Tag Archives: Robert Ludlum

September 23, 2026 · 11:29

Defining that new game

Almost two days ago I wrote ‘A really crazy idea’ (at https://lawlordtobe.com/2026/09/21/a-really-crazy-idea/) my mind did not sit still as it evolved and evolved a few ideas. You see, this game has real options as the hatred/disgust of the United States administration has not let up and with their ‘statements’ of a new deal with Greenland, which is basically the same one they had since 1951, the EU is added to this lovely set of people with a lasting disgust/hatred of the United States administration. So as such a mere 10% of 2 billion people would amount to 200 million optional gamers, making this idea slightly more successful than Skyrim has ever been. And a gamer like me finds that setting more than addictive. 

So whilst my mind was setting the data in my mind of events, sort of attack and impact set against the GDP of states and the GDP of the nation, all whilst we consider the impact that books and movies had in the suspense, terror and fictive fiction. Consider that these ideas were farfetched in the 70s, nowadays there is a reality of options and that is merely the start of it all. 

So when we see this and now realise that the United States have been playing loose with the security of its nation. Whilst the settings to rail and harbours have been shorted to the largest extend. As such finding a hundreds of books and hundreds of TV and cinematic approach to dangers to the way of life that the United States so ‘advertises’ we see a new setting of gaming and I like my gaming and we all love a high score, even if it is against a former ally. So, when we thing of this. How will the people in the Gulf States and Eastern Asia see this game? I reckon that billions will be playing it and that is where my gaming insight combined with BI and databases are connecting. 

So whilst we get the setting of a future game, I am wondering how much of a book I could ‘copy’ in narration before copyright protection shuts it down. So consider that this idea got a foothold from 1970 The Scarlatti Inheritance (by Robert Ludlum) where we saw “During World War II, the Allies launched a massive campaign of economic warfare to cripple Nazi Germany’s capacity to wage war. Because Germany relied heavily on imported raw materials, fuel, and foreign labor, the Allies targeted these vulnerabilities through three main strategies” and as we look now, the United States has pushed itself into a corner by alienating all the allies it once had and made a bigger enemy of China and the far east. As such I saw this setting and a game that they will love (the United States less so) and the setting of a think tank that wages economic war for the betterment of self is not an alien concept. As such there is a larger fuel feeding that could happen. Now consider the movie Wanted: Dead or Alive (1987), we all think that this is just a movie, but Gene Simmons (from the band Kiss) put a dangerous enemy on the map. And the Dutch Rutger Hauer only barely stopped him and now that the harbours are lacking in security that setting is not an inconceivable as seen. This is merely one movie and there are hundreds more and whilst the United States is lacking in several places. The impact of such matters could be largely disastrous (especially as the US Bank accounts are now minus 40 trillion) and that is where my gaming gene came into play, because the idea of another Evil Genius game but now set unto the impact of a nation might be just what my bank account needs (we all care for ones own bank account).

So, why so many options?
We all need a game that has replayability and is not set onto the same shape over and over again and whilst we take a turn onto what is possible, we could set the station onto sabotage of services, populations and a whole range of targets. The setting is that the more options (and optionally more after release) could entice a whole range of gamers into the field of this game. And as the game is set towards creativity, there are a whole range of other options to be considered (even some I haven’t figured out myself yet). 

And whilst we are considering how foolish I am, consider that President Trump created this stage himself and good business is where you find it and why be nice about that? When we consider the impact of animosity, consider the setting that the enemy of my enemy is my friend and as such there are people from Istanbul to Beijing who actively hate President Trump and his administration and as such optional donators to my bank account (my personal version of delusion) and we can go from there, because I put the idea online so that they can ‘feed my bank account’ with their gratitude. We all work with what we have and the only gaming entities that like my idea are in China, India or the Gulf states and this is my way to addressing them all.

But there are still a few kinks to work out and whilst people will look into IMDB for ‘attacks on America’ and the will have a few hundred options there and when we consider the books hundreds more will surface. A setting that is the start of it all. Getting this into a field with expected damage per state or as a country will require some time and they will see the impact that all this could make. The first hurdle being passed opens up the second stage. The stage of a fictive timeline of research, development and implementation. And in all of these cases no fake AI was required. What a lovely setting we see.

