Tag Archives: Battlestar Galactica

Directions

We all do this, we take a direction, we choose a heading and most of us do it for emotional and sentimental reasons. I am no different. Yes, I still enjoy every moment in Horizons: Forbidden West. I hope I will enjoy Hogwarts Legacy well over half that much (more is always good). I try to have a realistic mind and the movie of Hogwarts Legacy blew me away, as it did most of us. Yet, some of us also hope for other IP to be made into games. Some go nuts for Marvel or DC games. Some of us love the Lego games. Yet I wonder what is possible if someone takes a gander and grabs a series like the Magicians, Babylon 5 or Battlestar Galactica into a game. Hogwarts and the writings of JK Rowling shows that there is massive appeal in the arcane. As such the writings of Lev Grossman could make for one hell of a game. Babylon 5 always had its own following and 5 seasons as well as a few movies opens the doors to a larger game. And there is a benefit to a space station. The same could be said for the Galactica, but I wonder what happens when we try to set a much larger station by opening the gameplay on a dozen worlds. A game that covers Icarus, Picon, Caprica, Gemenon, Tauron, Leonis, Virgon, Libran, Scorpia, Sagittaron, Aerilon, Aquaria and Canceron. A game that is too big for consoles, but not for streamers. All options that are forsaken, overlooked or just too big to contemplate. That last reason is a decent one. It is one hell of a challenge to get one world done right, to get 12 done good would be folly and I recognise that. A state of gaming we sometimes overlook. Just like the hungry man whose eyes are bigger than his stomach. In the latter case we waste some money on food we never had and that is OK, when you make a game and you make THAT much of an oversight bankruptcies start, so the game needs to be played careful and cautious. I get that, but if we always play it safe a game like The Darkness on Xbox360 would never have been a reality. A game that scored 82% (better than some Ubisoft games). There are other games with that setting and they were good games. Some would state not great games and I could go along with that. There are other games that scored not as much and were great games to play. So I am at time cautious on looking too hard at some rating. A game is what captures us, and for different people it is a different game. It was different with the approach for 50,000,000 consoles, which is weirdly enough based on small numbers, because it has never been done before. And if one program can lead there, what else are designers not looking at? I made the mistake of listening to the wrong people when I had my idea for Facebook 4 years before Facebook. Now, my version was not as slick, not as good looking and limiting, but I was ahead by 4 years. I will never do that again. I will go my own way and for now I have 5G IP in directions no one considered, optionally with extensions in several directions. A lot of them based on seeing the plans of Neom (Saudi Arabia). I came up with the IP for streaming consoles in a direction NO ONE considered. And it is ready for development. And the game is not even close to over. Only a few days ago it gave pressure to another IP, an IP no one seems to be considering and I reckon it could amount to billions, but it will not be overnight. A simple thought brought it to the top and in that same light I want to be positive on the IP of a TV series, a mini series and a movie, but they are not the real moneymakers, they are there for my ego (I think). And that is for some the rub. They are all about the profit, optionally the Adobe solutions that will bring Microsoft to their knees, but I believe that the small gains of TV ideas are no less than the other much larger amounts. The creator believes in his creations, not the value it represents. It is a path the creator walks and he (or she) hopes to see all the sideways that are connected to it, or the hope that new sideways are opened because of one IP. I believe that this happened in one case, but not in all cases. And there are other considerations. In my case Ego is one situation. I considered the evolution of the Amazon Luna, giving it all kinds of side uses, for the mere reason that Sony left them on the side and I want to be there to pick it up before Microsoft does. I want to make sure that they are seen as copycats, a former titan that is now merely a follower, not a leader, no matter what their marketing department advertises, but you saw that, did you not? ‘The most powerful console in the world’ is a considered statement of fact, but the fact that it was surpassed by the weakest console of them all is regularly overlooked. A stage that we ignore because some want us to overlook it and through that we overlook a lot more. But I do not mind, as I am alone on a path gives light to other options and it take one (not Microsoft) to take that jump and see their portfolio of revenue grow and when that does, the rest will sell itself. And when that happens my ego will be happy and shouting with glee showing all what Microsoft left in the dust and that was before the previous article where I saw more parts and places that Microsoft left lying on the floor, all ready for Adobe to pick up and make a move on what should now be considered a mediocre solution no one needs anymore and as people seek deep within ones self, they will understand that ‘They are the only advanced solution’ is no longer good enough and when that changes Microsoft loses the field on a 4th tier. They lost gaming to Nintendo and Sony, they never achieved anything in Tablets (Apple), they are a browsers joke (Google) and they will lose even more to Meta and they are about to be surpassed in streaming consoles by Amazon who also surpassed them on Cloud computing (Amazon AWS) and that is when their office solution passes over to Adobe, they will be the loser of the decade and I cannot wait to see those articles make headlines way too late. Microsoft took a direction to a cull de sac in a place no one wants to be all whilst others copied their failings. 

