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Where we are in gaming

So the E3 is almost done. I saw the EA bit, I was blown away by Bethesda where they ended the presentation with 13.2 seconds announcing the Elder Scrolls VI. A mere teaser, but what a teaser, the crowd went insane on the spot (me included). I reckon that it will be a 2019 release and we will hear a lot more after the release of Fallout 76 later this year. When it comes to Fallout 76 it will be a lot bigger than ever before. It allows for single play, friends play and multiplay. That is merely the first part, the second part is that Fallout 76 is announced to be 4 times the size of Fallout 4, so any Bethesda fan expecting to be well rested by Christmas better start buying stocks and options in Red Bull, as they will need it and lots of it.

There was a lot more announced, most importantly the setting of a new free game, called Blades, an elder scrolls version of Fallout shelter, a very different one, Bethesda went one step further where the game is fully playable in portrait and landscape mode, the view on the game made me desire an immediate update to my mobile (which is falling apart anyway). In addition, Fallout Shelter became available at that point for both PS4 and Nintendo Switch. So Bethesda is not sitting still and a lot of it at no cost at all, showing a level of gamer care that we have not seen to this level before. Bethesda blew us away with the upcoming DLC’s, updates and new games. After that it was time for Microsoft. I have had issues with Microsoft and they are still growing, yet the presentation given was really good. Phil Spencer knows his shit and that of many other players in this field. He knows what it is about and as we saw all kinds of ‘world premieres’, it relied to some degree on both Bethesda and Ubisoft to give some of the goods, but that was not all. I stated it before, I am not a racing fan, but Forza 7 blew me away, it was astounding to see, so I was not ready for what happened next. If Forza 7 is set at as a 90%-91% game, the upcoming Forza Horizons 4 is getting us straight to the 100% mark. They really outdid themselves there. It is set in historical England, all of England and if you think that Forza 7 had the goods, seeing seasons and weather set into the driving, seeing every place go through the 4 seasons, you will see something totally unique and there is no doubt that if it holds up on the Xbox One X on 4K and 60fps, you are in for a treat, even a non-racing fan like me can see that this is something totally new. There were also announcements on gaming houses and developers bought as well as some of the indie developers who are showing excellent products. Phil Spencer is making waves; he is not out of the woods as he has to clean up the mess of two predecessors, so he has his work cut out for him. There was also a less nice part. They did in many cases give not any release date, merely ‘pre-order it at the Microsoft store‘. I personally believe that this is the Microsoft path, a path that was dangerous and I accused them for not being in consideration of gamers. There was more. You see, Microsoft is moving to take the shops out of the equation. They were doing it to some extent (poorly I might add), yet now when we consider Gamerpass “Xbox Game Pass launched back in June, and provides access to more than 100 Xbox One and Xbox 360 games for $10.95 per month“, before you think that this is a lot, consider that you get access to 100 games, with the announced NEW games, we got that it will include the next Halo, Gears of War, and Forza on launch day. So that is a massive teaser, yet I am also scared of the intentions of Microsoft. I have seen this before. You see, TechAU gave away the speculated goods with “selling games is no longer an option. With console hard drive storage sizes increasing to 1-2TB, its possible we need to rethink game ownership completely. The big question will be the games available. If they’re all games from 6-12 months ago, it may still be seen as a good opportunity to play a bunch of games you meant to buy, but never got around to it“, if only it was true, because they already dropped the ball twice on that one. You see, I saw a similar play in the late 80’s by The Evergreen Group, they had government backing and undercut the competition for years, after that when the bulk was gone, the prices went back up and they were close to the only player remaining. It seems that Microsoft is on a similar path and when we saw the Faststart part I got a second jolt of worry, with the stating that they used machine learning to see how gamers play. This implies the profiling of all players, so when exactly did you as a gamer agree to that? You see, when this becomes personalised, it is not about the average player, this is about you as the individual player and I personally believe that the push ‘to pre-order at the Microsoft store‘ is not merely marketing, it is about pushing for online only and take the shops out of the equation. It makes sense from a business point of view, yet you end up with the only IP, the ones they allow you to have, for whatever time you end up having it. I never signed up for that, and even if we love the offering they give for now. When the shops can no longer support this theory, what happens then? How will you feel in 5 years when your IP is based on a monthly rental? It is a dangerous part and for now you think it does not matter, but it does, you see the earlier quote ‘With console hard drive storage sizes increasing to 1-2TB‘, yet the Xbox One X is merely 1TB, so there is that already, then we realise that the 1 TB merely gets you 800 GB (OS and other spaces reserved), so now we see that the previous Gears of War was 103.12 GB, implies that with one game installed, you are down to less than 70%, now add Halo 5: Guardians (97.53GB) and Forza 7 (100GB). So, only 3 games and 50% of the total drive space is gone (those mentioned games were the largest ones).

