Tag Archives: Scripts

July 28, 2024 · 11:24

As the idea erupted

This happens, we do one thing and suddenly an idea erupts. In this case I was thinking of the second script that I am generating in Final Draft.

It was a setting that made me think for a moment. And this setting came from the days of the Commodore Amiga. I even was working an reset emulated version of the game in Macromedia Flash, just 1-2 weeks before I suddenly was made redundant. I suddenly had to relocate from Stockholm to Gorinchem when I got screwed over by my previous boss. But the thought got to me and I thought “Wouldn’t this make a great small budget movie?” An ‘almost’ one person movie with its own narration. Most of the movie in a sort of CGI and an interaction with computers and a sort of deserted place. It might not be the Hollywood stage of stories and not really for the big screen, but an idea that a streaming company might like or consider. In a stage where they have to pump billion into material, a low budget might have a much better chance. They can test an actor or actress as well as the director and director of filming in a cheaper setting. As such 3-5 people straight out of film school. I reckon that Pedro Pascal, Tom Hanks, Natalie Portman, Scarlett Johansson and Steven Spielberg would be too expensive. But there are over 50,000 actors many of them do not have a place in Bel Air, not to mention of the amount of Directors in the field. New players have a hard time getting through. So, here the speculated number race through my head and now there is a viable setting. The stage of using low budget films to create a talent pool of newbies. You know people like Pedro Pascal had a lucky break. Considering he was the man behind Napoleon Dynamite (vote for Pedro), I know I can be quirky (read: funny) at times. Still the premise remains, luck isn’t always available so what then? I believe that low budget movies are part of that key and places like Dubai Media are likely to break through their own confinements and start breaking through into the West European streaming markets. There is an upside to that. When the current borders by Netflix and Disney plus start pushing their own limitations others could be there taking up the slack. You see one source is stating ‘The US will need 22,700 film directors over the next 10 years’, I cannot vouch for the accuracy there. Yet this implies that ever upper level University will need to fight off job offers with a stick for 100% of their art students. I nice setting, but not realistic. Adding a talent pool becomes essential and not merely for these people, they will all need scripts. There are plenty of them around, but how good are they?

These elements put the larger streamers on the spot and those ready to grow could enter new fields. This puts Dubai Media in a nice place and lets not forget iQiyi and Tencent Media either. America might hate all that is Chinese, but I reckon that Europe is more open to this stage. As the mindset goes that in the first century Decimus Junius Juvenalis stated “Give them bread and games and they will never revolt” It was around the age of Emperor Trajan. What strikes me was that no-one considered owning the bakers. It might be merely a coin per bread, however the Colosseum had 50-80 thousand spectators and that makes for a nice penny. And there were more places over the empire of Rome where these places had crowds. Being the admiral of baker makes perfect sense to me. Even today ‘give them bread and games’ applies but in this setting nowadays growing the streaming services makes a lot more sense. And there to centrality of content becomes a new focal point. Everyone is looking towards Hollywood, but there is a problem there. California is losing their focus, they are saturated, so new borders are required. The Middle East and Asia make sense and when Europe finds out that the American prices are getting too high the aforementioned three players as well as other other streamers will see their markets erupt. Not to mention countries like Indonesia and Bangladesh that over these two countries have a little over half a billion citizens, we see a disrupted market. All looking at California and Hollywood to hand them materials, but the ongoing mass emigration of residents and businesses from California to other U.S. states (Texas) or countries is about to leave California is a near desperate state and the desperate need to pay a lot more. That opens the doors for the Middle East and Asia to make their mark. It is almost the proverbial butterfingered aide putting all egg in one basket.

All that came to me in a near instant (in less than on hour) whilst was contemplating a low budget movie. I have no idea yet how to do that (I have three other projects in my brains) but it is something to keep in mind. Considering that this setting will take time to implode (before 2026) I still have time and until the end of the year I need to focus on the next two projects but Residuam Vitam comes first.

Enjoy this Sunday

The price of exploitation

This time I am going in a different direction, one I know little (say: nothing) about, yet the news the BBC gives me is baffling me. I wonder if the US (and Hollywood) realise the dangers of exploitation, even more important how it could impact their economy. To start this we need to take a look at ‘How a Hollywood strike could affect your favourite TV shows’ (at https://www.bbc.co.uk/news/world-us-canada-65407703). Now to be clear strikes happen, they are almost a fact of life. You are either striking, or you get hit by the impact directly or indirectly. So here we get “The biggest issue is how writers are paid in the new streaming economy, with many reporting lower wages as digital platforms have upended traditional television and film productions, says the Writers Guild of America, the union representing television and film writers.” And then we get the ugly “Hollywood’s business model has been completely disrupted by streaming, and now writers complain of being asked to provide weeks or months of free rewrites of scripts” and that got to me. An institution that gets a billion or more per movie? That institution has to ask for rewrites under zero hours compensation? How fucked up is Hollywood? We can go in any direction, but Hollywood made $7,370,000,000 in 2022. I reckon shelling out 130-150 million for 11,500 Writers Guild member is not that big a leap, especially when you realise that “The last writers’ strike in 2007-2008 lasted 100 days and cost the California economy $2bn (£1.6bn), leading to many cancelled or delayed shows. Some have also credited it with boosting the proliferation of reality TV.” The business person in me states that losing 150 million is preferable to losing 2,000 million to a strike with the added loss of optionally successful TV series. As such I wonder where the greed driven stage of Hollywood is taking them, especially when Canada has its own production companies and they could get up to 100 days of advance house cleaning (the house names Hollywood). That is before you consider Brandon Hines who gives us “I just wrote on a show and I can’t eat, I rely on government assistance.” A series writer on government assistance? And you wonder why the writing guild is angry? Now there is another side, there are so many shows pushed out at present that I feel that something will have to give. A place like Netflix alone is allegedly spending $17,000,000,000 for content in 2024. I have no idea what the drill down is and it is likely too complex, yet I expect that writers are undervalued there as well. So what happens when the cream of the crop vacates to Canada or the UK (or Australia)? You can scream all you like, but these people seemingly have had enough and puts the pressure in other places too. All these TV hosts that suddenly cannot sound funny anymore. All these hosts that have nothing on the tele-prompter when that takes a front seat the Hollywood economy will take a dive whilst they rely on second or third class writers. So what happens to the Kingdom of the Planet of the Apes (2024) when it relies on writing students scripting the day away? What happens when an expected revenue of this movie ($1.7B) makes no more than $850M? I can tell you that the investors will take a run towards Canada and the UK, optionally Australia as well.