And I am so close to the victory I dreamt of, I can almost taste it, whether I get my IP sold or not, I will be around to see Microsoft fall to such a degree that the media can no longer ignore what has been in front of them for years. And when the people catch on the mess will be complete. 

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Historic detours

We all do them, I do them a lot. On any course from A to B, I tend to take detours every day. For one, I walk a lot and I like the scenery to change, it might not make much sense if you are the avid automobile fan, yet when you walk it makes a lot of sense. It can be that one route has a cinema and I want to see what is coming. That thought makes less sense nowadays, but in the past there were windows with photo’s of movies coming and movies playing. Then thee are the detours the mind makes. Those tend to make a lot less sense, even to the wielder of that brain. The Brain wants to let you know something and it tells you in its own way. Through the dream state when you are asleep, through a day dream or even through a small jump away from what you were thinking. We all have them, we pay attention (at times), we will it away or we ignore, we tend to take different strides with any mind jump. 

This happened to me today when I was doing something meaninglessly simple, mind-numbing and the brain just took over. I was at a school, not sure which one, or where. The kids spoke English, but I did not connect to the location and I have no kids, so I am at a loss on that part. The kids were eating food and a I saw a ‘pretend it is Mexican day’ sign. The sign was troublesome in a few ways but that does not matter. It was then that I noticed the food. I thought they were all enjoying enchiladas. The rolled or is that wrapped food in a thick tortilla, it was then that I took notice of the smell, the sweetness, the stuffing and then things started to make sense. The kids all had rolled up pancakes, rolled like a tortilla and the stuffing was not that of an enchilada. It was filled with fruits. Then I saw others with some kind of chili, but it was I think cranberry mash with berries, bananas and stuff, the enchiladas had some kind of jam, dried fruits, tangerine parts and I think apricot slices. They were all having fruit dishes all shaped and imaged after Mexican food, the sign made more sense now. And it makes sense, the detours allowed me to design the 5G solution I created, this is not the same, but set to a similar premise. The mind can fill voids, but it can also label and identify things it is aware of. So what if kids see the same shape as a bowl of chili, as a enchilada yet not the same. What if the apple served can no longer hold the attention it once had? What if the premise needs change? It is not unheard of, it is not even that weird. The detour can serve as a journey marker and that is how we get to the actual stirrer of the trouble I saw. 

Two headlines needs to be shown. Once gives us ‘Amazon is ‘nearing a deal’ with EA to produce a Mass Effect show’, the second one is ‘Ex-Bioware Writer Explains His Concerns About a Mass Effect or Dragon Age TV Series’. They matter, but not the way you think. There is one clear truth that I never steered clear of. The Mass Effect series (1-3) is one of the 10 best stories to ever grace the ENTIRE video game industry. In 2007 they started something that had not ever been shown before and the universe of gamers took notice. It was a few years later that we were treated to a sequel which was nothing less than one of the best games that would ever launch on a console. Yes, Mass Effect was big and even as there were rumblings on episode three, I never joined them, the story as a whole was amazing and that story can still compete with almost anything today. They screwed it up with Andromeda, but the original was and will remain a legendary achievement. 

Soon on console and TV

So whilst I do not know if there will be concerns, if there will be issues, if there will be larger ‘fears’. Consider the first game, when we go beyond the game, the setting that we forget is that the Citadel is well over 4 times the size of Manhattan, optionally a bit bigger and that implies that there are 3-4 seasons ready to be made. 

