Tag Archives: Cyberpunk 2077

The BS from players

When is a gamer a player? One could argue that many players are gamers, yet not all gamers are players. It is looking at a set of collections with two unknowns, yet the media to a much larger degree will not care. The BBC shows this with ‘Cyberpunk 2077 delayed until December despite developer crunch’, they also give us “A letter from the developers said there would be “many emotions and questions” about another delay, and asked fans to “please accept our humble apologies”” and here we get the first setting: ‘Why?’ My setting is given in a station where we see that their last project was The Witcher 3: Wild Hunt, a project that was rated at 100% by some, others gave it ranging between 91%-95%, only the Nintendo Switch version did slightly worse, but the largest range was overwhelmed with the perfection of gaming offered, only GTA-V had a rating on that level. When we look at the best ratings EVER, on the PS4, it is on 13th position, on the Xbox One it is on 10th position, and on PC it got 18th position, so when CD Project Red thinks it needs more time, we should just give it to them, Witcher 3 was so lose to gaming perfection that we should accept it and when we see players like Boss Hunting giving us “Referring to what we’ve filed under “Tweets which have aged like unrefrigerated milk”, CD Projekt Red promised that Cyberpunk 2077 would face no further delays earlier this month. But delayed they have, and now, like an absentee father during the summer holidays, a promise has been broken; and everyone is sitting on the curb with their swimmers on”, so let them sit on the curb, actual gamers will accept that it will be ready when it is ready, the entire BS game of flaming whilst these same players were too often silent when it mattered. 

I will grant you that I was looking forward to playing the game, yet I would much rather wait until late January for a game that is near perfect, than a game that needs the amount of patches Ubisoft treated us to lately. I get it, most do the perfect game does not exist, not games this big, yet we can limit the issues and that is what we see now (at least I hope it is). A YouTuber MrMattyPlays gives a decently good view on the delay (at https://www.youtube.com/watch?v=jYU1lv8WqWk), but he does more, as we see the game play on the screen, the driving, the actions, the choices we get to make, we see something that is so much better than anything presently released, yet CD Project Red sees an issue and delays. MrMattyPlays mentions ‘perception’ and that is true, yet anyone having issues is off their rocker (as I see it), the only mistake MrMattyPlays makes (as I personally see it) is the fact that he compares CD Project Red to Ubisoft, CD Project Red is a relatively small player, especially compared to $2 billion Ubisoft with well over 18,000 staff members and over 14 Ubisoft locations. Not to forget the fact that they produced the worst game of 2019 (Breakpoint), I admit that it is not overly fair to have a go at Ubisoft, but we need to accept that CD Project Red at present is the creator of one of the most perfect RPG games ever (in 2015) and that achievement has over the last 5 years not been broken, will it? We will see, but that milestone give es them credibility and we better acknowledge that part in the equation, and it has nothing to do with John Wick being in the game, I’ll take him on with a pencil if need be (the John Wick fans will get this).

Is there an upside? Yup we are only 12 hours away from the official release of Watchdogs: Legion and so far it seems that they made a amazingly good product (Watchdogs: Legion), so I get more time on that (and Pikmin 3 too).

Yet the larger stage is not the makers, it is the media, always hounding for half a sound byte, half a quote, and then when the stage fumbles, play the blame game. We saw this with the non stop hounding of Hello Games and No Man’s Sky, even christian digital media were implying release date knowledge, begging like little bitches for clicks. The media is the larger problem, they want to ‘appease’ the avenues needs of gamers, but cold consideration is not on the table. And as such we get a warped expectation, yet in all this no one will hold the media to account will they? Just like the BS wave of flames around loot boxes, I am no fan of EA, even less now that I cannot buy a physical copy of NHL 21, as my favourite team is on the cover now, so I am in a ‘Fuck EA’ mode, or is that mood? Yet the setting of loot boxes is seemingly misreported, how many free loot boxes can be earned? How many packs a day are given free, how many milestones are rewarded with packs and cards? None of the media reports on this, I had a truckload with NHL 19,  I do not know how it is now, and even as several sites clearly reported on the free packs that FIFA 19 (or FIFA 20) had, I see no reporting on the FIFA 21 part, so will the gamers get an actual real view? I doubt it, it is seemingly not in their interest to cater to EA, but it seems that opposition of EA is catered to, I wonder why. It is the simplest stage of players versus gamers and as I personally see it, a lot of these players have never gamed on any decent level.

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Exit stage right

Yup, I am back. In the first there is the Swiss issue I discussed earlier today, as set the free movement ending is not reached, 68% rejected that part. So in this the larger stage were (as I personally saw it) the fear mongering side, but that is merely my view on one part. The election was on a few items and the Swiss have spoken, they rejected the ending free movement part and I am fine with it, yet I do feel that the term of all those benefits, I wonder if we ever get to see a list on that. But no matter what it was up to the Swiss and they rejected the notion.

Then there is the corona issue (not the beer), as per now we have 33 million infected and one million are dead. I believe that this number is actually higher, but I cannot prove it, the top three are USA, India and Brazil. In this I partially reject it because I believe that Indian infected is most likely a lot higher and those who died are cremated rather fast, so even as the numbers are too low, I cannot say that there is intent here, consider that in India the alleged personal need for ignorance is high, a nation where the Mumbai region alone has 55 million people, so 6 million over all India and only 95,000 deaths does not add up. When we apply the global mortality rate, the death count in India is close to 50% too low, a nation where population pressure is through the roof. I get it, not every person gets tested, there are not enough test packages to get even close to the testings required, there is no blame, no one is at fault, but we need to realise the setting and in a lot more places than India, the setting does not add up. 

And in the third setting, we see that there is every indication that President Trump will be exiting the stage on the right side. There is an overwhelming amount of push on places like Twitter where we see the Rock, George Takei, Billy Baldwin, David Cross and numerous others are giving their voice to Joe Biden, there is even a growing amount of Republicans on that list (including me) and the stage that President Trump has set is for the bulk of all the people no longer acceptable. I reckon that if the voting amount is raised from 55% to 65% it will be over for President Trump. As far as I can tell, at no time in history have Americans united against an elected president ever before. These events are making the anti Vietnam and anti Lyndon B. Johnson events fade. Even as Joe Biden has presently a 10% lead, it is a dangerous setting. Some people will fall asleep and will not bother voting, but the is the danger that got President Trump into the Oval Office in the first place. I would hazard a guess that if only 65% votes, one could argue that the USA does not deserve saving, not t this stage. The active people seem to realise that and their voice is simple “please vote”, they do not say who to vote for, they seem to think that this will be enough to get them to vote and hopefully not for President Trump. People like Dwayne Johnson are more eloquent in this, they name the people they endorse and give additional information. Still, I am to some extent in awe, I have never seen such a level of unison coming from America since WW2 (the Hitler is bad group) and perhaps it is important to pause at this notion. Yes, I remember my last piece, yet that was not about being pro-Trump. That was about the law and the constitution, little pesky things all kind of people want to avoid, I do not. 

What else is on the table? 

Well, games would be my guess and even as we are all still reeling from the Bethesda, now Microsoft decision, PC Gamer gives us a past overview (at https://www.pcgamer.com/au/what-happened-to-12-of-gamings-biggest-studios-after-they-were-sold/). I understand what they bring and I do not oppose it, but what stands out is that Bethesda is bought for more than the amount spend on 12 other acquisitions (not all Microsoft), there we see the the purchase of Mojang by Microsoft implies that all is not lost for Sony, yet this close to release of a new console makes it a question mark at best. In this there is also the thought that EA has options for Mass Effect and even the original trilogy, yet that is for another time. For the most the countdown clocks are running for Cyberpunk 2077 and the PS5/Xbox series X. November 19th 2020 for Cyberpunk and the consoles will come at November 12th (PS5) and November 10th (Xbox). The mayhem starts in 43 days 6 hours and 34.2 minutes.

 

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The stage of a game

We all have an idea, some have the idea of a life time, but I cannot make that claim, not because I do not have one, but because I have too many. Yes there is the call to make remasters (Knights of the Sky), there is the call to reinvent the wheel (System Shock by Nightdive Studios), or there is the need to take it to the next level, a next level that was not possible in the past, mainly because technology did not allow for it.

This is how I always saw Pirates (by Sid Meier), there was a chance where Black Flag was a nice tribute, but it was the dawn of PS4 and Xbox One and Ubisoft took a cowardly way to progress a franchise on a lack of factors. So as I initially played Black Flag, my mind went racing. And then I remembered another pirate game, a board game with additional bluff cards. So what happens, when w take the foundation of Black Flag and make it more towards the original the Sid Meier made? The map would be well over 20 times the size, a lot more like the actual map of the Caribbeans in those days, the game would not be some fruity assassin, it would be your version and you get to live the life of a cutthroat, a buccaneer, a privateer, it is up to you, to go from a small skiff to a full-grown galley or slave ship if you are good enough. You see, there is something totally awesome about the way the game Elite Dangerous is designed (by David Braben). There your life does not matter, the game does not care, nor should it and it is time to set that stage to RPG and a pirate RPG makes a lot of sense. You cannot always be a captain, you start as a simple sailor. And in this you could get to a rank if you are good enough. 

