Tag Archives: Gamespot

Evolving our lives!

This article is not for the faint of heart. This is not for the people who think that life is all sunny and joy. So if you are any of these people, then read not on and return when my next story comes online.

You see, in my mental world I am about to pick up an axe, I sneak upon the man who has no idea what is about to happen. I sneak, slowly into the den, the door was open this warm September and he likely hoped for the breeze to cool him down. Suddenly he feel one hot gush of water over his chest, he looks down, it is not water. It is the hot blood gushing from his skull, the blood that rains is his, he cannot shout out, blood is everywhere, he falls on the rug with a ‘thump’, he is no more! I hear the voice from the kitchen ‘what was that dear! Are you alright?‘ I hear the footsteps, she is not walking fast. I move to the left into the shadows, I see her silhouette, she seems to see the blood and that what was left of her husband. I had already placed the hunting knife in my left hand; it slices through her throat in less than a second. She goes down on her knees, looking at me, not having any idea why she is getting hurt. She had died before her head hit the ground.

I get the knife and the axe and roll them in linen. I grab the bottle from the bag and place the knife and the axe within the canvas bag with linen coating. I add ammonia to mask the scent of the blood, in case a police dog gets near. I look at my feet; they are covered in lamb coated overshoes. My overall is thin but sturdy. I take out the billy club. I slowly walk to the staircase; I hear the sounds of gunfire from a video game. I sneak up slowly and see that the door of the room is ajar. A boy sites with his back to me, it is time to put on my ski mask. I slowly sneak in and observe the equipment and I hit him hard to the side of the head and quickly turn the sound up by a lot. Not hard enough to kill him, that is not my goal. He is reeling at the edge of losing consciousness; I slap his face hard with an open hand. The leather glove makes the sound more intense. I pull him up and hit him in the gut with enough strength; he buckles over gasping for air. He looks up in sheer terror. I gag him with duct tape and cuff his wrists at the back, I drag him downstairs.

I place the cable ties on his thumbs and index fingers as close to the Opponens Pollicis as possible. He looks at the bodies of his parents, he is now truly afraid. I look at him and say “Zoe Quinn and Phil Fish did not care for your harassment!” I put the mask on his face; the nails will slowly but not fatally bite into his face. Last I tighten cable ties as much as possible. Within the hour, amputation will be the only option left to him. His life will never ever be about gaming of harassing again! I walk away with the bag in my hand, not giving the little troll a second look. Within the hour all evidence that I ever existed will be gone, so will I and he will only know fear until his dying day!

This is just a story! This is nothing more than a rant of frustration, dressed in the cloth of a short story, dealing with my frustration like Percy Bysshe Shelley, Stephen King or Virginia Woolf. Although I tend to take the high road, this time it is Slate who has the high moral ground (at http://www.slate.com/articles/technology/bitwise/2014/08/zoe_quinn_harassment_a_letter_to_a_young_male_gamer.html), it is an excellent article by David Auerbach about more than just a gaming scandal. I am all about gaming; I have always been all about gaming. The fact that more and more women are entering this field is filling me with joy. Yes, for now this market is all about the man, but consider that over time, we have seen women leading in artistic fields. We have given our souls to Diablo, Minecraft, Oblivion, Fallout and a league of other games. Would it not be great if we get another wave of amazing games? For now Tombraider has sold itself short. The game is nowhere near the first two which broke the mould of good gaming. We saw the rise and fall of Origin, Rare and several others, all bringing us great games. Now women come and I hope we see a host of amazing games to follow. So when I see such hate and harassment from men (99.4233% sure that the harassers are not women) it just pisses me off. The fact that these people are not hunted into extinction gets to me to some degree. I did not get the hate people showed because Caroline Criado-Perez successfully championed for Jane Austen to be the new figure on the ten pound note. For the same reason I do not get the fact that Zoe Quinn is persecuted either. The idea to bring the awareness of depression is a great idea; I wish I had thought of it. It had several review, our own Tim Biggs of the Sydney Morning Herald wrote “Tim Biggs, writing for the Sydney Morning Herald, also stressed the lack of fun in the game, and went on to say that the game was ‘a testing and, at times, a boring experience to go through.’ However, he praised the game’s execution, and acknowledged its importance as a tool for raising awareness of depression and for helping its sufferers“.

OK, not the greatest review for a game, but who remembers Superman for the Nintendo 64? I still consider it the very worst game I ever beheld for reviewing!

So, why is there such an overwhelming hate for these women. This all was brought to light because someone speaking out for them (Phil Fish). I did not play his game either, but the movies and the views give an interesting and original game play. So, it does not look like anything Ubi-Soft releases, but consider that ‘their’ Prince of Persia released in the 80’s (Broderbund released it) had no great graphics either, now it is a billion dollar company, we all have to start small.

So what about Zoe Quinn?

Well, the accusation is that she slept with a reporter to get a better review, but that is not entirely correct either. She got harassed shortly after the release and before her ‘ex-boyfriend’ made his claims. So what is it about this particular group of losers who feel so threatened about women in the gaming industry? They must be losers, because if they were not, then they would have their own brands of success, but that seems not to be the case. I think that if anonymous is the idealist it claims to be, then they would stand up for these women and publish the names and addresses of all of these bullies, you see, trolling is all fine, as long as we all know who you are, they become liable. It should stop two issues with one group all at once. But are the allegations true? Actually, does that matter? Perhaps a journalist got ‘lucky’, perhaps not. The real question is, is it a good game?

Yet, the issue does matter, you see, her ex, who is ‘hiding’ on his blog and accuses her of acts. Hiding the fact that the relationship was a bust and she did not stand still, she created something! Motherboard quotes “he accuses Quinn of sleeping with various prominent figures in the video game industry, including a writer at Kotaku“, so basically she knew a few guys, is that criminal? the information motherboard gave (at http://motherboard.vice.com/blog/zoe-quinn-slut-shaming-the-feminist-conspiracy-and-depression-quest) “Gamers have been complaining about corruption in video game journalism for years now” is not new, look at Gamespot and the massive amount of additional visibility that Ubi-Soft enjoys as a sponsor should raise more than just a few flags. But how far does this corruption go? And it is alleged corruption, the question remains, is it really corruption? I started reviewing games in 1988. I got the games, I wrote the articles and I got paid for the published articles. In addition I got to keep the games. I had to pay for the consoles myself (except for 2) and the chief editor kept the Atari Lynx for himself, an act which was slightly irritating, but not the greatest of issues. I went to the ECTS (the UK edition of the E3) a few times, which I paid for myself and deducted it from my taxes. So where is the corruption? I gave an honest review of the game and sometimes if the game was bad I did not bother writing a review for the simple reason that I only got up to 5 pages per issue, why spend it on a bad game, whilst a good game is so much more fun to review. I also tried to steer away from the ‘big titles’ at times; I did not jump onto Command & Conquer in 1995, like everyone else but choose Wing Commander 4, Tekken 2 and Rayman instead. My ex hated Rayman (the end of level laughter), I never regretted my decision. Everyone wrote about Command & Conquer, I showed them different games. The question still remains, why hate Quinn?

