Tag Archives: Zoe Saldana

Strike Two

This started earlier. It started weeks ago and I was aware, I took notice. Yet, that was about it. I mean no disrespect. I do not live in the US, I am not California and as such I am merely partially aware. I see what most outside of the US see. We see the strike, but yesterday I saw an opinion piece in the LA Times and that woke me up a little more and would you believe it, this morning I got more awake. There was an advertisement on YouTube, it was the Pilot of Lioness and it was one hell of an ad. It was 50 minutes, it was the pilot. Yup Paramount Plus took their balls and hung them up the wall. OK, this is a first that I watch a 50 minute advertisement. Yet, it was not about the ad, not about Lioness but it gave me focus, so lets begin.

The LA Times Story (at https://www.latimes.com/opinion/story/2023-08-15/netflix-antitrust-anticompetitive-labor) gives us ‘Hollywood strikes prove Netflix and other streamers have grown too powerful. Time to break them up’ here we are given “Many have called the stalemate an existential crisis because it concerns new issues such as residuals from streaming services and rules for the use of artificial intelligence. These go beyond the usual labor issues such as wages and benefits and cut to the heart of an industry in which streamers such as Netflix can dominate all aspects of the business.” It is one side that I had not seen before. ‘Entertainment’ has become an end-to-end business over ALL verticals. I had not considered that merely because I am not part of this industry, I never was. Yet here we are given “Antitrust laws need to be invoked — as they were in the 1940s in U.S. vs. Paramount — to break up streaming services that both produce content and distribute it. This vertical integration has deeply changed the longstanding entertainment industry ecosystem, which allowed employees to survive and studios to prosper.” Which gets us to “In 1948, the Supreme Court ruled against the studios, requiring them to divest themselves of their movie theatres if they wanted to continue in the production business. Shortly thereafter, theatrical films began to be aired on television with no additional compensation for creative talent. This led to the strike by both the Writers Guild of America and the Screen Actors Guild in 1960, the last time the two struck simultaneously.

With finally “If Netflix and its streaming peers like Apple+, Amazon Prime, Disney+ and Max can maintain their vertical control, it will be next to impossible to settle the Hollywood strikes in ways that could preserve the ability of creators and technicians to earn a decent living and protect creative diversity. The old vertical studio system was broken up by the Justice Department. It may be time to do the same with these 21st century behemoths.” And that was the wake up call I needed. The Paramount ‘advertisement’ was apt and consider that Lioness is new stellar series. Kidman, Saldana and several others are making a bundle. They earned it, their work is first rate, as is the director and the director of photography. They all did a stellar job, but it would not have been possible without the writer, without the writer there would be no script, nothing for the director to work from. So how much is he making? 

We see the accusations that the top person, which in the case of Disney is Bob Iger, in 2022 he made well over $14,000,000. This amounts to well over a million a month. Now lets take a look at the image below.

So a series that streamed over 3,000,000,000 minutes, making it one of the most profitable and most successful series even, the writers were collectively paid $3,000. Please explain to me in what universe 3 billion streamed minutes gives us a combined pay check of $3,000? You see those three billion minutes amount to 138,121.5 years. Does it make sense now? The writers are beyond underpaid. They are the legal slaves of America and they deserve their right coin. But American history is seeded with injustice and exploitation and to be honest until the LA Times piece I did not see it, so who else was unaware? We are given snapshots, yet until you see the entire vertical of exploitation it makes little sense and now with that streaming vertical exposed you can see just how unfair it is and one series, the series suits, showed us just how much the writers are fed up with being ignored what should be rightfully theirs.

Enjoy the day.

Leave a comment

Filed under Finance, IT, Law, Media, movies

Before the script

That is a stage we find ourselves in. There is no real reason, it was a stage I moved into as I was contemplating a few ideas. You see with any erotic tainted movie it is about how it starts (and for some do they get married at the end). With spy stories it tends to be jumbled, to maximise the impact of the story the movie Anna is a great example. Yet with assassinations it tends to be about timelines, and it needs to start in the middle, a great example is Colombiana with Zoe Saldana.

You see it adheres to a few items. A good assassination adheres to the golden three. 

Separation
Segregation
Isolation

You separate the target from his support system, we do not need to comedy capers to involve themselves making matters worse, the career person likes to get away from it all before it is too late. You segregate the person from the people that know and trust their insight, their family, it is a separate cog in the machine and not always required, but it should always be considered. Isolation is the kill moment. It is best to have that person apart when you perform the deed. I do not believe in the Jason Statham method (the Mechanic), it is nice, it makes for good movie suspense, but too many things can go wrong and they tend to go wrong at the wrong instance. 