So how do we go about it, we tend to look towards the wars of adjustment, yet there are so many wars the were never on the radar, the Dutch independence wars (which took close to 80 years), the age of piracy and lets not forget the Sudan wars (Mahdist War 1881-1899), all places that seem to be forgotten. Who remembers the siege of Khartoum? Some are so set in a stage of winning, the we sometimes forget that half the fun is surviving, so how far will you get? The original siege went on from 13 March 1884 to 26 January 1885, so what happens when you are in charge, how long will you last? Games are so much about winning, the we forget the enduring is nothing less. To make it to the date or even past it would be a victory and a half. It is so American to be the victor the most of them do not understand ‘the Last Samurai’, it is not about winning, it is about not losing, or better stated, the way you live towards the final days matters more, we forgot about that part, didn’t we?

We can set any gaming stage, but it is how we play where we see if we measure up, not if we merely tap the mile poles in a game. I reckon that the achievements made us all a little complacent in games. We can go in any direction, a Hindenburg flight simulator, yet in there we will always come up short against the Microsoft flight simulator, it makes more sense for them to add the Hindenburg. Yet what happens when we turn the script? What happens when we set the stage to a simple thing, what if the player is a no one, yet his/her grandfather was Hades, Poseidon or Zeus? What happens when we map a place like Monte Carlo completely and get him to retrieve a relic that one of the 2,261 millionaires or 50 billionaires has. Is it in a house, is it on a boat or is it somewhere else (like a museum)? We can simplify any game for as much as we can, but in the end we need a healthy story and for the most Wars tend to do that (an unhealthy endeavour if ever there was one). I saw the need of a game on mines, and remembered some bomb defusing game on the CBM-64, so where to go from there? The stage of a game is important, because it sets a vested interest of the gamer, Ubisoft had the down to perfection in Assassins Creed 2 and Brotherhood and after the they lost the plot, they almost won it back in AC4 Black Flag and they definitely got it back in Origins. I would think the a Battlestar Galactica RPG is one the would be favourable with the BSG fans, but not much outside that, the same can be said for Babylon 5, the Star Trek fanbase is huge, so that tends to be a close win any given day of the week, but that does not guarantee a good game, the issue is seen when an idea with a small base entices a large following, that is the stage we all seek. CD Project Red did so with Witcher and seemingly is about to do it again with Cyberpunk 2077.  It is the setting the fuels the story, and the story is everything, I have always believed that, it is the power of an RPG. It is because of the that we see out the great stories (Tolkien), yet I wonder what happens when we try this with Herbert on a larger scale with Dune, not merely on Arrakis, why if all the other places become involved? Perhaps a visionary will see that option with the next Dune movie (2020). In this books have been the strongest source of inspiration, mainly because there are so many of them. Yet most of us go to the same source, why? I agree that it is appealing, but there are so many nations with alternatives. That is something we saw when someone created the Untitled Goose Game, brilliant t in its foundation, as such I wondered if someone had considered the same thing with a cat (Minoes, Annie M. G. Schmidt), a writer the has a following of millions in the Netherlands and Belgium. In that same setting, as Skyrim became such a hit, did anyone ever look towards the famous Spanish Comic books of the Mercenary by Segrelles? It has all the makings of a much larger game, a stage where some are set not in multiple games, but one game with a season pass and several DLC’s.

Then there is the comic hero Rork, by Andreas, or even the Trigan Empire by Don Lawrence. I remember growing up to these stories and the stories of Ravian (Valerian), I am a little surprised that the Trigan Empire never made it to the silver screen or the computer, Don Lawrence has a flair for imagery and the computer always needs this. So what is the stage of a game that will be set next? The is the question and the is where players like Sony and Google/Apple will find themselves. Microsoft might be acquiring the brands (Bethesda), yet they do not have the stage alone and the next innovator might be just around the corner. For me, the idea that the $7,500,000,000 lemon the Microsoft acquired (not Bethesda mind you) would backfire largely and loudly and the would be OK with me.

As I personally see it, Microsoft pissed of true gamers and that group of people doesn’t pull punches when they play with their idols, we do not fault Bethesda in any of this, but aligning with Microsoft was not the best idea, as some say, you are only as good as your next game and Bethesda had plenty of winners, but what is next? We look not merely to the stage of the game, but to the next stage of gaming and I believe that they are too often hiding behind terms like ‘hype worthy games’, yet that is a setting from the mind of a marketing department, they predict that people who play games, will think this is a hype. Yet true hypes come from games the are on the edge of what is possible in gaming, the Witcher 3 is the perfect example there. Cyberpunk is also on the stage, neither of them are Microsoft games. Yet it was brilliant to buy Bethesda, but the also means that those who do not love the Microsoft console will look to the borders and see what else is possible, optionally setting the stage for the $7,500,000,000 lemon, not because of Bethesda, but because gamers have a lack of trust in Microsoft and the fact that some had the numbers that only 1 out of 3 considered the new Microsoft console, the gives me the impression that Microsoft has a much larger problem and buying software houses will not solve it, making visionary games do and the is the lesson Microsoft has not learned. They opened the door for Sony to look what else is out there, what else could become an exclusive and the is where Sony will win and gamers will win. Because it is on the edge of possible gaming where new gamers will be born, new games will be born and at the end of my life I see that there are options coming towards gamers, games the will create new gamers, it will create new creativity and new thinking through gaming and this is a good thing. The simple truth is the there is real gaming beyond Ubisoft and Microsoft, true gaming is never soft, it is challenging and the is where we need to look, we need to look where they are not looking. That is how I got most my IP in several fields. Not by being some bullet point presenter like all the others, but by looking in a direction they decided not to bother looking. That is how most revolutionary IP is created, and it is funny as this is the way Microsoft and Ubisoft started, to look where no was. Too bad they forgot about the part of the equation and I reckon the Sony is waking up to that lesson at present.

 

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Tickle me this!

I got an award today (who by remains confidential), it is an award many man want, but alas, I got there first (for the ward that is), I am getting the 2020 award for impregnating Laura Vandervoort, don’t get me wrong, we never had sex, we never had a date, but there you have it, I got the award none the less. That is the situation we see today when GamesRadar gave us the Gamescom 2020 award winners.

Best Action Adventure Game: Watch Dogs Legion, Ubisoft
Best Sony Playstation Game: Cyberpunk 2077, CD Projekt RED

There were more, but these two stood out. The games are not out yet, the games are not released, so how did they win? Now personally I would agree with the Cyberpunk 2077 win, but if I hols one to a higher station, I need to hold both to a higher station. Cyberpunk is currently set to a 19 November 2020 release date. Any further delay and it would not apply to any 2020 win. The same could be set about Watch Dogs Legion, which is set to a 29 October 2020 release date. Some of the other nominees are coming out in November and now, on the 29th of August they have already won? How is that even possible? So if they get to make that statement, I get the Knock Up LV award. I had little choice, in my Freebie top 5, she is still the only one not married (as far as I know), so there you have it, the stage is set.

And there are more awards to come, yet will they be set to the right station?

We can argue that: 

Best Simulation game will be the Microsoft Flight Simulator (there is no substitute).
Best Sports game has three options, but the EA games are not coming until later this year.
Best RPG is up in the air, but Cyberpunk 2077 has a good chance if it comes in 2020.

Best Remaster? Best PC Game? I have no idea and I have no real setting of what will come in 2020, but to award it to a game that is not yet pleased is insanity and folly, but it made me dream of the most unlikely of all encounters, me and Laura Vandervoort, apart from the situation that she is on the other side of the Pacific river and that is merely the first of many factors in place and in this we see the larger stage, Gamescom wanted to count, it wanted to be the captain of industry, Covid-19 be damned and I get it, but it is not right. That the award are given to the games released in the previous year, makes sense, or even over the last 12 months, but to give them out to unreleased games is folly.

And this has nothing to do with my sentiment towards Ubisoft, I believe that in this case the game I am yearning for is in the same mix, as such the game should not have won until it was released. Some will agree, some will not, but the stage of so many awards and they are optionally based on unreleased games is wrong.

It is a stage where we see more and more events set to timely publication, for them Covid-19 must suck and I get it, but to set the stage to award games not yet published is getting a bit weird. It is merely my $0.0325 on the matter (my 2 cents with adjustment) and feel free to disagree.

