That I something we all have to do at times. I (for the longest time) have been contemplating whether Keno Diastima required a fourth season. There was something close to immaculate to the open ending and there were questions within me. Why certain things existed, why certain steps were made and then I got to thinking part of what would have been a goal? There is something towards triggers, we all do, but what happens when the trigger is happening towards an automated process? You see, the automated process takes (for the most) time out of an equation. There can be two reasons behind this. Th first is the fire and forget process where the instigators look at what comes after, the second is a little harder to explain. Consider a small room, in that room an African bee is released, to be safe you must kill the bee. That process can be monitored, but the stage is difficult and to get the killer bees in place requires an engine. My mind started to ask ‘But why?’ And then I remembered. It is perseverance, resisting temptation. This got my mind to an optional fictive stage that was once said to happen in Las Vegas, they played with artificial pheromones to keep people in a stage of continuous gambling and happiness. Now, I do not know whether this was ever true. The stage came to me from some Lawyer series, I forgot which one. But the stage had an interesting side question. How to infect the right people whilst keeping the others untouched. This led me to the brainwashing stage. Brainwashing can be achieved in psychological ways with additions of chemicals, isolation, debilitation and exhaustion. It is the balance that sets a stage and that can be used in many ways. Yet then we get to Sun Tsu. What if the need is Living spies, reverse spies and/or inside spies? How to create them and better how to keep control? That solution is in part seen by the stage where they are unaware that they are in the first place. And now we have the beginning of a stage. I am also cautious not to give anything away regarding the control lines of the first three seasons. And at that point I had unintentionally created the opening to continue the series (no spoilers).
It is that stage that creates a new cast of leads and a very new cast of antagonists. You see we assume one side, but what happens when the roles are inverted? How can we see good from evil and more important, does it matter? The soldier tells us, we do not murder, the enemy murders, we merely kill them and protect ourselves. Adrian Furnham (in The Psychology of Spies and Spying: Trust, Treason, Treachery) teaches us the concepts regarding the rigorous psychological analysis of the personality and motivation of individuals involved in spying. Yet if they are unaware motivation is taken out of the equation, the personality of a person can be adjusted to facilitate processes and as such identity is take out of the equation. And with both out of the way you get more than who is good and who is not, we get the making of a faceless scout and that was when the idea struck a much larger stage, a much longer game, optionally something leading to a timeless one. Yet, who would prosper? It was at that stage when my mind went back to WW2 and the idea that at that point corporate espionage, espionage conducted for commercial or financial purposes could have had another option. Alfred Hitchcock touched on it with the movie the 39 steps, but the people never realised what an amazing and dangerous piece of work it was. You see industrial espionage seems limited (like Microsoft on IBM), but what if the stage is not that, but what happens when the stage defines where we invest, where we look and where the diamonds are? What if that party is to identify players that make a difference? It would be a much larger game, a game that has no borders. A setting we never faced before.
And with that I had the beginning of season 4, but how to connect certain parts and make is ‘realistic’ enough to make the generals in Kremlin, Pentagon and Zhongnanhai cry like little chihuahua’s? Well perhaps not the Kremlin, they have bigger problems (like getting the bulk of their systems to actually work in wartime without losing over 80,000 troops). But the setting gives me two parts, the engine itself and trying to identify the parties involved and I do like a twist or two, like Pakistani intelligence in Homeland season 4. And the longer we do not know who or what we are facing, the term suspense at the tip of your chair becomes very acceptable. Like any writer who perks up when they hear the radio announcer scream ‘Did you see the plot twist last night? Holy F%#&!’ Any writer lives for such a moment, and I is no different.
But the revelations my mind gave me during short nap is making my brain hurt, I need to try and work out the story whilst I know I have to edit from word one with every iteration of facts. This is going to take a while, and that is merely season 4, with a related season 5.
Just my way to pass the time when sex is not an option, the universe is massively unfair at times.