Tag Archives: Dune

What next?

That is the question that is within me. I designed the IP for games, for TV series, for movies, new marketing concepts and execution of new marketing methods in 5G, I created ulterior ways to engage with audiences and all this in ways that others ignored because it did not relate to their setting of ““The supreme art of profit is to gain profit without cost” “If you know the final cost and profit, you need not fear the result of 100 investments” If you know the profit but do not know the cost, for every profitable endeavour achieved one will fail.”” I wrote this in ‘Economic arrogance of Achieving’ (at https://lawlordtobe.com/2022/04/16/economic-arrogance-of-achieving/) on April 16th 2022. That setting is the foundation of too many places and as such I ended up with well over a dozen pieces of IP, almost 2 dozen when I consider the 8 pieces I created in the last week. These places are ‘lauded’ by business sense, yet the truth of the matter is that new innovation does not adhere to business sense, yes the execution of the IP requires business sense, but the creation does not and tends to be expensive, as such my IP was a bargain, because I merely needed to look where no one else was looking. It was how ‘my’ version of something like Facebook was created 4 years before there was a Facebook, but I was stupid, I listened to bosses who stated that there was no business sense in that. They all driven by some mission statement. The largest folly of all time. 

So now I listen to none of them and here I am (not in a better place) but with dozens of IP that become public domain on September 30th on 4Chan. And the nice part is that the months it was already there, the winging of wannabe entrepreneurs are silenced. They can no longer make claims, the evidence was out there for months, they were merely not clever enough.

So, whats next for me? Well, I have set the larger stage of both ‘Kenos Diastima’, which I have decided ends with an open ending at the end of Season 3. That might change, but I lack the inspiration at present and the story is decently contained, there is the closing of a story, one with an open ending. When it comes to ‘Residuam Vitam’ there are still a few items, but the twist, the end and the scheme is as I see it in place. A story for the greatness of Lord Hades, a story no Greek ever told and that is the foundation of success? I am not sure but not all tragedies are Greek, that has always been the case, as such it is mere tweaking and adjusting. The third IP bundle was the hardest, the reason being that there are risks, risks I cannot dimensionalise and that bothered me for a while, but was it is part of the first bundle, I largely do not care. No one else is going this way and whilst those wanting millions by “The supreme art of profit is to gain profit without cost” are missing out as I am making a small slice of billions by ignoring that stage and it is on them for their shortsightedness. You see my grannie told me ‘You cannot make an omelette without breaking eggs’, a rule that makes much more sense than the altered Sun Tzu one. And now as the setting of shortages continue all over the world, and as they are setting the stage of shortages because they never considered hedging ones bets in a tranquil stage of balance. So as I see shortages all over the place, all whilst I see that the larger setting of decent pay is ignored, I wonder how many more are driven by the folly of “The supreme art of profit is to gain profit without cost”. Is that why I have the IP and others do not? I wonder if that is the only cause. You see, there are all kinds of people out there who see what I see, so why are they not out there, they might be. I just do not know, what I do know is that the IP I have is not out there, but soon it will be and at that point I wonder how BigTech and wannabe’s will be screaming ‘foul’. They will demand some form of compensation on the loses they have, but they cannot prove that the registrations were done at some point, this is why it is out there on 4Chan, so that there is a timeline and those who want to demand their slice will come up short. I rather have nothing than allow those wankers to get a slice because they were too stupid to wake up. He who can destroy a thing controls a thing. Herbert stated that in Dune (1965), it is not new, it is a proven concept and it has been out there for over 55 years. Yet I feel I am not done yet. I set some games, but I want to set a new dimension in gaming in the streaming game industry. I have some parts worked out, yet not all parts and this is not about a franchise, it is about a few games (I wrote about them before) to set the stage for people to consider streaming games and for the streamers to take development of their games seriously (especially Google). However there is nothing wrong with Amazon being the number one here. All stations that are on my mind, yet the bran still screams ‘What’s next?’ And the reason alludes me for now. All that IP (as well as two optional weapon systems) is making me wonder how delusional am I? It is an important question, the person not asking himself that question is the person who fails first, it is essential in critical thinking, one must be the devils advocate (he is allegedly represented by Wolfram & Hart, a law firm in Los Angeles). It is important to see failure around every corner. It helps to focus ones self and see if there are weaknesses in ones IP.

