Category Archives: movies

September 17, 2023 · 01:23

Dreamcast, a place

Yup, In succession to part one. I decided to think through the characters. I am not putting it all here (for obvious reasons) yet when you think it through, I set up the larger station in merely a few hours. As such, any Canadian TV channel can pick this up. The reason is simple and two fold. In the first there is a writers strike in the USA. I will not assist any TV station there whilst the strike is going on. The second is that this event plays in Toronto, it seems logical that a Canadian TV stations could have a go at this.

Vasileios
He is the main character, not much is known about him and in the beginning the setting is that he travelled in time. Over the course of the movie we get more and the end has a twist (as one expects). He is driven to solve this event for reasons unknown.

Olivia
She is the liaison officer connected to our main character. She sports a heavy Taurus Raging Hunter 357 Mag 7-Round Revolver. The gun is specific and this has a reason. Her father was a police officer who was killed in the line of duty. What she knows that other corrupt officers got him killed and she vowed to kill them with that gun. She is a crack shot, slightly rude mannered on speak and actions. She does genuinely care for justice and people. She cares for victims and she does not stand for bullshit. 

Michel Coulombe
He is a twist. I wanted to get the actual former director of the CSIS involved. This is largely an intelligence gathering operation, as such he would be a great consultant. Also, who is better equiped and trained to play head of the CSIS then the former director of the CSIS? From the beginning when our main character stops the initial terrorist event the CSIS gets involved and the fact that they were unaware that this was about to happen gives Vasileios a foot in the door.

Police Captain
The involved police captain is there to smooth things over and set the larger operation to get things done. I thought of John Larroquette or Patrick Labyorteaux to fill this role. The elected person is there to manage the police forces and to keep tabs on the two main characters.

MAGA
The nice part of these MAGA people is that they tend to be conspiracy theorists and that works for me. It is hard to find a decently believable opponent. The setting of the stage is that MAGA is ‘working’ with(or for) the Canadian Conservative Party. What none of them know is that MAGA is pushed by American Industrials to create enough panic and chaos so that America can push in and make Canada a republic. It adheres to the old golden rule ‘in confusion there is profit’ and with the US running out of space and resources expanding to the north is a simple business decision. I have set that stage in a few stages the conspiracy people, their support system, the conservative players and the conservative party. There needs to be clear separation so that the detection feels real. 

Unknown player
This person is unknown (for now) because I do not have the larger setting here. It is why there were two names for the police captain. The other one becomes the head of CSIS data analyses. I was thinking that they would have a data room with actual Palantir servers crunching the numbers. During the events we learn that data is ‘misplaced’ and this gets us to the corrupt police officers who were filling their pockets wherever they could, as such they are involved and we get to see Olivia being a crack shot. There is no denying that seeing a corrupt police officer executed is more satisfying than some organised crime figure (not by much though).

There might be some additional key people down the road, but I got this all done in under 4 hours (including the time for the first article (at https://lawlordtobe.com/2023/09/13/dreamcraft-the-specifics/) 

Location 1
This is Bloor–Yonge Station. Here we see the initial attack stopped. The detonation (with hydrogen cyanide) is stopped. The event would have killed all the people in the subway station and the tanks were large enough to flow the gas into the street, which would be a first chaos point. With the subways out of commission and a massive cornerstone of Toronto traffic stopped in the heart of the city would create massive amounts of panic. As this is stopped the CSIS enables Vasileios to proceed, but only with Olivia locked at the hip to him. This gets the police in the mix as well and the CSIS data centre will be looking over every byte of data, to see what they missed. 

Location 2
It is a house, and I think it should be in Rockwood village. It allows for a later link to business conferences and Mississauga. The house is the impact of a shootout between parties and our two characters. He is sporting a Cretan knife which he buys in an earlier scene. Olivia was unwilling to hand him a gun. The scene starts with them sneaking into the back and he starts silently and indiscriminately killing the people there. Olivia shoots three and calls for backup. We see the cellar has a bomb factory, the police shows up a minute later. Vasileios grabs a gun from the table and kills the police officers. He states that these cops are corrupt, at that point the police commissioner calls and states that the reinforcements are 10 minutes out. This convinces Olivia this is about more and we see all kinds of evidence that bombs were made. 

Location 3
the CSIS ‘server room’ where the data is crunched, the captain there is starting to find ‘mislabelled’ data and now he knows that there is a larger problem. He gets 3-4 most trusted people in a separate server room and they start crunching the data differently, which is time consuming, but they do not know what is missing. As the story continues we see the crunching of locations and people on every bit of data. 