So in all this when we look at the Saad bin Khalid Al Jabri case, I just have to laugh. 12 people? I am still decently convinced that he got out (with the money) by setting up an attack and warning the US of that attack, but that is me. It matters because now we see (source:  Reuters) “A former top Saudi intelligence official who is living in exile accused Crown Prince Mohammed bin Salman on Sunday of targeting him, and made an unprecedented public plea to the Biden administration to help obtain the release of his children jailed in Saudi Arabia”, a larger stage as he is in Canada, so why is he not pleading with Canadian authorities? Did you consider that?

It matters in this stage as we look at ending the involuntary heartbeat of a person. He has to some degree isolated himself, he is decently segregated, but not completely and there is the mere need of isolating him, that never required 12 people and any intelligent person would see that, lets be clear MBS is not stupid, so the entire song and dance that the media gives us does not make sense.

But back to the story. When the golden three are adhered to the decimation can begin. The important first part is information, in case of the person we discussed earlier, he is in Toronto, a city. This means that there are more options to get to him. The opposite is that he got there with hundreds of millions, so he can afford all kinds of security. The second consideration is given by The Star “It is alleged one of the companies, Sakab Saudi Holding Company, “had no operational business” despite receiving $8 billion US in government funding and was used “almost exclusively” as a vehicle to funnel money to the other companies, which did carry out legitimate business, as well as to Aljabri and his co-conspirators”, so in what universe do you get awarded $8,000,000,000? 

The stage for any target is to understand what is going on and this implies that he is more than an exile, he is optionally a US intelligence taskmaster (Middle East minder of intelligence). Using him as an example is nice, for a few reasons. He has Canadian protection and he gets American protection, in Canada it will be the CIA, optionally the CSIS is involved. The problem for any target of this size is that the Canadians have their own Navy Seals, they are extremely capable and on a person like this, they are somehow involved. There is no way that stakeholders walk away from a $8,000,000,000 jackpot. 

So why does it matter? Well the story is about more then suspense, it will be about realism. So how to get to such a target? Well we could ask Saad bin Khalid Al Jabri and that is where we get to the good stuff. You see, the foundation of this was seen in a comic book in 1978.

It was the first Franka, a comic made by Henk Kuijpers. The researchers researched a crime for a movie, which then was soon thereafter done by criminals. The stage to get the experts to solve the problem for them, simple and brilliant. You see there is nothing wrong with a silenced .50 from the top of any building, but when you see what you are up against, the stage changes soon thereafter. I saw the premise of a c4 loaded drone, which allows for a few settings, but that pesky CSIS. These people get awfully cranky when you trespass on their soil and if you think the CIA is trouble, wait for the CSIS to get creative and nasty. So you need two options. The first is that you were never there. The second is that you need to vanish with a clear path (to your fake alibi) that can be tracked on the other side of the world. Like what they did with the RAF, spending some of their money in a place like Buenos Aires, all whilst the missing people were already laid to rest (mom, dad and the three children). When a large enough pile of cash goes missing people will find you, unless the money is burned (apart from the cash spend in BA) and the bodies can not be found, not in decades, not ever. 

That setting when united gives a much larger stage to play and when it is done, I reckon that it is better if the assassin is a she. (Zoe Saldana made good on that in Colombiana). So whilst we wonder what more we can do, I personally believe that simplicity is best. It is the one stage I did not like in the Mechanic. Even it all seemed simple. The air-vent scene showed how things turn sour in an instant. Simplicity is key. What is simpler then flying a DJI drone three buildings away straight into the open window and boom? After that it becomes a mere exercise to vanish, which in Toronto is still a massive undertaking, unless they look for the wrong person, it becomes a little easier then. You could join an Oracle event in Mississauga, or take across lake Ontario and vanish via Rochester, at which point you are in the US. 

That script is easy enough to write, it will be about the details and about how the details play out. There is no use if the event results in a global hunt by the CSIS and their seal equivalent giving you less then a 1% to survive for any decent amount of time, a number no career person wants to consider. And these are the thoughts before the script is made. If you can pull it off you have the making of a new Hollywood (or Netflix) blockbuster. 

Darn, it is only 06:36, what ever will I do the rest of the day? 

Leave a comment

Filed under Media, Military, movies