Tag Archives: Rutger Hauer

Defining that new game

Almost two days ago I wrote ‘A really crazy idea’ (at https://lawlordtobe.com/2026/09/21/a-really-crazy-idea/) my mind did not sit still as it evolved and evolved a few ideas. You see, this game has real options as the hatred/disgust of the United States administration has not let up and with their ‘statements’ of a new deal with Greenland, which is basically the same one they had since 1951, the EU is added to this lovely set of people with a lasting disgust/hatred of the United States administration. So as such a mere 10% of 2 billion people would amount to 200 million optional gamers, making this idea slightly more successful than Skyrim has ever been. And a gamer like me finds that setting more than addictive. 

So whilst my mind was setting the data in my mind of events, sort of attack and impact set against the GDP of states and the GDP of the nation, all whilst we consider the impact that books and movies had in the suspense, terror and fictive fiction. Consider that these ideas were farfetched in the 70s, nowadays there is a reality of options and that is merely the start of it all. 

So when we see this and now realise that the United States have been playing loose with the security of its nation. Whilst the settings to rail and harbours have been shorted to the largest extend. As such finding a hundreds of books and hundreds of TV and cinematic approach to dangers to the way of life that the United States so ‘advertises’ we see a new setting of gaming and I like my gaming and we all love a high score, even if it is against a former ally. So, when we thing of this. How will the people in the Gulf States and Eastern Asia see this game? I reckon that billions will be playing it and that is where my gaming insight combined with BI and databases are connecting. 

So whilst we get the setting of a future game, I am wondering how much of a book I could ‘copy’ in narration before copyright protection shuts it down. So consider that this idea got a foothold from 1970 The Scarlatti Inheritance (by Robert Ludlum) where we saw “During World War II, the Allies launched a massive campaign of economic warfare to cripple Nazi Germany’s capacity to wage war. Because Germany relied heavily on imported raw materials, fuel, and foreign labor, the Allies targeted these vulnerabilities through three main strategies” and as we look now, the United States has pushed itself into a corner by alienating all the allies it once had and made a bigger enemy of China and the far east. As such I saw this setting and a game that they will love (the United States less so) and the setting of a think tank that wages economic war for the betterment of self is not an alien concept. As such there is a larger fuel feeding that could happen. Now consider the movie Wanted: Dead or Alive (1987), we all think that this is just a movie, but Gene Simmons (from the band Kiss) put a dangerous enemy on the map. And the Dutch Rutger Hauer only barely stopped him and now that the harbours are lacking in security that setting is not an inconceivable as seen. This is merely one movie and there are hundreds more and whilst the United States is lacking in several places. The impact of such matters could be largely disastrous (especially as the US Bank accounts are now minus 40 trillion) and that is where my gaming gene came into play, because the idea of another Evil Genius game but now set unto the impact of a nation might be just what my bank account needs (we all care for ones own bank account).

So, why so many options?
We all need a game that has replayability and is not set onto the same shape over and over again and whilst we take a turn onto what is possible, we could set the station onto sabotage of services, populations and a whole range of targets. The setting is that the more options (and optionally more after release) could entice a whole range of gamers into the field of this game. And as the game is set towards creativity, there are a whole range of other options to be considered (even some I haven’t figured out myself yet). 

And whilst we are considering how foolish I am, consider that President Trump created this stage himself and good business is where you find it and why be nice about that? When we consider the impact of animosity, consider the setting that the enemy of my enemy is my friend and as such there are people from Istanbul to Beijing who actively hate President Trump and his administration and as such optional donators to my bank account (my personal version of delusion) and we can go from there, because I put the idea online so that they can ‘feed my bank account’ with their gratitude. We all work with what we have and the only gaming entities that like my idea are in China, India or the Gulf states and this is my way to addressing them all.

But there are still a few kinks to work out and whilst people will look into IMDB for ‘attacks on America’ and the will have a few hundred options there and when we consider the books hundreds more will surface. A setting that is the start of it all. Getting this into a field with expected damage per state or as a country will require some time and they will see the impact that all this could make. The first hurdle being passed opens up the second stage. The stage of a fictive timeline of research, development and implementation. And in all of these cases no fake AI was required. What a lovely setting we see.

So, let the developer who might like a few hundred million games sold stand up, because even at $5 per games on mobile, this could make them a billionaire in a decently short amount of time. An amount at the expense of President Trump which he has no hold over and cannot collect on. What a lovely stage he created with his animosity. Oh, I just realised, there are plenty of Canadians who might try to get into this game as well and develop this and I just now remembered that Ubisoft Montreal shed a lot of members, they might want to get into this as well. Ah, what a funny setting. The people labelled’ to be the ‘51st state’ might want to make a game that ends the United States. The symmetry is overwhelmingly sweet. 

Have a great day today.