The benefit is that you test your IP again and again, the negative there seems to be an unbalanced amount of doubt on yourself in this way. Everything has checks and balances. That is how the world turns and as the greying of a population happens in the work environment, that shortness of vision is only getting stronger.

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Dedicated discrimination

Yes, it is a weird term, but it happens. It is happening all around you and you might not be aware. It hit me in the last week. Two events took place and it shone a limelight on the event. Yesterday morning I got drenched. In 10 minutes I faced more rain (without an umbrella) than in the sum of rain events over the last 17 years. So you better believe that there was not a dry thread of clothing on me. This started the train, but the train was already on its tracks leaving the station. You see, the second train is not that obvious. I saw a copy of Dante Alighieri’s Inferno. I really liked the pressing, the cover, the way it was all depicted (with images). It was a fine piece of work. So I enquired about the other two parts. Purgatory and Paradise. But the other two parts were never released. I never got that part. It was not the first time, yes to part one and no to parts two and three? An incomplete work? It seems odd to do this. My mind stored the information, but I did not know what to do about it yet. It was yesterday when the trains collided. You see I needed a rain coat, a waterproof coat and I went to the best place for this. Kathmandu. The coats are not the cheapest, but they do tend to be the best. 

Here we have a larger issue. You see One report gives us “In 2017–18, an estimated 2 in 3 (67%) Australians aged 18 and over were overweight or obese (36% were overweight but not obese, and 31% were obese). That’s around 12.5 million adults” and this is the link. I am not a small person, I am well above 3XL. Shops like Kathmandu, David Jones, Country Road and a hell of a lot more they will not cater beyond 2XL. Now consider that they are all catering to one third of the population, how screwed up is that? It is like they merely cater to a margin and let the rest drown in rainwater. It is not the first time I witnessed this, but it is the first time I was in actual need of something waterproof and the shops told me in no uncertain way to stop being a fat fuck. It is not that three heart attacks are not motivational. It is not the fact that my medication has side effects. But it is the shops who knowingly and intentionally set the premise of discrimination. In 5 other shops visited I got the same news “We do not have anything beyond 2XL”, so when these places get some kind of bankruptcy deal, I will be happy to register a complaint that such places are not eligible for protection due to a matter of discrimination. And it is time for the governments to make sure that this rule is stamped on the premise of application for bankruptcy. It is time for those who walk on margins to lose their appeal. Yes, I do get it, it might merely be me (and 67% of the rest of Australians), but it is happening all over Europe, all over the US and in many other places. Those above 2XL are not allowed to be fashionable, why is that? 

Why is the stage that we merely learn about inferno, yet Purgatory and Paradise are stricken from the stage of learning? In a stage where a complete body of work is important a stage of partial filtering, a form of dedicated discrimination is merely allowed and merely overlooked by too many.

As such when you can no longer get a complete set of Harry Potters, a complete set of Dune books.  How long will it take for people to realise that filtering has been part of their lives for decades. They might not realise it, they might not care, but when the missing parts become adamant, how will people react? 

Go to a store and you will find 38 David Bowie albums ranging from $10 to $55. And yes limited editions are a bit more expensive, there is no objection to that. Yet now seek the Soundtrack to Dune, that has become import only for $55. When we seek a game like NHL22, we see none in Australia, and it makes sense. Yet you cannot order it either. Yet the game store in Canada does have NHL22, and they offer it $40 cheaper for PS5. We are already being filtered. We are becoming redacted as margins and in an age of online shops this does not make sense. Yes, we get it, no EBGames in Australia will have a stock of the stuff, but not to be able to order it? And it is not the first time this is happening. We see more and more filtering of goods, limiting what we are ‘allowed’ to buy as a consumer. Try getting a cricket game in Belgium or Sweden. Yes, they will have NHL, hockey is big in Sweden, but the filtering is on the road, it is growing and it is taking global proportions. We accept it to some degree, that is logic, but when the margins of logic are bordering our movements? When will we shout out? Dedicated discrimination is as dangerous as filtering the news, the problem is that not everyone sees it that way and when it is too late, it will merely be too late. A stage of choice is moving all over the place, but the question becomes, who is making the choice, and who is making choices FOR us? 