Is it because her ex-boyfriend turned out to be a loser? let’s be clear about this, if he was in a relationship and she did cheat on him, he should be angry and walk away, I do not care, it is her life and her choice and if so he is free to walk away and perhaps be angry for a little while, yet he is the only one with the smallest degree to be angry, the other hundreds have absolutely no valid cause for such trolling and harassing behaviour. Consider that we start trolling all the cheaters, the man too! Spam mail would drop to 0%, there would be no bandwidth left for spam mails, which might be a new novel idea to get rid of spam messages.

This is all so stupid, because in the end, the real gamers want to know if the game is any good. In her case, does it matter? Her game was to bring forward awareness of depression, if that works, what could be better? Even if the game is not the greatest one, it is likely to be a whole lot better than Superman on the Nintendo 64. In the end, I hope groups like Anonymous actually do something to help these victims instead of some political agenda, I wonder how ‘loud’ the troll feels when everyone in the street knows their name and where they live, more even if their mommies and daddies realise what losers they are. It is an interesting form of justice!

To some degree I miss reviewing games, I have seen so many classics be born and evolve. I saw underdogs like Broderbund rise and fall, I’ve seen how new generations love the originality of Loderunner, as much as I did when it got released on the CBM-64 and I saw the giant Elite, move from system to system, only to see the concept evolve into Privateer. Later we see part of the original game on tables and PDA’s, now Elite is back in a state of the art version that is to be released this year, still showing the original logo that was on the box of the CBM-64. Yet, the sandbox part, the travels and another side of the foundations of Elite will be seen in 2015, as we explore the galaxy in ‘No Man’s Sky’, in ways the original designer could never imagine (he only had 48Kb to write the program). As my life is drawing closer to an end, I see that timeless games will continue, bringing joy to a new generation and to generations after that, after I am gone. If the world for us as gamers is to move forward then this cannot be only about the man, women should pick up this torch and bring new options and new levels of gaming. In the end it will be a win-win for all gamers.

When we look at long term playing we have seen the big titles, and we all have other thoughts on what makes the great game, but there is also unison, it seems that the bulk all loves Diablo, even since the original release in 1996, it still keeps us busy. Would it not be great if we see new and more surprising games from female developers? Let’s not forget that one of the most famous developers in the early years for gamers was Roberta Williams, co-founder of Sierra-on-line. The bringer of King’s Quest, as early as 1984, a woman was in our gaming midst and she was as good as any of the male developers, letting these trolls win means that we gamers of all genders are missing out, do not let it come to that!

 

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The future of gaming

My life, for the most have been about gaming in one way or another. My fascination with computers started when I was just a young man (an annoying brat to be more precise). I saw the magic of computers when I saw my first Star Trek Episode, which was around 1972 or 1973 (Dutch Television). Computers were magic from that point onwards. You, the reader will not believe or imagine this, but in those days, computers were massive, there were actual career sessions on becoming a Computer Operator. I would not get my fingers on a computer until 1981, but it was more than just love at first sight. Whilst everyone around me was looking at it, if it were a dragon that needed to be carefully prodded with a stick, my journey started in earnest. I could go around the systems in mere minutes. Where sergeants were destroying their own work by not remembering the difference between the ‘write in’ and ‘write out’ buttons on their text processor (Oce), I was circumventing the Defence servers by entering specific parts of the entire logistical system giving the ‘MDETnnnn’ commands at the system prompt. Whilst some were sitting at their desk with their ‘bankgirocent’, holding on to ‘keys’ for their keyboard, so that no one could start certain programs. I was going around the entire system with the entire defence logistical system to explore. But it was not all me, often I was sitting in a corner, listening to a Colonel, who was at that point working on a project called ‘VAB3’. I was helping out, his sergeant; a rather pretty woman thought I was after her. If only (she was really good looking). No, the colonel was the first person where I ACTUALLY learned from, the man had insight and was brilliant, It took me a few days, but then I had a clear grasp of the entire Defence payment system, the codes, the settings and the individual programs, the microfiches taught me the rest.

There was no want for money, for wealth. It was simple learning and exploration. We all learn and grasp in our own ways. Do not worry; it is all still linked to gaming!

My weakness is that I never had any commercial inspiration; I never cared too much about money (other than paying my bills). I was always interested in the Puzzle! In my time I have designed my applications, I made them for friends, I made them as assignments, to make a little cash. I once had the option to automate cinemas, but after one afternoon I dropped it. Not because I could not do it, but because it was too easy. I had solved all parts in less than three hours but I did not write it as it had become a mere exercise. It was my only real flaw and to the smallest extent it still is.

I did actually also do other things (like actual work) with mainframes and at times, with those dinky weird contraptions called PC’s. The IBM PC was bulky, and had two boxes the size of the Google OUYA flat side forward, one slot was for the 360Kb floppy the other slot was for the 10 Mb disk drive, which was priced at $2999. Yes, I did say 10 Megabyte! On the disk was a program called Lotus Symphony version 1.1, which I used to create a program to manage the numbers and information of dangerous cargo on container ships (in those days the fines for too much IMCO 5.1, whilst entering Singapore were truly massive). It took me 3 days to work it out and after that they could find the information in minutes, which before that moment took hours and sometimes up to 2 days to check the containers of a carrier at times having a load of almost 1750 containers. So, I did achieve plenty, but it was always the puzzle that pushed me forward.

masterelite1 So, how does this relate to gaming? To get this, you have to consider the days of non-graphics, where a game like Elite was high resolution graphics (in those days).

It was the first game I actually played for some time on the BBC micro B computer (which was not mine), but I was hooked ever since. I moved from Vic-20 (second hand) to a Commodore 64 and from there on, whatever work I did, it was the console at home that satisfied my need for ‘puzzles’ and exploration.

This now comes back to the game we see getting more and more attention. The game is called ‘No man’s sky’ and the person giving it the visibility it deserves (and more) is Danny O’Dwyer (at http://www.gamespot.com/no-mans-sky/). This game takes me back to several games. First, there was Elite, where we travelled the cosmos, trading and shooting wars from Harmless to Elite. The game is at times mindless get through it, simple, but the trades, the encounters, the jumps to a new place and especially in the beginning, docking with a station, had me and many like me glued to the screen. Later on the Commodore Amiga, some German person made something that looked like a Star Trek simulator, where we could fly to planets, get into orbit and (that was it at the time, the game was not complete). After that Origin (the people behind Ultima and Wing Commander) give is a higher graphics version of Elite and they called it Privateer. Later still Peter Molyneux gave us Black and White, a god creation game. I could go into a lot more detail, but I do not want to bore the reader with my gaming life.

