Tag Archives: Nollywood

December 30, 2023 · 12:01

Almost circular

Yup, we get that expression again, we are almost done with another trip around the sun. I am not sure where it comes from. I think I heard it first on Facebook, but that is no indication of origin. So at the end of the year a few things hit me. I want to give them all up here, but in this case I have handed them over to Tencent Holdings Ltd. first. Lets see if they are more awake then Google and Amazon. You see, there is a hiatus appearing and that is not a good thing (not a bad thing either), it merely is and I recognise that. Yet the hiatus was discovered by little me when I was getting to know a program called Final Draft (v12). I am putting in one of my Scripts for Al Saudiya and I got well over 30% done in less then a total time of 24 hours. As I was progressing through the parts (ACT4 in particular) things started to appear before me. Thoughts that I had not had whilst writing the story by itself. Now, this makes sense. Final Draft is a specific solution for a specific audience. Yet what appeared to me more clearly (part of it was already visible, which was why I selected that tool to learn) Is that there is an offset to ‘immediately’ register it with SAG-AFTRA. It set a new station. You see, not only can (what some call) do a Reese Whiterspoon on all this. There is a growing need for a cloud solution and set up a global protection umbrella for scripts. Consider that until a few years ago Hollywood had to deal with 35,000 scripts a year. 350 are made into movies. It is a simple cram of the crop equation. Now consider this same setting but with additional streaming, TV, Nollywood, Bollywood, Scandinavia and so on. We now get closer to more than 100,000 scripts. So how to prevent ‘cross-pollination’? The only real option is to have a cloud solution that registers all what you write into the cloud. It could register as evidence that your IP was invaded upon. But to do that your IP needs to be registered. I think Final Draft, Inc. is already thinking and moving into that direction. Now that Final Draft is pushing towards ‘Writing for Youtube? We’ve got you covered!’ The stage moves even further. You see YouTube is ‘stating’ that there are 38,000,000 active Vloggers. If only 10% is upping their game with Final draft, Final Draft will suddenly need a much larger support system and an optional global one. That was what I was banking on (initially) but I didn’t see the YouTube part, which is of course a nice escalation in my favour.

In that setting Final Draft needs a support system that can take care of that much more users. They would need two parts. The first is a support system like only NICE CX One can deliver and they need to consider globalisation. If only to set an optional 24:7 setting. That gives them USA, optionally UAE (Abu Dhabi, as Dubai might be too expensive). Somewhere in India and on the east side of China. They now have an overlap in 4 stages, meaning if one has technical difficulties the left and right side of that team can carry the load for a few hours each. China makes more sense then Japan, because the Chinese entertainment industry will get a massive influx in 1-2 years. UAE has more options than Saudi Arabia, but the Arabian entertainment is also due a larger growth. Saudi Arabia is already setting its mind on sports, meaning that streaming is closely followed, hence my Al Saudiya move.

And they can also support Nollywood. As such, as demand grows Final Draft is about to grow to new heights. And their cloud move makes sense. It is a logical next step to allow their customers chose to select the cloud or keep it local. So as we are about to make another trip around the sun, we need to see that Final Draft was ahead of a lot of people and the one niche that Microsoft ignored for close to 20 years is about to be lost to them. No worries, Google was asleep at the helm as well. Another setting they never saw coming and where was Amazon? I cannot tell, because none of this was on their ship, but if they align with Final Draft on that cloud solution, optionally with NICE, the game changes a little more and both streams will be lost on Microsoft. I predicted a lot of this, not this one, but that implies that Microsoft in the end losses a lot more than before and that is also the new setting. Millions now needing a non-Microsoft solution, how weird this year ends. Not to put to fine a point on this but I am loving this.

Enjoy this day before the end of the year.