 

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Decision time

I had to make a decision, we all do. For the longest of times, basically since 1983 when I got into gaming, I mostly played as many systems as I was able to buy. First the VIC-20, then the CBM-64 and from there the tracks started. PSX, N64, Megadrive, Dreamcast, Gamecube, PSX2, Xbox360, PSX3, PSX4, Xbox One, Switch and soon the PSX5. I have decided to drop the Xbox as an acceptable system, I am not taking in the hype, I am dropping my Xbox One system with 20+ games. Microsoft has left too much gaming betrayal on the road as I personally see it. 

I will admit that there is another reason, my life of 18 hours a day is over, I now need more than 4 hours of sleep a night, a system has to go and Microsoft lost the toss. Too much overhyping go games (not entirely their fault). To be honest, I got the Xbox One for two reasons. The first was Elite Dangerous and the second one is Subnautica, both are now (and have been for a while) Sony games as well. The disappointing Xbox release list and the stage where both the Last of Us 2 and Ghost of Tsushima are so far above whatever the Xbox offered that the choice was simple. 

Let’s look at the station as it now is, over 6 years Microsoft refused to give in to the old station where we do not need to be online. Former boss of Microsoft stated once “We have a system for offline players, it is called Xbox360”, yet and we noticed it, as games showed issues, I have missed out on well over half a dozen achievements. In addition to the offline part, for some reason (as I showed in a previous blog), the Xbox started to upload, it uploaded well over 50% of my monthly allowance whilst I was not playing multiplayer games or online games. Microsoft help-desk said that this was between me and my internet provider. Really? The Xbox uploads without my consent and it was their fault? The entire Azure push and that is almost halfway through my issues with a console that takes the freedom of gaming and makes it a path of data collection. Then we see the headline ‘Microsoft’s xCloud Will Officially Launch in September as Part of Xbox Game Pass Ultimate’, there is nothing wrong with the state or the choices, yet it does not show us the amount of patches this gives and the amount of data you require. Even as my link is not great 60GB in one month dented my data usage, I also see that a lot of places in Europe will see more and more congestion, and less data width (especially rural places). When that pressure gives way in too high a setting, how long until the internet providers start chasing gamers? It was within 4 weeks of the Covid-19 when congestion made YouTube and Netflix lower resolution play, no more 4K movies and streaming was reduced. As the American BS war on Huawei (and China) continues, we will see reduced systems faster and more often. So what will happen to those 4K and 8K games? If it does not come in physical format, how much more congestion will we face? As such it is important to make a stand with other gamers and make a choice, I decided to drop the Microsoft console. It was a choice that happened on several factors, several choices were available and the station that is PSX has shown more promise and have left me with less disappointment over the time that I had a Playstation (1995-2020) than the Xbox One (2015-2020),  in that stage, I am clear in my voice when I see the entire stage, it is clear to me that the most powerful console in the world has no business focussing on directing gamers in a direction we need to go, especially when it gets surpassed by the weakest console currently on sale. 

A stage where we will soon see more weak promises and powerful hype creations, I personally see the stage changing by Microsoft Business needs that has less ad less to do with the joy of gaming and more with other needs. I will admit that I might be wrong, but I feel strongly to go in the direction I believe in and as I personally see it, a Microsoft Console is not that way. Over time I might replace it with a Google Stadia, so as we see the stage entering 2021, I might miss out on a game or two, yet at present Ghost of Tsushima has blown me away, The Last of Us 2 blew me away and I expect that Cyberpunk 2077 will blow me away. That will keep me settled until Q2 2021, when the upgrade to Elite Dangerous (4K) comes through (there is a lot of noise but not an official yes or no), I will be set for the largest part. I am not continuing to rely on Ubisoft as its flaws angered me enough to uninstall those games and I feel certain that the disappointments from that address have more negative news to come for gamers on any console. 

2020 has changed a lot for us and I do believe that Microsoft will hide behind hypes soon enough and give half baked information that can be bend in a few directions, yet the clear station where the games of the Nintendo Switch are more fun and more addictive than anything the MS Console can give us is a larger stage, a stage where we wonder why this system? And whilst Kotaku (at https://www.kotaku.com.au/2020/07/xbox-series-x-exclusives-phil-spencer/) gives us ‘Exclusives Are ‘Completely Counter To What Gaming Is About,’ Xbox’s Phil Spencer Says’ we see the real flaw. An exclusive game maximises what is possible and Sony has them, whilst Microsoft gave them up. If it was on multiple systems, games like God of War, Last of Us, Last of Us 2, Spiderman, and Ghost of Tsushima would not be the breathtaking results they are now. And the list is a lot larger, which also implies that some are merely on par, not beyond. Microsoft is largely lacking such a list, which is different from the Xbox360, The elder Scrolls Oblivion, Fable 2, Fable 3, and a list that goes on a long while, Microsoft threw a system advantage that put them on par with the Playstation 3 and let some bureaucrat set the long term goals into the Microsoft greed well and ignoring the population they were serving (the gamers). So now we see the not entirely unexpected ‘completely counter to what is gaming about’, yes, counter to what THEY are about. Gaming is to set the boundaries of gaming forward, to give us the wow factor that Microsoft has largely ignored. Sony never forgot that lesson, not since the first Playstation. 

As Google learns that lesson, it will see that there is more profit in catering to gamers, than to data facilitators. We will see larger shifts in 2021, but not immediately, the next Xbox will get the limelight as it deserves, yet when the issues start hampering the Xbox and as the people will get to read carefully phrased denials and carefully phrased counters, one by one it will impact the gamers more and as they switch to Nintendo Switch and PlayStation 5, we will see that Microsoft consoles will end up in 4th or 5th position. I doubt that this will happen in 2021, but 2022 yes, that is entirely possible. I predicted the fall behind Switch a year before it happened, but it did happen and I will be right again and at least now I am ahead of the curve and got rid of my system for a fair price, I wonder when others catch on.

 

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WYSIWYG?

What you see is what you get, that has been around since the old PC XT (or AT) tried its hands on desktop publishing. The phrase continued and spread in other paths, and we all accepted the term. Yet the term evolved and the fakeness of the term used later was ignored. As such the evolved WYSIWHY has come to be: What You See Is What Hyped You.

We see it in all matters of events. How the media gives rise to ‘Fed cuts rates by half a percentage point to combat coronavirus slowdown‘ (source:CNBC), even as there were less than 300 cases in a nation with 325,000,000 people, no such consideration was ever given with Swine flu or HIV. It was merely an administration what wanted to avoid the use of ‘recession’, now we see ‘Recession fears grow as Wall Street investors brace for a wild week for stocks‘ (source: Washington Post), even as we accept “after coronavirus fears caused the biggest weekly decline for U.S. stocks since the financial crisis“, the idea that a case of the flu, with a present 109,975 cases is just insane and most people are just buying the cake shovelled towards us. Consider that China has 73% of the cases and 19.3% of the cases are spread over Italy, South Korea and Iran. So how can these 4 nations impact the world economy to THAT extent? Lets not forget that the global fatality is still around 3.4%, all whilst the cases in Germany, Sweden, Belgium, Norway, Singapore, Austria, and Canada are without fatalities (at present), as such the overreaction is large and WYSIWHY is as I personally see it the stage.

Yet this is not about that, even as the beer virus (Corona) is staged to you in ‘E3 2020 is on a knife-edge right now – and it could end the gaming show for good‘ by Techradar (at https://www.techradar.com/news/e3-2020-is-on-a-knife-edge-right-now-and-it-could-end-the-gaming-show-for-good), there are a few important parts here and it is time to call the spades that they are not diamonds (or hearts for that matter). 

As I personally see it, there is a larger rift between Sony and Microsoft and it is coming to blows soon enough. Sony wants to be slightly cheaper than the Microsoft product, all whilst the Microsoft presentations are hiding the simple fact that they DO NOT want to reveal the storage space on their contraption. Look at all the presentations over the last year, it is all about hype creation, all whilst storage is a massive part of a console, no matter how you play, you need storage and for almost a year Microsoft steered away from it in any way they could and for them the E3 is coming too soon to feel comfortable. More importantly, in 2013 they had this ‘always online‘ part and it nearly destroyed the Xbox as a product, now they are afraid to come out and play as the kids would say, they are all into hype creation, whilst essential issues like price and storage are averted. I give them a pass on price this early, not on storage, because if the systems is this ready, the storage is known, even if there are multiple options. 