There is one reference that is missing. In the 80’s, there was a comic strip in a magazine called ‘Computer and Video Games (CVG)’ about a ‘god-creation simulator’. Here we have the elements of the puzzle. Here we see the elements of No Mans Sky united. The exploration of a planet, from there we can see and visit the planets in the cosmos and grow in wealth, menace and trade as we find larger and better means for travelling. This game has all the elements of gaming I always loved and this game is close to giving us the almost perfect exploration game, where we are mere travellers in all the freedoms we ever wanted. We are not limited by the confines of Tamriel or Sosaria. This game is close to promising a journey where our own imagination is slowly becoming the only remaining limit in gaming.

That would make this game the most enticing form of gaming we are ever likely to meet and see. It is quite literally Minecraft on an epic scale!

We will always want our Scribble Shooter (or its smoother brother Halo), but gaming is more than a race, a fire fight or even a quest. No Man’s Sky is trying to meet the promise some of the older gamers have waited for, for a lifetime. Will we get that experience? I truly hope so!

I have had good days, even great days in many of the games on nearly all of the platforms. Even today, as we see new games trying to fend for the ‘top’ spot of gaming, some gamers are still yearning back to the games that actually delivered a sense of wonder. Whether it was one of the Ultima games, a Metal Gear Solid, the original thief or even a game like System Shock (both one and two) delivering that sense of joy. Some will desire the days of Mass Effect and would want to walk around the Citadel beyond the few levels we saw. No Man’s land is currently implying that it will offer all of that. That makes the days of Danny O’Dwyer one of the sweetest jobs around, because he could be sitting on the hottest gaming potato of an entire generation of gaming.

Time will tell whether NoMansSkyFieldSean Murray ends up being the greatest marketeer or the greatest game developer. I am hoping for the second one. The only critical view I have (for now) is that it is good to know that it is coming, the fact that the game is still more than a year away is less interesting if we get to see too much of the game so far in advance.

 

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Story about a game!

This all started with a video blog. It can be found at Gamespot and it is given by Danny O’Dwyer in a segment called ‘the point’ (at http://www.gamespot.com/videos/the-point-is-marketing-killing-the-wonder-of-games/2300-6420070/).

He hit an interesting snare with the topic of over marketing and I agree. When I started to think this through, I also got to the point that it is not all about the marketing side of that caper, but another side to the ‘lack of wonder’ as he put it in gaming. He was talking to someone from an upcoming game called ‘No man’s sky‘, the man is a Minecraft fan, which pretty much had my attention from the very beginning.

You see, gaming has become too much about getting to the end of the track with an added need to get achievements. Too many games are a chase. Minecraft is all about just having fun. It is virtual LEGO at its very finest; this awakens the creators in us, which is always a great thing. The issue ‘missed’ (which might be the wrong term) is that one side in the lack of gaming wonder (as I see it) is an off-set between freedom and storyline. It is the combination that has always drawn me to gaming, which makes me a sucker for any decent RPG.

Minecraft does not have any story, but it counters this with an amazing amount of freedom and exploration. I am not stating that Minecraft needs a story, but as we get the freedom to explore, discover and do whatever we feel like, the impact of a story is less of a factor. As freedom moves away (like towards a Call of Duty or a Ghost Recon), the story becomes more and more important. Some get it right (the Mass Effect series and The Last of Us), where the story drives us, whilst we get a limited amount of freedom to do whatever we like, or we get added parameters (challenges), many get it decent (Far Cry & Tomb Raider) not to mention, Metal Gear Solid: Guns of the Patriot, which is still one of the best games of its kind, even a whole console generation later. Some lose out a little as I personally see it (Call of Duty & Halo), but these games counter it with another extra, which I will get back to shortly. Against these games are the open games like Oblivion, Fallout, Fallout New Vegas and Skyrim, where there is a decent story, yet the additional openness of the game makes a massive impact.

There are a few that lose massive points, because they got the story kind of right, but then the game-play, linearity and the lack of insight suddenly made what could be a massive hit, but got to be no better than mediocre as I see it. In this category we see games like Thief and Second Son (Infamous3).

Second Son is the strongest in that regard, as I see it; the game was over-hyped and over marketed. The game starts really nice, then after a while the designer gets sloppy. The evidence as I see it? Consider that you cleaned the first Island and as your smoke powers grew, you got decently into the story, at some point you get the 3rd power (video), instead of reopening the first island, adding additional challenges and added missions, perhaps even adding more laser and speed missions (2nd power), maximising the power of video, you continue on the linear path to the conclusion of the game. In addition, instead of actually giving added powers to the concrete power by adding challenges for cleaning the city or removing the concrete power out of the soldiers, the game pretty much ends and the concrete power actually becomes kind of ‘lame’, the one power you coveted the most is the one power you can happily do without.

It is that lack that is also killing the wonder in games and gaming. It is a sloppy side.

I mentioned Halo and Call of Duty. These games survive on the challenge of multi-player and that is fine, but I think that these gamers could get a boost of gaming if the story was something you could get through, or even explore a little, instead of run through to the end. Perhaps that is not what they want, which is fair enough, but the reception that Far Cry 3 got (including from me), gives a little strength to the view I personally have. I admit that not all gamers will agree here. In addition, I will reopen the talks on multi-player. Most gamers who are into this side, love (and demand) a good multi-player side to the game. I have never been a Halo fan, but I hear good things about it, some games have a massive downturn in multi-player gaming. In that regard, it is Assassin’s Creed and Tomb Raider that are the worst of them. You see, I believe that things either are balanced or they get an edge, having neither is a bad thing. With these two games, I have tried several times and when you start as a level 1 person, getting stacked against level 50 people, only to get stuck in a bottle neck with opposing you mini guns, one shot killing bows and people with 2-3 bonus skills, you know that the makers missed out and soon thereafter most will have had enough. In opposition I would like to mention God of War, which had an amazing multi-player mode. I was really impressed. You go 4 against 4 and you might have a weapons edge, or not, the fact that it is about the group achievement, you still get some points and soon thereafter you become an equal and even an asset in the multi-player version. A game like that invites multi-player and entices players to get out and do it multi style, which is how it should be. The last one to mention here is Mass Effect 3, which I consider to be the greatest multi-player game of all time. You go in groups of four, you go against a decent AI (at times an overwhelming one) and you go into maps you might have already seen. The options to improve the skills of the characters, the weapons, and armour by playing and buying upgrades is just too much fun. It is the most addictive multi-player form I have ever experienced. I met some of the best players ever. At one point I reached the top 2% of the multi-players, considering that there are over 1.2 million Mass Effect 3 players is just an AWESOME feeling! In all that time, the multi-player remained true to the story (given is that it is just to kill enemies, how wrong can you go) and true to the atmosphere of the game. In Mass Effect 3, it was NEVER about the multi-player, which makes it all even better.

I feel that gaming could move up a notch, not because of the nextgen in consoles, but because the developers will pay better and more attention to the story they hand out.