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Tagged as Abu Dhabi, Al Saudiya, Amazon, Bollywood, China, Dubai, Final Draft, google, hollywood, India, Japan, Nice, NICE CX One, Nollywood, Reese Whiterspoon, SAG-AFTRA, Saudi Arabia, UAE

November 30, 2021 · 18:59

The Trap

There is a trap out there, we all fall for it, it is in part our own ego, it is in part the way we believe, or we think we believe and it is in part the elements steering us. I fell for it yesterday and there is no shame, it happens to us all. I was merely happy I figured out what I was doing. I will not give the exact trap I fell for, but it comes down to a weird thought. An example is “People are old when they turn hundred, because that is the boiling point of water”. The link between the two is 100. There is no other link, but the mind at times uses the link to get more out of it and as it finds these supposed links we fall into the trap. As stated it happens to us all at times. So as I was relaxing I noticed two articles by the CBC.

The first is (at https://www.cbc.ca/radiointeractives/docproject/warhammer-40k). We get ‘Warhammer 40,000 was a sanctuary during my high school years’. This is true, but then we also get “The irony that some Trump fans equated the 45th U.S. president with 40K’s desiccated Emperor isn’t lost on Gillen, author of Marvel Comics’ first Warhammer 40,000 mini-series, Marneus Calgar”. The issues is that behind the larger story (which is actually quite good) is “it has been embraced by Trump supporters and white supremacists”, you see there is another expression we need to see: ‘The sun shines on the just and unjust alike’. This matters, because if you do not you will fall in the trap I almost fell for. The just and unjust all need a game to play, they all need to relax and some play Warhammer, some play Skyrim and some play ‘Bo Red takes a gander’, it does not matter what they play. The game does not make them extremists, they were that and they decided to play a game. Yet there is a larger stage, the unjust will find a game where they can talk and where they can communicate and the more that is done outside of the monitoring elements the safer they feel. I saw this in 2011 in a game (I think), it think it was called ‘Lords of Ultima’, this has nothing to do with the game makers, they had a game and people in a guild could communicate privately, there were 99 private channels. And over time more games offered the option to communicate and the makers got cash for everything.

The game and its makers are not to blame, the events are merely there. There is no deeper connection (at present). The second story is (at https://www.cbc.ca/news/entertainment/holiday-movies-christmas-inclusive-1.6261313) the article is called ‘Diversity in holiday movies improves, but gaps still need to be filled’, so why is that? I am not opposing, I am asking. You see movies and TV shows are a business, they cater to the largest section they can because it gives them the best revenue. Do you think that Hollywood is anything but a siphon for revenue? And in that setting the bulk of all there watchers are white. It has a market. Bollywood (India) and Nollywood (Nigeria) figured out that there was a gap and they figured out how they could fill their pockets with the gaps. So will there be a Gollywood, a Lollywood, or a Tollywood? I cannot tell, but those in that direction are seeing whether they can make a profit in this market. Collywood (China/Hong Kong) is steadily growing and as its watching population grows, so will they. So when I see “the film industry is making moves to change what some have previously called a “whitewashed” movie genre, some critics say more work remains to be done”, I am not sure I can agree. You see the business model is there but it is not inclusive. And in that setting when we consider Gollywood, Lollywood and Tollywood. We see people in that market like David Geffen, and they weren’t making large moves to set up that premise, why is that? I reckon that at present the business model is not affordable enough. Even break even might do the trick, but that doesn’t seem to the case. So when we see ‘Geffen has an estimated net worth of $10.8 billion, making him one of the richest people in the entertainment industry’, as well as ‘David Geffen has been ranked the most polluting individual American and second most polluting individual in the world, largely due to his yachts’ we need to wonder how much of it is true. You see, there are 17 yachts bigger than him, and yes none of the owners are American, yet who bought the yacht that was owned by Paul Allen? What happened to the yacht of Bill Gates? So when I see ‘the most polluting individual American’ all whilst we can find the larger setting of “nonprofit Environmental Working Group tested tap water at 19 sites in Northern Virginia and found levels as high as 62 parts per trillion”, a pollution setting three times higher than was noted in 2019, in two years it got to be this bad, but that doesn’t make for good gay-bashing, does it? There was the EPA giving the US citizens “In 2020, about 68 million tons of pollution were emitted into the atmosphere in the United States. These emissions mostly contribute to the formation of ozone and particles, the deposition of acids, and visibility impairment”, as such, does anyone want to make a serious bet that the most polluting individual American was not behind that, or even any serious part of that? So who were and why are their names omitted from any report?