Microsoft desperately needs WYSIWHY and the people in gaming have had enough of that stage. The Techradar article mentions Microsoft once, a player that distinct in the E3 history, to see it only once, implies (for me at least) that this is about avoidance. Sony has had a great run and it has the benefit of a huge PS population, it is ahead by a lot. To be honest, if the PS5 is $100 more expensive than the Microsoft version, I will still go for the Sony option, as I personally see and feel it, there was too much treason by Microsoft towards me, too much harassment towards online and too much bricks on the road for the offline players (not to mention all the advertisements on my XBox One home page), intentional limitations is as much of an harassment than anything else and Microsoft is out of options with me.

There are a few options, especially as the E3 trade show is a moneymaker, merely delaying it would already be a clear alternative, no the talk is ‘cancellation’ and it does not sit well with me (so far ESA has clearly denied any cancellation of the E3). Yes, even as the corona cases are blatantly out of proportions (the shouting that is), we see no foul in delaying the E3 event, cooler heads prevail and I see that the E3 might have to be delayed, yet for how much, that is the question, also, as the E3 is getting closer to the end of the year, the PS5 and the Microsoft alternative could actually be presented to players, as such I see that there is a lot more going on. Nintendo has a hard time ahead, but the Switch is so switched on that it will stay standing in the upcoming Sony vs Microsoft battle, but Microsoft does not want that, you see with the Nintendo Switch surpassing Microsoft on lifetime sales the stage is not pretty for Microsoft, they were willing to grudgingly be in second place, but to get to a trade show where the weakest processor sells better then the most powerful one, especially as pricing is seemingly not the issue is too unsettling for Microsoft, until they can hype some kind of a win over the other two, they want to avoid the E3 completely, yet the E3 is more than these three, the game makers (Bethesda, Ubisoft, Square Enix, Sega and others) are also a factor, they are the people also enticing the audience and even as we see good things, we see that Ubisoft is in terrible danger. First we get “The Division 2 is still having a few issues, despite the release of a new update. The issue appears to be affecting Xbox One owners, who are unable to login because their characters are locked.” (source: the Express), then there were a load of issues with Breakpoint, Digital Trends gave us yesterday “Ubisoft will try to save Ghost Recon Breakpoint with huge overhaul, new modes” this is on what some would call ‘an old system’, and it seems that they are nowhere near ready to go to the new systems, whatever presentation they bring with get nitpicked by thousands and Ubisoft might not ready for that as I personally see it because they could not properly test games (as the released evidence shows or muzzle their marketing department until it was safe for them to create hypes).

Bethesda’s largest issue was Fallout 76, and that is fair. They gave us two days ago “Just Because It Didn’t Go Well Doesn’t Mean It Was Wrong to Try Something Different“. OK I support that part, trying something new could break the bank, it did with the Nintendo Switch, and there is no shame in trying and failing (Nintendo WiiU anyone?) This is how gaming goes. When you are on the edge of what is possible, doing the same will not get you anywhere, I personally was not up for Fallout 76 (I prefer my games single player), as such Pete Hines is correct and beyond that, until they have something that is really ready on PS5/XBox, they might prefer to remain quiet, I get that. The E3 is too big and it is possible that some makers don’t have anything ready at that point and that is fine, but the fact that no one has anything, that becomes too weird.

If I can design a gaming idea in 8 hours, so can those who are better at it then me, that is merely a simple truth to behold and the cancellation of the E3 does not make sense. Yes it makes sense for Microsoft (for all the expected reasons) and it makes sense for Ubisoft (for all their unfortunate events), yet there is more than these two and there is so much to behold in gaming land that it is sad to see so much depend on the PS5/XBox to falter (whilst some are hiding behind a bottle of Corona).

As Techradar finishes with “given the melting pot of illness, behind-the-scenes disagreements, and online distribution channels threatening its survival. And the status of E3 2020 could be decided any day now. We’ll keep you informed either way” we see that nothing is set in tone, but the flexibility to avoid issues are in play, we get part of that. 

So let’s look at the elements

  1. Illness. Not an issue, the delay could optionally avoid that and give rise to solving another part.
  2. Behind-the-scenes disagreements. OK, we accept that, but that has always been the case, in this stage we see that Microsoft and Ubisoft are in a massive negative swing, so do these two players have THAT much swing on the E3?
  3. Online distribution channels. Not an issue educating and buying a muzzle for your marketing department solves that. What is hyped is an issue, but only to the hyper, online distribution channels have been a larger issue for much longer and the NDA tends to solve several issues, in addition, barring those who break the NDA is also a solution, the fact that they can never get nfo ever again also makes them unemployable, so people tend to take these parts serious. It also implies that the smaller fry gets left out which is not a bad thing, there are plenty of larger players that have (to the best of my knowledge adhered to the NDA states, as such just the muzzling of their marketing department remains, hiring the right people tends to solve that.
  4. New: E3 2020 Creative Directors Resign, OK that is an optional event, there is a larger issue in play and it is not merely the running aways by Creative Directors. There is not enough information to judge the actions of iam8bit, and the actions by Geoff Keighley give rise to a lot more and this has nothing to do with any fear of any case of the flu. 

As we look at the stage of the E3, the amount of questions rising within me is increasing almost exponentially, no matter how certain paths go, anywho has ever planned for an event will tell you that largest contributors walking out past the 90% point is not merely rare, it should be grounds for a large open debate towards what is really going on, in that same trend we see the walking off by Geoff Keighley and the face he presented towards gaming at so many events should also be the foundation of questions.

What you see is not what we are getting and the media is actually part of the problem here, and it is seen in other ways too, as CCN gave us on February 15th (at https://www.ccn.com/this-company-wants-to-save-e3-2020-and-its-inviting-keanu-reeves-for-the-ride/) ‘This Company Wants to Save E3 2020, and It’s Inviting Keanu Reeves for the Ride‘, we can optionally argue that this is the coolest invitation that Keanu Reeves ever got for St. Valentine, the truth is that he is more than a crowd pleaser, as actor, as the actor for the John Wick stories, as the man playing Silverhand in CD Projekt Red ‘Cyberpunk 2077‘ it is one of the better thoughts, yet Limited Run Games (the company behind this action) is largely unknown and so far the media is ignoring all this and I see no refusal or denial from the agent of K. Reeves (as far as I was able to look into this). As CCN (in their article) gives a lot more, we see the stage that makes no sense, The E3 is a lot larger than the mere product makers, there are the entertainers, the software makers and there are multiple event carriers in place, the math doesn’t add up on my side and the media gives too little attention to this (the news media, not the gaming media).

When a global event like E3 is on such a stage, how can the news media remain silent to such a degree? Lets not forget that the event is 3 months away, optionally 5-6, as such there is a much larger stage in play, can you all see that? For the most I steered clear of the  Electronic Software Association (ESA), I am not stating that they are not a factor, but I have no idea what factor they are and what their agenda is in all this, even as we see statements like ‘ESA says E3 2020 still going ahead as planned‘, we cannot say what the finite standing is, they will have to take the Coronavirus as a factor, because there are costs for moving an event like this and as such there is a financial path to consider, I am not denying that in some cases. 

The math doesn’t add up and the stage is too large, whatever is plaguing E3 has a much larger issue that is not reported on and it seems to me (paranoia comfortably setting in) that this might be a case of the media having to deal with people who are either shareholders, stakeholders, or advertisers. Yet this is merely my take on the stage.

Is it true?

Well that remains to be seen, until the end of last month Xbox, Nintendo, Ubisoft and Bethesda were all confirmed (more were), so I have to remain skeptical at the whole ‘cancellation’ hype, yet there are rumours in the weeds that the cancellation drive is growing and two players cancelling at this point implies that the cancellation drive is not non-existent. There are optionally more issues in the field, one is ‘Top Rainbow Six Siege creators call for Ubisoft to prevent harassment and ‘stream sniping’‘ (source: Windows Central) which is nothing against Ubisoft as a company or a product maker, but it is fallout that they have to deal with, as such I also accept “Ubisoft has made strides in tackling cheating and toxicity, top content creators voice concerns over tools to protect broadcasters“, we can argue that there needs to be ample protection against cheaters, yet against bullies it becomes a different matter, what can you allow for to keep the game as open as it is without restraining valid gamers beyond valid measures, it is an optional headache that Ubisoft doesn’t need and more clearly does not deserve. In addition to all this, there are several software houses pulling titles from the NVIDIA’s GeForce NOW service. This will also lead to all kinds of questions, as such we see that this E3 has an enormous amount of questions and this will be the first E3 lacking all kinds of answers, we can expect a whole range of spin answers, but actual answers? I fear the worst at present.

At present there is no cancellation of the E3, yet I believe that if this does happen during the week, whatever factor is given to the Coronavirus will be off by at least 50%, it is in my humble opinion too much about certain people needing it not to happen because of very different factors, the Coronavirus was seemingly no more than a happy coincidence.

