Tag Archives: Carolyn Petit

The Toothless tiger

It is roughly 1,544,400 minutes since we saw this message “The newspaper and magazine industry today takes the first steps towards setting up the Independent Press Standards Organisation, the new regulator for the press called for by Lord Justice Leveson” (at http://www.newspapersoc.org.uk/08/jul/13/independent-press-standards-organisation, in July 2013).

So when I saw the words ‘press’, ‘regulator’ and ‘sham’ together in one sentence (at http://www.theguardian.com/media/2014/sep/07/victims-press-regulator-ipso-leveson ) I was not that overly surprised. Let’s not forget that the implied innuendo in regards to the press cleaning up its act was never a reality.

You see, after all that visibility, on March 25th we see the report from the Daily Telegraph with the headline “Flight MHG370 ‘suicide mission’“, was anyone even surprised that the press regards themselves ‘beyond the law’?

Yet, if we are to properly assess the situation, we must therefore also allow matters of defence. So what is the issue that bites us so much? The letters from the 30 victims of press intrusion stated to Sir Alan Moses the following (as stated in the article of the Guardian):

By rejecting the majority of Lord Justice Leveson’s recommendations, the paymasters and controllers of Ipso are rejecting due process

In its current form, Ipso retains no credibility with us or with the wider British public.

It furthermore states: “it was not truly independent, breaches of the industry code of practice would go unreported and unpunished, and there would be no effective and transparent investigation of serious or systematic wrongdoing“.

Now, after what happened in the hacking scandal, I am all for bashing the press, but let us all be honest, if we are to convict a group, let us do it for valid and preferably legal reasons.

About these pictures!

This all links to several issues that I wrote about in the past few days, Jennifer Lawrence and Kate Upton might be the most famous ones, but they are by no means to most important ones (I feel for these victims, but reality shows us bigger problems). Yes, there is an issue that links to Zoe Quinn and Anita Sarkeesian. If we go by the words of Reddit, we should use the quote “The site, which had an online forum named ‘The Fappening’, was one of the main places the hacked nudes were being posted and the website has now banned the page, six days after the photographs of the Hunger Games star first surfaced. It is thought the main reason bosses have finally pulled down the forum is NOT because of the J-Law snaps, but because photographs of Olympian McKayla Maroney which were also posted on the site are believed to show her underage.” which came from the Mirror. These places have been hiding behind the ‘innocent disseminator‘ flag for far too long. Their income is real and based upon bandwidth. If we want change, then perhaps forcing a tax bracket on bandwidth, especially with a bankrupt America, might be a novel way for debtors to get their coin back. Yet this is not about that. The fact that Jennifer Lawrence is now partially safe is only because another victim was a minor when the pictures were taken. This makes for a massively inhumane disaster and one that also affects the press. It is interesting that when we look at the name McKayla Maroney we see two events, both the hacked ‘under-dressed’ images as well as the Gamergate reference to Zoe Quinn and Anita Sarkeesian.

Vox Media stood alone

It is Vox (at http://www.vox.com) who seems to be on top of it, so we see one place, which might be regarded as ‘trivial’ by some covers the real issues that many ‘major’ papers have been ignoring all over the US and in places far beyond the US. You can read their words in depth at http://www.vox.com/2014/9/6/6111065/gamergate-explained-everybody-fighting. It is well worth reading; however, there are a few parts I do not agree with. Let’s go over those, for they are all linked.

Here is the first part: “If it was just to bring attention to Quinn’s personal life, that’s, as stated, already happened. And if it was to create better ethical disclosures in online journalism, that’s happening, too. The Escapist is drafting new guidelines, while Kotaku is now forbidding its writers from financially supporting independent designers on Patreon, a popular method for backing independent artists, unless the site’s writers need to donate to Patreon for coverage purposes (since many developers release material first to their Patreon backers). And Vox sister site Polygon requires disclosures of this sort of support“.