The trap is that we make claims that ‘gaps need to be filled’ all whilst the people with the ability to fill them do not want to fill them and as long as the media is willing to emphasise on partial claims like ‘the most polluting individual American’ whilst avoiding all other kinds of information, we see a larger station, a station of obfuscation and denial. The trap the media sets out for us, just like the Guardian with their ‘carbon print’ all whilst they do a lot to avoid the 15 million flights increase over the last 15 years. 47,000 (or there about) a day more and that situation has no carbon footprint?

So did we put our foot in the trap, or are we avoiding to look into the direction where the trap is? It works for the stakeholders of the media either way. And that is the larger trap we are faced with.

Enjoy the week.

What is unintended discrimination?

It is a question that came to mind when I saw a piece by David Cox on the Baftas. I missed this year’s Baftas, so I watched some of it on YouTube, we all have these days, 35 things to do and we cannot change the rotating speed of this planet, so I remained in a setting where I had 24 hours to get things done. As such I missed the speech by Prince William (and the rest of the show).

I do not believe that I would ask for any resignation, especially a royal, that is how I am wired, but I was still curious. When I read that part I wondered if there is an actual issue. I understand the position that David Cox gives, but let’s not forget that this is about excellence. Diversity will be hard to achieve in excellence (for a few reasons).

To clear my mind I went back to an event I always wondered about. It was 1986 and a legendary book got made into a movie by no one else than Steven Spielberg namely the Color Purple, then I got a small shock, I had forgotten that Kathleen Kennedy was part of that too, the recipient of the Fellowship Award. And there we see the first part, excellence is about perfection and even as I see the Color Purple as sheer perfection, those who are in the field and judge perfection did not see it my way, and in addition to that, 1986 also produced Ran, Out of Africa, Prizzi’s honor, Jagged Edge, Brazil (a personal favourite), the original French movie that would result in the making of Three Men and a baby, Witness and Kiss of the Spider Woman. A year full of greats and only a few make it to become winners, the Color Purple did not make it, they did get 11 nominations, no wins. In that same light we see Kathleen Kennedy, as a producer she has a massive list of achievements, most people are revered when they only deliver on 50% of what Kathleen delivered, and I have seen most of her work. Yet I see that a lot of them would never be best movie material. Is that bad? No, it was not on her plate as producer and she was part of flawless gems too. Raiders of the lost Ark, the Color Purple, Jurassic Park, A.I., Munich are a few extracts of a list that is well over 10 times larger and this year she got the Fellowship Award. So when I see ‘Prince William’s Baftas tirade was insultingly misdirected – he should resign as its president‘, I merely wonder what the angle of David Cox is.

Does he have a point?

From where I am sitting we see that 871 movies were released in 2018, and in 2019 786 movies were made, as such I wonder how many were seen? I am certain that the account of best feature-length film and documentaries of any nationality that were screened at British cinemas in 2019. will give the sitting that not all have been seen, and the limitation that I am merely looking at the movies, I have not even gone into the documentary setting.

Then there is ‘that were screened at British cinemas‘, a limitation from the get go, as such is the call for scrutiny that bad a thing to ask for?

As such when we get to ‘Is the Duke of Cambridge sabotaging the voting system? Or simply saving face by attacking an acceptable – if innocent – party?‘ (at https://www.theguardian.com/film/2020/feb/06/prince-williams-baftas-tirade-insultingly-misdirected-should-resign-as-president) I am not sure if the stage is warranted. Consider the Nollywood movie ‘Lionheart‘, it was not regarded in a few places, just like the Irishman, oh wait! It was not released in the cinema, it went to Netflix. he Irishman did go to cinema’s as well, as such we see the first level of discrimination, discrimination through the paticipation rules. So was Lionheart ‘screened at British cinemas‘? I actually do not know the answer to that, as such we see a larger stage, do we allow for a larger group or is the stage ‘screened at British cinemas‘ a final point?