Consider Doctor Michel, getting extorted, running supplies to a merchant in the Lower Wards in order to avoid a “secret” of hers getting out. A 5 minute mission, easily converted to a full episode, or as a sideline in larger storylines over two episodes. Now consider that the first game alone has over 60 side quests, all optional stories in their own rights. We might not care about some of them, but the truth is we were never given to goods so that we would care and that matters. Just consider that we remember the stars of a show, yet how many can give us the sidekicks in Buffy? The sidekicks in Bones? The sidekicks in Battlestar Galactics? Dexter? Now consider that Spike (from Buffy) was supposed to get killed off in the beginning. Yet he stayed around for 7 seasons. The writers had something to work with and they were handed time to show value in a character. That could happen to Mass Effect as well. The benefit (for Amazon) is that they get handed something with a proper foundation, a story that can go places. And in this we see a larger stage evolving, the games are starting to set the need for TV and movies. We knew about movies, we all saw Jolie (aka Mrs Smith) in Tombraider, but the stage is now altering, games are making a larger headway into TV and the solver screen. I wonder if this is to the well of creativity drying up, or is it that games bring optional a million plus fans to the TV screen and that startup is interesting to producers. I am not sure what the answer is, because I never really considered that setting before. Yet if that is true, then the settings for Bethesda will alter a lot over the next few years. And that too matters for gamers, because the franchise that grows tends to evolve and gamers love a game that truly evolves (not iterates like Ubisoft). In this there is no telling what Ubisoft can do with their AC franchise. 

Yet in all this, I wonder what we will be treated to next. I am not siding with the worry population, I will see and judge when it hits the TV or big screen. I have seen enough on both sides to worry up front, and we all saw our fill of ‘failed’ series. Yet plenty of those ended up being true gems (Dollhouse 2009, Firefly 2002, Rome 2005, Star Trek 1966) and it is interesting that Star Trek ended up with 9 spin offs and 10 movies. So taking the word of the critics is debatable from the start. 

I hope that Mass Effect will get the proper audience and get the right stage for people to care about a good story, because the story is everything, especially in TV. 

So why this detour?
You see, what we see and what we perceive is not the same. What we see is what we are offered to see and what we perceive tends to be based on the presentation of others and the ‘critics’ as well as ‘critics’ who have other venues to promote are the fake news bringers, especially in this day and age. Some of these ‘critics’ know that people have one purse, they can only spend money ONCE, so they are getting more and more careful on what they spend money on and Amazon Prime knows that (its a Netflix issue), so they need to get the larger population on board sooner, and some ‘critics’ have friends at Netflix and other places too, so they are eager to promote one and push down the other for whatever reason they hand us and they have a larger digital market to push their view, their need and the need of their friends. That is the stakeholder game and it is hitting TV series as well, yet only now will the push be more pronounced then ever before. But that is merely my view on the matter. 

Will Mass Effect succeed? I cannot tell, I will not give my answer one way or the other, but take notice. It comes from one of the truly great stories in gaming and that matters. I reckon we will see something real in 2023-2024. 

Have a great Sunday.

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In your face space

It happens, something is staring me right in the face and I lay it beside me. It happens, it happens to us all. This trip started in 1992 (I believe), at a consumer electronic show in Amsterdam (RAI) we got to see the first Mini Disc, the first thought I had that it would be a great digital system for computers, it was roughly 4% of a Bernoulli disk whilst being able to store 600% of what a Bernoulli could store. The idea was rejected by Sony, too incompatible they claimed, nowadays we know more, it would have been a great option, it would have pushed players like Apple to the limit 5 years ahead of the curve. Yesterday I was confronted with that thought as my DVD was acting up (the disc, not the player). Now consider the new players, the new way to watch TV. All whilst the telecom companies want you to use more and more bandwidth, the more they can harvest, the more dependent you get to become.