Even though we all still enjoy a game of Galaga at times, a game that was never about the story and all about zapping the baddies.Most of us will always love to have at least one game like that. I got Scribble Shooter and it is great fun! It is about the other 24 games we buy and we must consider that the next 5-8 years of all franchises will be about the IP (Intellectual Property), making a better story part of the mix will only bind us stronger to the game of our choice, which is one thing the developer will love.

In the end we the gamer win and through this so will the developer!

 

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About Gamespot!

It happens; we all make mistakes, even I (although I do not think I made one). I have been a member of Gamespot, officially since 2005, unofficially several years longer. I reviewed, I wrote and sometimes I complained. So, last week during the E3, where I followed it all for the second year in a row, I was again confronted with the technical flaws from Gamespot during the E3. Now, is it the fault of Gamespot? That is hard to answer, considering that they get a few million plus watchers to see the E3 shows live as many cannot attend the events in person. (it costs a boatload to get to E3 and stay there for 3-4 days). So we see the shows, the live events and the walk through the event.

These items are nearly always flawed because we get a lag, the buffers time out and then the show stops until we restart it and we miss some of it. Such things happen when too many attend (or even too many watching from the distance and your ISP times out). Several steps going wrong and it is unclear to see if there is even any blame. Oh and every time there was a timeout and you reloaded the screen we got the mandatory UBI-Soft advertisement again and again. I reckon I saw the Black Flag advertisement trailer at least 50 times during E3 2013.

That is one side. The other side is different. At times we the viewer would get the chance to ask questions live on the show. These are golden moments and we all hope that our question gets asked. Can you imagine getting personally answered by Hideo Kojima, Nobuo Uematsu or Yoshitaka Amano? In the past I met and spoke with Sid Meijer, Richard Garriott and Peter Molyneux and a host of other game makers. I can tell you that getting a personal response from a man like Hideo Kojima would be similar to Lara Croft walking up to you and asking you to sit down and share a beer with her. These are epic moments we might get once in a life time (if ever). So when I wanted to ask a question last year in regard to Arkham City the following happened.

The Gamespot comment screen shows a ‘log in’. (I was already logged in), but I go to the login screen, I re-entered my name and password and it takes me to the comment screen and I cannot comment, because I am not logged in. I try it half a dozen times and the moment to ask the question is gone. Man was I angry! However, I get that the servers are busy! I complained and let it go. Sometimes technology is not on our sides and we just have to swallow the bitter pill of defeat. This year the same thing happened when I was trying to comment on events and this time I really lost it (which happens to all of us)!

Even when angry I do try to keep my sense of humour about myself. So when I saw the article “E3 2014: Kojima Responds to Metal Gear Solid 5 Torture Controversy“, my pesky and creative inner demon woke up. It was quite an interesting article (at http://www.gamespot.com/articles/e3-2014-kojima-responds-to-metal-gear-solid-5-torture-controversy/1100-6420442/), and I responded on my Gamespot blog roughly (the response was deleted by Gamespot) as stated below:

Perhaps it is an idea to add an Easter egg and let the gamer torture information from the Gamespot web team“. There was a little more, but that was what it amounted too.

So read this carefully! I added ‘Easter egg‘, so something to unlock in a game, more importantly, the game Metal Gear Solid 5. The Metal Gear Solid being one of the most revered gaming franchises in gaming history. I would reckon that the web team would like to be immortalised in such a revered gaming franchise. As you see, I did keep some sense of humour about it, even though as I saw it, the Gamespot system failed twice (perhaps even more often). What was their response? I have now been banned (perhaps for life from Gamespot). It is interesting how some people react to issues.

The response was unbalanced and extremely unfair. I decided to take an additional look at Gamespot. There was a lot on IGN and most of it related to either biased or incompetent moderation. The quote “I have been temporarily banned for voicing my opinion on another member’s poor review of a game, after he continually sent me hostile PM’s” is only one of several voicing the quality of moderation. I did however find something else that made me wonder about the state of affairs at Gamespot. I found this at http://bbs.stardestroyer.net/viewtopic.php?f=7&t=116270

By now, most have heard that Jeff Gerstmann, Editorial Director at GameSpot, is now the former Editorial Director at GameSpot. The short of it, confirmed through our own sources: Gerstmann was fired for his negative review of Eidos Interactive’s Kane & Lynch. But there’s more to the story in which Gerstmann — one of the site’s leading editors for over a decade — was terminated this week.

The GameSpot staff is currently keeping publicly quiet, but CNET, the parent organization of GameSpot, issued a response today. “For over a decade, Gamespot and the many members of its editorial team have produced thousands of unbiased reviews that have been a valuable resource for the gaming community. At CNET Networks, we stand behind the editorial content that our teams produce on a daily basis,” reads CNET’s statement.

We’re told Eidos had invested a sizable chunk of advertising dollars for Kane & Lynch — check the before and after shots above of GameSpot’s front page for proof — and then allegedly threatened to pull the ads if the “tone” of Gerstmann’s “6.0” review (just under the current Game Rankings average score of 70%) wasn’t changed. Gerstmann did alter the tone of his critique ahead of publication, but it looks as if that wasn’t enough for management. When asked about the situation, Eidos declined comment to 1UP. “Eidos is not able to comment on another company’s policies and procedures,” said a company representative.

But pressure from other advertisers may have contributed to the clash with editorial. Just a few weeks prior, GameSpot came under fire from Sony Computer Entertainment America for scoring Ratchet & Clank Future: Tools of Destruction a 7.5. In his former position, Gerstmann was responsible for overseeing (and defending) all reviews.

1UP did contact Gerstmann, but he declined comment, likely due to signing a non-disclosure agreement upon his termination, common in situations such as these.

What’s interesting is the timing of his termination, though. GameSpot has never been a stranger to review controversy or publisher backlash. Gerstmann himself had a long history of bucking the popular trend with certain review scores over the many years he critiqued games for the site, most recently scoring The Legend of Zelda: Twilight Princess an 8.8 on Wii. With no transparency into the situation, no one knows if this is something that had possibly been brewing for a while now, but sources point to a recent change in GameSpot management as the real catalyst. Stephen Colvin, former President and CEO of Dennis Publishing — the group responsible for publications like Maxim, Blender and Stuff — became CNET’s Executive Vice President at the end of October. One of Colvin’s jobs would be to oversee the growth of CNET websites, including GameSpot. The editorial in Maxim and Stuff, publications who routinely review games months ahead of their completion and where the line between marketing and editorial is a little less clear, is much different than GameSpot’s. That was apparently reflected quickly when Colvin joined CNET. “New management has no idea how to deal with games editorial,” said one source not long after Colvin came on board. Indeed.

The question becomes what is happening at Gamespot. This is not about the web team, or just the quality of moderation, this goes much deeper. Consider the almost massive amount of advertising that is as I see it UBI-Soft only advertising. I am adding two questions here.