So as I see “What can he have meant?” as a asking rule in the article, I wonder if that was considered in the right stage? When we see the limiting factor right there in red. Yet then we also see a larger point that I reflected on “when compared with the competition, I don’t think any of these constitutes the year’s “best film”. Many of these titles were well-directed, but they tended not to require the outstanding directing skill required to snag the director award” this is how I see it, there is a larger stage and I would not have elected some titles and elected others, yet I am not a movie expert. I would have elected the Color Purple over Out of Africa, but that is my personal view, and it has nothing to do with winner Sydney Pollack, it is a great picture, but i prefered the other one and I believe that I am not alone, as 5 movies were elected as nominees and all 5 were worthy to become best picture, which is unlike 1982 where I merely liked Raiders of the lost ark. It is no reflection on the other nominees either.

Was the speech of the Duke of Cambridge wrong?

I personally do not think so, the stage where all factors are under scrutiny is a good thing, especially these days, and lets not forget that most of these are awards based on votes, and the BBC (at https://www.bbc.com/news/entertainment-arts-51345085) gives us ““There’s definitely a problem,” said actor Daniel Kaluuya referring to the diversity row engulfing this year’s Bafta nominations (all shortlisted actors are white, all shortlisted directors are male)“, in this I have a slightly different view. If we look at the graduated directors list by gender over the last 20 years, how many women made it? No one debates that Kathryn Bigelow is a GREAT director (Hurt locker and Zero Dark Thirty being excellent examples), yet how many female directors are that good? I am not posing a point, it is an actual question as I do not have an answer.

I am for the most (unlike the past) more into watching blockbusters, not because it is what I want, but like many others our budgets have shrunk, and as such I have limited choice. there is another part, it is shown in the BBC article “Berry said she thought it was because the film wasn’t very high-profile when it came out in the UK, and that a lot of her members didn’t know about it and hadn’t seen it.” the quote comes in response of “Amanda Berry, Bafta’s chief executive, appears to be aware that her members are not seeing all the films, which obviously affects the nominations” there is the crux, because 786 movies were made, I reckon that 500 made it into the UK (a mere guess) as such how many were seen? If the stage is ‘screened at British cinemas‘, how many were not seen and as thus not considered? Did David Cox consider that?

Perhaps he did and perhaps he did not, as such we see a different stage, there is only so much that a person can watch and there is the discrimination, only those we see get considered, it is not based on colour or faith, it is for many merely the limitation of time to the equation. And that gets us to the BBC gem “The assumption should be that Bafta voters are knowledgeable and curious and above being swayed by the big movies with the big stars and the big marketing budgets. The implication from Berry suggests otherwise.” I believe that this is the issue that we currently face.

It was still good to read the point of view that David Cox gave us, but I do not believe it to be correct, or at least it is inaccurate. The BBC gives us the goods that have the impact we need to consider and I got there even before I read the BBC article. Even as people like Steve McQueen states that there is a risk if talent is not recognised, we need to consider that the amount of movies made largely outstips the ability to see them, to see all the movies of 2019 I would have to watch 2 movies on most days and remember them all in the end, I wonder how many are up to that task, as such the stage that the Duke of Cambridge brings has a larger footing and becomes a truth by itself “In 2020, and not for the first time in the last few years, we find ourselves talking again about the need to do more about diversity in the sector and in the awards process. That simply cannot be right in this day and age.” In this the Duke was correct and David Cox was wrong, the mere acceptance of one element and the direct impact of simple metrics brought this to the surface and I am a little surprised that David overlooked this, I wonder how many movies he watched for the 2019 election and which ones they were.

Perhaps he saw them all, perhaps not, I cannot tell and when we look at that part especially in light of what was ‘screened at British cinemas‘, will we see a dissenting voice of titles that were overlooked or forgotten about?

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Tagged as Amanda Berry, BAFTA, BBC, Brazil, British cinema, Color Purple, Daniel Kaluuya, David Cox, Duke of Cambridge, Fellowship award, Jagged Edge, Kathleen Kennedy, Kathryn Bigelow, Lionheart, Nollywood, Out of Africa, Prizzi's Honor, Prnice William, Ran, Steven Spielberg, Sydney Pollack, the Guardian