So when I see the mention of space for 12 games, I wonder how correct it is. Now consider the announced games like Fallout 76, the Division 2, Beyond Good and Evil 2 and wonder what will be left. People will wake up much to soon as they have to reorganise their console drives, way too early in 2018. Consider, not just the games, but the patches as well. Now you start seeing the dangers you as a gamer face. The moment that 120 million gamers start working in an online setting (PS4, XB1 and Switch), how long until the telecom bandwidth prices go up? How affordable will gaming remain? For now it looks great, but the bandwidth fountain will be soured, the impact is not short term when it hits, and the impact will be too great to consider for now and the Telco companies have not even considered the dangers, only their option towards optional revenue. There is supporting evidence. In Australia, its fun loving product called NBN had 27,000 complaints last year alone. If the old setting for every complaints 5 people did not bother, we see a much larger issue. With issues like outage and slow data speeds one number (source: ABC) gives us that at present the growth of 160% of complaints ‘equated to 1 per cent of the activated premises‘, how is that to sit in whilst downloading 100 Gb for your Xbox One X, and that is merely Australia. In places like London in full setting congestion will be a normal thing to worry about. So when we see “Julie Waites said her 85-year-old mother Patricia Alexander has been without a working phone at her Redcliffe home, north of Brisbane, since June when the NBN was connected in the area“, which we see 4 months after the event, there is a much larger issue and Microsoft did not consider the global field, an error they made a few times before and that is the setting that gamers face, So when your achievements are gone because for too long there was an internet issue, consider where your hard earned achievements went off to. I am certain that it is not all Microsoft’s fault, but its short sighted actions in the past are now showing to become the drag regarding gaming.