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The stage selected

That is what I keep on seeing. Not the slap, not the presentation, not the conversations. The setting of the stage. For me the question remains why Dune was not an option for best Director. This is not the objection to who won, I never saw that movie. I am not debating the winner, not objecting to the winner, my mind is screaming at Dune becoming a non-nominee as best Director. And the competition was seemingly fierce this year. The mind screams when something happens that we cannot comprehend, or perhaps seemingly comprehend. 

And the screams are oud within me because I am not the only one feeling this, the internet has been busy for a while on this and it is not the first time the Oscars are under debate. #OscarsTooWhite, is merely one of many objections over time. So when I see  movie that blew me away, getting 6 oscars that it shined in and is a non-competitor in another category is just a little too weird. Denis Villeneuve outdid any other director ever involved with Dune, he outdid what we expected and he outdid what we could not grasp. So I am not opposing that Jane Campion won, merely that Villeneuve according to me and many many others deserved to be a nomination. It is that simple. When we are confronted with such a blow normality goes out the window, and there is no stopping the confused mind and it is also a larger station, I cannot debate that the others did not deserve to be nominated, according to many they really did, I do not oppose that, perhaps it was as simple as number of votes, and I am willing to accept that those who became nominees just had a few more votes. Still the boggled mind stares out of the window trying to make sense of it. Yet in all this, I also recognise that 007 fans wonder why they only won one of them, it is perhaps the setting of what we think should happen, to what we think does happen. A stage that overshadows us all. In the end we are all slaves to what the mind perceives and I get that, I really do, but the mind still screams and that is hard to swallow, especially when we see a movie that blows us away. Perhaps within ourselves we nurture the populist voice, it is something that is not easily stomped and it seemingly in charge of us to some degree.

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Four days to wait

In four days people who missed the big screen release get to see it and those who saw it will see it again. For me it will be awesome. Dune (2021) was an amazing trip. ‘Ticket to Arrakis, one way please and make it a window seat’, but the masterpiece by Hubbard is to be read, to be seen on the screen and not yet seen and felt in person. I have several versions and I saw the other one too. Until this version arrived the SciFi channel edition with Alec Newman, Ian McNeice and Giancarlo Giannini was my favourite. It is a really good version, it felt real, it felt down to earth and told the story in an amazing way. So until I saw the new edition (which was always going to happen) I had my doubts, mainly because the SciFi edition was awesome and we all tend to resent anything troubling that view. It was nice to see the announcement that Thanos was coming, Bautista looked a lot more like the written monster Rabban then László I. Kish ever could. In all versions of Dune we see a slim man, so it felt right that Jason Mamoa was chosen. I was toiling on a lot of things, that was until I saw the trailer. 

The trailer was the clear indication that this was going to be next level stuff. I knew nothing about Denis Villeneuve (other than he seemed to be that guy who won several GP’s in the 90’s), but the trailer put him on the map for me. Of course I realised later that he was Canadian, not a French racer and responsible for the Arrival and the Blade Runner sequel. They were good movies, really good, but it was nothing compared what I saw when the lights in the cinema turned off and Arrakis (Caladan too) was shown to us. The ornithopters, the machines, the works and especially the sands. We saw a new look on the Sardaukar and the Atreides family. In this Denis might have chosen Chalamet because he is a good actor and looks like a boy. The 155 minutes that followed blew my mind. The music was off and not from this world, it impacted the film in a massive way. The lighting and the stage of using lighting in this way was truly amazing. Dune rocked and ruled the world in unexpected ways, so as soon as possible I will get this movie and watch it again and again until part 2 arrives, which is set to be released on October 20, 2023, which is another 20 months of bloody waiting (not happy me). But that is how it is. 