  1. Is UBI-Soft the only one advertising? Which would be rather odd as the gaming industry is a lot larger than just UBI-Soft!
  2. Why was Assassins Creed Black flag reviewed so immensely high? It could be a genuine rating!

I personally saw Assassins Creed a firm notch lower, especially as it contained a repeated 4th generation of glitches. The blog post lights on several issues I had noticed on Gamespot, the first being that early reviews and ratings were less and less common. Consider this quote from Gamespot “We have no player reviews for EA Sports UFC yet“, which is fair enough as the game is not out until…… Yesterday! So that is possible, there is however also no review from Gamespot, which is in my book slightly unacceptable. Are they or are they not a gaming site? I know the E3 just ended, but not all writers went to the E3, did they? The same could be said for Sniper Elite 3, out next week. Not all game developers want their games reviewed early, but at this stage when loads of games are only reviewed after they get into the stores make me wonder why Gamespot is not taking a harder look on this. Over time I have seen several reviews that would not appear until after the games were in the store.

I have been a reviewer myself for 13 years, published in several magazines. In one high point of my ‘career’ I wrote 18 pages in one issue (which was a unique event), which might have been overdoing it a little. For the most, I always wrote positive reviews. As I had at the most space to write about 2-3 games, I had to choose the good ones. I had no intention wasting space on a 30% game if I only had 3-4 pages to write about.

I have seen other opinions from people writing that the 100% game does not exist. Yes, they do, but they are rare moments!

I have given (as far as I remember it) two 100% scored games. The first one was Ultima 7: the Black Gate. When it was released in 1992 in the age of floppies, 640 Kb computers and extended memory, this game was so high above what was released in those days, it was intense. The water views, the houses, the characters. This game was ahead of the games pack by a lot. The second one was Neverwinter Nights. It was released in 2002. This game took RPG in a visible, creative and story based level unlike before. The creation set was just the icing of a very impressive cake. I still regard these two games as bright lights showing the way to game developer as possibilities on how high the quality of a game could go. There were others, but they got a 90%+ rating. Games like System Shock that even, if re-released today, would likely become greater hits then what they were when they were initially launched.

Let’s get back to the issue. I cannot tell how true the blog was. I do however question the influence that is implied in the article on reviewers. I think that GTA-5 is a good game (not my choice of game) and 90% is a view of the reviewer, as was the 75% for Ratchet and Clank. Is the review far below our expectation less value than the one reviewed higher? I have always loved the Insomniac games (I have the bulk of them), which makes me wonder what to make of the ‘star destroyer’ piece and more important are the high reviews too high, the low too low and where do we base the comparison on?

The quote “New management has no idea how to deal with games editorial,” is another matter. A game is software, which means we look at the quality, the play value and the content. Is there a reason to debate Infamous Second Son at 80% when we get 15 hours of play time? Yet, Thief was only granted 60% (which was too low in my mind). A reviewer writes in his (or her) own street of passion, and in my street the games like Ultima, Mass Effect would end up with a high score compared to GTA-5 (which was not my cup of tea). However, no matter what my view is, over the timeline of games reviewed there would be a consistent view, and as such, some will value my views, some will value the view of Carolyn Petit. In the end, reviewers, not unlike columnists will have their own distinct styles and choices which they voice. I believe true reviewers will keep a fair view towards games, even towards games they do not like.

If Gamespot as implied by some has become a mere vessel for advertisement and basic information, then what value is there? The quote “I agree with Gamespot, they use to be good but have gotten far worse” is one that I have seen growing for some time now. I wonder why CBS Interactive is letting, what could be a powerful trademark, slip into something that just seems to become below average. I do not think it is just the people. I immensely enjoyed Johnny Chiodini when he was making Feedbackula (still a shame it got scrapped), Jess McDonell, gaming goddess, wearer of the coolest gaming T-shirts and bringer of excellent news in an upbeat way and there is Cameron Robinson with his Reality Check. They all bring video news in interesting ways. Gamespot also has its share of writers, which makes me wonder why CBS is not taking much harder stance on protecting and ensuring the value of the Gamespot Trademark and the issues that are at hand as I see them. Getting back to Cameron Robinson, you should watch his video “Surprising Facts About Video Games You Probably Didn’t Know” and it only gives a lot more question marks in regards to the implied ‘buckling’ of reviewers to the pressure by the software houses. Is it true? I cannot tell as the only name that keeps coming up is Jeff Gerstmann but the numbers that Cameron Robinson brought states that gaming sales is outperforming the US box office numbers, giving additional power to the question why CBS is not stepping up to the plate fast and immediate.

In the end games are product, they have a represented value and they rely on ‘good’ views. The consumer relies on a trusted portal where they can get reliable information from those with a view on that industry, simply because most people only get to spend money on a game once and they want the best game for them. If Gamespot loses the credibility, then others will step up to the plate, because one does not ignore a market that surpasses the 100 billion dollar mark this year, others will come and take the Gamespot share, whether they will or not will mostly rely on the actions of CBS Interactive.

 

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UBI is not going soft!

Another year and another E3 ends for the gaming industry and their devoted disciples, the gamers! Do not think this group to be soft, to be forgiving or to be misguided. They are running beyond 1 billion believers and they all believe in the power of joy from the game. It is a dedicated group. They have existed for over three decades and their numbers still grow.

They are not dressed in clerical outfits worshipping the house of Pong (it’s an Atari thing). They want their games hard, direct and lasting. I truly believed that this group had been deserted by UBI-Soft. I remain true to the feeling that UBI-Soft had gone soft on gaming. There was that Assassins Creed wannabe game regarding pirates (rated much too high), there were a few flops (which any maker will have) and Watchdogs, which was going to be a PS4 launch night game was delayed by a lot. Then we got Watchdogs, which was good, but had been overhyped too much by too many (not all due to UBI-Soft). So, here we have a maker, making a billion plus, losing the game, or so I thought.

I must admit that UBI-Soft is showing true gaming promise, even if some of the cut scenes are massively overdone (but the younger players love them).

There is Far-Cry 4, a game that until recently I would never consider touching. This game must be mentioned for two reasons. I bought the first one on the 360, and I still regard that as the WORST purchase ever! I did not play the second one, yet at some point I did play the third one and it was excellent. The game showed the openness of Midwinter (an old Microprose game), had the interest of many options, choices and sides and left me with a very good aftertaste in my mouth. UBI-Soft turned a fiasco into a winner. As I bash Yves Guillemot around at times, I must be honest enough to admit victory where he (or his minions) makes them.

I think that E3 2014 shows that not only is UBI-Soft back in the game; they are on route of reclaiming the number one development spot (which I considered that they had lost). There is more of course. I loved the Splinter Cell games, but they messed up Blacklist by not setting up the interface for replaying any better (it was the only flaw in my mind).

As for the new games, I was never much for racing, but the Crew has me yearning for the controller to play an ‘open’ racing game! There is a lot we might still wonder, but the presentation shows something that Sony with Drive Club did not deliver from demo day one and now is unlikely to equal. Now THAT is how you set up a game Monseigneur Guillemot!