I do not agree for the following reasons:

  1. If we look at the press at large, Quinn’s plight is less than a hot drop on a plate. “Jennifer Lawrence”, “Nude” and “shoot” gives us 41 MILLION hits when we use all the keywords. “Zoe Quinn” gives us 70,000 hits with less than a dozen reputable sources (including Vox Media). So, I think we can safely say that visibility is not even close to being a factor there.
  2. Better ethical disclosures in online journalism? Sorry, but are they for real? Most of these writers have never seen a class in ethics, it is also likely that some of them cannot ever write ‘ethics’ correctly. That being said, many of them write for mere passion on games, their transgression of alleged ‘corruption’ usually goes no further then receiving the free game. How corrupt is that? In all this, my issue with Gamespot has almost forever been with the open sponsor Ubi-Soft. They are not hiding it, so that is good, but I seem to colour my faith to any Ubi-soft review. Overall the writers and makers like Carolyn Petit, Jess McDonell, Danny O’Dwyer, Justin Haywald, Chris Watters, Cam Robinson and Kevin VanOrd do an interesting job. Depending on their ‘preference’ of gaming we tend to favour a certain person, whilst not ‘liking’ another one. The sad news that some of these writers are leaving as Gamespot is changing should be sad news to all gamers.

Scoops

This all goes towards “forbidding its writers from financially supporting independent designers on Patreon“, why? Is the likely fact that reviewers would have the inside track on a game and by personally backing a developer they will have a scoop? Is that not what pretty much every newspaper does? If not, how about cancelling ALL advertisements from Microsoft, Sony, Nintendo and Adobe? How long until they are missing out on scoops? I think support should not hidden, but if I was still in the business I would be funding No Man’s Sky or Ultima Forever: Quest for the Avatar (I have been a lifelong Ultima fan), if it gives me a scoop days in advance of others, than so much the better. The question becomes is this truly about implied corruption or about mainstreaming a 100 billion dollar plus business? You see, the gaming groups was for a long time ignored (especially in the time I was involved)

True Scenario: “I went to the ‘Efficiency Beurs’ (a Dutch IT/Technology trade show) in the RAI in Amsterdam in the early 90’s (1991/1994), I forgot the exact time. Anyway, I was already deep into the gaming world and sound would be the next big issue. PS speakers were no good, Adlib was an option, SoundBlaster was the new kid and those with real money (read wealthy parents) there was the Roland card, which costed a fortune. This is the age when the PC was a wild market, CBM-64 and Atari were on a high and the PC was relying on blips and bleeps. So, I walk to the IBM representative and asked him on the new PS/2 PC’s and whether the soundcards in the growing gaming market was a field that IBM was looking at, as well as, whether IBM had considered adding a sound card to the PC-Private projects (which was a tax deductable PC scheme in the Netherlands). I was ‘walked off’ the stand with the response that IBM was for ‘professional’ use only. This same IBM is now advertising ‘Smarter Serious Games’ (at http://www-935.ibm.com/services/us/gbs/gaming/)“.

So, these ‘losers’ (just to coin a phrase), who would not consider this industry for a long time are now trying to leech of a 100 billion dollar industry by ‘Simming’ (Sims joke) it on, so nice of IBM to join the party almost two decades late (they did however join the party decently before 2013). So now we get this escalation on several fields and interestingly enough all at the same time. Several approaches of wild growth is seen, personally I reckon this all truly took off in high gear in September 2013 when one game made one billion in only three days and passed the 2 billion mark this June making a videogame more successful then the most successful Hollywood production in history. Now nearly everyone wants to jump on board and it also seems to allow for a ‘wild growth’ of certain ‘elements’. IBM is not a party to this (they move in different circles), yet, those growing wildly on our shores hoping for their billion are learning hard and fast that gamers can easily spot the quality from the chaff and as such we see escalations. Whether we take Forbes article (at http://www.forbes.com/sites/erikkain/2012/03/21/gaming-the-system-how-a-gaming-journalist-lost-his-job-over-a-negative-review/) for granted or not, it seems that the name Sony and the possibility of pulling away advertisements apply in several corners (like the PS4 release and Terms of Service issues). So, to avoid ‘ethical’ issues, it seems to me that newspapers at large just ignored the plight of over 60 million customers and any link to ‘changes to the terms of service’. So how does this all link to ‘corruption’?