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Renaissance of cinema

When did you have that feeling, if you ever had it at all? I think it is part of the ageing process, you have to be over 50 to get it. You see, we see Netflix and we often see Bluray’s (or DVD’s) of the old master, but in both cases, at present I still cannot get the real masters. Claude Lelouch’s ‘Les uns et let autres’, the bluray of Sleepy Hollow (Tim Burton), or even ‘My little Buddha’ with Keanu Reeves. They are all masters, all in their own right they brought an amazing story to the screen. I was there at the premiere in the Hague when Les uns et les autres made everyone jump to their feet at the end giving a wide applause, it as the first time I saw that happen, it was the first time I experienced it. Not merely the music by Francis Lai and Michel Legrand. The cast which included James Caan, Geraldine Chaplin, Robert Hossein, Jean-Claud Brialy and so many others, a story for the ages. Tim Burton gave new live and a much stronger life to Sleepy Hollow, yes Johny Depp played the big role, but he was surrounded by others and when you see Christopher Lee play the small part of the judge, a small role by a giant, you should figure out that you are hading to something amazing. I have more reasons for this, apart from seeing it 3-4 times on the big screen when it came. It also introduced me to the teaser trailer to the first Harry Potter film, a name I had not heard before that day, but the crowd went insane that night. Sleepy Hollow, with amazing music brought to life Washington Irving and his Legend of Sleepy Hollow. These to giants are not alone. In all the need to reinvent the wheel the streamers are all forgetting the originals, or perhaps the originals as I remember them, Keanu Reeves as Siddhartha, a story of Buddhism, a religion I knew then, and optionally still now know very little about. Yet the movie showed more, it opened a door (for me) and that part is important, to all. When a movie, or a story makes for an open door in your mind, you get to peak at what is out there. Me? I am a pranking person. So I would like to go into the office of Jean-François Mirigay of Monaco and introduce myself as police commissioner Ludovic Cruchot of the St. Tropez police department to inspect the troops no less (fake papers required, and fluent French knowledge too). Why? Because Louis de Funes was that funny, we forgot about him did we not? The old masters are almost forgotten, but I will not let that happen whilst I still live. It is also the need to see Belmondo in Flic ou voyou (or Le guignolo) again. Yet there are no discs, there is no Netflix version. One would hope it will be remastered, perhaps a new version of those movies, but these movies are about the not so PC 70’s, 60’s and in some cases 80’s. 30 years of cinema almost forgotten, mainly because Hollywood does not care about what passed, it cares about the next quarter. Yes, it does and in the Covid age, I get that, I do not oppose it, but is that enough of a reason to forget the greats? When we see ‘French’ and movies, some will revert to Emmanuelle and Silvia Kristel, but French movies had so much more. There was Catherine Deneuve with Indochine (1993) about the age before Vietnam became a reality. Cinema has so much to offer, but I fear that too many have forgotten how we got there and that is such a shame, because I have not even scratched the surface of what was. Even in my native Netherlands, I was (until I moved to Australia) unaware of Rutger Hauer’s Bride Flight. That made sense as it is a 2008 movie, but the movie told me a lot that was not taught in the schools. I knew about the 1953 London to Christchurch air race, all Dutch kids hear the story of the race, but the race was merely the beginning and we get to see more, also how the Dutch moved and took their values with them, some never embracing the local values and cultures. And I am not asking you or telling you to embrace it all, I merely offer the idea that you consider the old master, old masters of cinema. A group of people that are too soon to be forgotten as we see another batch of Netflix and Disney plus releases. So when we see names like Timothy Spall, we tend to grasp straight to the Harry Potter series, yet we forget that he stood out in Vacuuming Completely Nude in Paradise (aptly renamed by me as death of a vacuum cleaner salesman), it is actually there that I saw in him an optional Lucius Malfoy (I had just read the third book), a stage that is not set against Jason Isaacs (who did a brilliant job), it is merely the thoughts that we entertain when reading a book is much wider than the cinema offers, the cinema offers the view of the director (optionally filtered by the producers), the book let the mind work it all out and the filtered views of the past still matters, especially when experts in their own field like Louis de Funes, Derek Jacobi or Jean Paul Belmondo give their view for us to see. I feel that players like Netflix and Disney are forgetting that, when we merely focus on the spreadsheet and what needs to be achieved, the past is lost and that is never a good thing. The funny part is that this impacts games and movies to a similar degree, which is an odd revelation, but there you have it. So whilst we are all debating how precise Ridley Scott’s Kingdom of Heaven really was, we forget that, or perhaps never knew that Balian of Ibelin (c. 1143 – 1193), also known as Barisan the Younger was a real person who surrendered Jerusalem to Saladin on October 2, 1187. Until the movie was made, I wonder how many knew what the setting of Jerusalem in those days were. Books are not merely the foundation of movies, movies are a source to investigate what was and in this Les uns et les autres stands out, it is pure fiction, but the story touches on real musical icons. People like Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev and a few more are given life in this story in the most eloquent way, the old masters have so much to teach us, lets make sure that we do not lose these lessons before it is too late, a spoonful of Alain Delon anyone?

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