The one part that Microsoft does care about is its connections to places like Bethesda and Ubisoft, who in their presentation show to be much larger players. We get that this is merely beta and engine stuff, but the presentation of the Division 2 rocked, I am not sure how the Crew 2 will do, but it looked awesome, in addition the EA games looked as sweet as sport games can get on the Xbox One, so they have the goods. Phil Spencer is making waves and he is showing changes, but how trusting will this audience remain to be after a mere two incidents where gaming was not possible due to reasons not in the hands of Microsoft? Their support division stated last year that the uploaded data from my console (not by me, were all the responsibility of the internet provider), are you kidding me? Yet the games do look good, there is no denying that, yet their infrastructure might be the Achilles heel that they face in the coming year. There was also time for the upcoming AC game called Odyssey. It is very similar to the look of Origin in looks. Graphically it is stunning. The view also shows that AC is changing; it has a much larger political impact in the story line and the changes you can make. It is a lot more RPG based than ever before, which as an RPG lover is very much appreciated and with the choice of a male or a female player is also a change for good, unlike AC Syndicate the choice will be for the duration of the game, making it a much larger replayable challenge. The demo shows that there definitely are changes, some are likely gamer requests, the rest seems to be a change to make the game more appealing regarding the play style you choose, but that part is speculation from my side. I would want to be cautious, yet they truly took the game to the next level with AC Origin, which makes me give them the benefit of the doubt. The setting that Ubisoft brings is much stronger than last year, so it could end up being a stellar year for Ubisoft. When we get to Sony, I become a little cautious. Yet even as we saw it in the previous presentation, instead of merely presenting titles, having live music on stage, the music from the games was a really nice touch. I do not know about you the gamer, yet I have been more and more connected to the music as the quality of it has been on the rise, so seeing the performances was well appreciated. It might have started as early as ACII and Oblivion, now we see that good music is a much larger requirement in any game. A much darker the Last of Us 2 (if that was even possible) sets the stage for what is to come. Yet, even as we see awesome presentations of what is to come, I have to admit that Microsoft did have a better presentation. Sony is also playing the ‘store’ setting with PlayStation Store for bonus options. The games are overwhelming and those are merely the exclusive titles. When we consider all that Ubisoft and Square Enix bring to the table, it shows to be a great year for all the PlayStation owners. Yet, the overwhelming advantage that they have over Microsoft is not as much as you would think. The question becomes how heavy the overbearing advantage that the Last of Us 2, Ghost of Tsushima and Spiderman have, yet when set opposite Forza Horizon 4, Halo Infinite and Sea of Thieves I wonder if it remains a large advantage. Sony has more to offer yet the overwhelming exclusive benefit is not really there. So when we look at a new Resident Evil, actually a remade version of Resident Evil 2, we remain happy for the ‘unhealthy’ life diminishing gaming treats that are offered; both consoles will be offering gaming goods we all desire. There is no doubt that gaming revenue will go through the roof and it seems that we are in a setting where games are not just on the rise, the predictions are that they will grow the market in nearly every direction, and we still have to hear from Nintendo, you see that one is important for both Microsoft and Sony. There is little doubt that they will surpass the Xbox One in total sales, yet now it becomes the setting where they might be able to pull this off as early as thanksgiving, a setting Microsoft is not ready for, the ‘most powerful console‘ will optionally get surpassed by the weakest one as Microsoft has not kept its AAA game for close to two years. Three simple changes could have prevented that, yet the view and setting of always online, GamerPass and storage destroyed it, the mere consideration of infrastructure was missed by Americans focused on local (US) infrastructure and forgetting that the optional 92.3% of the desired customer base lives outside of the USA. The simplest of considerations missed, how is that as a hilarious setting? Oh and getting back to the Sony presentation, if you thought God of War surpassed your expectations, it seems (from the demo) that Spiderman is likely to equal if not surpass that event, so there is one issue that the others will have to deal with, the PlayStation players (Xbox One players too) will just have to wait and be overwhelmed with the number of excellent games coming their way before Christmas, because for both of them the list seems to be the largest list ever. I am posting this now and perhaps update a few Nintendo settings, as there are several revelations coming. GeekWire gives us in all this “Microsoft’s Xbox One still faces an uphill climb vs. Sony and Nintendo“, yet the article (at https://www.geekwire.com/2018/e3-2018-analysis-microsofts-xbox-one-still-faces-uphill-climb-vs-sony-nintendo/) misses out. You see, even if we are to agree with “Microsoft has effectively made its own console irrelevant, because even with the Windows Anywhere initiative, there’s no particular reason for a dedicated enthusiast to own an “Xbone” if you already have a PC. There are certainly advantages, such as ease of use, simplicity of play, and couch gaming, but the same money you spend on the Xbox could be going to tune up your computer so you can play the same games in a higher resolution“, we see the truth, but a wrong one. You see ‘the same money you spend on the Xbox could be going to tune up your computer“, is not correct. We need to consider “you can find a large number of 3840×2160-resolution displays in the $300 to $500 range“, as well as “For a better 4K experience, look to the $450 GeForce GTX 1070 Ti, $500 GeForce GTX 1080, and $500 Radeon RX Vega 64, though the Radeon card is still suffering from limited availability and inflated prices. These cards still won’t hit a consistent 60 fps at 4K resolution in the most strenuous modern games“, so you are down for a lot more than the price of the Xbox One X and still not get the promised 60fps that the Xbox One X delivers. And that is before you realise that a TV tends to be 4 times the size of a PC display. The biggest issue that has not been resolved is the mere stupidity of 6mm of space, that allows for a 3TB Seagate BarraCuda, it would have diminished most other issues, now merely evolve the operating system requiring people to be online all the time and Microsoft would have created an optional winning situation. It should not impact the need (or desire) for GamerPass and it would change the curve of obstruction by well over 70% overnight, all that when you consider that there is a $65 difference for 300% storage, something that the 4K community needs. Phil Spencer has one hell of a fight coming his way and if he can counter the Microsoft stupidity shown up to now, he could potentially turn the upcoming number three position around in 2019, making Microsoft a contender again at some point, yet if the short-sighted board of Microsoft is not willing to adhere to some views, they will lose a lot more than just the loss of a few hundred millions of console development, they might lose a large customer population forever, because gamers hold a grudge like no other and if it was not merely the cost of the console, the fact that the games they bought might overtake the total amount spend by close to 3:1, and once gone they will never ever return. That is the stage we see now and even as there is a lot of improvement, where it matter no changes were made. So even as we should all acknowledge that Phil Spencer is a large change for the better, Microsoft needs to do more. They have the benefit that Sony gave a good show, yet not as good as Microsoft. Perhaps the live presentations are the E3 part we all desire, the demos and previews were all great on both systems. In that regard Ubisoft and Bethesda both brought their homerun at the E3 and they are well deserved ones. As both deliver to both consoles there were no losses on either side, only wins for both sides, yet that leaves the small devil in my brain considering the question. If Fallout76 is 4 times the size of Fallout 4 which (according to Eurogamer) ‘required 100GB install sizes as a minimum‘ for 4K. So how much more will Fallout 76 need? It is in that light that we need to look with a 1TB drive, something I saw coming 5 years ago. So now, whomever buys a 1TB system will soon (too soon) stop being happy. That is one of the fights Phil Spencer will face soon enough, an issue that could have been prevented 6 years ago. It is so cool to see all these games coming, whilst we see a storage system supporting merely part of what comes and that is before we see the network congestion as a few million people try to update their game and get access to the networking facilities. It was an issue that haunted Ubisoft with the initial Division in 2016. When we saw ‘I’m still at work, had to stay overtime and I’m really salty because I might not even play today because of all this server downtime‘, I merely stated that they could have seen that one coming a mile away. Ubisoft upgraded everything and I do not expect to see this in the Division 2, yet consider that it is not merely one game. Consider every gamer getting issues when they want to access Gears 5 and Halo Infinite on launch day. That is the issue we could see coming and in all honesty, in most cases it will not even be the fault of Microsoft at all. The evidence was seen in Australia merely a week ago when ABC treated us to “NBN Co chief executive Bill Morrow suggested that “gamers predominantly” were to blame for the congestion across the National Broadband Network. He later clarified that he wasn’t blaming gamers for congestion, but reiterated that they are “heavy users”“, that is the reality setting, where Counter-Strike: Global Offensive and Destiny 2, two games are 49% of the average hourly bandwidth usage, now add Fallout 76, Gears 5, the Division 2, EA Access and Microsoft GamerPass. You still think I am kidding? And that is merely Australia, now add London congestion and when we consider some news sources give us: “London, Singapore, Paris and New York taking top spots when we consider internet congestion“, I reckon that Europe has issues to a much larger extent. When we consider in addition that the Deutsche Welle gave us last January “A new report has found that only a small fraction of German users get the internet speeds that providers promise“, as well as “the problem is only getting worse“. That is the setting Microsoft is starting to push for and the gamers will not be enjoying the dangers that this will bring. Certain high level non thinkers at Microsoft are making this happen and now Phil Spencer will be faced with the mess that needs cleaning up. The part that many have been ignoring and it will hit Microsoft a lot harder, especially when it wants to move away from uphill battles, a sign that we cannot ignore and whilst the plan might be valid in 4-6 years, the shortage that the hardware and infrastructure gives at present will not be solved any day soon and that is counting against Microsoft. The impact will hit Nintendo as well, but not nearly as hard. The evidence is out there, yet some analysts seem to have taken it out of the equation. Is that not an interesting view that many ignored?