That is the part that seems to elude many, it is not ‘just’ about corruption, it is about alleged corruption with the writers (emphasis on alleged), implied corruption with their bosses in what they publish but more importantly what they DO NOT publish. The last part is on streamlining it all. If anything, GTA-V shows us that a billion plus revenue takes more than just a good game, it is about marketing and advertising, which shows now exactly the issue on visibility.

I am not alone with these views; some of them were discussed by Ashton Liu in her blog at http://rpgfanashton.tumblr.com/. She has an interesting view I had not considered. She writers “It has been no secret to the gaming community that many video game news sites have been employing increasingly extremist and reprehensible tactics to gain site hits and forward their ideology“. In that regard she seems on top of it all, I saw the harassment of Quinn and Sarkeesian as idiots who should go the way of the Dodo yesterday, if at all possible. Yet in her view, we are dealing with more than just blatant ‘ranters’, it is entirely possible that there is a corporate push behind it all. If we consider the actions by Sony and the market they need to ‘rule’ is that such a far-fetched statement? If people are willing to sell their souls for a niche market, what is Sony willing to do to remain the number one on the market, especially if you can motivate non-journalists (read non-accountable people) to speak out loudly?

What makes a Journalist?

It is a side, that until the article of Ashton Liu I had ignored. Ashton is like me, an ideologist, we seem to share a passion for RPG games and we are willing to put some time into sending the message of the Role Playing Game, hoping to introduce it to others. Yet, part of the view she offers seems incorrect, is this all about true gaming journalists? Many of them are not journalists at all, they do not have a degree in journalism, so let’s all agree that unless the person has a degree in Journalism that this person is just a games reviewer (I myself am a games reviewer), I have degrees in Law and IT, but not in Journalism, which makes me a non-journalist!

This is where the issues become (slightly) clear. Many are not journalists at all, so journalists are compared to ranters and outspoken ideologists, whilst not getting painted on grounds of evidence, which is almost slander (I said almost). We are all in need of more clarity, clarity I am asking for, whilst trying to remain clear, clarity Ashton is trying to give the readers and there are the additional thousands online, ranting all over the place. So what is a reader to believe?

Corporations

Perhaps that is the part we all forgot about? We seem to ignore the corporate site. Is that the background of those who remained with Gamespot? Is CBS changing the gaming area by starting to cut away the ‘non-professional’ staff? I do not know, I am asking this. I have no issue with any writer at Gamespot (even if they cater to games I never play), their passion has for a long time been without question, yet, if this streamlining requires the presence of education, not just knowledge, then those without Journalistic skills to be ‘relocated’ and not all end up within the CBS structure.

So as Ashton made the statement I disagreed with “These journalists behave terribly and browbeat anyone whose opinions don’t fall lock step with their own“, the question “which are the real journalists” come to mind. This is where we return to Leveson, the issues that IPSO is accused of and how this relates to Journalism.

IPSO is regarded as a toothless tiger (perhaps correctly so), yet as papers are more and more online and as we see more and more ‘contributions’ from critics and reviewers, we will see that their painting of a group ‘as ignored’ as stated by the phone hacking scandal victims, we see a corporate move by many newspapers that employ reviewers and critics who are likely non-members of the official Journalistic core, but in the online mash no one can really tell anymore. This is at the heart of several issues, next to the editors relying on people whose family name tends to be “well-placed sources within”; I wish I had a relative like that.