There is of course more, but two locations are key to the story. Seems weird to give away the plot ahead of schedule. I am still mulling over the option of how to include the conservative party without getting slammed with slander (or whatever claim they will make), for me the larger reason was their ‘worshipping’ of Donald Trump and MAGA. I still need to figure out a setting where Olivia executes the three corrupt officers that killed her father. It needs to read that it could have been a justifiable killing or a mere execution and it could be seen as either way. I personally believe it spices up the story a bit at the end.

 

Leave a comment

Filed under movies, Stories

Tagged as , , , , , , , , , , , , ,

September 13, 2023 · 12:57

Dreamcraft, the specifics

This morning I came up with an idea. I have had certain elements of this idea in my head for some time, but this morning the pieces of the puzzle started to connect. I am not putting it all out here. It is meant for some Canadian TV maker, not sure which, and with the Americans on strike it seems wrong to hand it over to them. The setting is set to a time traveller with a twist. The setting is set in Canada (the Canadian film maker angle) and is connected to MAGA, making a first setting with America as the evil player.

It starts with “Certain names have been changed to protect the seemingly self-proclaimed innocent players” which could be seen as a twist as well. The movie relies on one player being part of this (as small actor and consultant).

CSIS director Michel Coulombe as himself

A setting that hasn’t happened since former CIA director William Colby in the PC game Spycraft (1996). So there is a precedence for this and I am happy to be to the smallest degree a copycat. I have no idea who would play in this, but a case could be made to give the largest role to Paul Tiberius Shatner (aka Paul Wesley) and I feel that the idea could benefit by a seasoned actors like John Larroquette and/or Patrick Labyorteaux, but I have no clear reason why, merely a feeling. 

The setting is set about a in progress terrorist attack on Toronto and our time traveller starts with an incapacitation gone execution of a person exiting the subway early in the morning. That is where he gets the CSIS involved and after the first evidence is shown to be correct they understand the time pressures and from there we get into a setting of executions showing more and more evidence to become more and more evident that it is all real and that is where we get to the intelligence mulling and a slightly more academic set (the need for an intelligence consultant) and from there we are taken on a rollercoaster of intel and action, but this is not too action driven, we see flashbacks (for the twist part) and a reference to

“Time travel is as I know it was set to reality somewhere in 2060-2070. The math came from an actual AI that IBM developed and as I understand it I can never comprehend it, the math is a dozen blackboards of algorithms. It is safer to go back and this is my second trip. My last trip. The chances of paradoxes become too great after trip one. Also with travelling into the future paradoxes increase exponential with every second you travel into the future. Its a big no-no. See it as as throwing a rock into the river, the river adjusts around the rock, but into the future the rock becomes bigger by the power of its size with every second it travels into the future, the river overflows and the river stagnates, it becomes a mess really quickly.”

As the story unfolds we are also introduced to a female kick-ass gung-ho liaison officer (optionally Nina Dobrev), but the actress is not defined and no sex scenes. She needs to be hardcore gung-h carrying something like a Taurus Raging Hunter 357 Mag 7-Round Revolver (she is a crack shot and every shot is a kill). This is an intelligence suspense movie.

There is a larger twist at the end involving a ring and with the narration showing us the collapse of the Eiffel Tower the movie ends?

There is of course more, but that is for the TV executive, we can’t have the yanks copying everything. It dilutes the script too much. So that was my overly productive morning.

What did you get done this morning? Enjoy your day.

1 Comment

Filed under Gaming, movies

Tagged as , , , , , , , , , , , , , ,

August 29, 2023 · 11:08

Scripting a new reality

It is an idea that had been floating in my mind for some time. Yet the BBC article brought it to to front line of my (slightly despicable) brain. The article (at https://www.bbc.co.uk/news/uk-england-leeds-65377361) shows us what is wrong with this world and I decided to play on that. There was the added Sun article (at https://www.thesun.co.uk/news/23668092/just-stop-oil-recruit-kids-as-young-11/) throwing oil to the fire (pardon the pun). As such I came up with the idea of ‘Vigilante’ partially in light of the old classic The Exterminator (with Robert Ginty). This doesn’t have a script yet (standing firm with actors here), the idea is simple. We see a man clearly with support, but alone standing about 120 metres from a 5G mast. Soon thereafter a ute arrives with 5 people, 2 women, three men. They are unloading all kinds of stuff, clearly wanting to harm the 5G tower. The man takes aim and kills all 5 and walks away, the police will clean up the next day. We see 2 more events, all taking aim at tech terrorists. The second event is a just stop gravity event (pun intended). The man had prepared for over a week, and in the last day when he figured out the where part. In the night he installs the speakers within speakers. And he attaches the vaporisers to the corners of the pillars so that they will be out of sight. The day starts and the people from ‘Just stop Gravity’ sit for a nice meal. As they start to eat they are so content and the man, whilst walking away presses the button. The speakers second set start screaming an inaudible sound damaging their hearing. They never wanted to listen then, they never need to listen again and the vaporisers release skunk scent all over the room, they all reek and as they run outside to hide from the stench, they find out that their hearing is now impaired. 