Dune (2021) has set a new level and set the bar for anyone else optionally much to high to ever attempt it ever again. 

It is here that I need to take on critique “Stephen M. Colbert of Screen Rant noted that its complex story and Villeneuve’s directorial style were bound to have selective appeal, and that this is reflected in negative reviews thus far”, I disagree. The story starts on Arrakis (the Zendaya scene) and it sets a good tone, The story is clear and follows the book, it skipped one or two issues, but there is every chance that the second part will take these parts up, and lets be clear they are small issues, really small issues. As to the side of ‘selective appeal’ I cannot completely answer. The movie has an uncanny realistic approach towards lighting, it is seen in several ways and at times it makes you wonder what the appeals was of CGI lighting (like the Black Widow movie). This is not an attack on the movie Black Widow, it shows that Denis Villeneuve took the extra 5 miles to get it near perfect (perfection is an on location movie on Arrakis). The ornithopter scenes are unreal and the filming of Charlotte Rampling in the Bene Gesserit scene transgresses from perfection into overwhelming in a few ways. The movie checked all the marks and added a dozen more. This is one of those ‘must see’ movies whether you are into Fantasy/Science Fiction or not. 

I really cannot wait to see it again, it will help pass the time until part two is here and the complete story is shown to us. This is more than the continuation, there is so much more to see, I cannot wait to see how Dennis Villeneuve brought them into the light. In this light I merely wonder to some degree how he was missed as Best Director in the upcoming 94th Academy Awards. I do get it, the other film makers did amazing work in the past, and optionally now too (I did not see all of them), but this time around he is up against Spielberg, Branagh, Campion and Anderson. So the competition was fierce, still Dune is on the list for best movie (and 9 other nominations), so there is that. 

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Salmon in the cinema

Yup, there is a new setting, not for food, but towards the entertainment. Even as we see Google allegedly miss the plank, the streamers are setting the stage to a larger degree. In streaming nature there is Disney, Stan and off course there is Netflix, so when the BBC gives us ‘Dune and Matrix 4 streaming plan prompts urgent talks from AMC cinemas’ is was not overly surprised, the Movie machine is on a tour and Corona slowed it down, but did not stop it and in this stage, too many vacant chairs remain in the cinema. We can feel for the cinema, but there are many places where the pain is coming, so the cinema is merely one of most. As such when we see “The move will enable film fans to watch the forthcoming sci-fi epic Dune and the Matrix sequel on HBO Max at the same time as their cinema release” (at https://www.bbc.com/news/business-55180055), we see a stage where the movie makers are maximising whatever they can, and I cannot blame them.

Consider that Cale Boyter, Joe Caracciolo Jr., Mary Parent and Denis Villeneuve allegedly pumped $200,000,000 into that movie. This I a risky business, moreover as SCI-FI made their version with Alec Newman in 2000 and it was an amazing piece of work, I still watch the BluRay nowadays at least twice a year. That does not mean that this Dune will not be seen, I look forward to it and I do prefer the big screen, but any next lockdown and Netflix or BluRay might be my only option, and I am not alone in this. The average number one movie in the US after the Cortona lockdown made 4 million, before the coronavirus lockdown $100 million (Bad Boys for Life), as such the sentiment of the producers of Dune and others are well understood. $200 million is nothing to sneer at and whatever deal they can make, they will. At present in 2020 Bad Boys for life leads the revenue charge wth $200 million, It should have been at least double that and as such Dune is in a dangerous place, not by choice and not by effort, the trailer blew me away and the stars involved make it shine even more, it seems only fair that the makers try to get the best deal possible. This is the stage here we merely see impact, we do not get to have too much choice in the matter, no matter how angry Glossu Rabban (Dave Bautista) gets. In the end I feel slightly less for Adam Aron than I do for the actors and actresses that put their sweat and blood into this movie, in other news, when did the cinema adjust (temporarily) their prices? In this setting as we currently see it, why would anyone take a chance at AU$18, when streaming is $15 a month and at present safer. 