So we are moving forward in gaming, no one denies that, but overall, some cards (like always online) were played much too early and it will cost one player a hell of a lot more than they bargained for.

 

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The gaming E-War is here

The console operators are seeing the light. Even as it comes with some speculation from the writers (me included), we need to try and take a few things towards proper proportions. It is a sign of certain events and Microsoft is dropping the ball again. The CNet news (at https://www.cnet.com/news/xbox-big-fun-deals-e3-week-starts-june-7/) gives us “Microsoft’s big E3 sale on Xbox consoles, games starts June 7“, where we see “Save 50 percent or more on season passes, expansions and DLC and other add-ons“, which sounds good, yet in opposition, some claim that as Microsoft has nothing really new to report (more correctly, much too little to report), they want to maximise sales now hoping to prevent people to move away from the Xbox. I do not completely agree. Even as the setting of no new games is not completely incorrect, the most expected new games tend to not get out in the first month after the E3 (they rarely do), so Microsoft trying to use the E3 to cash in on revenue is perfectly sound and business minded. Out with the old and in with the new as some might say. Yet, Microsoft has been dropping the ball again and again and as more and more people are experiencing the blatant stupidity on the way Microsoft deals with achievements and now we see that these scores are too often unstable (I witnessed this myself), we see that there is a flaw in the system and it is growing, in addition, I found a flaw in several games where achievements were never recognised, implying that the flaw is a lot larger and had been going on for more than just a month or so. The one massive hit that the Xbox360 created is now being nullified, because greed made Microsoft set what I refer to ‘the harassment policy’ of ‘always online‘, this is now backfiring, because it potentially drives people to the PlayStation, who fixed that approach 1-2 years ago (some might prefer the Nintendo Switch). Nintendo needs to fix their one year calendar issue fast before it starts biting them (if they have fixed it, you have my apologies).

Sony is not sitting still either as Cnet reports (at https://www.cnet.com/news/sony-isnt-waiting-for-e3-2018-will-reveal-3-playstation-games-early/), with the quote “Starting Wednesday, June 6, the company will spoil one announcement each and every day for five days in a row. Sony is being tight-lipped about the details, but those announcements will include [censored]“. Yet getting back to Microsoft, they do need and should get recognition for “Up to 75% off select games including Monster Hunter: World, Sea of Thieves and PlayerUnknown’s Battlegrounds“. I admit that a game like monster hunter is an acquired taste, yet 75% off from a 95% rated game like Monster Hunter is just amazing and that game alone is worth buying the Xbox One X for. I only saw the PlayStation edition, yet the impression was as jaw dropping as seeing the 4K edition of AC Origin, so not seriously considering that game at 75% discount is just folly.