This all gets me to the only part of the Vox article that I have an issue with. It is not really an issue, it is more a disagreement. They stated “Because what #GamerGate is all about isn’t who is or isn’t a gamer, or what role the press should play. It’s about what games should be and who they should be for. And that’s worth a real discussion, not just a hash tag“. I think that anyone enjoying a game is in the smallest extent a gamer, and as his or her passion grows, so will the Gamer part of that person. I think it is MASSIVELY important the part the press plays and to some extent they need to be judged on what they publish and to some extent even more on what they ignore, not unlikely for favours from the advertisers. You see, what happens when it is no longer them, but also the stakeholders? Consider the stakeholders for projects of Ubi-Soft and Electronic Arts. The moment they start ruffling feathers on ‘their’ dividend and the press ‘obliges’ that is the true moment when we will no longer see whatever ails a gaming community. When it goes through a journalist we do end up with the smallest protection, but ‘small’ beats ‘none’ every time.

It is ‘what games are and who they are for‘ is as I agree an important discussion, yet the implied evidence at present gives little support that that true vision will come from #Gamergate, because anyone willing to develop a game, no matter what gender, what topic and what ethnicity of graphics we are presented with should be a reason for bias and/or discrimination. These are parts #Gamersgate seems to be ignoring.

Streamlining is also all about who owns the IP, that is the one part they all seem to ignore, if the future is about IP (Intellectual Property), then it is the novel idea that has the future of gaming fortune, which is all about streamlining in the eyes of EA, Ubi-soft and Sony (to name a few big companies in this field), you see, who owns the IP will continue and not unlike the flaccid economists of Wall Street, larger companies have been all about continuing a brand and less about the new idea, which makes indie developers the future (consider the massive success of Mojang with Minecraft), that is the streamline part all ignored. This is why I think it is important to protect them! This is seen in the slightly dangerous statement by Vox Media in the article as they state “Some argue that the focus on harassment distracts from the real issue, which is that indie game developers and the online gaming press have gotten too cozy“, is that true, or are the larger players realising that they passed the buck for too long and driving a wedge between the press and the Indie developer is essential to their survival as they try to ‘rekindle’ the press and push indie developers towards the ‘cheap’ deals where they can take over the IP. That part is at large ignored by most. If we look at 2014 we see a massive host of new versions of the same brand, whilst none of the truly new games are coming out in 2014. Splatoon, ignored by many is the new kid and so far it seems that it might largely drive sales for Nintendo. You see these larger houses have forgotten to cater to THEIR audience (not just bring a cool presentation about something not due for 15 months) and as such are under scrutiny facing an endangered future. When we see a headline like this ‘Battlefield 4 – It’s so bad, its actually funny!‘, they know that they are in trouble, no matter how much you pay marketing to focus on the small stuff and micro transactions, which some call ‘Blood Money‘. In my view this is partially the result of letting ‘Excel users’ anywhere near the gaming market and when these investments do not pan out panic will be the natural consequence.

Back to IPSO

Yet, this also reflects on IPSO, because is the story ignored not as irresponsible as calling a tragedy a suicide mission? I wonder if the two elements would have been anywhere near as extreme if IPSO had not been toothless. I cannot state this for America, but I am certain that many gaming issues would have been a lot more visible, which might have reduced the risk and abuse of both Quinn and Sarkeesian. If you do not believe the press to have any influence, then consider the Art ‘expose’ called “Fear Google“, which is exactly the method of News the Sun used to rely on for at least one page (a page 3 joke only the British understand), or as we could call it, how Rupert Murdoch got through his early years. So here we see the beginning of the future, as Jennifer will end up getting shown to the world in states of non-dressing, her stolen pictures are less likely to be stopped as they are not getting sold, even if sold, the chance of enough people getting convicted becomes a serious question.

We can safely say that there is a group of toothless tigers, law partially became toothless as it catered to business enterprise and as we see more and more ‘free’ services we see an abundance of innocent dissemination that no one seems to be able to stop, ‘oh yes’, for some reason many were ‘suddenly’, within hours, able to stop the film where a Journalist ‘suddenly’ lost his head. It seems that ‘sudden’ acts are at times possible, so why this entire system is not better regulated is to be perfectly honest beyond me, but you better realise that someone is making loads of money, not just the hacker (read: thief) that got a hold of the pictures.

