Well, there are two things, the first is that I got a workable idea to a final twist in ‘Exhaurire vitam’ the mini series that predominantly plays in New Orleans. There are a few scenes in other places, but the bulk is there. There are a few more issues that I uncovered in ‘How to assassinate a politician’, as such I have it close to ready, a movie and a mini series. Then there was the series ‘Kenos Diastima’, I have been tossing and turning on that and I feel that leaving it (for now) with an open ending at season three is the best way to go. Then I got another idea, this one was initially for ‘Exhaurire vitam’, yet the new series (the one I talked about a few times), has more traction with it and it opens up a nice can of worms. You see, the gods are all over all places, so there much have been some dependency. So what happens when one of them is in debt, or better stated, what happens when the debt was opened to a new source? That was the setting I contemplated on the subway. As such the main character would be open to all kinds of other things. That was the setting my mind worked on. And as I contemplated what could be possible when Bastet is thrown in the mix, the equation changed and that has long repercussions, not bad ones, but unforeseen ones and that tends to be good, because the unforeseen brings more than a surprise or a plot twist, it gives the story a new direction and I am all about that. But in part I have no idea why the images are coming to me so rapidly and so directly, that is the part that has me confused. It is like your brain playing some year at Hogwarts and you create the setting, but you never created the stage. In this example we all know it is J.K. Rowling. But the stage I create is new, has never ben contemplated, or written about. I have no idea where it all is coming from, so for now I follow the thoughts and create more stories and optionally more scripts. And I have no idea where it all goes. Even as I seek the implementation of Saudi TV in the movie, I wonder where it will end. So whilst I get that “Bryan Fogel says Netflix, Amazon and others wouldn’t buy ‘The Dissident’ because they were scared of angering Saudi Arabia” my story does EXACTLY the opposite and as such might be loved there, what I do not get is why not more are considering that step. In the end, good business is where you find it and basically I found it. 3 TV series, one movie, a game, console settings and the evolution to another 50 million consoles and beyond that I reengineered several Ubisoft games and created several 5G IP. Not bad for one person in less than 5 years. So if you are wondering what stops others doing the same, I have no idea. But I do believe that they are all looking in the wrong direction and I feel that more and more of that is proven. But the confusion stays. What if this is all between my ears? I do not believe that this is so, but if you cannot look at it from opposition from a distance than it means you have gone bonkers, have gone round the bend. Oh, and I also designed a weapon to get rid of the Iranian navy, so there (and that part is already online). But the confusion stays. I have no idea what is driving this all. Perhaps a last knee jerk action by the brain before it stops? Your guess is as good as mine, I am honestly clueless.
Tag Archives: Kenos diastima
Cacophony
It is a weird term, it means ‘a harsh discordant mixture of sounds’ and we do not always accept it, we sometimes drown it out, yet weirdly enough it can at times help with the creation of whatever your mind is conceiving. I have had it before, but not like today. Today I was relaxing (watching an old classic). I decided to watch the Godfather again, a movie I had not watched well over 15 years. The Godfather (1972), as I was enjoying the film, the mind went from “I wonder if James Caan (Sonny) and Robert Duvall (Tom Hagen) can remember that they were once THAT young” towards a movie I had designed ‘How to assassinate a politician’ and for some reason, I suddenly added two cogs to the machine, two cogs adding story to the machine, intersecting with other parts of the movie, I suddenly added 15-20 minutes to the movie. As they intersected with other parts, the dialogues would add a decent amount of script to the setting. It can after my mind recalled a quote by Milton Jones “I believed words could never hurt me, then I fell into a printing press”, the thoughts crossed left to right (and vice versa), all parts of something I had seen before and before I knew it, the two cogs added themselves into the story machine and added a section to the movie, several actually as they intersected with other parts.
I then thought of another part, but the mind rejected it for the movie, yet now I saw an option to add it to the mini series ‘Residuam Vitam’ a play that happens mainly in New Orleans. But there is still several parts to consider, but the addition was new, I had not considered that before. All whilst I continued watching the Godfather. So whilst my mind was dealing with ‘a harsh discordant mixture of mental sounds’, the events that started it all were too deep in my mind, and I was watching a movie, yet the back of my mind, and you mind too does not care. A true multi processing system was doing its job on the fly and now I am considering the events that happen when Meng Po is no longer merely one play, but her activities sets up a few politicians in the process? The trick is to prevent complications, not some twist every 5 minutes, but a stage, a loom with a tapestry of politicians, merely two that are in that game, yet the idea to add a political field is important. Not for the twist, but to make them part of the tory, part of the equation. Perhaps a setting where to opposing politicians tend to share a cup of soup, but how to enable the larger story? You see, I believe in the slogan of FX, the story is everything. So it must shine, and not be bloated by interactions and too many faces. The latter part is already a little bit of a problem as the cast is set to 20 people at present and that is before we consider special effects. And I am not even close to act 3 at present, so I need to rewrite parts to set them over the 4 acts, over a stage of disjointed stories which need to fit together like a puzzle before we get to act 4. By that time the image should be decently complete and the watcher can connect dots of the story and not get overwhelmed in the final episode (like some stories do).
