Tag Archives: djini

And so, part 3

And so the continuing story of a quack whose gone to the dogs (always good fun to laugh at myself) but there is a part 3 and there is more, but I cannot give the game away (at present). So as I was designing and redesigning the game I my mind (not graphically) there was the setting of the next part which is a little in the open. It becomes the stage of ‘Heralding’ my entry as a Fakir of Baghdad. It is the fist definite stage on becoming a person for good, or a person of debatable conditioning. You see, Evil is only in existence of this who ‘claim’ themselves to be good, evil is their opposite, or so they seem to think. But being evil is merely a stepping stone. It is always carved to the degree others think what evil was. But we have good and an opposite and that is where the game goes. As I see it, as a Fakir you will get a malleable setting. The good get the power of water, the others get the setting of fire and as you complete the stage you get introduced to either and take another trip to a cave the damp cave for the water Djini Zarek or fire Djini Zulrekh. The setting will decide how the Italian fortress of the game is dealt with. The Arabian lands are dry, the water had left them, but what you will discover is that the Italians built over a earlier stage of the underground waters, they dammed the waters in and kept a well for themselves. As such you are treated by Zulrekh as the instigator of flames, burning the enemy down and the Italians become the firewood of your power. As you became Fakir, you were also given access to a staff (which must be bought) the staff is the same either way, but the way the staff is gained is important. In a previous mission you were able to get a staff, but either you steal it, or you perform tasks to get it. If you steal the staff, you get a beggars staff which is an oak staff and you get the dream to find Zulrekh in the cinder cave, if you perform the tasks you get the dream of the Water Djini Zarek who invites you to the damp cave. That is the step that defines your route.  Zarek tells you:

The idea becomes to soften the earth and washing the mud over the cinders fueling the fire. The challenge is not hard, but it shows how a simple stream washes sand, making it mud, as the stream becomes stronger you can unset boulders and they will move over the hay smothering the fuel for the flames. As you do this, you are attacked by scorpions and you can direct the stream over the scorpions washing them away. This is almost how it needs to be, I reckon that some ‘prototyping’ will be required, 

Zulrekh tells you:

And as such you are given the task of flaming the small boys in armor that represent the Italians and as such your flames become stronger and as you burn these little warriors you also gain mana and power just like the washed scorpions did, in the end both will give you a mana segment and your mana will get +5 making your actions stronger. As you play either you get the same rewards, only at the end you will get a different runic stone and the garbs of the Fakir will transform into either red/black or blue/green the clothes are almost the same, merely cosmetically colored and looks differ, but there is no power benefit. 

The idea is that if you take this route, you will never see the buried well, you will never free the stream but over time you will redirect the Tigris, but many will be lost to all this (which you will not know). It sets a double dialogue over the game and subsequent settings. I was not happy how some quests in other games went, it is normally not this or that, but to get two storylines and other storylines subsequently is another thing, it makes is a game with two faces and two outcomes. And as you get some direction and choices you will see that the game gives you more. I also think that these acts will shape your coat of arms, The red and black colours in your shield comes from Zulrekh, the blue and green colours come from Zarek and in the end the game shapes your coat of arms and gives you the ‘immortal’ setting on Baghdad. 

As such I also envisioned for the Spanish fortress a new challenge, but I am talking about some historic events (as they tend to be) where the Spaniards saw the impact of pestilence of Tharvex or the Azrakhil’s ghoulish hunger. It reflects on Spanish food and their need for Tapas (not entirely true, but it gave me the idea) on that others will learn and whilst we get to that as you have become a person of nobility, you will have gained most places and now it becomes about getting known and accepted all over Baghdad. It is from there you have access to the palace of the Vizier (your old place) and whilst it had fallen into disrepair, your actions will breath it new life and as such the entrance with your coat of arm and stature will proper (either way) and it merely looks cosmetically different and whilst one is darker then the other, it is still a place for you. And as such you will gain the same settings, although there are cosmetic differences to both settings, in the end the same parts are found. 

The ending is still in my mind and it has a sneaky movie reference, all the way from Kentucky. So whether you go with blow one’s own horn (my personal pride) or toot your own horn which tends to lean towards a humble statement. But the reality is that some make claim to be such innovative game designers. And I outdid them in three days, all whilst some of those braggers had a over a dozen people working on it. I did this myself and I handed it to the UAE and their gaming ventures, as such a can toot all I care for. 

You all have a great day It is time for me to snore a forest into plywood, have fun.

