Tag Archives: Zendaya

The lie without lying

That is the conundrum we face on a daily basis. And in the marketing realm I was pleasantly surprised yesterday. I saw an engagement advertisement apparently in the Boston Globe. It was an image of a man known in his role of Mickey17 (the first 16 were better) flogging himself to the girlfriend of Tom Holland, yes I am talking about Zendaya. With the engagement story to give a glimpse of a movie.

I actually didn’t have a clue or any interest in that movie, but now, I might actually got to the cinema to watch it (A cinema is a great room with loads of chairs facing a big screen), I thought I’d mention this to the Netflix population as they might not know what it is.

It hit me by surprise as marketing has gone globally bland, the only exception is that crazy marketeer named Ryan Reynolds (Blake Lively’s husband) his advertisements of Mint Mobile and American Gin are pretty out there, so to see a second marketeer stretching his (or her) legs into the creative pool of goofy alliances is pretty neat so say the least. And I reckon that Square Peg who is the distributor needs to give whomever got the idea of this marketing campaign a raise. 

And in this world a marketing population of one is not a real deal, so I am happy to see that there is a contender for the role of the craziest marketeer on the planet. You see in marketing we have Awareness and Perception are like concentric circles, we first come aware of something and then we get to Perception of the matter, which at times is a reflection of the subject on self. In this Focus, Process and Objectivity are matters of something liked and sometimes not linked matters that inflict the awareness and perception of the matter. It sounds overly academic and it needs to be. We come aware of a movie and when we become more aware we start to get the perception of that movie. How do I relate to that movie and most often it is a mere setting of entertainment. Will I like this? Is it what I want to spend my time on? The second question is the banger for Netflix. If that movie is not your cup of tea, you switch it off or you select another movie to watch. Especially In America where your time is seemingly more precious (and travel comes with its own set of challenges) Netflix is largely the only one that gives the least impact on your timeline. So Cinema’s are down (a lot) and as such marketeers need to be more and more alert to what could drive a person from aware to a deeper a focussed set of perception. That is what drives people optionally to the cinema. Still cinema’s need to address their settings too (really $8 for a popcorn?) And it is a hard setting, space is expensive now and over the last 20 years that setting switched for doable to no longer affordable. Cinema started in 1895 and from 125 years of a good setting we see in the last 20 years that this stage has largely become unaffordable. So a good campaign is more and more important to a dying stage of entertainment. In this, whomever set that stage to The Drama (April 2026) with Robert Pattinson and Zendaya set terrific campaign and applause for whomever did.

As I see it, they perpetrated a lie without actually lying, a rare feat to say the least.

Have a great day and for those in Canada, still enjoying Sunday have a great day too.

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Simpsons epic vacation

Yes that happens, we all have vacation, but this one has a difference. The vacation is already sold out, a year in advance. And in comes a hero shaped like Bart Simpson (aka Tom Holland) and he is accompanied by grandpa Simpson (aka Matt Damon) there is a princess involved played by Zendaya, it might be a coincidence, but Tom Holland is her +1. Bruce Wayne is involved (Robert Pattison) So as the story goes about grandpa getting home to son and wife we get to see a abundance of types and people. OK, this is as much damage as I can get away with (and stay alive) against the setting of the journey home of Matt Damon. As such this is the book about the journey home after they sacked (also destroyed) Troy, which can be seen in the 2004 movie Troy. 

So why am I talking about this?
A few months ago I saw the announcement that tickets are already being sold a year in advance for the IMAX version of the movie. I desperately want to see it, but I have to save my coins to afford that ticket and there will be a showing in Sydney (one in Australia and I reckon Sydney gets it) there are also more codes according the CBC (at https://www.cbc.ca/news/canada/saskatchewan/christopher-nolan-1.7597788) these are 16 in the U.S., six in Canada, two in the U.K., one in Australia and one in the Czech Republic, according to the source that gives us ‘Sellouts for Nolan’s The Odyssey shows audiences’ hunger for movies projected via film’, I want to go as Nolan’s movies are awesome. The last time I went to the IMAX was a decade ago to see the 3D version of Alfonso Cuarón’s Gravity. That movie was so amazing that it still caresses the retina’s a decade later. I also got the Blu-ray of that movie and I love it, but it can never compete to the 3D IMAX experience. As such it is time to see that youthful young sprout shine on IMAX (I did mean Christopher Nolan). 

So why?
I reckon that most people have the same setting. To see the works of Christoper Nolan on IMAX is pretty much a must and to see what Christoper Nolan makes of this classic work is stimulating the ‘must see’ vibe in my blood. In addition to see what can be made from a 1400 year old story is one you just have to see and the crowds are set on seeing it to, at least the thousands that will go to see it in the 26 IMAX theaters. 

