Tag Archives: creativity

The edge of imagination 

That where we are at times. We all are and some use it to fuel the idea they have. We can speculate all we want, but there are words that the Star Trek Communicator fueled the concept of the mobile phone (don’t know if it is). Then later on the Star Trek Pad (TNG) was the base for the Kindle and also the iPad. We can deny, we can be offended. But the truth of the matter is that any innovation required a group of people thinking in the same way, that is how innovation starts. When the thoughts of this are set to a base, the base grows and the concept becomes a real thing. I have always believed that to be true. So whilst we think that all inventions are in the trend of Oppenheimer that person is not completely wrong, because the imaginations comes from whomever employs it, but usually it take a nudge. The iPad and mobile phone being clear examples of that. There were some bad examples (losers trying to fraud their way through) but they get found out soon enough and now we see medical devices on the same Trent as the losers were, but these people imagined the solution though. They went the additional step.

This is the foundation, now consider that DisneyWorld has the ride Rise of the resistance and galaxy’s edge. We know Star Wars and that is fine, but these two places in the eyes of a child will boost that child’s imagination and that is where the setting changes. That child could be there seeing the life sized version of a Tie fighter and that thought will remain with the child and in 15 years the concept of something he did not realize becomes reality, true innovation. What it is? I don’t know, not my thoughts. I merely thought of Newt Scamander in the series fantastic beasts and I came up with giggle water. A drink in the movie magic based, but the drink could be real. I set that out in a blog around when that movie came out. You see we have all kinds of fuzzy drinks. So what happens when you add Nitrogen (laughing gas) to the syrup that will contain the nitrous oxide and with the added liquid (most likely water, or fruit juice) we now have giggle water. Of course as it is ‘regulated’ all over the place someone in that field would have to tinker with my idea. But can you ignore a fan fleet of millions when it comes to any new drink? Only Coca Cola started with nothing. There is a whole fleet of people now in range and in the Harry Potter field everyone is going nuts about butter beer. Can you imagine having the one good no one else has? 

Did anyone else consider this? Possibly, but they might not have heard of laughing gas, it was discontinued when better alternatives were found, but that doesn’t make the idea useless, it can be applied to other fields. Innovation is the combination of thoughts and imagination and the one solving it has a future ahead. I think I had my fair share of innovations and more are coming. To get into a field I am not even qualified is folly. To be true, I was not qualified in the field of nuclear ‘solutions’ either. But someone had to deal with Iran (and now Russia as well). As such I started a thought that could be interesting. As such I figured that as Russia has 38 reactors, when half a dozen melt down they will end up having a massive energy problem. Simple problem, simple solution and when you consider that a snow globe drove this idea, you can see that innovation can be found anywhere. 

This led me to the setting that America gave us all. The trade wars. Now America has plenty but not all in America. You see Disney is also in Europe, Universal is also win the UAE. So if all people of the commonwealth denounce their visit to America and chose these two other locations America will soon have a new problem. So what if we all disregard America as a destination for the next two years? Disney reported an annual revenue of $88.898B, they beat expectations by a mere 7%, so what if all in the commonwealth and Europe select other places and now Disney falls short for 50%? and Universal is doing equally good, that is until President Trump pulled the rug from under them. You see I like Theme parks, but if I can enjoy another one I would like it to be outside of America. I am a member of the Commonwealth and be decided to blame Canada and Mexico for their own irresponsible spending. As such The Dutch has the Efteling, Harry Potter can be found in London, Japan and soon the UAE (Warner Brothers Theme park) and several other parks are there all over the world. Saudi Arabia will soon have the alternative to Aspen and Utah, Canada has Whistler and Blue Mountains in Ontario and a such there is every chance that they could all get more Mexicans. President Trump did not really consider that, did he? In that same setting Universal (before covid) had 5.5 million tourists, so what happens when that slows down to less then 3 million, how long until Orlando has a massive budget problem? How long until businesses collapse due to a stupid idea that seemingly only President Trump likes. How long until the America economy goes below sustainable (I believe it is on the line now) measures that collapses the larger companies is slicing whatever they have?