The issue is mainly what Microsoft is aiming for (and optionally not telling the gamers). They never made any secret of their desire for the cloud, I have nothing against the cloud, yet when I play games in single player mode, there is no real reason for the cloud (there really is not). So when I see that Microsoft bought GitHub for a little less than 10 billion, we should seriously consider that this is affecting the Xbox One in the future, there is no way around it. Even as we see the Financial Times and the quotes of optional consideration “Microsoft is a developer-first company, and by joining forces with GitHub we strengthen our commitment to developer freedom, openness and innovation,” a claim from CEO Satya Nadella. He can make all the claims he like, yet when we consider that this is a setting of constant updates, upgrades and revisions, we see the possible setting where a gamer faces the hardship that the Oracles DBM’s faced between versions 5 and 7. A possible nearly daily setting of checking libraries, updates and implementations to installed games. Yes, that is the real deal a gamer wants when he/she gets home! (Reminder: the previous part was highly speculative)

As we get presentations from the marketeers, those who brought us ‘the most powerful console on the market‘, they are likely to bring slogans in the future like ‘games that are many times larger than the media can currently hold‘, or perhaps ‘games with the option of bringing additions down the track without charge‘, or my favourite ‘games growing on every level, including smarter enemies‘. All this requires updates and upgrades, yet the basic flaw on the Xbox needing extra drives, extra hardware and power points, whilst increasing the amount of downloads with every month such a system is running is not what we signed up for, because at that point getting a gaming PC is probably the better solution. A business setting aimed at people who wanted to have fun. This is exactly the setting that puts the AU$450 PS4, AU$525 and AU$450 Nintendo Switch on the front of the mind of every gamer soon enough.

The elemental flaw that the system holds is becoming an issue for some and when (or if) they decide to push to the cloud to that extent the issues I give will only grow. Now, I will state that in a multiplayer environment, a GitHub setting has the potential to be ground breaking and my making fun with the slogans I gave in Orange, could be the true devastating settings that will form an entirely new domain in multiplayer gaming. Yet we are not there yet and we will not be there yet for some time to come. Even as Ubisoft is getting better and they did truly push the edge with AC Origin, you only have to think back to The Division, the outages and connection issues. The moment that this hits your console for single player that is the moment when you learned the lesson too late. In similar view we can state that the lessons that we learned with Ubisoft Unity, what I call clearly bad testing and perhaps a marketing push to get the game out too early ‘to satisfy shareholders‘, whilst gamers paid AU$99 for a game needing a ‘mere’ patch, which was stated in the media in 2014 as: “The fourth patch for Assassin’s Creed: Unity arrived yesterday as a sizable 6.7 GB download. At least, that’s the case for non-Xbox One players; some players using the Microsoft console are facing 40 GB downloads for the patch“. Think of that nightmare hitting your console in the future, and with the cloud the issues actually becomes more dangerous as patches were not properly synched and tested. That was the fourth, and that was before 4K gaming became the 4K option on consoles, which would have made the Unity download a speculated 80GB, over 10% of the available space of an empty Xbox One. Now, you must consider that such patches would be enormous on the PS4 pro as well, that whilst Microsoft could have prevented 40% of the issues of the issues we are faced well over a year ago, now consider how you want your gamer life to be. Do you still feel happy at present?

Oh, and Sony is not out of the woods either, even as some are really happy with the PS4Pro, it must be clearly stated that there are enough issues with frame rates on several games, all requiring their own patch, which is not a great setting for Sony to face. Even as the new games are more than likely up to scrap and previously released games like Witcher 3 are still getting patches and upgrades, the fact that God of war had issues was not a great start; the game looked amazing on either system. Still, when it comes to fun, it seems that Nintendo has the jump on both Sony and Microsoft. The Splatoon 2 weapons update (lots more weapons) is just one of the setting that will entice the Nintendo fans not put away their copy of Splatoon 2 any day soon. In addition, Amazon implied that Fallout 76 will be coming to the Nintendo switch, which is a new setting for both Sony and Microsoft. For those imagining that this is a non-issue because of the graphics need to play Metroid Prime on a GameCube and watch it being twice the value that Halo one and two gave on an Xbox (with their much higher resolution graphics). The mistaking belief that high-res graphics are the solution to everything clearly has never seen how innovative gaming on a Nintendo outperforms ‘cool looking images‘ every single time. Now that Bethesda is seeing the light, we could be in for a new age of Vault-Tec exploration, but that is merely my speculated view. That being said, the moment we see Metroid Prime 1 and 2, as well as Pikmin and Mario Sunshine on Switch that will be the day that both my Xbox One and Ps4 will be gathering dust for weeks. These games are that much more fun. I just do hope that it will not overlap with the release of some PS4 games I have been waiting for (like Spiderman), because that in equal measure implies that I need to forgo on hours of essentially needed sleep. Mother Nature tends to be a bitch when it boils down to natural needed solutions (I personally do not belief in a red bull life to play games).

So as we are in the last 4 days before the E3 begins, we are more and more confronted with speculations and anticipation. Cnet was good enough to focus on released facts, which is awesome at present. Yet we are all awaiting the news. That being said, the leaks this year has been a lot larger and revealed information has been on overload too. It might be the first sign that the E3 events could be winding down. There had been noise on the grapevine a few weeks ago, yet I was not certain how reliable that information was. The leaks and pre-release information does imply that E3 is no longer the great secret basket to wait for as it was in previous years. We will know soon, so keep on gaming and no matter which console your heart belongs to, make sure you have fun gaming!