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Reengineering greatness

We all do that at times and I had an idea. You see there is one FPS that I love above all else. That is Metroid Prime on the Gamecube and the Switch. It is by far the most perfect FPS game ever. I have played in at least 6 times (and I never scored 100% on any of them) I am not angry, disappointed or frustrated. The game is just too perfect. And nearly anyone I know who played that game thinks so too. The game scored 97% and when you play the game you’ll understand why. So why make a copy? Well, not a copy, but my mind set to work to base a game on this game and as I promised, this setting too is now immediately co-owned by the UAE. 

So how to make a new game based on this. Well, I went with the ‘hero’ of this story to be Jafar, or at least someone like him. And I set the idea on the locations of an Arabic setting. Like the game locations that Metroid Prime used, I use a similar setting. There is The Royal palace, The palace of the Fakir, the streets of Baghdad, the sewers of Baghdad, the caves of prophesy perhaps a few more. But these are intertwined (like Metroid Prime) and as such created with artistic precision (not my forte, that I live to the graphical experts). So there is a setting where the Vizier is in his office (the council chambers) and you get the intro of the story and like Metroid prime (also in the first Assassins Creed) you are in a setting where you get attacked and get to more through the council chambers from room to room, taking care of business. In the end you are overwhelmed and cast out of the chambers and thrown into the sewers where the story begins. In this you start as a simple fakir, changed by prophesy and now without powers you are alone. In the sewers you are seeking your fortune and by resolving issues you are given your first token. The token of the streets of Baghdad, with that token you can now move through the sewers and into the streets of Baghdad. The tokens are collected in a neck charm, there is also a dark charm, it gets you into the caves of prophecy. To gain favor you need to get the clothes of office, from a simple civilian you get the cloaks of the fakir, the fakir will lead to the suit of the trader, the thobes of nobility and as such the clothes give access to places, as well as a Topi. There are also jewels, rings that give powers, the bracelets of strength and several more.

But this is a story and a challenge. As you gain your first station you will also get the stave of an element (ice of fire) and these settings are gained in part in the caves of prophecy where you will face several djini. If you survive the first fight you get a stave, in subsequent fights you will get a Kufi marker for which you can imbue its power in to gems or add to the staff. The idea is to make yourself stronger and more able to withstand the dangers you face. I am also considering to add a magic carpet (it is an Arabic story after all) but it comes with limitations. The idea of this story is that the lands are in danger and to restore the lands you need to gain powers. Between when you were in the council chambers and now (the start of the game) decades have passed (it becomes clear during the game) so the grandeur of Baghdad (which you see in the beginning) is gone and now you need to restore the land. So as you go through all the levels, where you resolve things the lands are restored. So there are a few versions of the game. From destroyed to great (dark) and great (light). I am partial to replayability. So that is a clear setting for the game. The idea is to add Zarek, Zulrekh, Kavira, Vizaresh, Sakhr, Azrakhil, Tharvex, Samirah, Ishara, Qandisha, Manlen, Qiwa and Salen. The female Ifrit have powers of restoration, healing, illusionary powers and mid powers. The make Ifrit have strength, elemental powers. There is the need for limitations. You can only have a specific amount of powers and elemental powers. Hence the Kufi markers and as you gain powers and abilities you will find new places and stronger staves and wands. So you can upgrade and whilst you are free to explore there is the chance that you are hindered by some powers. For example water and fire powers do not mix, neither do earth and air, but other axes are OK and the stages that two elements will result into a third power. But that is for later. 

The story becomes that in this land, all is lost as friends of the nobles strangled the land into nothingness, the old Malik as well as the Sultan were killed in a tragic accident. As they were replaced, the milking the land and the people began. The challenges are set as the replacements were in league with the Western leaders, the Italians and the Spanish. As such you are called by the djinn, and they didn’t have powers over the western people. As such they are in panic, the westerners are new, they are not swayed and as such one djini (essential to the story) makes a wager where she is games it all for the restoration of you and you are taken out of your own time and pushed into the future without knowledge of what was and as such you start. So whilst we are given the story (which is fed in small instances) the story develops and as you are pushed into the realm of the Djini, you are heading into two directions. The path of light or the path of the dark. And if shapes the lands you are trying to safe. There is a lot more, but that is for next time. I did this in under two hours, as such I did not do too badly. No matter what it is based on, the story and the settings are unique, the story was made up today may me and even if it is founded on the Original Metroid Prime, the scenery, the people and the opponents are nothing alike. And as far was I can tell, there is no FPS based on the Arabic lands. So that is a first too.

Have a great day and try to wake up your creativity today.

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