This gets us the first flashback, a man is crying, his wife (implied) is on the stretcher, critically  injured. There is little hope for her, but they hope that they can get to the hospital in time to save their yet unborn baby. The just stop gravity march stops that and the ambulance is not in time to save the baby. The man screams and his reality shatters. 

We now get back to the current stage and we see that this vigilante has help, people who lost businesses to these protesters and they are helping him. They will never act and they will never be placed in the front lines. He made that promise as he lost everything he cared for, they never need to face that reality. We get one more event with fatalities and now we get the phrase ‘Our lives matter too’ then the next event the police captures him and the court setting is set upon us. The man keeps his word and never reveals his sources. He merely stares at these so called ‘victims’ as they are all about ‘their’ rights and the lawyers are all set to avoid the rights of the vigilante and his lost family. We see the evidence and we are presented ‘the side of the tech terrorists’ and as the case goes on we see that the crucial piece of evidence. One vaporiser with his fingerprint on the inside. Then on day 3 of the court case, the prosecution cannot show the evidence with the fingerprint and the court adjourns for 24 hours as we see the sides all mingled in their private hell. The next day the court resumes and the evidence is not found, as it as the critical part in the case the case is dismissed and as the vigilante is kept in a holding cell in the court (reason not set at the moment, but I am going for an emotional outburst from the vigilante) he is placed in a holding cell for the court case (from day 2 onwards), and after the dismissal he is packing his stuff in the holding cell, the judge approaches him. “You kept your word, my brother lost his son to these terrorists. Our lives matter too” he nods and walks away. End of movie.

All this done in under 4 hours. I am clearly not the worst in this, so feel free to use the idea for whatever studio you work for. Have a nice day.

Leave a comment

Filed under movies, Stories

Tagged as , , , , ,

August 23, 2023 · 20:55

A very different oak

OK, to be honest, this dream hit me some time ago. I had it, but I have no idea why I had the dream and I might never figure it out. The event was at Golden Oak Orlando. I was visiting someone and when we got to his abode (a mansion by any other name) we were overwhelmed. I reckon that this is the feeling that all those who ever visited someone’s place in Golden Oak leaves them. It is a little overwhelming. So we got to his place, we were shown the lower part of the house with an inner courtyard. There was a pool, a jacuzzi and a few other amenities making sure that we all felt a little out of our comfort zone. We went to the corner in the inner courtyard and we had something to drink. There were two pitchers of iced fruit-juice and it was wonderful. I went for the slightly more orange one. It was a mix of peached and tangerines loaded with what seemingly a shrapnel of ice parts. It was icy cold and refreshing. My kind of refreshing. The others were talking and I was listening and looking at the details of the courtyard and the kitchen room through the glass. The stove looked old-fashioned but seemingly bursting with high tech elements. A stove anyone would dream of having in their home. After the drink the second part started. We saw the living room, the kitchen we walked through and we saw a large pantry. The living-room was a little spartan but stylish. We all walked up the stairs and we saw the master bedroom. Not sure what the style was, but it looked neat. The walking bathroom was to die for and had everything on a space that is pretty much my living room. There were the two guest rooms and they both had their own style, nice but very different. And I saw the door, the door that would change it all. The door was out of place. It looked a lot heavier and darker, like dark oak heavy. From a distance it stood out, even as the door was deeper into the wall than any other door in the house. It stood out like a bank vault door would stand out in any apartment, it looked that heavy. The door was dark oak as said, but it was engraved unlike anything I had ever seen. The owner then moved a panel in the door and a small opening revealed itself. 

The opening had a key, a very old fashioned one and if I had to make a guess it was a 17th century key, but it looked off somehow. The panels showed us characters from Peter Pan and Mr. Smee (the first mate from Peter Pan) was the center piece of the door. The door opened smoothly but seemingly heavy and the door didn’t open at the end, the door opened with the axial at one third of the door and the door was a lit thicker than a door should be. What I saw then blew me away. The room was almost entirely made from wood, hardwood floors, and I saw to the right what could have been the navigator desk from a galleon. To the left was an admiral’s table with swanky seat. The navigator had its own swanky seat, both a chesterfield design, both chairs build for comfort and I walked in. I saw the small door to the end and I walked towards it, it opened up to a small balcony with seats. The wooden balcony seemed to have been part of a slightly enlarged balcony like the admirals room on a galleon with a small table and chairs. 

