection of children’s series would be, the same when we look at Netflix in light of Audition (not really a kids movie), yet more revealing, will this become the age of ‘We’ve seen it all before‘, or will we see that like the new Fantasy Island, we end up with movies that show a surprising twist, one we never saw coming, to be honest, not unlike some movies, we will have seen it before, even if we would accept the new special effects, there is a chance that we get to see another Thing (1982) which makes for an interesting version from its original 3 decades before, yet nowadays, we are more likely to see another Insomnia (2002) which was its own perfect remake, yet when it comes to remakes, it is a wild card, because no matter how we love the Departed (2006), there is a chance that you saw the original Hong Kong film Infernal Affairs (2002), at which point the timeline is too close together. I was lucky enough to have seen the original and yet Scorsese makes a magnificent movie, yet the original was made in such a way that it was brilliant in its own right and in this my mind would love to give Andrew Lau and Alan Mak the credit they deserve, yet in opposition, there are plenty of other movies that a lot might not have seen and seeing some of those works (again), in a new light is still worthy of watching. Sweden has jewels like Lilja 4 Ever (2002), we might have seen the Norwegian movie Trollhunter (2010) in a different form, yet when you see this movie, you wonder which one is the original (the other movie was released a decade before this), so there is not much call on that, yet the stories are unique, original and the stages we see are also a question ‘We’ve seen it all before‘, yet have we?

In 2015 Norway produced the Wave, like other movies we want to say ‘We’ve seen it all before‘ yet that too would be wrong, we have seen something similar, but never in this setting, that is where the feeling gets in the way, The Wave is an intelligent piece of work that takes Norwegian customs and leaves us wondering whether we choose the right place to live for the right reason yet can we avoid choices? (I am really trying hard not to give anything away here), the world is filled with movies that seem to look like a movie we had seen before, but we had not and this group of films is now going to be a central part in places like Netflix and DisneyPlus (as well as AppleTV) to set their markers for gaining a following. Sometimes remakes work really well Zatoichi (2003) is a nice example. Yet even more overwhelming are the works of fiction, the books that were released in other nations that no one thought of translating. Even known works like Swedish Sjowall and Wahloo resulted in amazing movies a decade ago when the world got to see Beck; in this Peter Haber made an amazing Beck, finally replacing the image that Sweden had through Gosta Elckman. Germany is another nation where there is an abundance of great art. We all seem to remember Das Boot, Downfall and Der Baader-Meinhof Komplex, yet how many have seen a version of Das Leben der Anderen, where we see the impact of Stasi (the East German secret police)? Perhaps you might not know it by Die Welle was based on the true story of a high school teacher in California who designed an experiment to teach his students about Nazism, when you see that in real life, you wonder what you know. We seem to believe that modern day fascism is impossible, yet the movie casts doubt on that and this was all before social media, so there is room for new versions and altered (read: different) versions.

It is hard to see the light in so many seemingly remakes and re-launches of past greats, but there is light and there is room for plenty more, as such I wonder whether it was just me when I thought ‘We’ve seen it all before‘ or was it the maker who was not aware of other versions of great stories?

I wonder about this not because of Christmas, you might think that we will get re-runs of other versions, I know that this is not the case as Netflix gave out Let it Snow (2019) which is actually a decent movie to watch, which was a nice surprise for me. As I feared that plenty of repetitions seem to be the case when it comes to Christmas, I merely chase that one side in movies, the one I had not seen before and as we get from stage to stage, that risk is increasing, yet the cameraman as he uses his instructed skills to show something different will be able to thwart that danger for all of us (one might hope).

We are about to get 6 times the releases that we have ever had before, because the large screen and Blu-ray line is gone, there is now a large screen, Netflix, Disneyplus, Stan, Amazon Prime and Foxtel release plan, even as they all end up on Blu-ray, we need to pick what we can optionally watch and they are all slamming whatever they can lay their hands on, so there is 6 times the likelihood that they hunt a similar story. Yet there in the end we get to see the issue at hand ‘We’ve seen it all before‘ and as out budgets are now a lot more defined, we all end up being in a place where we rather avoided that part of the equation.