So, let the developer who might like a few hundred million games sold stand up, because even at $5 per games on mobile, this could make them a billionaire in a decently short amount of time. An amount at the expense of President Trump which he has no hold over and cannot collect on. What a lovely stage he created with his animosity. Oh, I just realised, there are plenty of Canadians who might try to get into this game as well and develop this and I just now remembered that Ubisoft Montreal shed a lot of members, they might want to get into this as well. Ah, what a funny setting. The people labelled’ to be the ‘51st state’ might want to make a game that ends the United States. The symmetry is overwhelmingly sweet. 

Have a great day today.

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February 18, 2025 · 15:02

Time is key

The has always been a truth when you look at certain matters. But time as the property of opportunity is usually only looked at in one way. Now consider the truthful setting with a republican administration. I am not in Anti-republican mode (where some are), I am seeing the opportunity in the propagation of entertaining values. I am basically at least a step ahead of the masses as they are still raging over Trump This, Trump that (I have nothing against trumpetists) but the setting could be set to a new chapter in both education and entertainment. You see, we look at the new, but we forget that greats have passed the days of JK Rowling, Stieg Larsson, Dan Brown and Stephenie Meyer. You see, the 70’s belonged to Alister McLean, Desmond Bagley and Robert Ludlum. Now lets take one specific title. The chancellor Manuscript by Robert Ludlum. The story is about a protagonist called Peter Chancellor. As a student he comes across snippets that could lead to a massive conspiracy that is set around American administrations (plural) he gets discredited by ‘powers that be’ but a member gets him to adjust his course and he becomes a writer. He creates that setting in a book named Reichstag and his path to glory is set. The member who adjusted it was aligned to a group named Inver Brass and the man is Stefan Varak (aka Alan Longworth) an operative of the NSC (unknown alphabet group), they are looking for the Hoover archives. In this day and age that is the setting which will please the millions of conspiracy theorists we have now. And yes, I was too late. In January 2010 director Marc Forster acquired the rights of the novel to make it into a feature film. Leonardo DiCaprio was set to star and produce the film and Peter O’Brien was attached to write the script for the film. So there was someone in front of me. Well, I am not much of rewriter and likely these people are way better then me as Leonardo DiCaprio seemingly signed on for this. 

The larger setting is that these writers will have a much larger setting now then they ever had. We are in a setting of treats and as Robert Ludlum was the man behind the origins of the Bourne franchise, you know that you are in for a treat to say the least. 

We see that this American administration is setting a new premise for entertainment. Yes, there always will be a Saturday Night Life and a few others, but the big screen will also have its moments. And Robert Ludlum writer of 27 novels still has its course to play. In my view the stage of The Parsifal Mosaic has merit and yes, around 2012 Ron Howard has been attached by Universal Pictures to direct the film adaption. So, I am behind on this for a little while, but not to fret, there is still nothing (as far as I know) in the pipeline. So my voice still counts. Not as a member of the creation in this, but to recognise the setting as a valid one, I am definitely the seeming voice of reason here. A setting that is often ignored. You see, like Steve Jobs, I do not have to be the innovator, but I can recognise the ones that are the innovators and that has a level of merit that is surely lacking in this world. And if you think I am kidding, consider the talks in Riyadh between Trump and Putin whilst they carve up the non-America and non-Russian world next week (Europe and Canada) and lets see how wrong I am then. And when you stop to consider Desmond Bagley, consider his first novel The Enemy and see what could be done in a age of industrialists in command of the worlds (Novichok anyone?) And not in the setting that Roget Moore gave us in 2001, but something truly dark and scary, especially when the right director is found. Consider a setting where the code is set to a mechanical computer (a transit) and the plans are spread over rails and Choo Choo trains. Where the setting of computers are helpful, but not when the tracks are unknown and that setting could be all over the place. In all the settings we have a seeming lone wolf religious zealot attack against a geneticist and the escalations when someone connects several unaligned dots and we see, not merely some MI-5 setting, but their failing when they overlook one simple piece of evidence that was in front of them. The conspiracy theorist wet dream so to say. 

These writers are getting a new else on life and the ones that inherited their IP might end up with a much larger check for a long time to come and I am merely scratching the surface. There are more writers then these three of them and as I personally see it, the movie makers in the 80’s thought of merely a few extra coins, whilst these works of art could be a new way of tapping the vein to serious coins for the one who sees them. So when we consider writers, in Sweden Netherlands, Belgium, France, Germany and Italy in the period 1970-1990, what other treasures were ignored by the larger Hollywood crowds? Now that Canada, Korea (southern part), Australia and New Zealand are in a stronger position, what more can we expect on the silver screen?