I looked around and I was slapped across the face a second time. The walls I can in from were the  rear of a galleon, complete with stained glass and a view of the ocean. The wall that connects to the house was an ocean and the smell of salt water was invading my nostrils. A freakin ocean? I slowly walked towards the end of the ship realising that it was smoke and mirrors (of sorts) the windows were real enough, the sound of a seagull was there, but as I stared closely I noticed the fine lines. The view on the ocean were TV screens 4 meters wide in total, about a meter high. 4 of them. There was a hidden vapour in there feeding us seawater. The sound came from the screen. It was the sound of the ocean with a bird every no and then and the screens were merely showing us the water waves, almost like it would have been were we on a galleon. The walls had pictures. One in heavy sterling with the image of Bill Thompson (the name was engraved in the centre of the bottom side of the frame. I knew the name as I grew up with Disney movies. He was the voice of Mr. Smee in the Disney version of it. There was an image an autographed one of Bob Hoskins, the man who played Smee in Hook and there were more Smee memorabilia all over the room. The navigator desk was a desk, it was fully functioning with a large map of Never-never land. The map rolled up and stayed rolled up. Beneath it was a screen a 32” touch display that showed the Mac screen and applications. There were all the Adobe ones, all the Apple ones and several I had never seen before. I noticed that below it were extensions that came out, for both the keyboard and to the right of that an A4 digital writing pad. The system was super-fast, faster than the average G5 and it looked super intuitive. I looked around to the admiral’s desk which as a large and very nice desk with all kinds of amenities. The top of the desk was wood and I think a strip of leather, for writing on I reckon. The drawers were all engraved and to the right of the desk was a panel like it was some kind of food elevator. The panel was opened and two plates with canapé’s came out. They were delicious. The door I came in through was no longer visible, well not until you go looking for it. I saw the lines of where the door was and it was almost invisible to the naked eye. 

The chair was bordeaux red, it looked extremely comfy. We ate the food and we all were mesmerised on the room. I was not the only one blown away. This was his office space and it was one hell of an office space. It was a few minutes later when we left the room and as the door opened the screens shut down, the sounds faded and to room lights all dimmed but did not turn off. As I left the room I heard the room lock and I heard more clicks, almost like a set of alarms were set to sharp. We went down again and in the kitchen I now noticed the same panel we hd upstairs. A food elevator and a chef was there with plates of food that staff were bringing around. There was a Japanese plate with marinated eel. Plates with what seemed to be wraps with chicken and I had another fruit juice. I took the yellow now, which was I reckoned pineapple with Limes and I guess pear. It was slightly sweeter, I preferred the orange one. Which was my third drink. We sat down in the living room and I was listening. I also figured out I was the plus one of one of the ladies there. She was way out of my league, so no idea who she was and why she was with me and as I was sipping my fruit juice I faded away and woke up in my own bed. 

The dream stuck with me and at first I thought it was the setting for some kind of game, but there was no relation to any game I thought up. Then it could be for TV or movie, but the office space was too distinct. I would have loved to have a house and with such an office, but too much was not my initial desire in office choice, even as the computer clearly was. Sometimes the brain takes you on a meaningless quest, so I might never know why, but that feeling of looking around and watching the ocean still haunts me and I have no idea why.

Enjoy the day, we are now past the 50% point towards the weekend.

Leave a comment

Filed under Finance, movies, Stories

Tagged as , , , , , , ,

August 17, 2023 · 17:15

Strike Two

This started earlier. It started weeks ago and I was aware, I took notice. Yet, that was about it. I mean no disrespect. I do not live in the US, I am not California and as such I am merely partially aware. I see what most outside of the US see. We see the strike, but yesterday I saw an opinion piece in the LA Times and that woke me up a little more and would you believe it, this morning I got more awake. There was an advertisement on YouTube, it was the Pilot of Lioness and it was one hell of an ad. It was 50 minutes, it was the pilot. Yup Paramount Plus took their balls and hung them up the wall. OK, this is a first that I watch a 50 minute advertisement. Yet, it was not about the ad, not about Lioness but it gave me focus, so lets begin.

The LA Times Story (at https://www.latimes.com/opinion/story/2023-08-15/netflix-antitrust-anticompetitive-labor) gives us ‘Hollywood strikes prove Netflix and other streamers have grown too powerful. Time to break them up’ here we are given “Many have called the stalemate an existential crisis because it concerns new issues such as residuals from streaming services and rules for the use of artificial intelligence. These go beyond the usual labor issues such as wages and benefits and cut to the heart of an industry in which streamers such as Netflix can dominate all aspects of the business.” It is one side that I had not seen before. ‘Entertainment’ has become an end-to-end business over ALL verticals. I had not considered that merely because I am not part of this industry, I never was. Yet here we are given “Antitrust laws need to be invoked — as they were in the 1940s in U.S. vs. Paramount — to break up streaming services that both produce content and distribute it. This vertical integration has deeply changed the longstanding entertainment industry ecosystem, which allowed employees to survive and studios to prosper.” Which gets us to “In 1948, the Supreme Court ruled against the studios, requiring them to divest themselves of their movie theatres if they wanted to continue in the production business. Shortly thereafter, theatrical films began to be aired on television with no additional compensation for creative talent. This led to the strike by both the Writers Guild of America and the Screen Actors Guild in 1960, the last time the two struck simultaneously.”