November 7, 2019 · 10:24

A report from the messenger

I am happy to say, I am happy to report that I am not an expert, nothing of the sort, an expert I am in fields that are different, but in this I am not. I have watched a thousand or more movies, all shapes, all sizes and in many playhouses, in some that were called fleapits, then there were some nickelodeons, there were movie houses, playhouses and there were a Cineplex or two, often holding on the cinefex when going. Yes, I visited cinema’s from large to small, from Lantaren to Venster, from the original Cinerama where I saw the Cinerama edition of 2001, I have seen many places, yet I am not an expert, perhaps as close as one can get, yet I too was befuddled when Afua Hirsch (at https://www.theguardian.com/commentisfree/2019/nov/06/oscard-ban-nollywood-film-lionheart-oscarssowhite-nigerian-film) alerted me to a wicked situation. In Nollywood, where the Holly and Bolly are not found a movie was released. The movie Lionheart is using English; you know the version of American that was heard before July 4^th, 1776. These American are sore winners are they not? she used the headline ‘An Oscars ban for a Nigerian film shows the Academy still doesn’t get it on race‘ to alert us to the situation.

Afua got me with one little part of her article: “Directed by and starring the Nollywood titan Genevieve Nnaji, it is a captivating look at family, class, sexism, politics and the texture of life in the Niger delta. It’s both very Nigerian and very relatable for audiences who know nothing about Nigeria” it was not the only part, but that part made me curious of the movie, Nigeria, a place famous for princes and princesses that have access to millions, and they are willing to share it if you can just hand over your bank details. However there is plenty of goods coming from Nigeria, movies was new to me (as far as I know), So when I was informed that “Yet Lionheart has just been disqualified because there is too much English in it” I woke up fast. Now we do know that the US is not really that literate, so for them The Queen’s English might be as far from Yankie Doodle Dandy as Spanish is and they have to make such waves to understand that, that the movie Lionheart “does feature the Igbo language, which millions of people in eastern Nigeria speak“, OK that was new to me, Well I knew that people in Nigeria had their own speak, i just (until now) did not know it was called Igbo. So it has two foreign languages for Americans. So when we see “And this legacy of empire, even though they were once part of it, is what some American institutions don’t seem able to comprehend” we get part of the fix, which is alarming for the movie maker of Lionheart, well, at least it will have a bigger chance at the Bafta this year, so it seems that Lionheart will “the American Academy expects films competing in its “international feature film” category to emphatically not be in English” no matter how much Queens English is in the movie. It does define the term #OscarsSoWhite in a bitter new definition; will the people like Helen Mirren and Simon Pegg unite making that concept into a comedy? Perhaps with Tom Cruise as the director trying to skate on both sides of the fence?

Let’s face it, Simon Pegg can make Paul an American (someone whispered to me that Tom Cruise played Paul in the movie bearing his character name), in that case Nolly can be an American too.

Yet in all seriousness

The quote “The American film establishment is clearly struggling to grasp the basic idea that there are Africans who speak English. Viewers get this: Nollywood box office revenues increased by 36% last year” is a decently first milestone in recognising that American standards are nothing to talk home about, In a stage where American values are given to the Oscars, yet for most movies America is merely 25% to a third of the revenue for most American movies whilst the rest comes from the larger screens all outside of the USA, the overly (or is that overtly) standard is set outside of a beach of values we need to consider movies to be in? I believe that Hollywood needs to reconsider its values, before Nolly and Bolly take Holly for a ride in a convertible and show her exactly where things are at.

It sounds foreboding, but it is not, in this age where games are taking the front of where movies are, the idea that Holly takes a bow and takes the list of settings where the grey areas are addressed. The idea that Hollywood has grey areas is just beyond believe, I mean what would we call Alien? A British, Non-American documentary of Space Exploration? I mean, let’s get real here. The games industry is about to dwarf movies in a major way, it is time for the people en mass to get on board and let’s face it, there is no saying how this goes in the future, so Nollywood could be a presence in gaming soon enough.

So today I am happy that I learned something today, Afua Hirsch taught me that Oscars are not a measurement we should be proud of, perhaps it is the year where stars and viewers decide that Bafta is the way to go when it comes to Cinematographical awards, so to all the Nollies in Wood, Welcome to the Bafta’s (well at least Lionheart).

I look forward to learn more of the Nollywood movies, should be fun after a bland year of American cinematography.