Have a great, innovative day today.

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May 27, 2022 · 23:17

First tally of thoughts

After yesterday’s article, I started to make a tally of what the game ‘has’. In the first there was the article ‘Recap to the intro’ (at https://lawlordtobe.com/2021/09/25/recap-to-the-intro/) which had a run down of a lot. But that rundown was not enough. There was the search ‘Lawlordtobe + RPG’ which gave me a lot more of what I wrote (and weirdly enough at least one story I forgot about). The basics are covered. In the basics there is the map, the character and the story. In the deeper run, the map is also covering the environment, the economy and the map itself (which is an environment, challenges and spiking of the map).

Spiking
Spiking is an early term I had. Like in places like Skyrim and Oblivion, there is a lack of caves, ruins and other places. So we spike the map to have these places. Yet the maps to some degree have an approach to caves (and some look really good) but as I personally see them unnatural. There are two problems with my train of thought. Caves are set in stone (literally so), as such they are part of the permanent map. Some places have way too many ruins and these ruins are a weird  form of small. But the idea of some ruins are a good thing, yet how to employ them? 

Brush and thickets, Fallen trees, Hollow trees, Evergreen trees, Rock formations, Rock overhangs, Caves, Low landforms and high landforms. Some are for single opponents, some are for groups. Ruins are a side here. They tend to be a good place for groups. But the setting needs to be natural (or as close as natural as possible). If there is a ruin, there was a reason that the building was there before it was a ruin. And not always is it a castle or a keep. But spiking is a dangerous setting. There is a danger of making it a place of convenience, and that is dangerous for the game. 

As we look into the economy I saw the dangers of ‘loot’ in the game. In some game we enter an old (really old) place, but it has the most modern of ‘loot’. So we redefine what loot is. broken swords, daggers, broken shields, old coins, chains. Elements that can be reforged into metals, old coins (copper, silver, gold) that can be set into metals. Yes there will be chests with actual new(er) stuff. Like groups of brigands, they have bounty, they have conquered stuff (that needs liberating). It will not be about wealth. In one RPG I had 300K, so in what living form of delusional would an adventurer have this much money? Too many RPG seem to value credits as an indication of achievement. That too needs to change. 

I took examples from classical masters, from stories (the non-Robin Hood kind) and from historical events, but they need to evolve in RPG gaming. In the economy that side is merely a cog, but a cog that could evolve. Yet the station of evolution is a larger problem that I have not solved yet. I did like the nemesis system that we see in the Shadow of Mordor, but that was THEIR system, I need a similar but different system. This is to stop grinding, the stage where there will be spawning (one man’s ruin) is the next persons envy. But if the previous group was defeated, the next group will have better defences, and optionally one or two more brigands. There are shelters for singular people and those people are sly a lot more like cutthroats, so no warning. All sides we see very little of in current RPG’s. All sides that are new in the RPG.

Stories
I gave more than one story start and that is central in any RPG, yet there is also the additional stage. You see there is no stage where we can do it all, play it all, live it all (the latter is a matter of debate). But the stories cannot be around you, around the player. The main quests yes, but the side quests need a larger setting than we are used to. There is a side that takes me back to Robert Ludlum’s Scarlatti Inheritance (I think), a local village event and a burial that is part of the story. So to set a side quest needs the seeding of a story all by itself that has several connections. There needs to be an intelligent part in this, so that stories can be written en mass and spread in the game, so that some side quests are not part of every game (another way to prevent grinding) and there we see that we need 50-150 side quests. That can intervene to a larger degree to the character that you play at that time. So far we see the foundation of an RPG that can be played on console or streamer. 

Then we get to the cogs of the economy, I spoke about them but I considered one additional set of cogs for each part. About that in the next story which will happen during my weekend.