 

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A flawed generation?

I was browsing the Guardian, more important the movie section. Then a thought came forth. It made me grab back to a Ted presentation, one of the most moving ones from 2006. Sir Ken Robinson treated us to comedy whilst underlining one of the most important issues, or so it should have been, watch it at https://www.ted.com/talks/ken_robinson_says_schools_kill_creativity, it will be the best 17 minutes of your week, so how did I get here?

So, I was browsing articles, some I have already read like (at https://www.theguardian.com/film/2018/feb/05/the-cloverfield-paradox-review) ‘Netflix sequel is a monstrous mess‘. The few quotes that sprung out were: “disparate elements carelessly smashed together“, “most of them largely nonsensical“, and “the underseen ‘Life’ managed to combine thrills and ingenuity“. Yet this is not the only article. The second one is one that I had not looked at before (at https://www.theguardian.com/film/filmblog/2018/feb/05/black-panther-fought-off-a-toxic-ghostbusters-online-campaign-rotten-tomatoes), you see, I have mixed feelings on this movie. The trailer was awesome and I would love to see it, yet unlike the other ‘super heroes’, this is one comic I never read. Not intentionally mind you, you see whilst growing up in The Netherlands, the 70’s gave me some comics, but not all, so some franchises never made it across the Atlantic river. I did see the Black Panther as there was a guest appearance in like ‘Fantastic Four’, but that was pretty much it (besides Captain America Civil War). The other heroes are not a mystery and I had seen at least a few comics from each of them. So my mixed feelings are about not being able to relate it to the comics, so some of the background will be unknown to me. That’s all on that. The article became a larger issue when I saw “this attack was aimed at the most high-profile movie ever to feature a predominantly black cast felt racist” as well as “In an era when culture wars are predominantly fought on social media, this sort of down-voting can seem like an effective guerrilla tactic. Clicking on an angry red face or selecting zero stars is even easier than adding your name to an online petition“. It does not make sense to me to have hatred of a product you are utterly unfamiliar with; it counters art and creativity in almost every way as I personally see it. It goes on with the third article (at https://www.theguardian.com/film/filmblog/2018/feb/13/venom-trailer-tom-hardy-sony-spider-man), where you can read: “In recent years we’ve seen examples of movies that have triumphed at the box office almost entirely on the basis of snazzy advance publicity“, as well as: “fans were more interested in finding out what the new big screen version of Venom looks like than charting the next stage in Hardy’s career-long mission to channel the most eccentric human beings on the planet. And, on that count, they were left profoundly disappointed“. It was at that point that I remembered the Ted Talk with Sir Ken Robinson, the presentation that is still funny and legend after almost 12 years. What is more important that it is actually more to the point as an issue nowadays? When he states “Art, we get educated out of it!” he made a stronger point than even he might have envisioned. I think that this time was recently in the past and many of us have gone to a negative point past that. This could be considered on both side of the isle. The ‘haters‘ who seem to use whatever option they have to be toxic against whatever they want to be against using automated channels to ‘voice‘ it, or to merely spout their discriminatory bias. Yet on the other side, we see flaws too, with “Sony, of course, is facing a very different problem, in that its previous big screen incarnation of Venom was not beloved at all” we actually don’t get to see it, it is merely a reflection of a ‘failed’ movie, yet when you consider that they made $890,871,626 whilst the production costs were set at $258 million, I wonder what they are bitching about, because they took home a nice clean half a billion plus. So what gives? I think that Netflix, HBO and others are making the same mistake I accused Ubisoft of in the last few years. By relying on some business model with forecasting, a model set ‘to not get a failure‘ we are treated to the near impossibility of seeing an actual mind-blowing movie. If you are unwilling to move that could be a failure, you will in addition also miss out on making an exceptional win. It is like the line between genius and insanity, it is a very thin line and walking it is the only way to get something truly exceptional.

This is also seen in another way, most will not agree, or even be aware, but Ridley Scott is the person ending up making one of the most awesome and most amazing Crusader movies ever made. Kingdom of Heaven is seen as an utter failure to some, but the movie costing $130M still brought in a little over $211M worldwide. That’s still $80M in the pocket, I would instantly sign up for that. So as we see that ‘forecasting models‘ are becoming more and more the daily bacon of our lives, we are not moving towards better profits, we are moving away from exceptional achievements. There was a second reason to mention Kingdom of Heaven, you see, just like the Abyss, the trailers were actually bad, I consider them no reason to watch the movie, but the end result was in both cases spectacular. The dangers of marketing jives and kneejerk reactions to incomplete data, is that the studios seem to be overreacting. If it is not a positive Hype, it will not be a success. We see that danger to Venom, which would be somewhat of a risky choice no matter how you slice it, but in equal measure, the danger could to a much smaller extent also apply to Aquaman. It is a lot smaller, because Jason Momoa rocked it in Justice League, so he has created momentum. Another example will be seen when places like Netflix will grow the comic book Universe and add other characters, like for example Moon Knight, or more apt, as the New Mutants arrives in 2019, will the makers be willing to make Illyana Rasputin (aka Magik) dark enough? That is the question that the viewers/fans face. Even as the moviemakers are now direct enough (John Wick) and sexual tensioned enough (Spartacus, Game of Thrones) to take a leap to the edgy side, but when we see the absence of the edgy sides, was that truly the vision of the maker, or is that the forecasting model on how the prediction on what I regard to be unrealistic data to be setting the stage?