 

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About Gamespot!

It happens; we all make mistakes, even I (although I do not think I made one). I have been a member of Gamespot, officially since 2005, unofficially several years longer. I reviewed, I wrote and sometimes I complained. So, last week during the E3, where I followed it all for the second year in a row, I was again confronted with the technical flaws from Gamespot during the E3. Now, is it the fault of Gamespot? That is hard to answer, considering that they get a few million plus watchers to see the E3 shows live as many cannot attend the events in person. (it costs a boatload to get to E3 and stay there for 3-4 days). So we see the shows, the live events and the walk through the event.

These items are nearly always flawed because we get a lag, the buffers time out and then the show stops until we restart it and we miss some of it. Such things happen when too many attend (or even too many watching from the distance and your ISP times out). Several steps going wrong and it is unclear to see if there is even any blame. Oh and every time there was a timeout and you reloaded the screen we got the mandatory UBI-Soft advertisement again and again. I reckon I saw the Black Flag advertisement trailer at least 50 times during E3 2013.

That is one side. The other side is different. At times we the viewer would get the chance to ask questions live on the show. These are golden moments and we all hope that our question gets asked. Can you imagine getting personally answered by Hideo Kojima, Nobuo Uematsu or Yoshitaka Amano? In the past I met and spoke with Sid Meijer, Richard Garriott and Peter Molyneux and a host of other game makers. I can tell you that getting a personal response from a man like Hideo Kojima would be similar to Lara Croft walking up to you and asking you to sit down and share a beer with her. These are epic moments we might get once in a life time (if ever). So when I wanted to ask a question last year in regard to Arkham City the following happened.

The Gamespot comment screen shows a ‘log in’. (I was already logged in), but I go to the login screen, I re-entered my name and password and it takes me to the comment screen and I cannot comment, because I am not logged in. I try it half a dozen times and the moment to ask the question is gone. Man was I angry! However, I get that the servers are busy! I complained and let it go. Sometimes technology is not on our sides and we just have to swallow the bitter pill of defeat. This year the same thing happened when I was trying to comment on events and this time I really lost it (which happens to all of us)!

Even when angry I do try to keep my sense of humour about myself. So when I saw the article “E3 2014: Kojima Responds to Metal Gear Solid 5 Torture Controversy“, my pesky and creative inner demon woke up. It was quite an interesting article (at http://www.gamespot.com/articles/e3-2014-kojima-responds-to-metal-gear-solid-5-torture-controversy/1100-6420442/), and I responded on my Gamespot blog roughly (the response was deleted by Gamespot) as stated below:

Perhaps it is an idea to add an Easter egg and let the gamer torture information from the Gamespot web team“. There was a little more, but that was what it amounted too.

So read this carefully! I added ‘Easter egg‘, so something to unlock in a game, more importantly, the game Metal Gear Solid 5. The Metal Gear Solid being one of the most revered gaming franchises in gaming history. I would reckon that the web team would like to be immortalised in such a revered gaming franchise. As you see, I did keep some sense of humour about it, even though as I saw it, the Gamespot system failed twice (perhaps even more often). What was their response? I have now been banned (perhaps for life from Gamespot). It is interesting how some people react to issues.

The response was unbalanced and extremely unfair. I decided to take an additional look at Gamespot. There was a lot on IGN and most of it related to either biased or incompetent moderation. The quote “I have been temporarily banned for voicing my opinion on another member’s poor review of a game, after he continually sent me hostile PM’s” is only one of several voicing the quality of moderation. I did however find something else that made me wonder about the state of affairs at Gamespot. I found this at http://bbs.stardestroyer.net/viewtopic.php?f=7&t=116270

By now, most have heard that Jeff Gerstmann, Editorial Director at GameSpot, is now the former Editorial Director at GameSpot. The short of it, confirmed through our own sources: Gerstmann was fired for his negative review of Eidos Interactive’s Kane & Lynch. But there’s more to the story in which Gerstmann — one of the site’s leading editors for over a decade — was terminated this week.