 

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The Commanding Conquest

The NY Times gave us a view, some are laughing, some are looking forward, some are grasping at the past, but you and me? What will we do? What are our thoughts?

That is the view I am having when I see ‘A Glimpse of a Crown Prince’s Dream? Saudi Arabia Invades Iran in CGI‘ (at https://www.nytimes.com/2018/03/20/world/middleeast/saudi-arabia-iran-invasion-video.html). The video shown is not new, the article revealed that the movie was uploaded last December and has had 1.2 million views. That’s around 400,000 a month. We see the application of CGI and Command & Conquer intro movie style towards the games that Iran has been playing. So as we see “In scene after scene, he orders a succession of superior weapons systems to pulverize the enemy“, we see a setting, one that is changing. It is what I would optionally call the sabre rattling by Crown Prince Mohammed bin Salman, who according some of the sources is stated to be behind this all. I cannot tell, I do not know. But it is clear that Iran is also realising that everyone is looking at them now and none of the voices are telling Saudi Arabia to stop. Those voices will come too late and at that point, with the EU not willing to give an inch towards Iran, Iran will stand alone. Even Russia who has been their trade buddy for the longest of times is backing off a little, as they would endanger the foothold that they are growing in the Middle East via Syria. In addition, if there is a side, than Israel will never choose it will be the side of Iran, that ship has sailed and was burned down the moment it left the harbour of Jaffa.

One view given was “a Princeton professor who recently published a column explaining the challenges Prince Mohammed faces in the kingdom, suggested in an email that the Iranians themselves might have made the cartoon “to make the Saudis look silly”“, it is certainly one view, but when we consider Command & Conquer, is it as simple as Saudi Arabia v Iran, or is there a third player in town? The view that former CIA employee Bruce Riedel has differs as well. He of course has just published a new book based on 3 decades of experience and his view is “This represents how he sees himself, or what he would like to be, It suggests that at least some part of Mohammed bin Salman lives in a fantasy world, and if he really believes these things then we are on a course that could be extremely destructive“. It is not a view that I could state was incorrect due to lack of data, but if the Crown Prince has set this all in motion, is it in the end anything else than a creative presentation? Lets not forget, if we plough through the presentations of historical CIA, most of their directors would have ended up in prison, as would some members of congress and at least two former Presidents of the United States. So the view given here is not one that seems to be the pressure here. I actually like a later view in the article in the NY Times where we see “Other scholars suggested that one of the prince’s courtiers might have commissioned the video to flatter him“, that is one part that appeals, it would even be better if it was made by the courtiers son who has the dream of becoming the coolest game designer in Saudi Arabia, which is not a bad dream to pursue to begin with.

No matter who or what it is regarded to be. When we consider it from the distance, it is merely a presentation, one that took effort. My view on the third player is shown (in my humble opinion) by “The video was released almost simultaneously in Arabic and English, with subtitles in Farsi, Hebrew, Mandarin, Russian, Turkish and other languages, so its animators probably also had the help of a team of linguists“, you see no matter how they feel about Israel, Saudi Arabia would have been unlikely to have taken the effort, even when relying on Google Translate and even as we know that Israel will never be a friend of Iran, it is my personal view that Saudi Arabia would not have taken the effort to get the ‘Hebrew’ edition out there, giving rise to the third party. I would need to see the full list of subtitle editions, to learn how precise my prediction is, but I think that the players adding the Hebrew edition shot themselves in the foot.

