Tag Archives: Apple+

The other side we do not look at

My introduction to Jack the Ripper started as far as I remember in 1979, I was 17 and a few months at the most. It was the movie Murder by Decree with Christopher Plummer and James Mason. I thought it was good fun and I enjoyed the movie. The second introduction (as far as I remember) was Jack the Ripper, the mini series with Michael Caine as Abberline. His sidekick Lewis Collins (Bodie, the professionals) was his sidekick and the heartthrob Jane Seymour was there as well. This was the first introduction to the serial killer in a more serious way. And I took notice. I personally did not like From Hell, but it still matters. You see with all the less favourable stuff on TV, there is a side people forget. Michael Caine might have given it a spin, but the life of Frederick Abberline should have been made into a (mini) series long ago. 

His life has all the stuff a decent series needs and Abberline was nothing short of a police titan. We might overlook the last line as “Chief Inspector Abberline retired from the police on 8 February 1892, having received 84 commendations and awards.” Yet in today’s world people see a policeman as special when he gets a mere 10% of that (not dissing the police here). And the setting to make the series revolve not around chapters but awards and commendations has never been done before. The setting (still unverified) where we are given “was hired by the Pinkerton Detective Agency in 1904. Initially, he worked in casinos in Monte Carlo to find customers who were cheating. He then returned to England and continued working for the agency, until another retirement in 1904. He then bought a home, “Estcourt”, 195 Holdenhurst Road, Springbourne, Bournemouth.“ Should not be overlooked. It gives the series a final episode and a larger international interest. 

And in all these years Hulu, Netflix, and Apple+ never saw this staring in their faces? How come? 

A sideline not to be avoided could be that Abberline’s sidekick George Godley had his own successes over time. Two interesting characters of the London Metropolitan police and the only thing people look at was a mass murderer. But I give you this, find me any policeman who got 84 commendations and awards and you might just have a sequel in play.

When we see the series and the less interesting sides of Hulu, Netflix, Apple+ and every other stream provider none of them gave it a seemingly serious thought to look at London and its metropolitan police force in one of the most stirring time settings that London had in the 19th century. And in years of 35000 script submissions no one seemingly had the idea to look at the other side of the Atlantic river (at least that is what I think they didn’t do).

So what is/was stopping them?

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The true setting

Yes, that is what we want, what we need. What is the true setting? We seek it, because (for the most) the media tends to give us a loaded canon, the question becomes for who they are loading their canons? This is seen with the BBC as they give us ‘Netflix cuts 150 US-based jobs after losing subscribers’ this headline is true, no one denies it and overall I wonder how many people left Netflix as they fired 1.2% of their workforce (150 out of 12,135). I can come up with all kinds of settings, yet we need to accept to some degree that Netflix will do what is best for Netflix, and that is not easy. Netflix has all kinds of issues. The first is that there is saturation in the streaming services. Netflix is apparently offering gaming services and become a competitor to Google and Amazon and as the BBC gives us “The redundancies, announced by the entertainment giant on Tuesday, will mainly affect its US office in California. They account for about 2% of its North American workforce.” This is fair, it amounts to a US workforce of 7500, so why did the BBC not give us that? We then see “In April, the streaming giant shocked the industry when it revealed it had lost 200,000 subscribers in the first three months of 2022, and warned another two million were expected to quit in the coming quarter. The news sparked an investor sell-off, with the firm’s stock plunging 35% in one day. It is now trading at $190 (£152), a 46% drop on its previous premium.” Now it is harder to say something about that. The stage of 2.2 million people is the setting of saturations and to some degree covid ending, or perhaps better stated, the people are expected to go back to work and there we see that Netflix is hurting the most, but not the only one. Covid endings will hit Disney, Hulu, Apple+ and others too. I see another problem, the fact that covid was ending was clearly visible, so the stage of “stock plunging 35% in one day. It is now trading at $190 (£152), a 46% drop on its previous premium” makes me wonder whether the suits of Netflix were wishful thinking or something. They are losing members, they are not correcting for 200K and 10 times that much in the coming quarter and the 35% drop implies an overreaction on one hand, or a lack of information on the other (BBC). This matters, because this knee jerk reactions from investors with their gaming enterprises will make it fail a lot faster than anyone expects. It is good news for Google and Amazon, yet there is the idea that it is not good news for gamers. You see the more game streamers there are, the more interesting it becomes for developers to sit don and seriously contemplate that dimension. Netflix would have been a decent third party. It is still possible with the other two, but three makes for a crowd and therefor for a larger interest by serious developers. That is how I see it.

So how will Netflix fare?
That is not easily seen and whatever I see makes it not truth, mere speculation and I am telling you that upfront. You see, no matter how I see it, how I interpret the knee jerk reaction by investors. There is every chance I might be wrong, and to some degree I do hope I am wrong. I have no idea how Netflix will be as a gaming solution, but a third player makes for more gamers and optionally for more embracing the streaming gaming solution. They do have options, or so we see. With “it’s looking at a cheaper, ad-based model and also planning on cracking down on password sharing which has cost it 100 million households.” We see two parts. The first is one, but one I personally would happily reject. The second one I have no issues with. The idea that 100,000,000 households share passwords implies that Netflix is losing over a billion a month. So they will need to evolve that system. At present I have no idea how, but there is always space for evolution.

So what will the future be for Netflix? I still believe that they can find all kinds of IP in the past, people forgot or merely ignored it and that is no different for movies and TV series. So saving costs in one directions does offer options in another and to be clear, there is an essential need for them to restore the loss of a billion plus. Beyond that? It will be anyones guess and a guess is as good as it gets for Netflix at present.

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