Getting back to killing people! Whether the streets of Paris are the place to wander in anonymity is matter for another discussion, yet the idea that it will be an open environment game is without a doubt a massive step forward, especially in the light of the size a village like Paris represents. I was not impressed with Black Flag, but bought it regardless (lack of PS4 choices at launch night). It turned out I was right (read the other articles ‘A body blow to gaming‘ on March 6th and ‘Fifth in a trilogy!‘ on December 4th). Yet, the demo I saw in regards to AC Unity has me interested. It could be a massive turn for the better; I will however write fire and brimstone if they revert to the same ruddy glitches I have seen for 4 iterations.

Next, there will be more Tom Clancy in both the new Rainbow Six (not my cup of tea) and ‘the Division’ which seems to be very much my cup of tea.

Yes, as I see it, UBI-Soft is waking up to smell the need of the gamers and they are implying in their presentations that they are meeting the challenge. Time will tell, but I am a lot more positive about the course Yves Guillemot is taking UBI-Soft. I reckon that Next Gen gaming is finally getting a secure spot in the future.

When it comes down to Next Gen, I am not done yet. I have spoken out against Microsoft (or Micro$oft) in past items more than once. The image they left in 2013 drove me powerfully away from Xbox One and straight into the arms of Sony, which I considered to be the true consoles for a long time (PlayStation One, Two, Three and Four). Their approach of an ‘entertainment’ system in 2013 left me without a doubt that even though they seemed clued in with the Xbox 360, the top of Microsoft forgot what gaming was all about and came up with a half-baked device. I still think that the Xbox one is flawed on several levels, but their presentation on upcoming games does show that they are trying to figure it out. Their show was indeed really good (against Sony’s presentation which had slipped slightly) and the funny remark by Peter Molyneux in regards to Fable Legends that ‘it needs more dog‘ (via Twitter).

There is one more issue that I want to raise at present. It is all about the delays. Part of this is because of places like Gamespot, part of this is because of the Marketing divisions of places like UBI-Soft (and many others) and most of it is because of a truckload of gamers. Yes, I agree I want to play all the games today or even tomorrow, but a good game requires waiting at time. A good game will be done when it is done. So when we see a list of games like Batman: Arkham Knight, The Witcher 3: Wild Hunt, The Order: 1886, Quantum Break, Dying Light and The Division that will not make it to the console in 2014, gamers need to stop crying like little bitches! We (me and millions of gamers) want to play a 90% plus game that is legend, not a game that became mediocre like Thief, because someone at marketing pushed for a quicker deadline. The difference between Arkham City (90%) and Viking: Battle for Asgard (50%) is both timing and vision. We cannot do anything about a lack of vision (something the delayed games are not in short supply of) and timing is what we should give them, even though the valid issue remains ‘why show anything at E3-2013’, which is a discussion for another day; let me assure you of that. If we get back to UBI-Soft, then we must admit that Watchdog, with a 500 page hint guide shows that this game is loaded with stuff. It ended up being an 80% game, on release date this would have been a mere 45% rated joke.

We should never be dependent on ratings, that evidence is seen when we look at Gamespot with AC4 Black flag at 90%, which was too high and Thief at 60% was unfairly low (in my opinion). Yet, they are indicators of what we might want to spend money on. Games will always be overhyped by all (including me), it is influenced by what we played (Thief 1+2) and what we expect to see (the Thief demo at E3 2013). So will the next Rise of the Tomb Raider learn from the mistakes (as I see them) that they made with the 2013 release?

Time and patience will tell!

 

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A body blow to gaming

We are about to start Q2 of 2014 and the news is not good for Sony. Thief is about to be seen as below average by several reviewers (a score of 60 from Gamespot at http://www.gamespot.com/reviews/thief-review/1900-6415675/). Now, Thief might be an acquired taste, but its following has been fierce fully loyal. The issues and the ‘good’ looks that were given at the E3 are now getting slammed on several levels by several review sites; in this regard I gave it a score of 75%. I initially gave it 80%, but as the blatant levels of sloppiness became visible after completing the game, the score dwindled a little.

People might think that it does not matter, but consider the game release claims that Sony made for 2014. It only takes up to 4 games under achieving the gamer’s expectations, for a console to lose a massive following. Yes, Sony is at present happy with the fact that 6 million are sold, but how long will that continue when the released games do not hold up to scrutiny?

I personally thought AC4 was a lacking game on several fronts, and thief might have given pressure and serious nervousness to UBI-Soft. This is however no longer the case considering the score Thief got. Yet, they are not out of the woods yet. Watchdogs was initially a first day console game, which is now supposed to be out by the end of Q2. If they do not meet expectations, Sony will enter Q3 with its PS4 having several flops, that is a massively bad result for something that is supposed to save Sony. Before you think I am Sony bashing with some Xbox-One motive, then think again, I willingly choose Sony and I am hoping that they will get their ‘game’ in order, as one more flop could have an majority of ‘console undecided’ people running towards Microsoft’s Xbox-One. When we see quotes like “Thief’s main story ultimately goes nowhere” and “Thief rarely captures the right sense of risk, however, which in turn reduces the sense of reward” should give many gamers cause for concern, especially with an icon title like Thief.

This is in my mind however, the consequence of a larger issue. I have noted it before on several occasions and again I state that the addition of what some laughingly refer to as ‘Business Intelligence‘ to the gaming industry might be seen as the main cause of several failed titles in the last year alone. Whether it was to hatch onto an established branding, because a certain deadline had to be met or because budgetary needs (which is actually a more valid reason), outstripped in the end the legendary status a game could have gotten, is now left with score like ‘average’ or ‘fair’ and many will now try to solve the revenue issues through subscriptions and micro transactions.

So, we could in the near future see the status: “Gaming is dead, long live……whatever!

This is no way for gaming to go down. This is not just about setting up the IP of a brand, or just branding in general; this is about the pure lack of visionaries in gaming!

Is it a fair statement to make, even if it is only my view?

Consider what a game costs, for that we want to see something pretty spectacular, but overall, the value for money is no longer given by the creator, but by an analyst and a marketeer, who both seem to be oblivious to the gaming condition of the gamer. They look at branding, profitability and in the end it will all be about micro transactions.

In the gaming industry, I am a devoted RPG fan. So, I have little interest in HALO, GTA and a few other games, which is fair enough. There are plenty of gamers liking them, but overall, consider how many hours you actually play a game. Will it be worth it? Make no mistake, I do enjoy a decent multiplayer and I have played many many hours on Mass Effect 3 multiplayer mode. In my view it is the best multiplayer experience I have ever had. God of War Ascension is another game where the multiplayer is a great experience. There we see the additional part that these levels are quite unique, so that just adds to it. These games have a certain level of playability which makes multiplayer a delight. Something UBI-Soft never figured out. When I start on level 1, and Assassins Creed (2/3/4) gives me a ranked match where I end up against people from level 51, something is definitely wrong and the fun to play multiplayer is soon diminished. Another mess they did not solve in 4 iterations of the game.