One might think that it will make Homer rich, but as his bones have turned to dust, it is un likely that he will see a penny of this. There is a side of the CBC article that I tend to reject. It is “The rush could be interpreted as a rejection of near-ubiquitous digital screenings in favor of the analog appeal of celluloid.” I don’t think the writer is wrong, the writer is merely incorrect. Apart from the IMAX experience, there is the setting that we have been bashed to near death with Marvel and DC movies. Don’t get me wrong, I like these movies too, but when did you last see an epic movie? For me it was the Avatar movies and they do have their own appeal. Then we get Gravity, Kingdom of Heaven and Apocalypto. These movies are rare to say the least and to get the advance tickets of a movie like that (optionally a week before anyone else sees it has appeal), massive appeal. 

The reason for my attention to this is the fact that the movie is already sold out a year in advance and the fact that it comes to IMAX, and the fact that it is the latest Christopher Nolan experience. The fact that this movie is nothing less than star studded is merely icing on the cake. And it is a bonus for all the actors (actresses too) that are involved. Christoper Nolan expects excellence and the fact that an actor is involved shows us that these are real stars (if that expression is allowed), so I will try to get a ticket in a few months, but in the end I might have to wait until the movie is released. The article has a lot more than I looked at, it is a nice trivia of IMAX to behold yourself. As such there is a risk that you might want to get a ticket yourself and it will be money wisely spend.

Have a great day today.

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In other news

That was out there and I was not aware, yet the Khaleej Times (at https://www.khaleejtimes.com/entertainment/shot-in-uae-coming-to-cinemas-next-week-sci-fi-epic-dune-2-to-welcome-fans-at-premiere) gave me that the second Dune movie was shot on 20 locations all on the UAE. This is nice. You seldom get to see news of that nature (apart from LOTR all over New Zealand) and as such I was surprised. Now, lets be clear Dune cannot be filmed in too many locations. So Saudi Arabia and the UAE (and a few places around the Sahara) are mostly it. So it was nice to see that the UAE catered to this magnificent film. As the article states, the 20 locations were in the UAE, the Liwa desert in Abu Dhabi to be more precise. And next week Sunday, the red-carpet event is set to take place on February 18 at Vox Cinemas, The Galleria, Al Maryah Island. I reckon that might be a UAE first, but that is merely an educated guess. A team of 300 local, 250 international crew and 500 extras were used during the 27-day shoot. As such it is a movie to see as soon as possible. I will be watching the first movie on BlueRay again two days before the launch in Sydney. I won’t be joining Timothée Chalamet or Zendaya in the UAE but I don’t think they will be heartbroken on that part of the event. 

On the other hand, I have had to deal with my alcoholic neighbour who had been kicking and screaming at the door and then just being an ass. The landlord will do nothing and after 4 hours I pretty much had enough. This got my wheels turning and I think I have come up with a solution to get rid of around 20% of the planet. I had the idea for a side setting in one of my stories, but now I could solve the housing issue in Sydney. I have been waiting for over 10 years now and in that setting I could solve it another way. 

OK, I admit it is not nice, but stress and anxiety can create its own solutions, even if they are out of whack to say the least. 

Those who read the books of Frank Herbert know that the emperor wanted to take care of one duke. That duke was too popular and that creates envy. He used the Harkonen to deal with his problem and I saw another option to make one of my stories a little more challenging (Engonos). Here the problem is that it is not entirely original. Take any James Bond setting. With 1-2 exemptions they were all about world domination and reducing the population (by a lot). Here I to a small degree grasp at ‘On her majesties secret service’ combine that with the unproven accusations on Covid and you get an entirely new setting. Is it totally original? Not really, my examples get you part of the roadmap. Polar Star (an Arkady Renko story) gave me parts, but not parts of that story. It merely awakened me to a larger setting that could set the stage. There are two deployment options here, but one raises questions because I have no expertise in that direction and ‘On her majesties secret service’ finalised the road trip. I’ll grant you it is no Dune, but when you consider that we have no Spice Melange and as such we have no monster like Rabban, I had to make due and I think I found a handle on the idea. 

So what sets of the charter in a person? What makes that person go berserk?  I am not sure, but one drunk shouldn’t get you that far. It is too much psychoses. Like the girl who met this boy she really likes and hoping to meet him again. She starts to kill her family members with poison, hoping he will attend another funeral. Even if we do not know what made him come to the first funeral in the first place. So was the girl creative, insane or shortsighted? I tend to go with all three, but that is me.