With finally “If Netflix and its streaming peers like Apple+, Amazon Prime, Disney+ and Max can maintain their vertical control, it will be next to impossible to settle the Hollywood strikes in ways that could preserve the ability of creators and technicians to earn a decent living and protect creative diversity. The old vertical studio system was broken up by the Justice Department. It may be time to do the same with these 21st century behemoths.” And that was the wake up call I needed. The Paramount ‘advertisement’ was apt and consider that Lioness is new stellar series. Kidman, Saldana and several others are making a bundle. They earned it, their work is first rate, as is the director and the director of photography. They all did a stellar job, but it would not have been possible without the writer, without the writer there would be no script, nothing for the director to work from. So how much is he making? 

We see the accusations that the top person, which in the case of Disney is Bob Iger, in 2022 he made well over $14,000,000. This amounts to well over a million a month. Now lets take a look at the image below.

So a series that streamed over 3,000,000,000 minutes, making it one of the most profitable and most successful series even, the writers were collectively paid $3,000. Please explain to me in what universe 3 billion streamed minutes gives us a combined pay check of $3,000? You see those three billion minutes amount to 138,121.5 years. Does it make sense now? The writers are beyond underpaid. They are the legal slaves of America and they deserve their right coin. But American history is seeded with injustice and exploitation and to be honest until the LA Times piece I did not see it, so who else was unaware? We are given snapshots, yet until you see the entire vertical of exploitation it makes little sense and now with that streaming vertical exposed you can see just how unfair it is and one series, the series suits, showed us just how much the writers are fed up with being ignored what should be rightfully theirs.

Enjoy the day.

Leave a comment

Filed under Finance, IT, Law, Media, movies

Tagged as , , , , , , , , , , ,

July 24, 2023 · 16:50

Deleting free

It is a setting I came across today. It all started innocently enough. I came across a image that had been filtered. Someone had used a Barbie filter on her own selfie and the result was pretty neat. As such I searched for the ‘Barbie Filter’ and a few came up. This was the moment the ground was taken from under me. To see this we need to take a look.

Yes, you get it for free AFTER you logged in, after you handed over your email address. There is even a mention of how to get free credits. Free? Not really.

There were a few free options down the track, but this player (and a few like them) were on top of the list, they made it so. They wanted the word free to lure them in. That is no free, there is for the most no free anywhere. We might keep the word in any dictionary to show its ironical existence in this day and age. 

You see, to see what the marketed greed driven are overlooking is the longer scope of the matter. For this I introduce you to me (see below).

When the movie was made, they added it to their website. Anyone could upload their photo and you would be translated into a Charlie Brown version of you. 

There was no email, no capturing. It was a simple setting and it helped push the movie forward. In the case of the Barbie connected wannabe’s they all want something, that is not free. So, as far as I can tell, I have had this image in use in one way or another for almost a decade, that is something that was really free. I also have a Mass Effect image with me, but that was a launch party event. That doesn’t really count. What matters is that this Barbie issue is becoming a global rage and good for them (Margot Robbie, Ryan Gosling, Greta Gerwig, Mattel and Warner Brothers) We are getting new terms like Barbenheimer and everyone is having a great time. There is even an image of a pink President Biden (in Ken Style) and this is how a brand just propagates. 

This is the moment, not to rake in the cash (other than the tinseltown proceeds) this is to ride the wave of visibility, global visibility no less. But no, some want to cash in. They will say things like ‘We worked hard’ and BS like that, but what they forgot is that with the visibility you grow your label on a global stage, as such you get to create presence like (not a real link) ‘Image created at http://www.WB.com/Barbie’ or ‘created with the filter by MyBrand.com‘ The last part would be totally acceptable, somewhere on the lower lines. That is branding and the fact that I have had my Charlie Brown version for almost a decade is evidence that this works. 

But to the greed driven that is blasphemy. So you decide which track needs to be taken, for me, the setting to trust anyone with my email is a short stop from insanity, especially in this day and age. I see this day as a bit of a disappointment, even the real free versions were lessened by the impact of the greed driven players, but that is life at present. So whilst we consider what next, we might consider deleting the word free from our dictionary and understanding, that is how things evolve and not for the better.

Enjoy Monday.

