Tag Archives: Hera

My bloody brain

Yup, it tends to happen. I am out here trying to insert a side of the story to my script Engonos and also the script to Vitam Exhaurire and as it happens I suddenly have another idea. I am working on three scripts at the moment (the third will be on the back burner for a little while) there is no way I am starting another script. I’ll end up with a dozen of scripts and only one finished. Still, the idea has merit. So perhaps I can give it to Matt Damon. He might be busy, but it could help the students involved in Project Greenlight, an American documentary television series focusing on first-time filmmakers being given the chance to direct a feature film. Perhaps it would be useful for them. On the other hand, first time film makers tend to have their ideas on a rope, as such. I am not sure if it would be of any help. I’m thinking that any idea that hits a director (or visionary) who sees the idea might think that he (or she) could make something of this and I was never unwilling to give assistance to the creative mind. Beside that I am already working on projects 2 and 3 (4 comes later) and in that instance this idea would be redundant in my mind as I am focussing on something else.

The Idea
The idea is surrounding Euripides, the Greek writer and a Greek tragedian of classical Athens. He lived between 480 BC and 406 BC and is said to have voiced over 90 plays and several were made into movies (after he died). So I got to thinking. What is this movie is about Euripides. Starting as a young Greek (around 455 BC) and from there we get to see two settings. The first is his daily life and set this in an authentic looking life (at that time) and in between he goes on dream quests and envisions some of his works like Orestes and how he envisions how the Furies to be. We see him thinking through grief in Hecuba and how he sees the unfold through grief over the death of her daughter Polyxena and the revenge she takes for the murder of her youngest son, Polydorus. We see him shape Children of Heracles and how he opposes war. And in that setting and these plays he shapes tragedy as we know it to be now. You see, we see his plays and the versions that made it to the movies, but we don’t ever see Euripides himself and how this darkness is shaped into the massive hit it is now and has been for over 2000 years. There is also the thought that he might have been a doom sayer, brought to the surface in his plays and how it shapes him and darkens his soul. He died at an age over 70, in those days a real rarity. As such, the end of the movie should include The Bacchae which was published after he died, yet that part is ‘performed’ in the movie whilst we see Euripides as a ghost between the people watching his work lighting his should up. As we see The Dionysus in Euripides’ tale is a young god, angry that his mortal family, the royal house of Cadmus, has denied him a place of honor as a deity. His mortal mother, Semele, was a mistress of Zeus; and while pregnant, was tricked by a jealous Hera to request Zeus to come to her in his true form. But in the movie Dionysus is the ghost of Euripides, showing him angered by the people who mocked him in his life. And he is taken by three women Clotho (the spinner), Lachesis (the allotter), and Atropos (the inevitable, a metaphor for death) telling him that his work will survive thousands of years and he did well and Zeus will congratulate his efforts and the inspiration he was to greeks until time ends. 

This was the idea I had an hour ago. The plays are a bit open, but The Bacchae is essential to be at the end as it was published after he died. 

So that one is for Matt Damon to use in Project Greenlight.

Well, that is my creatively created $0.02, not bad for a 02:00 piece of work. Time to catch some snores as I prepare for the day ahead which starts in 3 hours. Have a great day.

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And then there were three

This story starts a bit flaky. It started a little while ago, but today I saw Morbius and that clicked with a few other thoughts. The movie was OK, it was not great but I never read those comics, so I went in blind. The acting was good, the special effects were nice and there are two disadvantages, the first that it come across as an origin story and the second is that I never read those comic books. As such, I believe that those who read those comics are a much better source of criticism. Yet still it gave me food for thought, food from sources decades ago. You see it takes me back to the comic Dracula.

I was not the biggest fan, I read a few, not all and one thing stood by me. At the end of one of these stories Dracula says “You forgot, even demon’s have nightmares, in those nightmares it is me they see”, it is not a literal translation, but it comes close. You see, we think that the darkness is scared of the light, it is not, it fears a deeper darkness. You see if it was the light they feared there would have been an outright war between forces of light and forces of dark. But the dark fears a deeper darkness, it is where they cannot see, that is where their fears lie. This fear goes back to the age that preceded ancient Greece. And that is where I am now (to some degree). 