So in all we need to see how cogs fit together. Frank Herbert did so for half a dozen books and the first three showed him to be a master. There is a reason that it is a magnificent book, just like the Lord of the Rings (1954) turned out to be. I have absolutely no hope to be ever anywhere near that good, but no matter what you think JK Rowling started on page one and she is now a multibillionaire. I have no plans to be that good (or that famous) and this is not about the money. It is about the creativity. Creativity for good or for evil remains creativity. Harnessing that creativity is what I am after and I do hope it is for good. Dune is one of the shining examples of my life ever since I read it the first time around roughly 45 years ago, around the same time I got the Lord of the Rings. So in other news we will get Dune 2 in less then 3 weeks, Dune 3? No idea, but that is supposed to be Dune Messiah. I wonder where that will be filmed. Time will tell, it usually does.

Try to enjoy your weekend, mine really sucks this time around.

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Four days to wait

In four days people who missed the big screen release get to see it and those who saw it will see it again. For me it will be awesome. Dune (2021) was an amazing trip. ‘Ticket to Arrakis, one way please and make it a window seat’, but the masterpiece by Hubbard is to be read, to be seen on the screen and not yet seen and felt in person. I have several versions and I saw the other one too. Until this version arrived the SciFi channel edition with Alec Newman, Ian McNeice and Giancarlo Giannini was my favourite. It is a really good version, it felt real, it felt down to earth and told the story in an amazing way. So until I saw the new edition (which was always going to happen) I had my doubts, mainly because the SciFi edition was awesome and we all tend to resent anything troubling that view. It was nice to see the announcement that Thanos was coming, Bautista looked a lot more like the written monster Rabban then László I. Kish ever could. In all versions of Dune we see a slim man, so it felt right that Jason Mamoa was chosen. I was toiling on a lot of things, that was until I saw the trailer. 

The trailer was the clear indication that this was going to be next level stuff. I knew nothing about Denis Villeneuve (other than he seemed to be that guy who won several GP’s in the 90’s), but the trailer put him on the map for me. Of course I realised later that he was Canadian, not a French racer and responsible for the Arrival and the Blade Runner sequel. They were good movies, really good, but it was nothing compared what I saw when the lights in the cinema turned off and Arrakis (Caladan too) was shown to us. The ornithopters, the machines, the works and especially the sands. We saw a new look on the Sardaukar and the Atreides family. In this Denis might have chosen Chalamet because he is a good actor and looks like a boy. The 155 minutes that followed blew my mind. The music was off and not from this world, it impacted the film in a massive way. The lighting and the stage of using lighting in this way was truly amazing. Dune rocked and ruled the world in unexpected ways, so as soon as possible I will get this movie and watch it again and again until part 2 arrives, which is set to be released on October 20, 2023, which is another 20 months of bloody waiting (not happy me). But that is how it is. 

Dune (2021) has set a new level and set the bar for anyone else optionally much to high to ever attempt it ever again. 

It is here that I need to take on critique “Stephen M. Colbert of Screen Rant noted that its complex story and Villeneuve’s directorial style were bound to have selective appeal, and that this is reflected in negative reviews thus far”, I disagree. The story starts on Arrakis (the Zendaya scene) and it sets a good tone, The story is clear and follows the book, it skipped one or two issues, but there is every chance that the second part will take these parts up, and lets be clear they are small issues, really small issues. As to the side of ‘selective appeal’ I cannot completely answer. The movie has an uncanny realistic approach towards lighting, it is seen in several ways and at times it makes you wonder what the appeals was of CGI lighting (like the Black Widow movie). This is not an attack on the movie Black Widow, it shows that Denis Villeneuve took the extra 5 miles to get it near perfect (perfection is an on location movie on Arrakis). The ornithopter scenes are unreal and the filming of Charlotte Rampling in the Bene Gesserit scene transgresses from perfection into overwhelming in a few ways. The movie checked all the marks and added a dozen more. This is one of those ‘must see’ movies whether you are into Fantasy/Science Fiction or not. 

I really cannot wait to see it again, it will help pass the time until part two is here and the complete story is shown to us. This is more than the continuation, there is so much more to see, I cannot wait to see how Dennis Villeneuve brought them into the light. In this light I merely wonder to some degree how he was missed as Best Director in the upcoming 94th Academy Awards. I do get it, the other film makers did amazing work in the past, and optionally now too (I did not see all of them), but this time around he is up against Spielberg, Branagh, Campion and Anderson. So the competition was fierce, still Dune is on the list for best movie (and 9 other nominations), so there is that. 

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