I wonder what happens if I watch another classic tomorrow. So far watching one has given me a lot of juice for two plays and as I am in a holding pattern for my IP, I need to do something, as such I might as well be doing this and perhaps a new play comes from that. In this I still feel the pressure from within to leave ‘Kenos Diastima’ at 3 seasons. A story with an open ending. It is my love of Terry Gilliam movies that seems to press for that consideration at present and there is something balanced about an open ending. Like nearly all we believe that any story has a beginning, a middle and an end. That does not mean that the story needs to be a closed ending, does it? Time to do a little more brooding, especially as I had an idea towards a few elements of a whole new approach to TV’s and displays. It is weird that this is based on 1985 technology and hat is before we get to evolve it into something more and serious. I wonder why DARPA never considered it, the open ended evidence is all out there, and there is no longer a patent protecting it, so what gives? Well, their loss and my opportunity, that is if I get the other parts done.
I am on fire today (ice water is here next to me to cool me down).
The blank stage
There is a stage, it remains blank. It is not a real stage, it is a stage in our minds. We all have one, there is no exclusion. Yet there is also a stage that we fill with assumptions, with presumptions and with unspoken accusations. We all do it, I do, and you do too. This all started during the night. I dreamt a new story, a dark one, for my doing a really dark one. It is set around the corrupt, a smitten hard burning love at first sight and the rage that follows. My mind is currently naming it ‘Wrath’, it is not merely the wrath of a person, it becomes an escalation when the people had enough, when they are pushed into a corner too hard, not unlike the main character and their response will be ‘interesting’. I need to do a little more research, but the law cases I saw in Australia seem to cover a lot, I reckon that if I look harder in the US I will have all the legal settings ready for the story (if I get around to it). I am still filling in the blanks in ‘Keno Diastima’ and I only have the smallest of basic foundations of ‘Vita Exhauriunt’. Most of ‘How to assassinate a politician’ is complete, but there I feel that more needs to be done, I need to add a cog, a need to add a few more parts. This is hardly a one hour story. But then, I never published an actual script before. Yet I reckon that ‘Wrath’ might open the doors to two of these solutions. So as I started to surf the internet to see if something could wake up my mind, I saw something else. Something I wrote about, something the media at large seems to ignore. So when we get to the story two days ago by the ICIJ ‘Pandora Papers journalists face government backlash for investigating financial secrecy’ (at https://www.icij.org/investigations/pandora-papers/pandora-papers-journalists-face-government-backlash-for-investigating-financial-secrecy/) something stirred in me. It was the quote “The Pandora Papers is a global investigation led by ICIJ, published earlier this month, that included more than 600 journalists representing 150 partner media organisations from 117 countries and territories. Based on a leak of 11.9 million documents of 14 offshore services providers, the trove revealed the secret holdings of more than 330 politicians and high-level public officials in more than 90 countries and territories, including 35 country leaders. Ambassadors, mayors and ministers, presidential advisers, generals and a central bank governor appear in the files”, I almost had forgotten about it. The station that this was a leak, it was not. When we see “14 offshore services providers” all whilst at least two of them have above average protection, this has not a leak. This was a hack, a hack by a government player (most likely the USA) the tax issue is setting the wrong steps, there was a delay, but that delay runs out in 8 weeks and in 6 weeks the ‘tax the rich’ BS starts all over again. In all this time the ICIJ NEVER gave anyone a top line summary. Things like nations involved, like nations with the amount of politicians involved. Not names, a mere tally. So far the ICIJ sounds as useless as the stories they give us and when it comes to stories, I am seemingly better then they could ever hope to be. 600 journalists and no one in all that time create a dashboard for the people to see the impact. We see accusations against Tony Blair, yet they also hid inside the story that he did not break any laws, so how useless is that. Apart from the screaming need to overhaul tax laws, something I have been advocating for well over a decade and the NSA hack (the most likely player) was not required. And the agreement, or better stated the quoted agreement that the ICIJ would not go after the source is even more lame. How stupid do 600 journalists need to get? In the end there is a chance that some of them will move ALL their wealth to Nassau, Dubai, or Riyadh giving the other nations ever more to worry about. There are options for Guernsey, Jersey and Monaco. The US and a few more places would lose out, Wall Street would suffer greatly (not the worst idea) and that is merely thee beginning, the EU would also suffer to a much larger degree, all because a few players would not clean their rooms when they were supposed to do that (2009-2011), it has been playing for well over a decade and as people are flim-flammed into looking at environmental issues, we see that the media still has not taken a hard look at the European Environmental Agency report that has been out now for almost a year. Why is that? Is a hard look into the mirror not sexy enough?
Now, we might all think of giving the ICIJ and their 600 journalists time, but they’ve had months, and so far the setting of a dashboard that gives us the stage of no laws broken (especially the billionaires that have pushed through legally available means their fortune in zero tax havens) should cover well over 60% of these documents (a fictive number). The simplest setting that you all can see is the missing tally, the guardian gave us a tally of what to look through, but they had the 330 politicians, so that part could have been clearly given and a dashboard does not show criminal sides, it is merely that a tally, but I reckon that the tally shows that most of these people are in places the bulk of us do not give a hoot about, just like the billionaires. How many are people of royalty from some Arabian nation? Then we get to the remaining billionaires and we will see that they broke no laws, when you get to that point you get to the stage how useless the ICIJ was from day one and how they blow their own horn whilst these 600 people might be obsolete. I cannot guarantee that, but the assumption might not be far off.
The blank stage is filled, and as assumption and presumption shake hands the stage goes from black and white to a malleable version of grey where we cannot see the difference between the black and the white. It was that from the very beginning, I pretty much predicted that in the first hour.
Lawrence van Rijn - Law Lord to be 