 

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A gaming shift

I am watching on how Google and Apple are starting their stream service. I don’t expect to sign up (no way will I get to Apple), but there is also another side to it all and I am not sure whether we realise this.

I might be outspoken not into Apple Arcade, yet this is largely because I am an android man. I still have my very first iPad, the anonymous one, without camera’s and such and it has done its job for over 8 years. Yes, I have games on it and foremost, the one game I still play is Blockheads, even after all these years. Like Minecraft it is fun escapism playing whilst my mind works out puzzles in the background. On the iPad 1 I also still play Sudoku and a few other games, on Android my life limits me to a few games, Gems of War being the most outspoken one.

The use of problem would be the wrong word, there is no problem, and the limitation that these systems show is the stage of real gaming. The bulk of people might be happy with Candy King, or some equivalent, the bulk might like Pokémon Go, yet is it gaming or connected mini games?

The question is more important than you might think; the question becomes what is real gaming to you? For a lot it is FIFA, NFL, NBA and NHL games and that is fine, for me it will be RPG’s. I consider Minecraft to be a game that I really love playing, yet true gaming is more and we forget the elements that we loved when we go for the short term. The Nintendo Switch makes games truly mobile, yet until I played some of the streaming games to confirm this, they might be the only one that still embraces real gaming on the go. You see, it only hits you when you see (or see again) the cut scene movies of games like God of War 4 and Horizon Zero Dawn to realise the massive journey you took to get to the end. You do not comprehend the journey until you have been on it, and Guerrilla games made more than an effort, it created an origin story so titanic in size and so overwhelming in completeness that you wonder who could ever equal it. The Horizon Zero Dawn (HZD) movie journey is well over 5 hours and that is merely the cut scene and stories that are part of a hundred hours of gameplay. I reckon it can be done sooner, but you might lose out on seeing just how amazing that world was. Santa Monica Studio did the same with God of War 4, it was a story well done and when you get to the end and see the twist [no spoiler given], and you end of merely sitting back in amazement giving yourself a loud ‘What the fuck?‘ Excelling games do that, Bethesda games do not give us that to the degree the previous two did and they still make excellent games. There is a balance in place in high level gaming, there is a balance, yet it seems to be like a seesaw, what one side gets the other loses. We might have all kinds of issues with like of Ubisoft, yet their graphics and stories have always been really good. Yet it is the other side where they lost largely on gameplay. The earlier mentioned two had both right, both gameplay and story, making the seesaw a much larger version than the one Ubisoft, EA and Rockstar Games have.

Don’t think this is a negative thing; we do not always want RPG games. Even now, lacking storyline, I would not be able to resist playing MediEvil again as it comes to PS4, that game was the reason I bought the PSP when it launched in 2005, I loved the game on the first PlayStation and thoroughly enjoyed it again on the PSP. It is the rewarding feeling of gaming you get making you want to play it again, if that did not exist, we would not have 8 versions of Mario Kart, yet they are not the only one offering that game. I still miss the challenge and fun that Wacky Races on the Dreamcast gave us 19 years ago. In equal measure from that same year there was Fur Fighters, also on Dreamcast (the PS2 version was a disaster). So there is more than a storyline in play, the satisfaction of gaming goes in several directions. It is the challenge of gaming that has a few packages, for RPG story is the overwhelming one, yet without challenging gameplay the game falls flat. In shooters and platform games it is more than the challenge, the shooters offer it most often through multiplayer. For Honor is an excellent example, it is below par on single player due to the lack and often repetitive mission gameplay in single player mode, yet the multiplayer mode is an amazing almost unparalleled experience.

This is where we stand in gaming and I fear that both google and Apple will fall short of that. Even as Apple Arcade comes out in 8 days, it seems that the list of 100 games will remain hidden for those same 8 days, yet there is also the challenge, I do believe we will find games we love, but when you consider the Australian price of $8 a month, would you pay that every month just to keep one game you care for? The games are said not to be sold individually and the 100 games might sound nice, yet what happens in month 3? There lies the issue for both Apple and Google, to entice a population not to play games, but to become gamers and I wonder if they can pull it off beyond year 1, that applies to both Apple and Google. Part of it was exactly what I predicted a long time ago two years ago and Beneath a Steel Sky (a 1994 original) was good gaming and with the reduced resources needed, the game would work well on any mobile or system. My issue is not with newly released golden oldies, it is the ability to embrace those playing games and turn them into actual gamers, they are not the same goal and both Google and Apple will have to rely on the growing number of actual gamers to do better than merely survive. Even as we see that Ghost Recon: Breakpoint comes to Google Stadia, so there are larger games coming to cloud based streaming and here we get the initial issue. So far I personally have had at least one hiccup a day on Netflix, even as it was merely a second it was not an issue, yet in gaming it is a much larger issue, it becomes almost literally the death of you. How will you react then? I believe that congestion is going to be a much larger issue until 5G is truly deployed to the largest extent. One could argue that overall at present the Microsoft Game Pass is too good value for the price and at that point is becomes the break on the acceleration for streaming games.
So what is the issue?

I believe that we face a larger lag soon enough, I believe that there is a danger that the increase of high end RPG gaming will take a hit, as people embrace Google and Apple, the development of games will be towards gaming that includes both new systems; and there is where I see the negative impact. Yes, the two earlier mentioned game makers will still make their games, but a whole range of other developers will try to find a solution that includes all systems and I feel that there is a danger to the development of excelling RPG games; it will decrease and that makes me sad.

Still, the streaming world does have its own challenges and that is where we see the benefit, whenever a challenge is met and surpassed games benefit and that is the trade-off that works on our behalf, there us a whole range of games that were originals and most are now forgotten, yet streaming games could bring them back. 7 cities of gold, Sentinel returns, Fur Fighters, Wacky Races, Shadow man, System Shock 2, Millennium 2.2 and this list goes on for a while. Games that will never be forgotten and could also lead to new game innovation. Even later games like MGS4, guns of the patriot showed innovation at the very end of the PS3 life cycle. People like Richard Garriott who innovated RPG gaming via the Ultima series. People like Peter Molyneux who started with Magic Carpet and Dungeon keeper a new age of gaming, they inspired some of the game makers that followed; the past is full of game makers who inspired others. Yet, this is not the end; these games could also inspire the next phase of gaming. I believe that through limitations we see the creation of new options. If there is one lesson learned from the CBM64, then that would be the one. We embrace gaming because we get to a place we did not think would be possible, Ubisoft showed that when they created Assassins Creed 2, we embraced the first one to some degree because of originality, the second one because we never believed it possible. I believe that this is the part we forgot about when Xbox360 went to Xbox One and PS3 when to PS4. Even now as PS5 and Xbox Two are coming, we still see merely a larger version of what was. It is games like Cyberpunk 2077 that will show what would be possible, in the same way that MGS4, guns of the patriot did on PS3.

With Streaming we will see new hurdles and we will meet innovative game designers that will get past that boundary showing us something we never saw coming, that is the stage the true gamer embraces, it goes beyond we thought we could and that is also why we look with eager eyes to Santa Monica Studio who surpassed itself three times over with every God of War release, the same we hope to see with Guerrilla games and a new Eloy story (the ending game ample consideration there), yet in the end we do not merely want to see more, we want to see more and something entirely new. In that regard CD Projekt RED delivered beyond amazing in Witcher 3 and is as far as we can tell, surpassing excellence again with Cyberpunk 2077. These few makers all delivered 90%+ games, games for true gamers.

And true gamers like junkies need their 90%+ games to stay alive (to coin a phrase), it does not make other games unwanted, it does not make a game like the crew bad (well it does make it below par), yet it does make us wonder how far that game could have been taken, or perhaps what would be possible when it was upgraded to the max, or perhaps what happens when a 97% game like GTA5 is no longer merely is based in the fictional state of San Andreas, but has the ability to cover the entire USA, how many thousands if not millions more gamers would it attract? Streaming might make that possible, and as such streaming will be here to stay when it becomes a serious piece of work, yet in that when we see the wrongful (not incorrect) quote in the Guardian “Arcade, which was demonstrated during the unveiling of Apple’s latest iPhones on Tuesday, is an attempt to turn the mobile gaming industry on its head and add an extensive new revenue stream to the company’s books” (at https://www.theguardian.com/technology/2019/sep/10/apple-arcade-launch-netflix-for-games-will-cost-499-a-month) there is a danger that a lot of people forget what streaming could offer, the question becomes to what degree are either Apple and Google aware that this playground for true gamers is equally open for them to dig into?