What if we take that away? Consider this Compact Flash, one card, not 26 discs, merely one card and it is not even the start, in a time and place where collections are complete book cases and we can replace it in almost all cases with one card per TV series. The fans have a perfect copy per card and there is still the option to upgrade over time, in the age where 4K will define new boundaries, the retail side also needs to adhere, a setting where we can drive innovation, not merely follow it. Battlestar Galactica, Smallville, Babylon 5, Teen Wolf, Games of Thrones, Harry Potter, Lord of the Rings, the Hobbit, Dexter, Midsomer Murders, the Star Wars saga and so on, one card per setting and the technology is already here to set the stage to a much larger degree to meet the customer beyond halfway, a customer that can watch their series in perfection, one card that can last a lifetime. I reckon that players will have larger settings, they have the space, open up any blue-ray or 4K player, most of it is space and adding a CF, or SD card reader (optionally both) is the easiest thing to do. Not walking back and forth to the player getting the next disc, merely one card and all seasons are there. Yes, newer series will likely go per season, but at present there are hundreds of series all well above a dozen discs, and the fans have needs, they want that card on their mobile, on the road and the card can take a lot more than any disc could, so what stopped a player like Sony? Another ‘too incompatible’ mention, or the fear of piracy? Piracy is already there, the disc allows for newer protection and even in store upgrades. Go to any store where you buy movies or TV-series, now consider a box (like GoT) and that box will be able to contain a dozen of your favourite series, now consider the space it is taking up and consider that one card could have all seasons and you keep it in your placer at all time, to be able to play it at your hearts content. So why is that solution not here now? Consider all the telecom players trying to be clever with their 5G, all whilst it is just not ready and do you really want your bandwidth to depend on your 5G router? Consider that IT Pro gave us a week ago “as they promote Kubernetes as the secret ingredient for closing the gap between 5G’s promises and 5G problems. Kubernetes does indeed have some potential to make 5G actually work well. That said, it’s not necessarily the holy grail of edge computing and telco networking that it is sometimes made out to be” (at https://www.itprotoday.com/hybrid-cloud/can-kubernetes-solve-5g-problems-partly-not-soon), there we are told “They make promises like “5G networks will one day offer peak data rates of up to 10 Gbps” and “5G’s hyper-fast speeds will revolutionise the way we live.” If you read statements like those carefully, you’ll notice that they’re predicated on theoretical future developments, not what 5G is actually delivering to the typical user today. That’s because, to date, 5G network implementations haven’t been all that impressive. They turn out to be slower than 4G in many cases, not to mention less reliable. 5G, in other words, has become “a bad joke.”” A setting I have been mentioning for close to two years and the joke gets to be worse, at present Saudi Arabia has a 5G network that is well over 700% faster than anything the US can offer, their BS marketing drive is that bad and it will get worse, as such do we want to rely on congestion, or do we want an option where we can watch what we love unhindered, optionally in a better setting than now? So whilst we take notice of “it won’t address all 5G problems, and it will take a long time–several years, most likely–before Kubernetes is a full-fledged 5G solution, which I predicted a few times in the last two years, I made no mention of Kubernetes, I merely observed the greed driven stupidity of some and watch these ships wreck left right and center. So whilst American politicians are blaming China for their own lack of innovation, I created the setting of a 7th device that can push innovation and change. And when we consider that innovation drives creativity, I wonder what someone else can come up with tomorrow, I already set the design of a new device for IOS and Android, that is how I roll. All whilst Microsoft is pushing Forza on your mobile, I came up with two new pieces of hardware, yup, I feel decently good, especially as we see Microsoft falter again and again and now it get to pull the wool over the eyes of Apple and Sony too (life can be satisfying). Did I figure out everything? No, I did not, but if I had done so I would make life for 1,000 researchers at Microsoft impossible and that is not fair either, oh wait, I really do not care about that, sorry!

All this in a day, so what is stoping these moguls of achieving true innovation? #JustAsking

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As crazy ideas go

OK, lets be clear, Ubisoft is not suddenly a good place (not judging on the massive amounts of pushed events), yet they have the advantage through Watchdogs 2. So what happens if the map is increased, what if it is close to identical to the real deal? Now we are going to add things, not some almanac we have to chase, but events we have to fix.

Consider San Francisco, now add episodes of Charmed, the Streets of San Francisco, Full House, Monk, The Circle, Blue Jasmine, the Rock, Bullet, Pursuit of Happiness, the Presidio, so many movies and TV series that were made and based in San Francisco, what if you have to fix it all, fix productions, get the rights scripts to the right people. Props to the right locations, Hunt for people out to get the actors (wink at the Dead pool) and so on. It has never been done before and what is more, it is a game that is expandable, that is the nice part of San Francisco. OK, Ubisoft has one hell of a legal predicament to work on, but it would be original, and it could be an eye opener for the nextgen systems. In all this, a stage to look forward to, and let not forget, the overwhelming group  of gamers, they do love their movies. So whilst I am brooding over the next part of my short story, this idea came into my head. 

