There is always an option, there is always a way. Those are the words we hear, those are the advice we are given. But one mans option is another man’s abyss, or another man’s vacant lot of nothingness. Options are what WE see, not directly the options another person observes or recognises. I got into that frame, not be looking at my IP, but at watching a movie. I was watching the bluray of Death on the Nile, the 2022 remake by Kenneth Branagh. I watched the first movie which I personally did not like as the previous Murder on the Orient Express (1974) with Albert Finney. Still, I was curious and I was blown away. This version was much more overwhelming than the previous version with Peter Ustinov. Now this is not about the actors, they are all top notch. There are two reasons, the first is the curse all the Agatha Christie books have. Any whodunnit remade will lead to the same guilty party. It is not her fault. She never banked on people remaking the same book again and again. The second part is that the music is overwhelming in the remake. It is magnificent and gives the movie added life. Kenneth Branagh really outdid himself and lets be fair, does anyone mind watching Gal Gadot as much as possible (for as long as we can)? No, I really loved this second remake.
This got me thinking, there are so many great or underestimated movies. I have no idea how players like Netflix overlooked them. In 1989 we were given The Salute of the Jugger. It was an awesome film. I liked the story, I liked the setting. If there is one complaint, than it is the fact that we all got it in 104 minutes, the US cut it back to 90 minutes. But this dystopian movie starring Rutger Hauer, Joan Chen, and Vincent D’Onofrio gave us an interesting story, one that would much better fit a mini series of 1 hour over 4-6 episodes, and lets be clear Netflix could use a few more mini series. We need more embossed storylines, a story that better represents the books they came from. I could not find the reference to any book, yet the setting of 9 cities. The reference to the sport, the dog skulls and the interactions of rural and cities beckons a much larger story and therefor a much larger stage. Possibly even 6-8 one hour stories, perhaps even more. Yet that would be up to whomever writes the remake. You see, in those years we all listened to critics and whatever THEY didn’t like too many others would not like either. That needs to stop and perhaps it is a great legacy for an actor like Rutger Hauer to make, to leave us a treasure overlooked in 1989. I just hope we can leave his impression, like the painting of a ruler of of one of the nine cities, accidentally looking a lot like a youthful Rutger Hauer.