In a lot of places we see: “Bethesda Softworks is providing a gaggle of titles for Stadia’s launch later this year: “DOOM 2016,” “Rage 2,” “The Elder Scrolls Online,” and “Wolfenstein: Youngblood.”” which is merely a new place to play games already released, yet the corner of what was not done has not been turned yet and I hope that we will see more than merely more of the same, streaming could potentially open a market and give a game that PC’s and consoles cannot offer. Yet until those are actually released, we will have to wait to see just how rewarding that platform actually is, we will know the initial in a week, but it is the second wave that decides on just how successful these platforms will be, it is where the consoles cannot go, that is when streaming services will prove their worth and their place in the gaming community.

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Heaven is coming

Last weekend some (including me partially) decided to look at the Deep Dive Video of the upcoming Cyberpunk 2077 release. The video (at https://www.youtube.com/watch?v=FknHjl7eQ6o) gives fair warnings, and to be honest, I initially decided to not watch all of it. Not because of anything negative. What I saw blew me away in several ways. If you think that CD Project Red broke the mold with Witcher 3, think again, I am watching something that could establish a totally new level of gaming excellence in RPG, optionally an entirely new level of gaming experience altogether. The video gives two play styles, direct and brutal, as well as stealth and hacking. It also gives caution that footage was edited to minimise spoilers, you get to see an advanced stage of the game, seeing characters ahead of schedule, and so I stopped watching soon thereafter the first time around. The little I saw overwhelmed me. This is what gaming excellence looks like; this is what EA, Ubisoft and several others never learned. To get a game this perfect takes time and even now in pre beta mode, this game surpasses anything brought to gaming before. If the story surpasses God of War 4 (and I have no doubt it might) this could optionally be the game of the decade.

The little I saw was that amazing at present; I watched a little more second time around and saw a little more and a lot I never expected. It is in part the Netrunner side that has so many options and both sides that have so much freedom that this game is not merely a game; it is what some might regard replay heaven, two different sides with different ways to get from one place to another. It seems that CD Project Red has taken time to maximise this world.

I would love to know how William Gibson values this game (the writer of the original Neuromancer), I wold love to see him play this game anywhere and comment on the game and how it aligns with his cyberpunk vision (he is after all the father of cyberpunk). I got into his book when EA created Neuromancer, that game on CBM64 was my introduction to Cyberpunk, so to see that concept mature in Cyberpunk 2077 into something beyond I thought possible, and the fact that any game could surpass the expectations of the imagination of any person to this degree is pretty much unheard of.

Yet, that is how it seems to unfold. For the most I will avoid spoilers to the max and I will when commenting on the game, it will be to the engine and control of gameplay and avoid (whenever possible) leaving any spoilers untouched. I believe that games like this require that as a game unfolds shaping the story, the way I saw it as an option also implies that one person’s spoiler is not another one, the implied impact of solo person (visceral combat) versus netrunner (hacker stealth) could be that large and it is rare to see that unfold. There is one additional part and that makes me happy. Cyberpunk is expected to be released 5 months after Death Stranding and that makes me happy (I feel certain that Kojima agrees), never before has Kojima faced an opponent on his level of gaming experience. The fact that there is genuine concern whether Death Stranding (Kojima) or Cyberpunk 2077 (CD Project RED) is the best is a new level of gaming. Never before was there any competitor going up against Kojima at the same time. The fact that CD Project RED could seemingly equal and optionally surpass Japanese gaming excellence is a new bar on gaming standards and it has been set to the highest possible level, the final days of XB1 and PS4 are going to be awesome, especially in 4K, what a way to end a console cycle!

Be properly alerted that only non-gamers and those who cannot game would avoid these two titles, or better stated the titles that will be on their system only (Death Stranding is exclusive PS4), and let’s not forget that as it seems to be now, the makers of Witcher 3 surpassed what they did there and that game ended up being a 93% result. A stronger message towards Ubisoft to focus more clearly on gaming excellence could not exist.

 

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Electronic Entertainment Expo 2019

After last year there were issues, several on all fronts, and as Sony announced not to attend, we see the larger question, is there a need for E3? From my personal point of view, Microsoft will not be trustworthy (after their choices between the Xbox 360 and now), making it a Nintendo & Indie show, now, I am all for that and it could be awesome, but that is no longer an actual E3. Also, we will see the front carried by a few titles, yet they did so too last year and the blip verts show many images of what we saw last year too.

So as I use GamesRadar (at https://www.youtube.com/watch?v=xNCFmrkqQuY) as a handhold, let’s take a look at what we could optionally consider not watching in person there.

  1. Cyberpunk 2077. Yes, we saw a lot, we saw a lot before and for the most, we have blind trust in CD Project Red, they gave us the goods from the very start ‘You’ll see it when it is ready’ and with the Witcher III as evidence, we have all the confidence that it will be a smash winner when it is finished, the problem is that everyone is speculating or giving ‘I know a guy and it comes at …….‘, but the truth is CD Project RED has not giving a final date, if there is one, it will most likely be given at the E3 2019.
  2. Gears of War 5, it seems to be more of the same, it was never my cup of tea and as such, I hope people will love it, I truly do, but I see it as too much of the same, just like the next HALO which has number 3 and even as 4 player part might be nice, yet after Anthem, and every version connected to it (exception of Fortnite and Overwatch) I have seen enough to last me a lifetime, so the orchestra part was definitely overkill
  3. Another Star Wars game? Likely an absolute must for every Star Wars fan, I am not judging here, merely awaiting to see real game play.
  4. Session, a skateboarding game. It comes from Microsoft, so we will have to await the actual game footage and YouTube video to see what the actuality of that game is, personally I am kind of over all the Microsoft marketing, and we will likely see more on Crackdown 3, the game that was announced in 2014, coming in 2016, and has had delay after delay and is still not out. A game that is years too late, supposed to be AAA and gets a mere 57% from Metacritic, I think it was PC Gamer that gave us “It’s an OK game that could’ve been exciting a decade ago“, so as we were given presentation after presentation on the of Cloudgine for cloud computing support, we see the entire part blown out of the water. This now interacts with my article ‘At the end of a journey‘ (at https://lawlordtobe.com/2019/04/14/at-the-end-of-a-journey/) where we see the issue of Tim Stuart, Microsoft CFO giving us: “Xbox CFO on Google Stadia: “Cloud Won’t Match Local Experience”“, yes we said that for decades, making Crackdown 3 a joke at the very least and the years of delay a questionable side in what Microsoft regards as game design.

There are a few more games, some definitely interesting of checking out and a few to race for to the release date shop. Bethesda will be present with another Doom, for the lovers of that type of game a decent must. Ubisoft will try to wet the appetite with more ‘Beyond good and evil 2‘ yet there is no indication that there will be anything playable and GamesRadar as well as a few others have been whispering NextGen, so this might be a PS5 and whatever Microsoft puts on the market with an expected optional ‘always online‘ push by badly facilitating, and lets not forget the massive amount of space reserved for advertisement on your Xbox screen.

Nintendo will be killing the show, the next Pokémon is already making waves at present, so the impact will only increase, and that is merely the beginning, there will be an animal crossing, an exclusive Marvel Ultimate Alliance for Nintendo Switch, which must anger all the other consoles, as the previous two had quite the impact on gaming. And no matter how others slice it, the Nintendo Store with Switch version of CBM-64 golden games is only increasing the desire to own a Nintendo Switch, the idea to replay the Epyx great ‘Impossible Mission’ is just too fantastic to ignore.

We will get another call to Dying Light 2, yet at present no actual reliable release date as well as third installments of Luigi’s mansion and Borderland, both a reason to watch, both have a following and both have creatively emphasized on fun. There are more and more titles that are looking good (also on the Xbox), the makers of Fallout New Vegas and now part of Microsoft will be bringing the Outer Worlds. For those who remember Fallout New Vegas, consider an RPG, a lot larger, with more options, more challenges and more choices, there is zero chance that this game is not on the wish list of anyone who loves RPG’s, which is fair enough, Microsoft can’t get everything wrong. For Ubisoft it will be an important moment, Watchdogs 3 is on the list and according to rumours it will now be based in London. It is important because the first game became a massive letdown, yet Watchdogs repaired it to a decent degree in number two, not in the least because of the cast of Ruffin Prentiss who did an amazing job. So for Ubisoft the stakes are nothing short of monumental, they cannot afford to mess this one up. As I personally see it the Quality department better have their marbles in a row on this one. Ubisoft will have more if some of the leaks are to be believed. So their show, as well as the Bethesda one are the shows to be in the top ones both seasoned with the anticipation from viewers and gaming fanatics alike.

Gaming is more and more true mainstream, but it is also splintering gamers to a larger degree, in part we can blame people like Fortnite. It is not really their fault, they made genuine innovations, and more and more people nowadays expect that the system is no longer an issue when you are playing with your friends, which is actually no longer a given. With newbies Apple and Google, the interaction of games across platforms becomes a larger issue and no longer a given. Yet the audience is pushing and setting for a stage that remains debatable. Is it fair to expect PC’s and next generation consoles to group play?