Innovation comes in all sizes and directions. So when will we see a webpage with a connected database mapping all theme parks on the world so that people from the Commonwealth and Europe can seek alternative travel arrangements? Consider that Saudi Arabia and the UAE have done nearly all to become the better solution for tourism. Their airports are top node and their theme parks are too. Warner Brothers will still syphon some funds to America, but it is meager pickings for the yanks as their theme parks are on the edge of shutting down. 

That is the other side of innovation, making sure that America dwindles down to nothing. You see, there is a down side to Trade Wars. This is merely one side of this, there are a few others but I reckon the Canadians are already on that part.

As I see it, the stupid side of this world can be found between Canada and Mexico. And they are finding out that there is a cost to electing the wrong president (not sure if the other party had a real contender)

So have a nice day and consider the chance that you yourself have an idea that could be innovative, there is 100% certainty that I am not the only one and innovations can be found in any field, it merely needs fuel and imagination is the best fuel.

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Return of DM

You have probably seen it, I definitely have and they all call it “A call to AI arms” or something of that sort. It started an hour ago. I saw a security guard and I said “That shop is deceiving us, they say 50% of everything and they are still wearing all their clothes”, the guard was not amused, or perhaps his sense of humour doesn’t go that far. It might not have been overly funny, but at that moment a few things clicked together. And I was of to the races. You see, a few things clicked together and it started yesterday, but my subconscious had figured a few things out that my brain was still working on. 

Part 1
Part 1 woke me up to what some laughingly call AI. It was shown to me as a YouTube video. The video (at https://youtube.com/shorts/Kt_oGa4jLik) gives us an “AI” version of the statue. 

Screenshot

There is a setting that could work. Consider the increase of interest in Latin and Roman ways of life. To get these statues ‘brought’ to life has advantages. In the first we would not need to rely on actors for all of it and it would be one way to give more impact to the work of Edward Gibbon (1776) published the first volume of his The History of the Decline and Fall of the Roman Empire, Decline and Fall has been the theme around which much of the history of the Roman Empire has been structured. And it doesn’t click with too many of us, but when these statues come to life and as they give life to the writings something more comes to us, especially when it is in Latin. Now you see the first constraint. To see a few seconds of LLM on a statue is one thing, to get people to watch 24 times 45 minutes the constraint will become visible to all. Constraints are seen when the technology just isn’t ready and the utter bull we see on LinkedIn on a daily basis that our future is AI, when it doesn’t exist (yet) gives you a clear pause. But some people need this bubble to exist, their livelihood actually depends on this.

Part 2
Part 2 is LinkedIn. You see, I get a regular image on whether I am hiring. And the options are Yes and Not right now. This isn’t AI, or any kind of AI. This is Direct Marketing and that is what you resort to when you have no data. In 1998 I got a nice taste of that. Someone told me “You either bombard someone with DM, or you start getting clever about who you address the marketing to” it was a clever setting because that was when SPSS launched Answertree. The selected choice for those who wanted to waste as little as possible and when the penetration is a mere 4%, being clever will pay off nicely.

The setting we see now is a combination of constraints and abilities. We have no AI abilities and neither do the computers. As such certain people are trying to sell you a concept, an idea on how things will go and as such they create models that learn everything. So as such they are trying to WOW you with examples on YouTube and LinkedIn on how to do that, but the constraints are there and when you see the constraints you will try to get off that train and the people will have gotten you invested at boarding that train. As such you are hooked and then the limits become visible. 