I cannot prove either part in this, but I am hopeful that outdated concepts are moving away further and further (John Wick is a nice example), but is it enough? You see, the more primal anything is, the more it links to our emotions and creativity (I personally believe that they tend to go hand in hand).

When it comes to the superheroes we tend to look at the legend Stan Lee and why not, he showed that creativity drives popularity and profit. The man has been around since 1922 and he was part of the creation of Spider-Man, the Hulk, Doctor Strange, the Fantastic Four, Daredevil, Black Panther, the X-Men, Ant-Man, Iron Man and Thor, representing well over $8 billion in movie revenue. So the larger bulk is all on him. Yet, I also want to see how this creativity is seen by the new makers like David Wohl, Marc Silvestri and Garth Ennis who created the Darkness. Can the dark view of Jackie Estacado, be created in the really dark way? As a videogame it was well received and ended up being an interesting setting, yet how would that work for the big screen? The problem is that the setting is now no more about the art (mainly), it is about the profit. Stan Lee had the benefit that the art stage was powerful enough and proven to be strong enough that most ‘forecasting models’ would remain obsolete, yet that path would be much less considered for anything new and unproven. We have seen How Azrael and Knightfall Batman were well received as comic books, but Azrael and the order of St Dumas, as a movie, or Netflix series, would it even survive if the character and acts were not dark enough? Will the ‘fan’ still embrace it when the forecasting models push the makers into making it into some Disney angora woolen soft product version, would it then instantly flop? I personally hope so!

The Main event

So as we saw some of the franchises evolve for the big screen, there seems to be a tactical and business side, but less of an artsy side to this. It is almost like we can no longer do that proving the point that Sir Ken Robinson made in 2006. As we look at how much coin we can get from a comic book transfer, we see a similar danger that it is merely the reutilisation of something already made, which in this light shows how rare the movie Life is (apart from the fact that Ryan Reynolds can make most movies watchable). Even as it seems to have been down written in reviews, I found it very enjoyable, in addition to that, the work of the other main cast members Jake Gyllenhaal, Rebecca Ferguson and Hiroyuki Sanada was excellent. The issue is not just what is original, but what could make it. To see that distinction, you only need step out of your comfort zone and take a look at the Japanese movie ‘the Audition‘ (there is only the Japanese edition with subtitles), so you can’t be dyslexic for this one, or you need to be fluent in Japanese. That is the nice part of primal sides in any movie. It is the dark and unsettling side. It is easy to get to the primal sides of lust, because sex sells, it tends to do so with the greatest of ease. It is the other side where we are bound through discomfort, where we see exceptional works rise, but these instances are extremely rare which is a shame. In comic book world the fans are hopeful that they will see a good version of the Sandman, but that is still the stuff of ‘questionable future events’. So how can we rely on creativity to bring us an exceptional original movie, that whilst there is growing evidence that creativity is moving out, out of nearly all our lives, how can we move forward? I actually do not know. I have tried my hand at creativity in many ways, but I was never a movie maker, a storyteller (like all others ‘working’ on my first novel, which is currently approaching 60,000 words).

Getting back to where we had it

So how can creativity be reintroduced to the people? Well starting to create something, or better start to create anything is always a first step. We tend to replicate, then emulate and after that create. It is these actions that drive movies, TV series and video games forward. For something to be better than a mix of two (like a Pokémon RPG), we need to see it where we create within ourselves. This is how I found an optional new way to sink an Iranian frigate, how I came up with the concept of the Elder Scrolls: Restoration (ES6) and how I got the idea on two different kinds of RPG, as well as a new solution to resolve the NHS issues in more than one nation. Yet, even as the ideas were seemingly easy to grow and adapt; how to get them into reality? I am not a programmer and equally limited in my drawing skills, hence I rely on storytelling.