The option that Microsoft consoles will interact with PC’s is to be expected, but is that stage equal for PS5 other solutions (Mac systems)? I am not claiming a yes or no, merely asking the question. If anything happens in the 5G stage, it will be that those interactions will find a larger footing, whether it will happen gets a TBA (to be announced) flag for now.

As I said Ubisoft has Watchdogs 3 nearly on ready is a large issue, on the plus side, if they pull it off, the value of the Watchdogs Franchise will skyrocket, mainly because the second in San Francisco was a large step forward from the first. The idea of London is appealing to many in other ways, the American population that needs to adjust to driving on the left lane is going to set the stage of many hilarious moments and the open world of London could be breathtaking. They gave us a great experience in San Francisco, so I expect nothing less than spectacular. It also implies that my idea for Watchdogs 3 could be an optional Watchdogs 4, so let’s just hope that game 3 knocks it out of the park. The only larger question will be Bethesda, they have confirmed that there will be no Elder Scrolls 6 or Starfield, which is nice to know, but Bethesda has a lot more IP so there is likely to be plenty to watch, and to be honest after all the slicing and dicing of Fallout 76, they need a win, a big win would be better.

In all this we see more of the same, the IP has stagnated to some degree, Minecraft (2009), Skyrim (2011), Grand Theft Auto V (2013), Elite Dangerous (2014), Witcher III (2015), No Mans Sky (2016), Fortnite (2017), all great moments of IP. I now distinguish between IP and a great game; they often go hand in hand, but not always. I believe that sandbox games, RPG games and tactical games will overlap more and more and will for the growing population of new gamers to be more and more important as well. We saw what could have been possible to some degree in Ghost Recon Wildlands, but not to the degree that could have been achieved. I believe that this is the IP that Google Stadia can build on.

Say What?

To see this, we need to look at the two stages of gaming. For the most, the games have a combined approach (the image is an analogy), so there are parts in the game that are used and in the core of the game, accessed when it is applicable. Yet another way is to take the Covert Action (an old Microprose game) approach, but now a next generation version. In this version in any sandbox, as we add a new element, the world would actually become bigger, or there would be more to do in that same world.

It was the foundation when I started the design of a game called: ‘Equilibrium, nature versus the machine‘. The biggest elements were finding a large enough play field (in my case Amsterdam), and set the stage where replayability would be more fun, so the stage required a very different approach, so that people could not chase from one point to the other to get a quickest time finale. In addition, I needed to set a stage where it would not merely be some kind of a ‘seek’ game (which is too much of a given when you finish the game more than once). In addition, there is the eye candy bit, so making sure it looks appealing and not repetitive was equally a challenge. For the most Amsterdam filled that bill. Yet, as I was contemplating the foundations for Elder Scrolls 7 and Watchdogs 4 I knew that they all had their hang-ups (not in a bad way), in every case it was what the player (in my case me) relied on, I wanted to change that concept, and in all honesty after hundreds of hours of Diablo 3 it felt an essential first to solve.

No man’s sky gave me additional idea’s. We look at it as some kind of failure, but the game is an achievement in many ways. If we accept that the worlds were set to a formula, what happens if we change this world into a formula and let the NoManSky IP recreate that world again and again? Then I considered what could one day be another Watchdog game, in this I wanted to push the envelope in another way. Hence I considered the stage where Kyoto was completely set to the game map, and I mean EVERY street. The game would now be large enough to keep a person busy for hundreds of hours and in the gender setting the game would have 4 versions two for each gender and each gender could get through the game as a criminal or a non-criminal, so the city had a light and a dark side. The interesting part about Japan is the lack of guns (and super strict gun laws) forcing stealth and forcing unarmed combat. As the monkey fist was a brilliant choice in the second Watchdogs, there was the option to keep it in, but also to make other weapons, weapons not to bleed, but to knock out. The nice part is that Japan has about 4 centuries of weapons in their history, so plenty of options. Technology (read: applied technology) is also more advanced (in many cases), so letting the game revolve not merely on the smartphone, but also Google glasses and the fact that in the hard setting there will be no English, gives light to a much bigger challenge. Having to rely on you wearing Google glasses (in the game that is) to read signs and to read instructions in the game to get your local language was appealing for a few reasons. It makes the game a much larger part of you. Adding weather and time constraints adds to the challenge and excitement. We forgot that the ‘you’ in your character was neglected more and more is also a consideration, having to eat and sleep on a regular basis could translate into a larger experience.

Finally the part where the elements come to shine; as we look at the coloured balls, we can see that mixing blue and red would create purple and between blue and dark yellow we would get a moss green. Now consider replacing the colour for a level, in normal mode hacking is one version, yet when we tweak that it is not pressing a button, we could replace the button with code segments that need to be found (and chosen), drastically increasing the challenge of the game, so what is a joy and still a challenge as well as an achievement on normal could be a mind boggling experience on hard and higher. So the smartphone could be upgraded, other versions of the (in game) app, also gives more options and buying an up scaled phone (more expensive) would give the player more destinations where he/she could strike it rich. Yet giving merely more and more is not enticing either, the added plus needs to be balanced with the drag in the negative.

It is what I envisioned in a new Elder Scrolls, adding the old limits. For example a person could not be fighter guild and mercenary (Blackwood company), a Mages Guild member could not be a member of the Thieves Guild and so on, so that at the most 3 guilds could be joined and until one guild had been completed some guilds could not be started. In this setting the game becomes more fulfilling, even in replay, as you start the second game with the Mages guild or the guild of Necromancy would impact your character to a much larger degree. To keep it appealing the setting of what used to be called the red wire challenge, a challenge that is not part of any main quest and happens over the entire stage of the game, so I came up with another challenge, to get there you needed masons, as well as special books (to be found) you could influence the look of the outcome with an Elvish, a Dwemer, the Imperial and the Ayleid version, all having distinct different looks and as the books are to be found in a different locations in every game, the hunt could be on for quite a while. With the introduction of new elements, reverting to an applied extra from Oblivion, So in the game there would be the option for Strength, Intelligence, Willpower, Agility, Speed, Endurance, Personality and Luck to be increased in other ways. Mining would result in additional strength, trading gives additional Personality, and Luck would grow with trade deals, finding mythic loot and so on, so even as the Skyrim approach of Illusion, Conjuration, Restoration, Alteration, Enchanting, Smithing and so on remains, with certain levels of Smithing and/or Mining surpassed the player would also gain additional strength, which gives added value to the carry and stamina numbers, whilst sickness and wounds have a much stronger negative impact. So a stealth master remains with attributes in the same area, any stealth master would have much higher agility giving the player an additional bonus. In addition, the stage of the game as I considered it had additional choices making for a much higher desire to replay the game in other ways and options. And as I went through it, it was the idea of changing the map in another way, As Oblivion was stated to be 40 KM2, Skyrim was stated to be 37 KM2 (this is clearly a: I thought it was bigger moment) ESVII (Restoration) would be no less than 780 KM2, adding to the game in a massive way, yet that also gave the stage where the current approach to a game map would no longer work (assumption on my side), so another approach would be essential. Optionally a two disc solution where the first disc is the install and map disc, the second one would be the actual game disc, yet in that stage the game would require a reserved space of no less than 150 GB (very loose estimate), as such the game would require other checks and balances as well. Whether it ever happens or not does not matter, the entire part is important in another way. When we consider the images I gave where the play world grows with the added segments, that approach would work very well for Google Stadia, so it opens up a new area we have almost never seen before, true open source gaming, a collective of gamers that could add to the game (with permission from the maker) not unlike some kind of a creation club, but in the foundation (the small balls), as a new enhancement is accepted by the game owner, we see that the entire gaming map and experience would grow as well, so over time, we get a largely enhanced game. Consider the merging of Elite Dangerous and No Man’s Sky, so not only do you play Elite Dangerous and travel from planet to planet, each planet could end up having an algorithm that allows to planetary exploration on every planet for the size of the planet, it would make it a game that takes a lifetime to play even in part. Yet what happens when someone created the module to add your own space station in an unexplored location? Consider the option for the gamer to have their own small station, grow it so that the station itself becomes an economic mark on the game as a larger whole. The nice part is that Google Stadia is in a much better position to bring that reality in gaming in the short term, so as the elements of IP are created and offered, we see the optional short term reality that Google Stadia could take sandbox gaming to an entirely new level and that would create the interest of millions of casual and recreational gamers overnight. That is not all, the stated lack of latency and the larger balance (implied) between latency and quality (much higher quality with less latency) only rises the level of opportunity for the Google players in the immediate future. I am not certain how active Google will be at the next E3, yet I believe that every eye will be on what Google can deliver, at that point the game changes for players on a global scale, so when I stated “we do hope that Sony is not stupid enough to follow the short-sighted path that Microsoft is on, they are now merely console number three and optionally before 2021 number 4 out of 5“, in ‘Lifting the Veil‘ (at https://lawlordtobe.com/2019/04/17/lifting-the-veil/) I did know what I was talking about and I knew what could optionally happen. Microsoft forgot what the power of true dreamers was (and optionally clueless on what they can still do), that is why Google could be the number 3 choice for a global gaming community soon thereafter, how far they rise depends on how innovative they continue to be, they are up against two titans that actively shaped the world of gaming for well over 5 console generations. So when these new technologies come, we will see a much more driven need for these players to be the best innovator in gaming, at that point it does not matter who leads, the gamer wins and that is just fine by me.