Part 3
The third part came yesterday in a dream, but the setting was seen at least a month ago. I saw it somewhere in November when I stumbled upon it, but it never clicked, because I wasn’t looking for it. But yesterday in that dream I saw the interaction of SPSS (AS400 version) with an export via EXCEL into SAP Dashboard. I had not used that combination in over a decade, but the image was there. Now, I get that these numbers aren’t ‘inspiring’ to anyone else than investors and the board of directors at ADNOC, but to create traction you need inspiring views and the report (added below) doesn’t have that and that is not on ADNOC, you need a better setting for that and that is usually where the car sinks (or strands). 

As I personally see it, constraints are surpassed when you give free reign to data to create interest and one place to do this is using SAP Dashboard to create this (originally called xcelcius). That is when market research used the combination to create visible waves in a new setting that people had not seen before and that creates the traction they needed. So what about the numbers shown via a dashboard? It isn’t just oil that requires presentation. You see Abu Dhabi has International Holding Company (IHC), Abu Dhabi National Energy Company (TAQA), ADNOC Gas L.C. and First Abu Dhabi Bank (FAB). These four represent 1.5 trillion in revenue. I reckon that they could use a more visible setting in presenting self and that is merely in one location. And no AI was needed here. A mere look at presenting different and showing themself in other ways. When you realise what dashboard can achieve, they will achieve more all whilst AI is still being created. So whilst we applaud the LLM (and DML) of statues, the moment one person states that Julius Caesar can give voice to his work (for example Commentarii de Bello Gallico) and the constraints make it fall short, you will realise that there is some length to go until AI is an actual reality. 

That was the parts my dream didn’t give me and a simple sign that bustled with inaccuracies (of everything) that was when my brain clicked the part together. OK, I can be slow too. Yet I take pride in my slowness, especially when my brain refuses to wake up, which it did to me today.

So have a great day and remember that tomorrow is the last day to learn what sex 2024 was about.

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The statistics are against me

Yup, that happens and I don’t believe it is a worrying issue. You see, it started a little over a year ago and I created my first (sort of) script. It is called ‘How to assassinate a politician’ which I later ‘reset’ to ‘Essay’. MY first script was meant specifically for an islamic audience which could have graced the walls of the UAE or the Saudi media bosses. I saw the story and it was my response to an Islamophobe population. And how to better serve it than to assassinate the biggest European islamophobic of all Geert Wilders (now PM of the Netherlands). I thought it was an excellent idea (a pure personal thought). Yet now I am confronted with ‘How the creative economy drives growth in the Middle East’ (at https://economymiddleeast.com/news/how-creative-economy-drives-growth-middle-east/). Here I see “In the UAE, a global creative hub, Dubai Media City is home to a talent pool of over 40,500 creative professionals”, so what was I thinking? Well, the short of this is that I write to feed the creative beast in me. I was unaware of just how large the Media City population was, and if you go by that setting you will never get anything done.

And whilst you are mulling over “The UN Trade and Development Creative Economy Outlook 2024 highlights the crucial role of creative industries in global trade and economic growth. According to the UNCTAD survey, the creative economy contributes between 0.5 percent and 7.3 percent of GDP and employs 0.5 percent to 12.5 percent of the workforce in various countries. “The creative economy has the right forces pushing its sails. This is not just art. It is an economic powerhouse that we must harness together, leaving no one behind,” stated Rebeca Grynspan, secretary-general of UNCTAD.”” You see, it is nice to hide behind numbers at one setting, but the source of the numbers matter a well. I find a little worrying setting behind the statement “The creative economy has the right forces pushing its sails. This is not just art. It is an economic powerhouse that we must harness together, leaving no one behind” my issue is in one direction “leaving no one behind”, which is nice, but that is a political statement and Grynspan was in the past Grynspan was a professor and researcher at the Economic Science Research Institute at the University of Costa Rica. This is not some anti statement. I always wonder and become ‘skeptical’ when a politician makes a “leaving no one behind” in their setting. Because that tends to rally towards “We were however forced to make choices” and that always goes at the expense of Art, especially when dollar numbers are involved. That and the setting of “employs 0.5 percent to 12.5 percent of the workforce in various countries”, which is quite the distribution. So where is it 12.5%? Hollywood with its 153,859 villagers? Some other consideration would be ‘the UNCTAD survey’, which I am not attacking now, as I have never read it. But the stage of a survey calls with me the setting of data. What data? What was filtered? How was it collected? What nations participated? Indonesia has around 277.5 million people, how many does its media (online and other) have? Simple questions really. 