We want to be protective of the moviemakers, but in the end, at present, we are merely a Salmon that goes up against the streamer. In this setting I understand why AMC Cinemas wants to talk, yet in the present condition we face, is it a realistic step to take? As such, there is truth in the statement “We will aggressively pursue economic terms that preserve our business”, but consider that billions of people have been denied access to entertainment, I want to start that Adam Aron has the right setting and he has a right to be in this setting, yet in the stage we face, can he push for a setting that is not entirely realistic?

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The stage of a game

We all have an idea, some have the idea of a life time, but I cannot make that claim, not because I do not have one, but because I have too many. Yes there is the call to make remasters (Knights of the Sky), there is the call to reinvent the wheel (System Shock by Nightdive Studios), or there is the need to take it to the next level, a next level that was not possible in the past, mainly because technology did not allow for it.

This is how I always saw Pirates (by Sid Meier), there was a chance where Black Flag was a nice tribute, but it was the dawn of PS4 and Xbox One and Ubisoft took a cowardly way to progress a franchise on a lack of factors. So as I initially played Black Flag, my mind went racing. And then I remembered another pirate game, a board game with additional bluff cards. So what happens, when w take the foundation of Black Flag and make it more towards the original the Sid Meier made? The map would be well over 20 times the size, a lot more like the actual map of the Caribbeans in those days, the game would not be some fruity assassin, it would be your version and you get to live the life of a cutthroat, a buccaneer, a privateer, it is up to you, to go from a small skiff to a full-grown galley or slave ship if you are good enough. You see, there is something totally awesome about the way the game Elite Dangerous is designed (by David Braben). There your life does not matter, the game does not care, nor should it and it is time to set that stage to RPG and a pirate RPG makes a lot of sense. You cannot always be a captain, you start as a simple sailor. And in this you could get to a rank if you are good enough. 

So how do we go about it, we tend to look towards the wars of adjustment, yet there are so many wars the were never on the radar, the Dutch independence wars (which took close to 80 years), the age of piracy and lets not forget the Sudan wars (Mahdist War 1881-1899), all places that seem to be forgotten. Who remembers the siege of Khartoum? Some are so set in a stage of winning, the we sometimes forget that half the fun is surviving, so how far will you get? The original siege went on from 13 March 1884 to 26 January 1885, so what happens when you are in charge, how long will you last? Games are so much about winning, the we forget the enduring is nothing less. To make it to the date or even past it would be a victory and a half. It is so American to be the victor the most of them do not understand ‘the Last Samurai’, it is not about winning, it is about not losing, or better stated, the way you live towards the final days matters more, we forgot about that part, didn’t we?