Leave a comment

Filed under Finance, Media, movies

Tagged as , , , , , , ,

July 16, 2023 · 10:58

Single-mindedness towards greed

That is how I see it in this case. To see this we need to take a look at the CBC article (at https://www.cbc.ca/news/entertainment/box-office-slump-2023-1.6906554) called ‘Blockbusters are failing spectacularly, but how that changes Hollywood is anyone’s guess’. First of all, are they failing? To the requiring mind of these movie releases they seemingly are. Yet I am not of that mindset. Lets see if I can get you on board. A second article is from the BBC and seen (at https://www.bbc.com/worklife/article/20230713-how-the-cost-of-living-crisis-is-fuelling-job-quits) where we are getting told about the cost of living. They call it ‘How the cost-of-living crisis is fuelling job quits’, especially in families with children, the revenue of worker number two is no longer covering the cost of the children. They tell us “Rising prices and interest rates are pushing some workers to move around the labour market, rather than dig in their heels at their current employers.” This is not merely a British thing, it is a global thing and when you add Australia with age discrimination we have a very different picture. We see a growing global community that can no longer AFFORD to go to the cinema. I used to go to the cinema at least once a month. Now I am happy if I can afford to go once a quarter, that is a drop of 60% and I am not alone, millions are in the same boat. To get any kind of tinsel town satisfaction we are driven to Netflix. $15 a month versus $15 per visit is simple math (if you have a proper internet connection), yet the CBC has merely one mention of Netflix and it is in the wrong direction. The article has nothing on ‘cost of living’ a clear first in any household. A week ago CBC gave its readers ‘Families face ‘hidden homelessness’ as Hamilton shelter system is consistently overwhelmed’ and no one was able to connect the dots? In ‘generalising’ statistics we tend to agree and accept that for any household collapsing, at least 50 more are on the verge to go that direction. It isn’t a foolproof stage, but with the lack of data that is a clear path to walk on and now we see that this implies that in Hamilton alone a thousand households are on the verge of collapsing. So how many of those would consider going to the cinema? It amounts to $25-$40 per person, and that is just for starters. There are travel cost to consider as well. So when you add it all up, Canada alone has close to 250,000 households that actually can no longer afford to go to the cinema. Add a few million from the US and a similar amount from the EU and it explains why people aren’t going to the silver screen, they lack funds. This doesn’t make the movie a flop. I would have loved to have seen Shazam 2 (or the new Indiana Jones, or Oppenheimer, or Mission Impossible) I just couldn’t afford the ticket. It is life on a budget and I reckon that Jackson Weaver has some rewriting to do, perhaps add a chapter (or two). The funny part is that I saw this path clearly within the first 2 minutes. Me, for now is saving up so that I can see Dune Chapter 2 on launch date (which is November 2nd). This is the reality that millions face, we aren’t happy, we aren’t thrilled. This is our lives and the people in the entertainment better take notice (like the CEO’s making 135 million plus annually). You are either getting smarter on how you do things or lose more and more money and downgrading payments of actors is definitely the wrong road to travel on.

And why is this single-mindedness? Simple, you see Google and Amazon should be running circles around me. Yet for now I am growing my IP count where they should have been ahead of me and they are not. The simple setting is that they (and Hollywood) should have the goods, but I wrote several stories (could be scripts) in directions they never contemplated. So, why not? Are they the next creative failings after Ubisoft? You tell me, I should never have been ahead or even close to equal to them, but it seems that I am. I will tell you that I am not driven by greed, I believe that this is the setting that is drowning them. When did this happen? My personal feeling is that Avatar and the Marvel movies opened a door they never saw and now they are all rushing to get to that revenue. It is a greed driven drive, which is why they will never equal people like James Gunn (even when he is wearing glasses), the creative minds like Ridley Scott, James Cameron, Christopher Nolan and Martin Scorsese are titans because it is about the creation, not the revenue (it is a nice side effect for them). Art is never bankable, but it is collectable when completed. A simple premise that most never seem to get and they all rely on one other element. People who can afford to go to the cinema and for now that equation is massively out of balance.

It might not be their fault, but it is still on their plates today. Not hard was it?

Try to enjoy the last day of your weekend.