When we dig into the matter, we see “Middle Eastern countries recognise the potential of the creative economy. In the region, the intersection of the digital and creative industries, in particular — encompassing the use of artificial intelligence (AI), Web3, and virtual reality — is driving innovation and economic diversification.” I still shiver at the notion that AI does not yet exist, no matter how many players boom the bubble of the AI vibe, it does not yet exist and we need to take notice of this. It might be fuelling the desire for it to be here, but it isn’t and when the world starts wondering the simple equation of “LLM’s vs AI” and true data parsing, its verification process and programmers with its algorithms the statement “According to a white paper by Dubai Design District and Dubai Media City, the global digital creative economy could grow by 11 percent annually, reaching a staggering AED27 trillion by 2030.” I fear for the fallout it precedes. And like the other papers the question of population, collection and reading the data will get a much higher priority. I winder how certain power players will address and respond to “a staggering AED27 trillion by 2030”, you see, joy of a revenue is nice, but the fear of it falling short in 5 years will be on the forefront of nearly every mind who depended on this fuelling stage. 

There is a side I fully agree with. It is seen in “In November, Dubai Media City underscored the essential role of multicultural creativity at this year’s Global Media Congress held in ADNEC Center Abu Dhabi.” I believe that true creativity can only be seen in a multicultural setting as such the UAE has a jump on all other nations as I personally see it and even as I shiver at the 40,500 setting (I am not debating or attacking it) I understand that my script had very little chance to begin with. I am still proud I wrote it and there are three more coming (not with Islamic values in mind), but that is the state of the world. Creativity is where our thoughts take us. And we respond as we would or as we can. The first one was islamic in nature, but that doesn’t mean all will be and multicultural is the first step of being truly creative. What matters to me are a few things and the stage of the numbers is one, articles rarely spell that out and as such it becomes my setting that I wish I knew more of UNCTAD and their numbers, because it is at the heart of the matter here. And here is the spiller (or killer). You see, the UN Trade and Development has a UNCTADstat Data centre. I took a look (at https://unctadstat.unctad.org/datacentre/) where I found “International trade in creative services: estimates for individual economies” an experimental part that has data from 2010 to 2018 and shows us Saudi Arabia, but not the United Arab Emirates (UAE), as such I wonder where the numbers are coming from. The article does not give us that part. I saw the Creative Economy Outlook 2024. The word ‘Statistics’ is given to us 23 times, and always with references like {Key Statistics and Trends in Trade Policy 2022. UNCTAD/DITC/TAB/2023/2. Geneva.} Yet the report gives us no real numbers (like raw data) or the reference to raw data has exactly 0 hits. As such I tend to have a more skeptical view on such a presentation. As such when ‘confirming’ the survey, I see another ‘hitch’ the fact that the phrase ‘in countries where data is available’ is missing from the article. It happens, but as I see it, it is kinda sloppy. With the rather large setting shown (in the UN pdf) that we see “inputs received through the 2024 UNCTAD Survey on the Creative Economy from the following countries: Albania, Antigua and Barbuda, Argentina, Benin, Cambodia, China, Costa Rica, Cuba, Dominican Republic, Egypt, Ethiopia, Gambia, Guatemala, Indonesia, Jamaica, Japan, Kazakhstan, Libya, Malaysia, Mauritius, Montenegro, Mozambique, Nigeria, Oman, Pakistan, Peru, Philippines, Republic of Korea, Seychelles, Slovenia, South Africa, Sri Lanka, Trinidad and Tobago, United Kingdom of Great Britain and Northern Ireland, Uzbekistan and Bolivarian Republic of Venezuela.” And here we get the other shoe dropped. Saudi Arabia and the United Arab Emirates are not mentioned at all. This is not on these countries, but as I see it The editorial of the Middle East economy has a little explaining to do (as I personally see it), it might be merely semantics, but that is at times how I roll.