So you start s a young executive (a real Joe does it all), has to get the actors to the set, has to get the props, has to place the crew and scripts. Yet the stage is not as straightforward. There are things he can delegate, and things he cannot delegate. For example, the diamond prop in the jewel store heist (one of the TV series) are also needed on the set of the Presidio, so you are racing from place to place, getting the right stuff and delegating the right tasks. And as we go from level to level, more stages, more scripts and more challenges. All this whilst you need to build up credibility, revenue and stage bigger margins. As the game goes forward there is the need for more of everything and over time as we add more and more series and movies, the unlocks increase. It was only a first thought, but something like this has not been done before and it is not easy, some studios are very protective of their IP, so the game is not an easy fit, but it could be a nice challenge. I wonder who at Ubisoft had looked at that, with the larger need for exclusive gaming, Ubisoft has its challenges ahead of itself.

Anyway, it is more appealing than the hundreds of messages about a fly on the presidential debates. And whilst the world watched the, I had a first inkling of a new idea, I feel that I am on a roll. Yup, I have earned my mac and cheese tonight. 

In light of all the remasters and re-releases (which is still a good thing), I came up with an optional new game. I am still thinking o it and also trying to convince myself to create more new gaming IP, you see so much has already been done, coming up with a brand new IP is a much larger challenge than one thinks. I had the idea of a time thief, but the stage is much too large. The idea came to me when Assassins Creed gave us the original bonfire of the vanities DLC. The person was real, there was a Girolamo Savonarola, he did start ‘ethic cleansing of art’ by having his own kristalnacht, so what happens when you go to the night, copy the artwork and steal to original without being seen. As such what can be done before 7 February 1497, what can only be done on the night, with art treasures the in today’s world would exceed a billion dollars. Hundreds of pieces of art. So how far would you get? Being spotted ends the game, and makes you restart it, or you can retire, but only the successful retire rich. And it is not the only time this happened.

The obvious moment is WW2, yet it was not the only case, WW1 has had its share of events, there is the 17th century fire that destroyed much of Brussels, 1654, a gunpowder magazine stored in a former convent exploded in the Dutch town of Delft (I lived there, which is why I know), destroying the works of Carel Fabritius. An optional art education on top of all this. The 1734 fire of Seville’s royal palace, destroyed hundreds of pieces of art, including works by Diego Velázquez, Leonardo d Vinci, Anthony van Dyck, El Greco, and Raphael. And there are several of these events. So what happens when we realise the tie theft is very very expensive (power for time travel and so on), so one can only progress if enough is ‘saved’. Two ideas in one day, not a bad call, is it? And if you wonder why all the big houses cannot one up with original idea’s, I will shrug my shoulders. I got this done with a gatorade and the need for Mac and cheese in my belly. All this before 11PM, sometimes I even scare myself. So whilst there is a Star Wars movie in the background, I wonder if anyone has considered a slightly more arcade version of Knights of the Sky, and in light of Star Wars Squadrons, did anyone consider a viper simulator for the Battlestar Galactica. It is merely an idea, but the series has plenty of fans, and shooting down Cylons? Not the worst way to spend time (sorry Grace Park). We see the easy marks, yet how many had considered Time theft? We can go 1st person (thief), take a Commando 2 approach guide several characters, use a third person approach (Dead Space), all whilst we consider the choices here, I am considering another game. Oh well, there is no stopping the creative mind.

Have a great weekend (Friday is prep-day for weekend).

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The stage of a game

We all have an idea, some have the idea of a life time, but I cannot make that claim, not because I do not have one, but because I have too many. Yes there is the call to make remasters (Knights of the Sky), there is the call to reinvent the wheel (System Shock by Nightdive Studios), or there is the need to take it to the next level, a next level that was not possible in the past, mainly because technology did not allow for it.

This is how I always saw Pirates (by Sid Meier), there was a chance where Black Flag was a nice tribute, but it was the dawn of PS4 and Xbox One and Ubisoft took a cowardly way to progress a franchise on a lack of factors. So as I initially played Black Flag, my mind went racing. And then I remembered another pirate game, a board game with additional bluff cards. So what happens, when w take the foundation of Black Flag and make it more towards the original the Sid Meier made? The map would be well over 20 times the size, a lot more like the actual map of the Caribbeans in those days, the game would not be some fruity assassin, it would be your version and you get to live the life of a cutthroat, a buccaneer, a privateer, it is up to you, to go from a small skiff to a full-grown galley or slave ship if you are good enough. You see, there is something totally awesome about the way the game Elite Dangerous is designed (by David Braben). There your life does not matter, the game does not care, nor should it and it is time to set that stage to RPG and a pirate RPG makes a lot of sense. You cannot always be a captain, you start as a simple sailor. And in this you could get to a rank if you are good enough. 