 

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The deceptive engine

We are all in anticipation of the E3, the one place where the game makers get to take the stage and either entice us for almost a year, or get completely destroyed. As we are 5 weeks away from the event, the game changes. It is all about creating hype, or creating optional falsehood. The false hype allegedly shows that the brand might still care to be inflated in perception value and regard. That is what I see when I look at the Daily Star, who gave us: “Microsoft games news: Has Xbox dealt ANOTHER KILLER BLOW to Sony and PlayStation in 2018?” That notion was so ridiculous that I decided to drill down a little. I have no idea who Dom Peppiatt is, but let’s drill down a little on the article (at https://www.dailystar.co.uk/tech/gaming/696572/Microsoft-games-news-Has-Xbox-dealt-ANOTHER-KILLER-BLOW-to-Sony-and-PlayStation-in-2018). So we start with “The company behind Xbox has recruited Darrell Gallagher to work on the Microsoft Studios Executive Leadership Team. Gallagher has a pretty significant history in gaming: he started as Head of Creative at Sony in 1997, then moved to Rockstar Games in 2004 to work as a lead artist. His next step was to become art director at THQ, before he joined Crystal Dynamics as art director in 2005“. This is fair enough, if Microsoft has acquired a titan like that, there will be optional forward momentum for Microsoft. I state optional, because we have seen that Microsoft tends to ignore its customer base and not listen to actual gamers, which tends to be a much larger issue. Then we get the not so nice parts “NEW Xbox One Games rumoured to be in development“, so the operative word is ‘rumoured‘, that was a first mistake, because we have seen that before, rumoured does not make it true and waiting for 5 weeks gives hype, yet in the same space gives massive amounts of resentment. With Rumoured we see references to ‘Perfect Dark’ and ‘Fable’ with old artwork and no evidence of any kind that it is true. Merely the ‘as leaked by Resetera user Klobrille‘ is given, like that ads any value to it all. The only one that is a decent given is a new (upgraded) Forza Horizons, it is the parade horse of Microsoft and it makes sense to make sure that it is there in all 4K glory. The second one is Age of Empires, it has been bled dry on the PC and it coming to Xbox One was merely a time setting. It was originally one of the better games they had, and if the interface is decently improved upon, it might be a niche market winner. So with 2 out of the 5 games that are ‘optionally’ games to come, what kind of ‘killer blow’ is that? It is not even close to a killer blow, so far they have not had any killer blows against Sony, and the Release of God of War last Friday is Sony showing all others that their games are of a massively higher plane of gamer satisfaction than anything Microsoft exclusively has to offer (at present), and they have close to nothing on the exclusive titles front. When we see “Microsoft and Xbox has acquired marketing rights on some massive upcoming games, including Borderlands 3, Cyberpunk 2077, Splinter Cell, Battlefield V, and Anthem“, we need to understand that ‘marketing rights’ does not make it an exclusive title. Another source had given us two weeks earlier “Borderlands 3 hasn’t been confirmed as being actively in development quite yet, Gearbox has unsurprisingly not given it a release date either“, with in addition “It’s likely to be released on PS4, Xbox One and PC“, so why acquire the marketing rights for a non-exclusive title? Seems a waste of money as I personally see it. Second is (from another source) “Ghost Recon Wildlands Splinter Cell DLC is getting a big reveal today. The Ubisoft content for the PS4, Xbox One and PC“, yet there is also mention that this is merely the setting for a new Splinter Cell and in that regard, there is every notion that Ubisoft, the people behind it will not be making it an exclusive title. The same is a given for the makers of Witcher 3, now prepping for Cyberpunk 2077, which leaves two titles none of these exclusives either. So as the article gives us “it’s important to note these are only rumours at the time of writing” in the end, the entire article was a waste of space for all gamers except for the need of Microsoft getting hypes out. The news that they have acquired Darrell Gallagher, which would be good news for Microsoft, yet to surround it with rumours, nothing to show and the fact that marketing exclusives were tailored whilst the games are not confirmed to be is merely a setting for failure, which we saw with the death blow against Microsoft with the release of God of War and actual exclusive title. It will only get harder for Microsoft; the consoles are set to 2.5:1 so for every Xbox One there are 2.5 PS4’s. There is not a game maker in the world that will not make for both if possible. The only option there is what Microsoft had exclusive and keep on converting the PC games that never made it to console. For Sony, it has its own worries. Both The Last of Us 2 and Death Stranding are exclusive titles, but these two players will not go to bed with anything but perfection and for both no official release dates are known, now that God of War delivered all it promised the hunger for these other two titles seems to be growing exponentially. And a gamer that gets too hungry for new games makes weird leaps, that has been proven in the past. So were the two titles just fabs? I am not certain there has been a massive desire to get the Fable line remastered (one, two and three) and the anniversary edition on the 360 only grew the fans of Fable. So getting them all three on the Xbox One remastered, not merely backwards compatible would be a real win for Microsoft, there is no denying it. It is not as clear with Perfect Dark, the heralded game just wasn’t the stuff of legends on the 360, so were some other games. Yet the fans will bow towards the Fable setting in a large way, in equal measure the Mass Effect rumours seem to resurface again and again, also in light of the Andromeda failure, that trilogy would be equally a win on the Xbox, anyone denying that is just utterly stupid. There are a few others, but they are in essence mere remastered games, not actual new games and that is what Microsoft desperately needs and so far they have too little, too few titles and no push towards exclusive wins.

It is in that regard that we see Forbes, who gives us “Sony And PS4 Are Beginning A Massive 2018 With ‘God Of War,’ And Microsoft Should Be Worried“. Yes, we all agree and even as actual numbers are not seen at present, we see in the UK “In terms of purely boxed units, it outsold God of War III by 35 per cent“, that is in merely 3 days, which is almost unheard of. The only title to ever pull that off was GTA5 in 2013. More good news is not console set, but for Ubisoft, it does not matter, Far Cry 5 broke the 100K boundary (on PS4) in Japan which should make the people at Ubisoft proud and happy and rightfully so, the fact that this will also benefit the Xbox One players is merely icing on the cake for Ubisoft and that is what counts. You see, actual gaming is never about the console itself, it is about the game and gaming. Even as God of War is ruling, Ubisoft is getting a nice global boost and with other Ubisoft titles ready to be released it will be a good thing. When it is about the gaming, we will not care, we only care about ‘gaming the play’, or was that ‘playing the game’? We tend to all get together I tend to burn whomever is trying to hand us hypes that are ridiculous, in that regard we have absolutely no regard for any hype bringer.

In the end, will it help us the gamers? Hypes do not, it is an engine of deception to maximise the product, that is the focal point, in this in that regard that the moment the hype is proven wrong (in 5 weeks at the E3), when any of the Daily Star mentioned ‘rumoured to happen‘ it will lash out to the Microsoft community and they will hold Microsoft accountable. You see, when it suits Microsoft they are all over a publisher with falsehood, when it suits them, so either the rumours are true (and I will reports one it), or this was a false hype that has the potential to sway more XB1 owners to switch console, which is overall bad news for Microsoft when that happens. I they have only one advantage this month than it is the rare case where the Gold Live Free games in April are actually better than PS Plus offer for a change. With AC Syndicate and Dead Space 2 ruling the free games, they are giving a better value in an uncommon move.

When it comes to the deceptive engine, it will not stop, not for at least 4 weeks and it is not limited to the Xbox, there are plenty of ‘rumours’ on the PS4 and Switch field, which we find equally annoying, in addition, it is not just limited to some papers, even a site like Christian Today is all about those rumours, which is unsettling on a few levels.

When you consider that ‘Deception’ is act of propagating a belief that is not true, or is not the whole truth, you might understand why we despise it in gaming. So if we consider that the ‘pro’ Microsoft article was optionally propaganda, as well as distraction, or concealment. The gamer has to ask, what is Microsoft trying to conceal or distract from? We will know in 5 weeks when we get to see the E3 presentation.

 

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