And there is more on the graphics, one pie chart merely shows Saudi Arabia and the UAE as part of the EMEA region, as such I wonder which part of the 21% is Europe, because that sets a much larger premise of advertisement per region and population. There is no real way that Saudi Arabia and the UAE can compete in advertising against a population of 742 million europeans. As such I start to develop questions (as I would).

Well that was it for now, I’ll add the United Nations PDF at the bottom, it took me less than 10 minutes to scope out the questions you see here and if I took a little more time I will find a lot more. But that is the setting of a political brief (as I see it), I also didn’t see (I might have missed that) on the definition of the media and what sources are set to what medium. You see, there is a chart on Global video games revenues, and predictively set (based on data) this is always an upward spiral because there are no sources (or data) available for the Playstation 6, the Nintendo Switch 2, or the Tencent handheld. They are the tomorrow systems and there is no data on any of that a present. But the larger audiences are already looking into these parts. So what gives on the data?

A mere simple question that has no easy answer, I get that, because presumption is always on what is known, but take the simple setting in 2012 the PS4 was released. It got more than 50 million consoles out and obliterated the Microsoft product. In 2016 Microsoft merely gave us all Xbox live numbers. So when we see that, what numbers does UNCTAD have to set the Total video games revenue from 225 to 312 billion and Video games advertising from 75 to 137 billion between 2023 and 2027? A lot higher than Traditional games which went from 55 to 62 billion? The numbers do not reflect each other. As you might guess that sets gaming in a dead drop against advertisement, a bad business practice as I personally see it. And I could go on but when you see it was a forecast based on PwC’s Global Entertainment and Media Outlook 2023-2027 (so based on what numbers?) This is merely what I found in under an hour. As such question all numbers that have no accompanying response setting (aka N). 

Also when we get the Countries with the most significant art markets by value of sales in 2023 and we see USA, France, UK, China and other with France at 7% and other at 15%, where do the UAE and Saudi Arabia end up? Consider that a place with 40,500 members do not surpass France and are part of the 15% What is the setting for them? I wonder if the Middle East Economy had those questions in mind when they released that story. As I see it a simple question really.

Have a great Monday.

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For desert we have this

The second part is lighter, a lot lighter. I saw a video on YouTube a mere hour ago, it is an abandoned movie, namely the Jetsons.

I remember the comic books and I loved the Jetsons. Now I see that a Panasonic version was abandoned. Why? And that is when the thought occurred that in the age of Unreal Engine 5 and what some call AI, this movie (or series) could be done without actors. All set in a ‘futuristic’ stage.

And as we realise that these abandoned projects could be given life in new ways and that could be done for a whole range of comic books and old cartoons. Considering that the streamers need all kind of projects and they are running more and more quickly out of ideas. I am amazed that this hasn’t been handed a larger thought by all kind of streamers. 

And with the three simple ideas above, there are hundreds of comic books that could optionally be done in the same way. Some of them were never turned into a cartoon and as such it could offer the graphic designers a new age of creativity, not to mention those works who lost their makers as well as a host of IP rights. I wonder why no one gave that any serious thought. You see, the cartoon world is so much larger then Marvel and DC Comics. For the first 20 years I saw almost no Marvel and in the DC world only Batman (from 1967). As such, I tend to wonder why a player like Netflix let that option slip by. 

So graphic designers. What are you waiting for. There is a whole pool of options out in the open. Spread your wings and seek your fortune.

Have a great day.

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