The GameSpot staff is currently keeping publicly quiet, but CNET, the parent organization of GameSpot, issued a response today. “For over a decade, Gamespot and the many members of its editorial team have produced thousands of unbiased reviews that have been a valuable resource for the gaming community. At CNET Networks, we stand behind the editorial content that our teams produce on a daily basis,” reads CNET’s statement.

We’re told Eidos had invested a sizable chunk of advertising dollars for Kane & Lynch — check the before and after shots above of GameSpot’s front page for proof — and then allegedly threatened to pull the ads if the “tone” of Gerstmann’s “6.0” review (just under the current Game Rankings average score of 70%) wasn’t changed. Gerstmann did alter the tone of his critique ahead of publication, but it looks as if that wasn’t enough for management. When asked about the situation, Eidos declined comment to 1UP. “Eidos is not able to comment on another company’s policies and procedures,” said a company representative.

But pressure from other advertisers may have contributed to the clash with editorial. Just a few weeks prior, GameSpot came under fire from Sony Computer Entertainment America for scoring Ratchet & Clank Future: Tools of Destruction a 7.5. In his former position, Gerstmann was responsible for overseeing (and defending) all reviews.

1UP did contact Gerstmann, but he declined comment, likely due to signing a non-disclosure agreement upon his termination, common in situations such as these.

What’s interesting is the timing of his termination, though. GameSpot has never been a stranger to review controversy or publisher backlash. Gerstmann himself had a long history of bucking the popular trend with certain review scores over the many years he critiqued games for the site, most recently scoring The Legend of Zelda: Twilight Princess an 8.8 on Wii. With no transparency into the situation, no one knows if this is something that had possibly been brewing for a while now, but sources point to a recent change in GameSpot management as the real catalyst. Stephen Colvin, former President and CEO of Dennis Publishing — the group responsible for publications like Maxim, Blender and Stuff — became CNET’s Executive Vice President at the end of October. One of Colvin’s jobs would be to oversee the growth of CNET websites, including GameSpot. The editorial in Maxim and Stuff, publications who routinely review games months ahead of their completion and where the line between marketing and editorial is a little less clear, is much different than GameSpot’s. That was apparently reflected quickly when Colvin joined CNET. “New management has no idea how to deal with games editorial,” said one source not long after Colvin came on board. Indeed.

The question becomes what is happening at Gamespot. This is not about the web team, or just the quality of moderation, this goes much deeper. Consider the almost massive amount of advertising that is as I see it UBI-Soft only advertising. I am adding two questions here.

  1. Is UBI-Soft the only one advertising? Which would be rather odd as the gaming industry is a lot larger than just UBI-Soft!
  2. Why was Assassins Creed Black flag reviewed so immensely high? It could be a genuine rating!

I personally saw Assassins Creed a firm notch lower, especially as it contained a repeated 4th generation of glitches. The blog post lights on several issues I had noticed on Gamespot, the first being that early reviews and ratings were less and less common. Consider this quote from Gamespot “We have no player reviews for EA Sports UFC yet“, which is fair enough as the game is not out until…… Yesterday! So that is possible, there is however also no review from Gamespot, which is in my book slightly unacceptable. Are they or are they not a gaming site? I know the E3 just ended, but not all writers went to the E3, did they? The same could be said for Sniper Elite 3, out next week. Not all game developers want their games reviewed early, but at this stage when loads of games are only reviewed after they get into the stores make me wonder why Gamespot is not taking a harder look on this. Over time I have seen several reviews that would not appear until after the games were in the store.