So how do we go about it, we tend to look towards the wars of adjustment, yet there are so many wars the were never on the radar, the Dutch independence wars (which took close to 80 years), the age of piracy and lets not forget the Sudan wars (Mahdist War 1881-1899), all places that seem to be forgotten. Who remembers the siege of Khartoum? Some are so set in a stage of winning, the we sometimes forget that half the fun is surviving, so how far will you get? The original siege went on from 13 March 1884 to 26 January 1885, so what happens when you are in charge, how long will you last? Games are so much about winning, the we forget the enduring is nothing less. To make it to the date or even past it would be a victory and a half. It is so American to be the victor the most of them do not understand ‘the Last Samurai’, it is not about winning, it is about not losing, or better stated, the way you live towards the final days matters more, we forgot about that part, didn’t we?

We can set any gaming stage, but it is how we play where we see if we measure up, not if we merely tap the mile poles in a game. I reckon that the achievements made us all a little complacent in games. We can go in any direction, a Hindenburg flight simulator, yet in there we will always come up short against the Microsoft flight simulator, it makes more sense for them to add the Hindenburg. Yet what happens when we turn the script? What happens when we set the stage to a simple thing, what if the player is a no one, yet his/her grandfather was Hades, Poseidon or Zeus? What happens when we map a place like Monte Carlo completely and get him to retrieve a relic that one of the 2,261 millionaires or 50 billionaires has. Is it in a house, is it on a boat or is it somewhere else (like a museum)? We can simplify any game for as much as we can, but in the end we need a healthy story and for the most Wars tend to do that (an unhealthy endeavour if ever there was one). I saw the need of a game on mines, and remembered some bomb defusing game on the CBM-64, so where to go from there? The stage of a game is important, because it sets a vested interest of the gamer, Ubisoft had the down to perfection in Assassins Creed 2 and Brotherhood and after the they lost the plot, they almost won it back in AC4 Black Flag and they definitely got it back in Origins. I would think the a Battlestar Galactica RPG is one the would be favourable with the BSG fans, but not much outside that, the same can be said for Babylon 5, the Star Trek fanbase is huge, so that tends to be a close win any given day of the week, but that does not guarantee a good game, the issue is seen when an idea with a small base entices a large following, that is the stage we all seek. CD Project Red did so with Witcher and seemingly is about to do it again with Cyberpunk 2077.  It is the setting the fuels the story, and the story is everything, I have always believed that, it is the power of an RPG. It is because of the that we see out the great stories (Tolkien), yet I wonder what happens when we try this with Herbert on a larger scale with Dune, not merely on Arrakis, why if all the other places become involved? Perhaps a visionary will see that option with the next Dune movie (2020). In this books have been the strongest source of inspiration, mainly because there are so many of them. Yet most of us go to the same source, why? I agree that it is appealing, but there are so many nations with alternatives. That is something we saw when someone created the Untitled Goose Game, brilliant t in its foundation, as such I wondered if someone had considered the same thing with a cat (Minoes, Annie M. G. Schmidt), a writer the has a following of millions in the Netherlands and Belgium. In that same setting, as Skyrim became such a hit, did anyone ever look towards the famous Spanish Comic books of the Mercenary by Segrelles? It has all the makings of a much larger game, a stage where some are set not in multiple games, but one game with a season pass and several DLC’s.

Then there is the comic hero Rork, by Andreas, or even the Trigan Empire by Don Lawrence. I remember growing up to these stories and the stories of Ravian (Valerian), I am a little surprised that the Trigan Empire never made it to the silver screen or the computer, Don Lawrence has a flair for imagery and the computer always needs this. So what is the stage of a game that will be set next? The is the question and the is where players like Sony and Google/Apple will find themselves. Microsoft might be acquiring the brands (Bethesda), yet they do not have the stage alone and the next innovator might be just around the corner. For me, the idea that the $7,500,000,000 lemon the Microsoft acquired (not Bethesda mind you) would backfire largely and loudly and the would be OK with me.