Leave a comment

Filed under Finance, Media, movies

Tagged as , , , , , , , , , , , , ,

June 30, 2023 · 05:47

Shoes not for dancing

It was the CBC (hours ago) who showed me an article that had me up with roughed feathers. They did nothing wrong, they aren’t making some CNN or FOX case. The article (at https://www.cbc.ca/news/canada/titan-sumbersible-anger-schadenfreude-1.6889506) giving us ‘Here’s why people are being so mean about the Titan going down’ and there the article gives us a whole range of reasons, some are accurate, some are the setting of averting emotions. Yet the one reason not given is astounding. It is not eagerness of making fun of people paying $250,000 for a near ten mile ride. We see “Other experts say it’s driven by wealth inequality, or that the response ultimately reflects a lack of civil discourse.” We also see a mention of Schadenfreude which made me giggle and made me think of the comedian Gary Delaney. He gave us “My friend asked me to spell Schadenfreude, I could not but he is dead now, so I still win” it is a darker side of us that allows us to shed discomfort. You see the one reason is not given to us here. I see the Titanic as a mass grave, a collected funeral and monument for the over 1,500 people lost that day in 1912. We have no business being there. Just like we have no valid reason diving near the USS Arizona. Some monuments are to be left alone. I get to some degree that James Cameron went down, he did so to prepare us for an Homage to the USS Titanic and he made one in 1997 that become one of the biggest successes in Hollywood history. It is now the fourth most successful movie in history. It was more than a movie, we were all reminded of dreams too big too hold, we blindly relied on the presentations like ‘The ship that is unsinkable’ and well over a thousand lives were lost. The article is showing us all kinds of reasons and they aren’t wrong but the underlying reason is not touched on. Most of us believe that this is one of these places we leave alone forever and the only group of people thwarting that common sense setting are the uber rich and they paid for it with their lives. I remember one presentation on the Titanic in PowerPoint, which still makes me giggle on the inside. The starting slide gives us “Would you like to see Leonardo DiCaprio and Kate Winslet without their clothes on?” And we see that question a few more times and in the end we see an image of two skeletons on the bough of the ship waving their arms (just like the movie in the flesh). A nice deceptive strike. But it touches on the one setting we need to accept, that movie is as close as we should ever be allowed to get to the USS Titanic that is the part the article misses and optionally intentionally steered clear of.

Those shoes were not meant for dancing, they were meant to tiptoe around some things and we need to take heed of that. That is merely my personal view on that matter and we need to consider that we aren’t meant to be in some places and I believe that places like the USS Titanic and USS Arizona are those places. We can pay our respect, we can accept that we need to pay homage to these places but we should steer clear of them for now and forever.

Enjoy the day, it was like yesterday but now one day closer to the coming weekend.

Leave a comment

Filed under Media, movies

Tagged as , , , , ,

June 25, 2023 · 15:39

Shaping Domestic Conscription

This is the stage my mind has been in for the last 24 hours and yes it is a DC comic reference. You see, the movie Thor, Love and Thunder woke something up in me. It was the mid 80’s and there was a Dutch version of an Avengers comic book I read. In this there was a reference on a ‘villian’ which led to all kinds of things and I remember that in the end there was an image of all in hell for torment felt relieved for a second as Lucifer felt fear for the very first time. It was about the optional undoing of Eternity. The end god in the Thor movie and he was just like the real thing, except for size (the length of his foot is about the size of the Chrysler building) but lets keep this to semantics and creative freedom. Yet these is the stage, it started my thinking. You see, it started at that time and the movie Black Adam merely build on the stage my mind devised. 

I gre up being a huge Batman fan, in my preteens I grew up on the Batman that Adam West gave us and the man was dope. He was the real deal. OK, that is and will forever be the kid talking in me. But as others went for all the other comic book heroes for whatever reason they had and this tainted the thoughts I had. There was a side in that comic book that gave me pause to think, even now almost half a century later these thoughts are still there. What if the villains were right? They might go about it wrong, but what if there is truth in their actions? Joker, Lex Luthor, Ares, sorceress Circe, Lucifer, and that list goes on. So what happens when we create a hidden trap. A mindset where Batman does the ‘right’ thing, but he falters to see what he does is right. The encounter with someone like Eternity brings it to the surface? It allows for an interaction with Constantine, it allows for all kinds of options. And today’s world is all about what is legally right and what could be correct and they are not the same thing. We have all seen versions of that and as far as I can tell the comic movies aren’t digging into that, even though Black Adam gives a nice stage to exploring that side deeper. The creation of Amanda Waller allows for a deeper investigation of that side and perhaps the people behind DC movies should do just that. You see, there is too much polarisation in these movies and for the most we accept this as the villains in these movies are over the top bad. Yet what happens when the hero (unintentionally) overreacts? We see that in some cases, but at times it is some plot twist. What happens when we wrongly hunt down a person and we learn after we stop them that they were trying to set us all free? Consider that we have ben misled by the church for almost a millennium. Now consider that we have an Arabic setting where an Afreet is set free, but that Afreet is tinted by the history up to 1200AD, that character missed out on 800 years and that anger is now unleashed. We want to ‘protect’ and stop that character and we now have a setting that approximates what we are trying to achieve, because we learn of what was done is only now beginning to surface, in this we create a new level of ambiguity. One that most comics never touch on and it is these new borders where we get a much larger setting for who are the actual villains? Perhaps some are tainted through polarisation and recognising that opens a new dialogue, a new stage of more interesting movies. 