So as we see Sony move forward on PS4, they will depend on good games to remain the top player. Many of the games we expected in Q1 2014 (as mentioned in Nov 2013), have been delayed. That makes for unhappy gamers. Now, in all honesty, every game is likely to have some delay, but when we see a delay of three quarters (Watchdogs) there will be cause for alarm. Now, we see that not just the delay, but the diminished power punch that a disappointing game brings is still a fear on the mind of many. No matter what Sony does, if Titanfall truly delivers on the Xbox-One, then Sony will have a first fear to deal with, because it takes one good game to make a gamer reconsider. That was clearly shown when Metal Gear Solid: Guns of the Patriot was released on the PS3. Even now, 6 years later it can still be regarded as one of the most perfect games ever to be released on the PS3. Here I agree with Gamespot who named the game as ‘technically flawless‘! It sold almost 6 million copies, which is an impressive result, especially as the action adventure is not for everyone. Analysts stated that this game would be the reason for increased console sales, so as high scoring PS4 games remain absent; will Titanfall be a first step changing the direction of gamers? For me it is hard to say. The first worry is that Gamespot had no preview, or review on their site, which is weird as the game will be released in one week time. Titanfall is not my cup of tea, so I have no view one way or the other, yet overall as the next-gen consoles are supposed to be the hot item, the absence of top games on the PS4 will have an impact.

Should you have another view (which is fair enough), then also consider the following, when you go to a site like EB games, with the ‘top’ titles at the top of the screen on the PS4 page, only one is for sale now (Thief) the others are all preorders, is that not a little weird?

Personally I do hope that PS4 will win the console war (I am slightly biased here), but they will need the games to make it work and the next possible top game is still 2 weeks away.

 

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Stealing cars for fun

Last week GTA5 was released. GTA stands for Grand Theft Auto. I remember the very first one on the PC (long long time ago). I thought it was fun and had an original streak. To be honest, it was fun, but never really my cup of tea. That part I learned when I bought the fourth one (after many years of not virtually stealing cars). I have nothing negative on the game. It looked good, but I didn’t get into the game, this happens. Does that make it a bad game?

No!

It just makes it a game (many) other people like. So, because of that I did not go out to get the fifth one (also, I am severely broke).

Others will enjoy the game and most will love it. Fair enough!

The fact that some call it 10/10 is debatable (perfection in gaming is rare), so when I saw that Gamespot gave it 9/10 I shrugged my shoulders. 9/10 is really good, so many would buy that game in an instant reading that game score.

There are additional issues for me to not go for a perfect score. In my mind the more perfect a game is, the smaller its population. I reviewed games in the past and my first perfect score was for a game called Ultima 7. I myself am an RPG fan; many knew this so when they saw that they knew that my score was biased (as a review tends to be) and based on my love for RPG. That game was made in the age when we were dependant on DOS and those graphics were truly exceptional. But let us get back to stealing cars on a console. Gamers come in all shapes and sizes. When you invest 200 million Euro in a video game, you are either a true visionary or you are skating on thin ice on the edge of an abyss called insanity (often these two are the same).

So, as I saw some of the initial results, it seems that the makers are about to make a billion dollars on a game. Good luck! I wish them all the best in all sincerity!

When you are willing to take that much of a risk, you deserve those levels of profit. I truly mean this!

My reservation remains true. The larger a gaming population you want to attract, the larger the chance that you do no such thing. Ubisoft with Assassins Creed is in my view evidence of that. Adding things left right and centre and as such, more glitches, more issues and less joy (read additional frustration).

Until today, when I saw the latest ‘Feedbackula’ (at http://au.gamespot.com/shows/feedbackula/?event=gta-v-review-revulsion-20130920) I got seriously weirded out.

Some reviewers are good, some are bad, but to go after these reviewers in personal abuse is taking it way too far. So watch the video and stand by your reviewers. Were these reviews wrong? Not really! Like me, some reviewers look at certain items in a game.

A reviewer called Caroline called the game a Misogynistic experience. For those unaware of a dictionary, it explains misogynistic as “hatred, dislike, or mistrust of women“. Well that part seems to be proven in the past and what I read in the present. Let’s not forget that in GTA-IV the game was about the Eastern European Mafia. Not the group that seems to hold women in high regard.

It is interesting that the playable main character cannot be a woman.

I will not judge that on fairness because of the environment of the game. This game is as politically incorrect as it tends to get and as the game is all about non-legal pursuits that tends to happen, also fun is that the video game is about to make a billion, whilst last year in Canada, actual car thefts (as in Grand Theft Auto for real) costed the Canadian population around a billion dollar, just a funny coincidence.

But this is not about the actual thefts.

I am actually not sure whether this should be about freedom of speech, freedom of opinion or obsession, but I do know it is about not accepting trolling. The reviewers seemed to have given their honest opinions. They spoke out what they felt was the case, making for the freedom of speech. However the obsession of GTA fans seems to be out of control. Why the abuse? If you think that the review is so perfect and deserves a 10/10, then add your own review on Gamespot, which I do regularly for games I like.

Trolling on Gamespot is so uncool and so ungeeky that I reckon that the trolling was never done by true gamers.

Enjoy gaming and have a nice day!

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Spin dryers by Microsoft

Some might have heard the news and some might not. Microsoft will be launching their new console by the end of this year. Sony will come with one too, but about that more at a later time.

So, I did watch the presentation, and it is not unlike an American based company to take on so much more than they are likely to chew when they go up against a population of gamers. This has been proven in several occasions and as such this moment was no different.

The new system is called Xbox One (sounds like a Star Wars episode copy).

This system is supposed to be the new revelations that evangelical gamers will pray too. Yet, this is no longer a gaming console. They now call it an all in one entertainment system.

It is a fair step to extend boundaries. Any business minded person will do that whenever possible. Yet, at this time, with the current available information, many wonder why things were not thought through on many levels is slightly baffling.

Even though Microsoft is releasing information on many planes, I would be in remiss if I did not mention that Gamespot (www.gamespot.com) is a massive centre player when it comes to console information, so they are an important source of information for all readers.

There is one part where Microsoft is right, and it is only fair I mention it. Microsoft’s Don Mattrick stated “If you’re backwards compatible, you’re really backwards.” I grant him that one. Even if I was opposed in the past, in combination with statements made from those who made the ‘promise’ at that point (a promise both Microsoft and Sony royally broke). Where we saw the Xbox 360 and PlayStation 3 to be required to be backwards compatible to PlayStation 2 and Xbox, is just not realistic to expect at this time. So, as such, I will agree on that, even if several gamers might not agree with me.