We see part of this (at https://www.polygon.com/2018/1/31/16952652/david-brevik-it-lurks-below-announcement), where the maker of Diablo is now building something new. Even as it looks familiar and it has elements of Minecraft (or Blockheads), we see the growth of a new approach, just like I saw with Subnautica which is an awesome result to an entirely new approach on survival RPG. Even as David Brevik revamped the 1985 game Gauntlet, and added more famous characters to create ‘Marvel Heroes’, the span between the arcade machine and Marvel Heroes gave it not just a more fresh approach, it gave it a new dimension as you could grow different super powers/skills making the game very replayable. So, even as I came up with this ‘new’ RPG, I did remember my many hours in the 7 cities of gold game on the Amiga and that shaped some of my ideas. Even as some of these games have been forgotten, the Amiga was a leap forward in those days. It had hundreds of games that were innovative (for a system with a mere 64Kb), so the fact that some of these ideas have not been restarted and evolved is simply beyond me. Now, is that new and creative? That is a point of view, by altering and evolving a game, it becomes a different game, by adding to it, the game does not merely becomes bigger, it becomes more. Now even as some games are remastered and as such remain the great games they were (System Shock for example), yet some games were nice on the original system (example Escape from Hell, Masters of Orion, Battle Chess, Covert Action), nowadays, these games would be too small, too limited and too restrictive, no bang for the buck. This is what has forever fuelled my passion for RPG (and sandbox games), the idea and the actions to do what I want, where I want, and at times when I want. Yet, I also believe that there should be inhibitors, just getting every mission, every option makes even an RPG game grinding. With limitations, we make choices, opening some doors, shutting others. It is that part that makes a game replayable and more important, it gives a much longer lifespan to any game you get.

Yet as I see it, the game makers are getting more and more restrictive, it is either making us do a thousand things on the side (AC: Origin), which is still a good game that I enjoyed, or we get into the grinding mode (Monster Hunter), a part in gaming I really do not like. Even as the graphics are amazing, it is the grinding that gets to me (I played the game on the 3DS). In that regard, the makers aren’t really making it easy for us, with Horizon Zero Dawn being a novel exception. In 2018 a new look on Spiderman is keeping us interested, but the actual ‘new’ additions seems to be limited to Sea of thieves, God of War and Vampyr, these seem to be the only games that are actually new and God of War only makes that cut because it is in an entirely new setting with only the playable character remaining the same, whilst the game play has actually change (a lot) from the previous 3, making it basically a new game. So including Monster Hunter there are 5 new games, the others are pretty much franchises (I left PC games out of the consideration).

In the end

Even as it is most visible with games, there is also an issue with movies nowadays. I love to see something really new, I equally enjoy the DC and Marvel movies, but if we take these and the sequels out of the equation, I am saddened to see it boils down to Red Sparrow, Annihilation, and Ready Player One. The rest seems to be either sequel, remakes or an altered version for something we have seen before. That does not make them bad movies, it is merely not really new, which is the issue here, they come through creativity. Isn’t it sad that the innovative list of truly new works is not growing to the degree it is? Now, we can look beyond borders, yet the reality is in my personal view that we have become less and less creative and we are losing out in several ways. Even if we are not game makers, TV producers or movie makers, as an audience we are equally missing out and we need to find a way to repair that flaw. One of the psychology views is: “Creative individuals are remarkable for their ability to adapt to almost any situation and to make do with whatever is at hand to reach their goals. If I had to express in one word what makes their personalities different from others, its complexity. They show tendencies of thought and action that in most people are segregated“. Even as the shrink focusses on complexity, I do not adhere there, I believe that the creative mind becomes ever better in analysing complexity and simplifying it, and reducing complex matters it into something ‘manageable’. It is an ability every person can have, but I believe that as our creativity levels went down, we lost some of that. The ‘business results driven‘ educational world has done this to us. We see the results more and more around us. We are blindly relying on automation and process instead of common sense. I am not stating that we should not adhere to these elements. I merely believe that once an automation or process failed that it will take a lot longer for people to react and that is not a good thing. Westpac saw such a failure only last week. With: “The meteoric rise of automated credit card applications has been called into question after Westpac was forced to refund a total of $11.3 million to credit card customers. The refunds, which worked out as several thousand dollars per customer, were necessary because the bank’s online assessment process had failed to gather enough information about the customers’ financial situation“, when we consider “Corporate watchdog ASIC said the crux of the problem was that Westpac had relied on automated application processes” and “Westpac admitted that customers’ employment status and income may not have been “directly reconfirmed in the credit card credit limit increase application process”” could be seen as optional evidence that a more creative mind would have seen the flawed complexity and beyond that optionally saved their boss 11 million. That is merely my point of view, but I stand firm on our loss of creativity, it is all around me every day. It gives rise that we have become a flawed generation; we lost more than we bargained for. I reckon that the academics will state that this element was a separate question and they were not instructed to focus on that as they designed the education system of the 70’s and 80’s, we can go on that this flawed system is still in place today giving us the danger of a descending line of our creativity and actual new experiences in the arts, a frightening concept to say the least.

 

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