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October 3, 2020 · 13:42

Speculations, tomato juice and oil

Yup, when we see tomato juice and we call it blood, it is called a speculation. Until the liquid is tested, it could be blood, but that setting is quickly diminished when we test the liquid, and in this the setting of speculation is also important, when we say ‘it looks like blood’ it is one thing, yet when we say ‘I can clearly see that this is blood’ it becomes something else, yet the person could still hide behind a second statement by saying ‘I really thought it was blood’ and all is OK (from that point of view), but for others it is less clear. So that is the setting I had when I saw the article in Al Jazeera yesterday and I wrote about it in ‘To decide in anger’, I wrote about it yesterday at (https://lawlordtobe.com/2020/10/03/to-decide-in-anger/). So this morning I walked past my favourite bookshop and learned the they had the book Blood and Oil and the sales lady took me straight to it (bless her happy youthful heart), so roughly 73 seconds later, I was the owner of the book. A book I honestly would not have bought if I had not read the Al Jazeera article, so they can add the statistics to that part too. 

In this I learned early on that was in a style that I liked. It is also a dangerous style to use when it is anything else but fiction, and that is how we need to see it, it is for the larger extent a work of fiction. In this chapter 18 (In cold blood) which is about Jamal Khashoggi is as I personally see it as massively fictive.

To explain this I need to take you on a small journey. In the UN report (by UN Essay writer Agnes Calamard) we see at [208] “It also seems improbable that this plan to murder was hatched by the team on its own, or as has been apparently argued at trial, by the team leader alone, once on site”, the application of ‘seems improbable’ is clearly speculative, it makes ‘plan to murder’ fail as speculative as well. Consider that in Common law there is Murder, which requires the evidence of intent and there is manslaughter, which has a lower stage of evidence. In addition any of these actions are void of any evidence towards the Crown prince, no matter what is stated, the evidence has never ever been produced.

So when we see in the book on page 303 “the bloodcurdling detail of the brutality of the killers, dismembering Khashoggi’s body like butchers”, it is merely one of 4 issues I found in the chapter. There was never any evidence of any action, because there was never any evidence and this is what these fictional writers are setting their optional success to, it helps the they are well known writers of the Wall Street Journal. 

This is merely one of the parts of the journey. The other part is one the is a little more scientific. Consider that you add 50 quotes that have a high probability of truth, it is unproven, but those who know will of course highlight any the they know to be true. So as 20-30 out of the 50 are proven to be true, it will taint the other 20 with the ring of truthfulness.  It you give 50 quotes the are highly likely, every hit will optionally be given the ring ‘that might be true too’, this is beside the point that the chance to get one right becomes increasingly likely. It is there the the book (which is nicely written) goes from partial fiction to non-fiction. It is not new and it actually comes from Robert Ludlum (that is where I got the tactic from). He wrote about it in his book ‘The Chancellor Manuscript’ there the writer Peter Chancellor gets his fingers on details, facts he cannot prove and as an academic work it would be laughed at, but he sets it out as fiction and as people look at the book ‘Reichstag!’, people would look at it and wonder if it could be true. It is the the stage where a group called Inver Brass pushed Peter Chancellor and it was merely the beginning. This is exactly the stage the Blood and Oil find itself in and with the stage of what could be true, we can now see a larger stage. In this I looked at it differently because of all the materials I had looked at in the last few months. I do not regret buying the book, because as a fictional work, it reads nicely and plenty of us are curious about the Saudi Royal family, the pictures are a nice addition to the book. And if I can find 4 debatable offered facts in one chapter, I can find a lot more in the book, that is if we treat it as non-fiction. The setting goes on, when we see certain quotes we would consider that the leak would be the personal assistant to Mohammed Bin Salman, consider just how unlikely that is. Would ANY personal assistant be that open about the optional next regent of Saudi Arabia? It would be the highest position that any non-Royal could ever hold (I am assuming the any person assistant of the Crown Prince of Saudi Arabia is not a member of the royal family). 

It is perhaps too funny, but I am just now realising the I am listening to the Mikado whilst writing this. A topsy turvy play on the gentleman of Japan. I feel that the setting is correct, and the stage where we cannot distinguish between fact and fiction is overwhelmingly appealing, but for me Blood and Oil is because of what I do know a work of fiction, the rest hat I cannot proof to be either is happily accepted in the fictive state, it makes the book easier to read. 

Even as the back of the book makes reference to ‘investigative journalism’, it is nice to see that the work from people of the Wall Street Journal can be easily seen as fictive, I wonder what other fictive works the paper optionally offers (a ha ha ha moment from my side).

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