Consider an article from 2019 ‘Medusa was punished for being raped—so why do we still depict her as a monster?’ This sets a new premise towards the stage of a Medusa. In the Theogony, by the 8th-century BC poet Hesiod, she is described as being the child of Phorcys and Ceto and she was raped in the temple of Athena by Poseidon and Athena punishes her of all people. So what happens when we see this in a new DC setting, but until the end of the movie we aren’t told of HOW the transgression started and that opens up new doors, opens up other doors too. What if the avenging demon is Lex Luthor, getting aid by Lucifer no less and the stage is that Constantine is trying to figure out what Lex Luthor is up to (and of course Superman gets involved). Yet as we are given a partial tapestry, the loom will see the involvement of others, but until that for example the daughter of Wonder Woman Trinity was kidnapped which starts the manhunt, but at the end we learn that Trinity feared her future and got Lex Luthor to aid in her escape her dark future. Lex feeing for her and feeling his heart for her aids her and it starts a much larger feud all fuelled by Lucifer (which gives us Constantine) and there we have the making of a larger tapestry and the loom involved has the wires in one direction and cannot vouch for the fabric of the tapestry (an Odysseus reference). The stage that still bothers me is how the loom is managed, someone is pulling the strings behind the curtains of the stage and that comes to light after we see parts of the truth involved. It creates new settings of polarisation, not entirely unlike the people choosing team bat (team Cullen) or team hound (Jacob Black). The same is said for the Underworld saga. When the people are left to chose which team is the right one, you get a lot more interaction, a lot more social contribution and that pushes the story and the movies to the top of so many lists. Ambiguity gives us one side, but not all sides. What happens when Ares (opponent of Wonder Woman) is pushed to this degree by the fates Clotho, Lachesis, and Atropos? What happens when they are pushed by the future and by someone wielding that side to push towards a reality free of Αion, the god of eternity? We now have a very different setting and we get the question into the open, what makes a hero a hero and a villain a villain?

Just a few thoughts going through my head (its Sunday after all) and tomorrow is another day.

Enjoy the end of the weekend, soon it will be Monday.

Leave a comment

Filed under Media, movies, Stories

Tagged as , , , , , , , , , , , , , , ,

June 5, 2023 · 07:54

Remastering failure

That is a question I am wondering about. This all started last night when I saw some advertisement of Belvedere Vodka with Daniel Craig (kind of) dancing in it. This reminded me of Christoper Walken in the video of Weapon of choice by Fatboy Slim. This is how it started. You see, in 1980 he starred in a movie called Dogs of war, made after a book by Frederick Forsyth. The cast was good, I personally liked the movie, yet it only made $5.4 million on a $8 million budget. A failure Hollywood would say. Another movie made on an unpublished work was The Wild Geese from 1978, also all star cast making almost 10 million on a nearly 12 million budget. Another failure according to Hollywood. Still they were good movies and both had unorthodox settings in those days. The audience was not ready for these movies.

So what happens when Netflix, Apple or Amazon takes a stab at these making them massively darker, making them larger (like a Mini series) You see, these movies could never be made in 135 minutes. But in 4-6 episodes of 60-90 minutes this takes on a whole new form and this time it is to an audience who is ready for the setting of either movie. And not for nothing, Frederick Forsyth has published a whole range of books that could be redone. Some more readily then others. We think of the fourth protocol as the movie that launched Pierce Brosnan into stardom, and opposing Michael Caine he did the job, but in this day and age that setting is suddenly a lot more real than ever before. The Fourth Protocol made twice the budget, as such it might not be seen as a failure. Yet these stories could rake in the viewers and therefor the cash. I am considering the thought that these movies were ahead of their time and Hollywood trying to blockbuster whatever they could got to these scripts too early. This is merely a personal view and optionally not the right one. Yet I wonder if anyone in these three houses looked at the movies that never made a profit and wondered if they could now. Both Wild Geese and the Dogs of War had the setting of a good story, they had the background to make it interesting (especially Steward Granger as the exploiting merchant banker Sir Edward Matheson in Wild Geese), all sides that were never explored, you could not do that in 134 minutes. Yet now, in the streaming age these jewels could make a new appearance, they are over 40 years old now. I wonder what more these three could find if they altered the vision they have. 

Good movies aren’t grown on trees, they are found in scripts and at the moment the search for scripts is a whole new problem (until the strikes are a thing of the past). They might not have script writers now, but the preamble to prepare for tomorrow is not something you want to leave in the field, not in this day and age.

Enjoy Monday, the weekend is almost yesterday.

Leave a comment

Filed under movies

Tagged as , , , , , , , , ,