As I personally see it, Microsoft pissed of true gamers and that group of people doesn’t pull punches when they play with their idols, we do not fault Bethesda in any of this, but aligning with Microsoft was not the best idea, as some say, you are only as good as your next game and Bethesda had plenty of winners, but what is next? We look not merely to the stage of the game, but to the next stage of gaming and I believe that they are too often hiding behind terms like ‘hype worthy games’, yet that is a setting from the mind of a marketing department, they predict that people who play games, will think this is a hype. Yet true hypes come from games the are on the edge of what is possible in gaming, the Witcher 3 is the perfect example there. Cyberpunk is also on the stage, neither of them are Microsoft games. Yet it was brilliant to buy Bethesda, but the also means that those who do not love the Microsoft console will look to the borders and see what else is possible, optionally setting the stage for the $7,500,000,000 lemon, not because of Bethesda, but because gamers have a lack of trust in Microsoft and the fact that some had the numbers that only 1 out of 3 considered the new Microsoft console, the gives me the impression that Microsoft has a much larger problem and buying software houses will not solve it, making visionary games do and the is the lesson Microsoft has not learned. They opened the door for Sony to look what else is out there, what else could become an exclusive and the is where Sony will win and gamers will win. Because it is on the edge of possible gaming where new gamers will be born, new games will be born and at the end of my life I see that there are options coming towards gamers, games the will create new gamers, it will create new creativity and new thinking through gaming and this is a good thing. The simple truth is the there is real gaming beyond Ubisoft and Microsoft, true gaming is never soft, it is challenging and the is where we need to look, we need to look where they are not looking. That is how I got most my IP in several fields. Not by being some bullet point presenter like all the others, but by looking in a direction they decided not to bother looking. That is how most revolutionary IP is created, and it is funny as this is the way Microsoft and Ubisoft started, to look where no was. Too bad they forgot about the part of the equation and I reckon the Sony is waking up to that lesson at present.

 

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The Dreaming team

There are these moments where we all tend to think and to believe that some matches were made in heaven, but what happens when the realisation hits that a match is just one step forward to hell? I got my MacBook Air two weeks ago (after waiting 7 weeks), my iPad has currently not drives and that waiting time is about to end week 8. Now, I do not regret getting the MacBook, it is slim, it has 2TB storage and it weight less than the average steak and cheese sandwich, as such a good call. And the media tends to agree.

I have been restoring back ups, setting flags in place and yes, I have no regrets. Yet then I realised another matter, I also got Disney Plus for free for a year. It was an uncalled benefit, but seemingly a benefit none the less, so I went to take a look and there the road to hell blame clear. 

At first I was looking and my look was equal a person who had died and gone to heaven, Battlestar Galactica, The Expanse, Westworld, the X files, I had happy thoughts that surpassed meeting Grace Park, Evan Rachel Wood and Dominique Tipper naked, So I started c licking as the happy SciFi Camper I am, but wait, here it comes, nothing there is for free. The Expanse was $8 per season, Battlestar Galactica $10 per season and the Plan $23, so where is the ‘One year of Disney Plus for free?’, I am logged in, my Apple ID is clearly there, which made me wonder whether Disney was merely the facilitator, So I decided to look for Tron: Legacy, I had not seen that movie in a long while, it might help me relax. Nope, that too is $15, I could rent it for $5, but in a year, why rent? Even Disney’s own the Nightmare before Christmas is $15, what a Christmas present is that? It seems that the Grinch is holding onto its coins and running Disney as I see it. 

So perhaps it is may Australian side, perhaps ‘One year free’ means something different in America?

As far as I see it, Netflix has nothing to worry about, the way Disney goes about it, and as I personally see it, there won’t be much of a Disney plus under these conditions. And when I see that the search bar gives no results for ‘The Mandalorian’, or ‘Mandalorian’, that is when I see that some American firms will never learn, or learn too late. Even the new and noteworthy ‘Marvel’s Inhumans’ is $3.49 per episode. As such I wonder why the media has not picked up an any of this, so as Business Insider gives us “Beyoncé’s new film “Black Is King” will stream exclusively on Disney Plus starting July 31.” My question becomes, at what price?

 

I wonder if Apple can be held to account for the viewed deceptive conduct, there was never any mention of prices for anything, but that is perhaps just me. When you consider that thousands bought Apple hardware, how many did so because there was a ‘One Year of free Disney mention?’

Just Asking, I let you decide on how this unfolds.

Free DisneyPlus? They must have been dreaming!

 

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