Yet it does also give light to “Prince Mohammed is a long-time fan of animation and video games. His personal foundation set up a venture, Manga Productions, to produce Japanese-style animation about Saudi Arabia and its culture“. Did you know this? Many have been curious about Saudi Culture; many wonder just how warped the press had made certain settings of Saudi Culture. Now I know that it is not the culture, with all the options that Western Europe had, but that is their history, learning more about it will only make things better for both sides. So when we see “Japanese animation productions major Toei Animation is teaming up with Saudi Arabia’s Manga Productions to produce animation titles and films to be released in both countries. The new tie-up was unveiled Nov. 16. Manga Productions, which is affiliated with Saudi Crown Prince Mohammed bin Salman’s MiSK Foundation, focuses on producing animations and developing video games with creative and positive content targeting different local and international social groups. Bukhari Isam, CEO of Manga Productions, said that his company will do pre-production or prepare designing content to be produced in Japan. The productions will be internationally targeted”. Most forms of information that is linked to Japanese excellence tend to be very well received on a global scale. So in all this we would need to realise that the media has been keeping information from us all. Now, there is no way that everyone will suddenly become a ‘Saudi’s best buddy’, but the setting that we see almost no exposure to this and that in the age of learning and comprehension that is one view that we are filtered from is equally dangerous. There is no other way to see it other than that the Muslim way of life has a global impact on nearly all, even if it is often not visible. Is it so bad to learn more on something that has no Christian foundation? Are we so afraid for the switching of atheists and agnostics to state: “This sounds like a much better way“, is the often hidden setting that Christians filter what must not be seen that has been a hindrance for decades! Should you oppose that (which is perfectly fine), than take a look at Spotlight, a 2015 movie on an unfrocked priest accused of molesting more than 80 boys. This was based on the 2001 event where editor Marty Baron of The Boston Globe assigns a team of journalists to investigate allegations against John Geoghan, the fore mentioned unfrocked priest. The article became proof of the cover-up of sexual abuse within the Roman Catholic Church. An issue that still impacts people today. Less than a day ago we see ‘Cardinal George Pell could face fresh charges after new witness statement emerges‘. This is merely one of many issues that had been pushed to the hidden shadows of society. These events are still being shown to be an issue 15 years after the initial article got out, so we can state that there has never ever been an events where filtering based on religion gave us wisdom, the media is only finding this out because it ups the circulation of their papers. There is a hard lesson to be learned there.

So, as we take a look at the Crown Prince, and the video game intro movie? Perhaps we will learn the truth of whoever was really behind it and what the purpose was. Perhaps it will be as simple as a member of the Saudi royal family telling Iran that they need to stop playing their games, because some mind games tend to become realities with fatalities and in this a video game is merely the presentation of artistic design. We all need to realise that only in a videogame foundation can a 1.68m tall model wearing nothing but cargo pants and a tank top take out dozens properly clothed mercenaries armed to the teeth with a bow, a knife and an ice axe, because that is where our minds in video games tend to end. So will the intro movie become a reason for war? I very much doubt it, whilst we are looking at these events, most are now forgetting that both Iran and Turkey are isolating themselves more and more, Iran for fuelling the events in Yemen and Turkey for the actions in pretty much all the Kurdish regions. In the end they can merely depend on one another, which would be a clear ending to whatever economy they thought they had. As Iran is dealing with 25% youth unemployment and Turkey with 24.1%, they both have other immediate needs. So in the end, even as the Command and Conquer, Saudi edition looked cool, a mere presentation of how opening trade and growing other economic options is a solution to youth unemployment, it seems that both Iran and Turkey are far far away from learning that lesson for now.

So as we end with two more parts from the NY Times. The first being: “The video appears to show an accurate reflection of the vast Saudi arsenal, with two exceptions. The tanks labelled in the video as Abrams M1s, the most advanced American model, look more like the outdated Patton M60s. And Saudi Arabia does not have the ships needed to transport them to Iran, said Douglas Barrie, a senior fellow at the International Institute for Strategic Studies in London“, which might be perfectly fine, so when we see the second part we see: ““The Saudis have a very limited amphibious capability,” Mr. Barrie said. “They do not have the platforms for a large-scale amphibious operation.”“, we might all agree, but these high paid people have taken the time to analyse a video game intro, so as the optional third player makes another movie, will they look at it again? When it comes in a box with image below, will we hear from these people about the substandard weapons that the French are using? #JustSaying

 

 

 

 

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