We can set any gaming stage, but it is how we play where we see if we measure up, not if we merely tap the mile poles in a game. I reckon that the achievements made us all a little complacent in games. We can go in any direction, a Hindenburg flight simulator, yet in there we will always come up short against the Microsoft flight simulator, it makes more sense for them to add the Hindenburg. Yet what happens when we turn the script? What happens when we set the stage to a simple thing, what if the player is a no one, yet his/her grandfather was Hades, Poseidon or Zeus? What happens when we map a place like Monte Carlo completely and get him to retrieve a relic that one of the 2,261 millionaires or 50 billionaires has. Is it in a house, is it on a boat or is it somewhere else (like a museum)? We can simplify any game for as much as we can, but in the end we need a healthy story and for the most Wars tend to do that (an unhealthy endeavour if ever there was one). I saw the need of a game on mines, and remembered some bomb defusing game on the CBM-64, so where to go from there? The stage of a game is important, because it sets a vested interest of the gamer, Ubisoft had the down to perfection in Assassins Creed 2 and Brotherhood and after the they lost the plot, they almost won it back in AC4 Black Flag and they definitely got it back in Origins. I would think the a Battlestar Galactica RPG is one the would be favourable with the BSG fans, but not much outside that, the same can be said for Babylon 5, the Star Trek fanbase is huge, so that tends to be a close win any given day of the week, but that does not guarantee a good game, the issue is seen when an idea with a small base entices a large following, that is the stage we all seek. CD Project Red did so with Witcher and seemingly is about to do it again with Cyberpunk 2077.  It is the setting the fuels the story, and the story is everything, I have always believed that, it is the power of an RPG. It is because of the that we see out the great stories (Tolkien), yet I wonder what happens when we try this with Herbert on a larger scale with Dune, not merely on Arrakis, why if all the other places become involved? Perhaps a visionary will see that option with the next Dune movie (2020). In this books have been the strongest source of inspiration, mainly because there are so many of them. Yet most of us go to the same source, why? I agree that it is appealing, but there are so many nations with alternatives. That is something we saw when someone created the Untitled Goose Game, brilliant t in its foundation, as such I wondered if someone had considered the same thing with a cat (Minoes, Annie M. G. Schmidt), a writer the has a following of millions in the Netherlands and Belgium. In that same setting, as Skyrim became such a hit, did anyone ever look towards the famous Spanish Comic books of the Mercenary by Segrelles? It has all the makings of a much larger game, a stage where some are set not in multiple games, but one game with a season pass and several DLC’s.

Then there is the comic hero Rork, by Andreas, or even the Trigan Empire by Don Lawrence. I remember growing up to these stories and the stories of Ravian (Valerian), I am a little surprised that the Trigan Empire never made it to the silver screen or the computer, Don Lawrence has a flair for imagery and the computer always needs this. So what is the stage of a game that will be set next? The is the question and the is where players like Sony and Google/Apple will find themselves. Microsoft might be acquiring the brands (Bethesda), yet they do not have the stage alone and the next innovator might be just around the corner. For me, the idea that the $7,500,000,000 lemon the Microsoft acquired (not Bethesda mind you) would backfire largely and loudly and the would be OK with me.

As I personally see it, Microsoft pissed of true gamers and that group of people doesn’t pull punches when they play with their idols, we do not fault Bethesda in any of this, but aligning with Microsoft was not the best idea, as some say, you are only as good as your next game and Bethesda had plenty of winners, but what is next? We look not merely to the stage of the game, but to the next stage of gaming and I believe that they are too often hiding behind terms like ‘hype worthy games’, yet that is a setting from the mind of a marketing department, they predict that people who play games, will think this is a hype. Yet true hypes come from games the are on the edge of what is possible in gaming, the Witcher 3 is the perfect example there. Cyberpunk is also on the stage, neither of them are Microsoft games. Yet it was brilliant to buy Bethesda, but the also means that those who do not love the Microsoft console will look to the borders and see what else is possible, optionally setting the stage for the $7,500,000,000 lemon, not because of Bethesda, but because gamers have a lack of trust in Microsoft and the fact that some had the numbers that only 1 out of 3 considered the new Microsoft console, the gives me the impression that Microsoft has a much larger problem and buying software houses will not solve it, making visionary games do and the is the lesson Microsoft has not learned. They opened the door for Sony to look what else is out there, what else could become an exclusive and the is where Sony will win and gamers will win. Because it is on the edge of possible gaming where new gamers will be born, new games will be born and at the end of my life I see that there are options coming towards gamers, games the will create new gamers, it will create new creativity and new thinking through gaming and this is a good thing. The simple truth is the there is real gaming beyond Ubisoft and Microsoft, true gaming is never soft, it is challenging and the is where we need to look, we need to look where they are not looking. That is how I got most my IP in several fields. Not by being some bullet point presenter like all the others, but by looking in a direction they decided not to bother looking. That is how most revolutionary IP is created, and it is funny as this is the way Microsoft and Ubisoft started, to look where no was. Too bad they forgot about the part of the equation and I reckon the Sony is waking up to that lesson at present.


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