Part 0
It was a sunny Sunday and I have been living is relative quiet for some time. He had been living in London for a few months now and most of the day, hours in the morning, the afternoon and the evening he was bend over a book he had received. In-between these moments he went to the foodcourt in Harrods, walked on Regent street and let the noises of London infest him. It brought a lull to his mind that he rather enjoyed. Day after day reading Ἐλευσίνια Μυστήρια’ (see Another episode) was taking its toll. He had read as much as he could on Eleusis, he had studied maps, he had even been digging into the stories of Demeter and the search for her daughter. A much larger setting that had connections all over, but he was not able to see them yet. There were links to longevity of the Eleusinian Mysteries, with connections to a consistent set of rites, ceremonies and experiences that spanned millennia, and it all seemingly came from psychedelic drugs. The problem here was that the drugs were unknown, or at least they were not in the book, making matters a little bit of a problem. There was in addition the small sentiment that Eleusís, seemed to be Pre-Greek, and that name was inclined to be linked to the goddess Eileithyia. A daughter of Zeus and Hera, but if the town was pre-Greek, there was more to all this and that was a rather large damper to the party, because what was still in existence that was pre-Greek? He was about to give up when he walked into the British Museum. He was walking and taking in the art it displayed when he noticed something, he was about to walk away when something within him told him to look deeper. He was staring at the the roaring lion from King Nebuchadnezzar and he suddenly noticed two words in there. It was faint, it as in the mortar and it was behind the stones. He had to stare longer to make the words out, The words were Eleusís and Nabu. Nabu was known to him, he was Mesopotamian, not Greek, what was the daughter of Zeus and Hera doing there? 

As clues go, it was slither thin, but between thin and nothing he would take thin any day and now he had a new path to walk on. Where would it lead?

Part 1
To be continued…

Yes, it needs continuation and this is not a cliffhanger. It was as far as I got. You see, if despair opposes hope, what drives either? Consider a simple clock, the cogs that make the seconds move and form a circle in EXACTLY 60 seconds, now consider the minutes that are pushed one part forward every t60 seconds and 60 minutes later an hour will have passed. The setting of a clock. Now set that machine up to reflect hours, days, months moon setting (28 days) and years. A clock that does not ever stop and has been precise for millennia. That is the clock we need to find, because the Olympians have no concept of mortality. They are here forever, and that drives both despair and hope. You see a person that never fears anything has nothing to look forward to, that person is merely passing time. Eternity is the harshest taskmaster we could ever fear to face. And we must fear eternity, the Olympians certainly did. And there is the rub, there is the setting. If Eleusís is the goddess of childbirth, who is one the other end? Not the fates, not Hades and no one knows who is there and that is the setting towards a path we find ourselves on. 

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The evolution of god

Yup that was more than a mouthful. Peter Molyneux was ahead of his time, and in all this he was not limited by imagination, he was limited by hardware, as was Sid Meier, as was Richard Garriott, as was David Braben. They made gaming great and their ideas live on, even though in at least one stage it was corrupted by a greed driven corporation hoping that micro transactions would safe them. But what if the next generation consoles and cloud generation gaming is the foundation of new games, what happens when we take the original concept and make it into something serious in a sandbox environment? If we think back to the ‘original’ gods, what happens when we can revisit the age of Hades, Poseidon and Zeus? What if we have the ability to become a god? What if it starts small? What if the game evolves through us, not that WE evolve in a set game?

Consider that energy grows, so consider that we start with accumulating via a bees, wasps, hornets, ants, or termite colony? We get one choice and we still have to find the right colony. Now we can spend time trying to find that colony or we can take a gamble, and as one colony grows the power within us and we row by directing the colony, we get a larger stage, because the colony is merely a first step. From the colony we can grow towards larger herds, towards singular animals and they too provide energy, they provide power and optionally evolve us in other ways too. You see in the old games it was about one person, one setting you and your antagonist, but in this day and age it is outdated, computers have grown more powerful, have grown towards multi creatures, and in all this we merely think of the old god the three, then we get Hestia, Demeter, Hera, Apollo, Artemis. But what if these templates are merely that, mere templates and you get to decide what kind of a god you become? We think back to (the good old days and) a game like Black and White, which was awesome but what happens when our power is depending on how we grow the initial power base? We can rely on the biggest termite foundation ever, but life is a setting of checks, balances and equilibrium, because without  stage of equilibrium you always end up with nothing. So far no game ever went there. We might consider that before the PS4 it as not possible and you might be right, but now in the PS5 era, we see that games like Elite Dangerous become larger than the original creator thought was possible on a BBC Micro B. That is no longer the case and even as I would love to play Populous 2 again, time moves on and we need to push games forward too. As far as I can tell, no one has made a clear push forward in setting a new stage of the god games and in light of the options within cloud gaming that is slightly weird. Cloud gaming is by default the stage where these games can evolve, so what I stopping game developers from going there? A lack of creativity maybe? It took me a moment to pause nd a little of pondering to set a new stage, and if I can do it, those wannabe great software houses should be ahead of me by a lot, so why aren’t they?

And all this is before you consider Neil Gaiman with American Gods, where the new gods get their energy and power from a very different stage, so what is keeping game makers from evolving as well? 

And all this is set to a stage of western gods, I haven’t even considered what a place like India could add to the mix. And I got this far on only one coffee.

Have a great weekend

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