I have been a reviewer myself for 13 years, published in several magazines. In one high point of my ‘career’ I wrote 18 pages in one issue (which was a unique event), which might have been overdoing it a little. For the most, I always wrote positive reviews. As I had at the most space to write about 2-3 games, I had to choose the good ones. I had no intention wasting space on a 30% game if I only had 3-4 pages to write about.

I have seen other opinions from people writing that the 100% game does not exist. Yes, they do, but they are rare moments!

I have given (as far as I remember it) two 100% scored games. The first one was Ultima 7: the Black Gate. When it was released in 1992 in the age of floppies, 640 Kb computers and extended memory, this game was so high above what was released in those days, it was intense. The water views, the houses, the characters. This game was ahead of the games pack by a lot. The second one was Neverwinter Nights. It was released in 2002. This game took RPG in a visible, creative and story based level unlike before. The creation set was just the icing of a very impressive cake. I still regard these two games as bright lights showing the way to game developer as possibilities on how high the quality of a game could go. There were others, but they got a 90%+ rating. Games like System Shock that even, if re-released today, would likely become greater hits then what they were when they were initially launched.

Let’s get back to the issue. I cannot tell how true the blog was. I do however question the influence that is implied in the article on reviewers. I think that GTA-5 is a good game (not my choice of game) and 90% is a view of the reviewer, as was the 75% for Ratchet and Clank. Is the review far below our expectation less value than the one reviewed higher? I have always loved the Insomniac games (I have the bulk of them), which makes me wonder what to make of the ‘star destroyer’ piece and more important are the high reviews too high, the low too low and where do we base the comparison on?

The quote “New management has no idea how to deal with games editorial,” is another matter. A game is software, which means we look at the quality, the play value and the content. Is there a reason to debate Infamous Second Son at 80% when we get 15 hours of play time? Yet, Thief was only granted 60% (which was too low in my mind). A reviewer writes in his (or her) own street of passion, and in my street the games like Ultima, Mass Effect would end up with a high score compared to GTA-5 (which was not my cup of tea). However, no matter what my view is, over the timeline of games reviewed there would be a consistent view, and as such, some will value my views, some will value the view of Carolyn Petit. In the end, reviewers, not unlike columnists will have their own distinct styles and choices which they voice. I believe true reviewers will keep a fair view towards games, even towards games they do not like.

If Gamespot as implied by some has become a mere vessel for advertisement and basic information, then what value is there? The quote “I agree with Gamespot, they use to be good but have gotten far worse” is one that I have seen growing for some time now. I wonder why CBS Interactive is letting, what could be a powerful trademark, slip into something that just seems to become below average. I do not think it is just the people. I immensely enjoyed Johnny Chiodini when he was making Feedbackula (still a shame it got scrapped), Jess McDonell, gaming goddess, wearer of the coolest gaming T-shirts and bringer of excellent news in an upbeat way and there is Cameron Robinson with his Reality Check. They all bring video news in interesting ways. Gamespot also has its share of writers, which makes me wonder why CBS is not taking much harder stance on protecting and ensuring the value of the Gamespot Trademark and the issues that are at hand as I see them. Getting back to Cameron Robinson, you should watch his video “Surprising Facts About Video Games You Probably Didn’t Know” and it only gives a lot more question marks in regards to the implied ‘buckling’ of reviewers to the pressure by the software houses. Is it true? I cannot tell as the only name that keeps coming up is Jeff Gerstmann but the numbers that Cameron Robinson brought states that gaming sales is outperforming the US box office numbers, giving additional power to the question why CBS is not stepping up to the plate fast and immediate.

In the end games are product, they have a represented value and they rely on ‘good’ views. The consumer relies on a trusted portal where they can get reliable information from those with a view on that industry, simply because most people only get to spend money on a game once and they want the best game for them. If Gamespot loses the credibility, then others will step up to the plate, because one does not ignore a market that surpasses the 100 billion dollar mark this year, others will come and take the Gamespot share, whether they will or not will mostly rely on the actions of CBS Interactive.

 

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