My first issue is with the hardware that is central to the new Xbox One. If this is supposed to be an all in one entertainment solution, always connected, always cloud ready for downloading of Movies, TV, Games and so on, then whomever lacked the synapses to decide on a 500 Gb drive had clearly been watching a little too many Xbox-Files (like the TV series from the 90’s with Box Mulder and Data Scully). Then 500 Gb would then have been mucho alien. Now, the difference between 500 Gb and 1 Tb is about $20, so when they state it cannot be upgraded, in a time when we are all overloaded with data, we should start asking serious questions. Their statement that we can add a USB3 drive just does not hold water. Consider that they called it an all-in-one entertainment system; consider that a Blue-Ray can contain up to 50 Gb and consider that the operating system and temporary files for this system takes up some space too. Then this system has space for 9 movies in high res (worst case scenario). Even less if we consider the need for our music on MP3, out private photo collection(s) and a few games, then this drive will be choc-a-block stuffed full really quickly.

In opposition, as a start, I might not object to a 500 Gb start. Yet, the non-upgrade limit means that we will need extra external drives; so in addition needing power, needing cables and one young player accidently yanking the wrong cable might make things go wrong fast. This is also the first of many points where your internet data plan will cut in (or cut out might be a better phrase). You see, data plans cost money, and considering the plans some are on now, then the added changes would also mean you might on average pay $30 a month extra to keep being online. So that goes towards $400 in extra costs each year (not including the annual fee for Xbox live). Mind you, this is the INCREASE, not the bare cost. In some cases some would go from $69 to $99 a month. That should go over well with the millions of students all over the globe who are already in dire need just to make ends meet. If you think that this is an exaggeration. Think again. The system that now boasts on 3D gaming possibilities will need data to get this all rolling out. So either you accept time for a dozen DVD’s to install, or you’ll have to get to the cloud. In addition, they might offer the ‘normal’ version on 1-2 DVD’s and the rest needs downloading. This is a bigger deal then you realise. For example, consider the option of starting World of Warcraft on the PC as a new gamer. It is really nice that they offer it for free to new gamers to try. I am honest; it is a really nice gesture. Yet the initial download is 22 Gb. For some that is almost half their monthly download allowance. The second part of their entertainment boast is that they will support 4K. 4K is a resolution for TV meaning 4000 pixels per line. In all fairness there was a mention that this is for photos and movies only, not for games, yet, the 4K trailer of Spiderman (trailer, not movie) was said to need almost 500 Gb. That much for a 3 minute trailer? Is anyone waking up considering the ridiculous limitation of a 500 Gb hard drive?

Realistically, we are not ready for 4K resolution, as this goes beyond the ability of Blu-Ray, which of course makes me wonder why the 4K mention was such an effort? 3D is more and more added to the consumer’s home, yet at this point, we see an unbalanced situation between the offered hypes and the offered hardware. Not a good thing Microsoft!

So let us take a gander in the second division of MS issues (This applies to Sony too by the way). This new-gaming wave seems to cross several borders. What is advertised as new gaming, what others call entertainment, what few see and should see as the end of privacy! Microsoft is now offering a solution that is always on, always connected and remembering and learning from you all the time. Most laws are not ready.

The one thing that we hold dear, that we protect, we seem to give away when playing a game.

The new systems are all about data collecting. They call it ‘trending’, it is in reality a ‘personalised’ form of mass-advertisement. The abundance of hype created whilst stating interaction through the cloud is in fact nothing less than a new form of data collection as Skype, TV, movies and your choice of gaming is at all times stored and saved on the cloud. A system that interacts as per now on multiple levels, unhindered by privacy laws as we surrender to that extra little ‘benefit’ where we forget that others get access too.

Their on-line system is now getting grown from the initial 15000 servers now that Xbox 360 uses, to 300,000 servers from the moment the next Xbox is launched. It is a 2,000% growth in data collection and over 200,000% storage capacity. If foundations of business are set to return-on-investment, then ask yourself why a gaming system requires that level of growth. Intellectual property that is no longer bought, but rented on a temporary basis as the cloud keeps what we buy, yet we will pay more per hour and hand over our identity in the process.

Most laws are not ready, with these new systems starting to get pushed out as per this year. Consider this; the presentation had a quote in relation to the collected information “Game developers can take advantage of our data centres“, is anyone else getting access?

As Justice continues a losing battle against cybercrime, corporate entertainment is about to hand the keys over to a group that can really use all that input. Should you consider that this would not happen, then remember how Sony lost the security of a few million accounts which included credit card information, affecting many in Australia. When this level of collection happens, when consumers connect devices, then consider the added interest cybercrime will get as many will want these amounts of data for several reasons and most laws are not ready.

In less than 6 months we will see a new age where many willingly, unaware of the consequences will give out their details, their personality and their identity to a data cloud where we can all be statistically weighted. The haves and have nots will see their private lives classified into moments of targeting, some of it likely questionable. The laws are not ready, the justice system is not ready and law enforcement is not even close to ready.

So we are faced with the cloud, space and privacy. Consider that the new console was announced to be cheaper than the 360 initially was. Consider that Microsoft is adding hundreds of thousands of servers. Then consider that thy need to make a profit. So how will this happen? More important what extra costs will you the consumer get when their marketing will start making statements like the one we heard when the 360 was about to be launched “Each console has a variety of games. Most games released on the original Xbox are backwards compatible and can be played directly on its successor, Xbox 360” This did not pan out so well. Sony was just as bad, if not worse as millions signed up for the PlayStation 3, selling (or trading in) their PlayStation 2, only to learn that this backward compatibility was not ever working correctly.

Now, as stated earlier, the new consoles will NOT be backward compatible, yet Marketing is making all kinds of statements again. The Telegraph reported in (Source: http://www.telegraph.co.uk/technology/video-games/Xbox/10075540/Xbox-One-gamer-backlash-over-fee-for-pre-owned-titles.html) that gamers will see a fee coming their way when they are playing pre-owned titles. How fun is that? I admit, I am not yet aware what Sony does, yet this could tip the scales in a major way. I all honesty Microsoft Marketing did state that there will be pre-owned possibilities, yet they have not officially stated how this EXACTLY will play out, so we await clarity by Microsoft (be really really patient)

Personally I am on the fence in this regard. I never liked pre-owned games. And as such it never really hit me. When we look at off line gaming, my thoughts are that this is none of Microsoft’s business. If I give a game I am done with to a niece, a nephew, or even the neighbours so their kids can play a game without having to pay for it, then so what? I do agree with Microsoft that the one who buys the game gets access to on-line gaming. If someone else wants to go on-line, then they should by an access pass for the on-line part. They reserved the gaming server for me the buyer, the next person will need to pay for that service. So off line gaming, patching and so on, they should stay away from charging. That is my personal view.

So here we are, Microsoft marketing spinning their party lines fast enough to get your clothes dry, it does however gives more and more pause to the quality of gaming we have to look forward to. This is how I currently see the gamers market go backwards. A business approach to a consumer world, pushing through all kinds of idea’s the youthful player never signed up for.

So Microsoft calls it an entertainment system. Entertainment? For who?

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