You tell me what the gain of greed is, because as I see it there is absolutely no positive side to that, but wait until May 8th 2023 and see shows (movies too) getting cancelled. All this was a simple application of Business Intelligence, an abacus was enough to set the parameters of this folly. The weird part is that we see “Hollywood’s business model has been completely disrupted by streaming”, they had years to correct for that and I would reckon that a revue savvy place like Hollywood would have their own regiment of BI people all over the place. So what did I see that THEY ignored, you tell me because I am at a loss.

Enjoy the weekend

Over my head

I have a simple setting, I keep what I kill (actually, I got that from Vin Diesel), I keep what I get, I just had the weirdest mindset, a sort of day dream at 01:15, something I do not understand and as such I cast it aside, so I make the IP public domain, yes, I have idea’s, for the most they are fantasy and Sci-Fi, which I like, but this, what I saw in my mind was horror, and I don’t do horror. Or to state it differently, I am not much for horror, as such this brain drain was not in the mind of me. In the setting I am an older man, 70’s, optionally early 80’s. The town of the event is Orleans, it is a new building on St. Joseph Blvd, there the man finds a girl near the entrance, the girl is around 25 and badly beaten up. He cals for an ambulance and notifies the police, she lives nearby, she lives there alone. Later he visits her in hospital. He makes a quick phone call. The wounds are fresh and ghastly. He offers to look out for her and takes her to his apartment, and she happily agrees. In the apartment is a middle age lady, the cook, she had made a fresh bouillon with lots of beef and rice. They both eat it whilst enjoying fresh warm croissants. She begs him to stay there the night, she will sleep with him if she can stay, he turns down the invitation, but tells her that she can sleep in the bed, he will take the sofa. The next morning she is awake and looking refreshed, the cook was already there, with hot sandwiches with pastrami and cheese for both, the woman is clearly scared, really scared, but she is happy to see the food. The man looks, but does not ask. She tells him that she never saw who did it, merely that she was beaten again and again in her apartment. He asks her is she can inspect the apartment, she agrees, clearly she is too scared to go back to her place alone. Out of the drawer he takes out two unusual gloves, if you can call them that. They are a wristband, with wires to every finger, two rings for the thumb and three for every other finger, the rings are connected to each other by metal wires and the end of the gloves are thimbles. She puts them in the pocket of his coat, one for the left pocket, one for the right. He grabs a small torch and they walk to her house, it was a mere 10 minutes. As they are about to go into the house, they see a young couple checking the both out. The door opens and the darkness in the house on clear daylight is almost frightening. The man quickly puts on the gloves and shines the torch into the house, before he knows it a man, or what seems to be a man comes for him, but this time the attacker is in for a surprise, the elderly man, our hero grabs the man and pulls him into the sunlight, this is something the attacker was unaware of and it was even harder to resist, the screams from the attacker were deafening and in all this, the attacker starts to fade, until the darkness is replaced by a strange light and the attacker dissolves. At that point the house starts to become less dark, not light but the darkness is no longer swallowing the apartment.

The woman starts crying, the fear is clear on every part of her body. He takes another look and then he walks into the apartment, there is a larger setting of darkness in the apartment that was not normal, not part of any shadows, and as he looks he sees it all fade away, this was the effect of something else. He had seen the original writings from ancient Greece on Tartarus, but to see what might be a Ghastly, or a Shade in Tartarus. Yet these were writings, this was something he saw, he witnessed and that was a first for him, but this was France, so what was going on?

This is as far as I got in less than an hour, the images were so vivid I wrote them down as quickly as I could before the images faded, they are already starting to fade, it is rereading the writings I just put down to make the images reappear. It has happened before but before today I never wrote them down, most of those events are lost to me forever, but this one I have, yet my IP is based on science, my other creations are Sci-Fi (some are historical fantasy), to get a horror image is quite disturbing, and I can say that my night rest is now over and it is getting towards 02:30, another night without sleep, oh joy!

Not sure what is going on, but it is a bit over my head (for now). And I just realised, today is exactly 16 years ago when I left Europe, perhaps it is related.

Tag Archives: Scripts

As the idea erupted

The price of exploitation

Over my head

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