Tag Archives: Portkey games

The idea and a half

That is the setting, it started yesterday. To relax me I decided to listen to some Hogwarts ambiance music and I stumbled upon the 4 common rooms under Christmas and as I was relaxing, I suddenly noticed a few things. The shadows, some other details and my mind went racing and as such I created a ‘new’ IP, or better I reengineered one. Ih this story I was arriving at Hogwarts as a replacement student, I was replacing Abraham Ronen for a year as he was attending family business. It was quite the rush seeing Hogwarts after so long and I was giddy as a first year student. As I was attending late, I tried the old ways from my youth and would you believe it, that method still worked. I set the frog in a tree and cast the spell making it a one time only and only for me setting and I arrived in a dusty old room, where the brother of my frog was left untouched for years. There was another frog there and it would place me at the bottom of the curved stairs. I quickly charmed the room and cleaned it up. I saw the dust all over from the years of neglect and I summoned a house elf, which weirdly enough wasn’t answering, so I called my personal house elf and asked him to clean up this room. He nodded in acceptance and a minute later he was busy cleaning and scrubbing the room. I thought for a moment and summoned a second house elf from my house in Irondale, the house elf apparated and soon they were both cleaning the room. I asked the second elf to focus on the cozy chair and the walls. I then walked into the frog and appeared at the bottom of the curved stairs. I was hit with two settings, the first one was that it looked still like I remembered it nearly 15 years ago. The second thought that it was massively empty, there wasn’t a sound other then some hoofs in the distance. I walked to towards the great hall and as I got closer, there was still no sound. Over a hundred students tend to make noise, so it felt wrong, also the rooms were absent of candles and lights making it an eerie setting. I walked through the large doors to see…. Nothing. This was odd, I looked at my watch, I then looked at the room and there wasn’t a sound. I called for a house elf. It didn’t appear. I was slightly confused, no professors, no students and there was the sound of hoofs outside. Not even the ghosts were here. I took my wand a voiced the disillusionment spell. I vanished into a shimmer I then whispered the lighting spell for the lights and it obeyed, but there was nothing. I then saw a portrait looking at me and I made myself visible again. I introduced myself to the portrait of Minerva McGonagall. “Good evening, I am the replacement charms professor. My name is Severus Seafarer, I am standing in for Abraham Ronen. What is going on here?” The response was not what I thought “There was a panic and all the professors and student disappeared. I do not know where, but there was something dangerous in the air and now you have been exposed too” I understood the setting and she continued “There are the ghosts in the castle who have been given tasks to keep Hogwarts safe, sook them out. Also the animals around Hogwarts have been exposed and they are now rabid and dangerous. The most dangerous creatures are I think the Centaurs, but they are not alone and they stick together” I thought for a second and I took my leave of her. I rushed to the potions lab and got all the ingredients I could find and made several potions for health, like Wiggenweld as well as some anti toxin potions. I went through the professors cupboard and took what I thought was useful as well as some sleeping draughts, I thought that might be the way to go. I then took a different route, I was originally a Hufflepuff student and as my entry word was a professors code, it would let me in. If the ghosts were the answer, the house ghost of Hufflepuff would be a first. I entered the Hufflepuff common room and ignited the fire as well as the lights. In less then a minute the Hufflepuff was as warm and cozy as I remembered it to be. I called the Fat Friar, as he was my first port of call. He appeared but he was shaken, I don’t remember him ever to be nervous. I bowed and he recognised me. “Severus?” he said. I bowed and said “Yes, I am here as a professor now, what is going on? Minerva explained some of it, but not all. What is going on?” The fat friar explained that it was something to do with the muggle world. We were hit in more profound ways, especially the magical creatures. The students and the professors weren’t hit, but they took no chances as the magical creatures were more and more rabid” The professors decided on the painting portals. Each house has an emergency painting and they went there with house elf. We patrolled the corridors but the Centaurs got too aggressive, so we went into hiding. And that is how it has been for roughly a week.

This is the setting my mind conceived. The setting behind this is Covid-19 and the effect it had on magical creatures, because Covid was made by the asians to counter an invasion of Jiangshi and Oni oil their land, but it had an effect on muggles as well and that is the setting the professor Severus Seafarer faces. The game has 4 distinct environments til settings. Ravenclaw is struck with aerial traps and has invading birds. It is also a stage where you are confronted with Helena Ravenclaw (the Grey lady) and there you get to seek the herbal cures for most of the species. In addition that house will cure the air of Hogwarts, as such no one will get sick after that in Hogwarts and the air will start curing those effected including you. This will be seen that the two house elf will suddenly feel a lot better and will be a controlling force for setting up the Hogwarts defenses against the centaurs where you will have a lethal and a non-lethal setting, the non-lethal setting takes a lot longer, but the reward is a lot stronger. Slytherin is under water, the windows are broken and you need to get to repair the house and drain the water (in stages) as the window defenses are restored. The bloody baron has more on the water defenses and the old spell to set up the widow barriers are the first stage in restoring parts of Hogwarts and the Greenhouses (they are in the lower parts of Hogwarts and also under water) then we get to Gryffindor and nearly headless nick who has the final part of the painting spell and as all the parts are now above water, you can now access the paintings, they are linked and you get the other parts of the lore of the disease setting. Gryffindor has the stage where access to the headmaster tower becomes available and there we learn the last parts of the lore. 

So as we get to clear the common rooms, we also get the settings to clear the disease from Hogwarts. There is more, but for now that is ll there is. As I see it, this IP is readily available for Avalanche Software (as they own the IP of Hogwarts legacy) and as it stands as Hogwarts was completely designed in the first game (by them), it could become a larger DLC for the time being as HL2 is still in design. I have no idea how it fares with Warner Brothers and Netflix, but giving this idea to Avalanche Software might be the better option. So John Blackburn, you have an idea and feel free to use it and keep the scores (read: millions) of Harry Potter fans happy. It (the IP) is yours now.

Have a great day and consider the I wrote this on a Sunday morning, so you owe me a coffee (Jumbo cappuccino with two sugar and full cream milk) as I see it 😛

Have a great day you all, it was great thinking up another game, because that shows how some ore waiting all their settings on a non existing Ai whilst I (coffee deprived) think of new IP with my feeble little brain.

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The dangers of a wannabe

Yes, that is the setting. I got rather annoyed by some guy named mr. Dom Riley. He writes (at https://winteriscoming.net/hbo-s-harry-potter-reboot-shows-the-limited-potential-of-the-franchise) the simple title ‘HBO’s Harry Potter reboot shows the limited potential of the franchise’, it is one of the most flawed settings. Not as bit as the stupid girl, who gave Hogwarts Legacy a 1/10 rating, but it is getting close. With the quote “HBO’s decision to remake Harry Potter rather than take the franchise in a new, original direction shows the limitations inherent to the Wizarding World.” It is not that simple, the larger setting that HBO is limited by greed is another thing. Why take chances on what could be (like Ubisoft milking the Assassins Creed franchise with Black Flag) we are given more of the same in a new jacket with cheaper actors (who reveal at the chance to be immortalised by the Wizarding World setting). This is nothing against these actors, if I were a mere 10 years old, I would jump at that chance. The setting is that it is not on the Wizarding World, it is on HBO. There is (of course) a setting that each seasons is a year and as such we are likely to get a lot more, but what if that is below par? I am not telling you, I am merely asking you. You see, the movies are great. The art of the movies were great and the setting is one that almost defies logic and it makes the entire setting re-watchable. Likely as JK intended it to be. It is my believe that she intended to create books that grew as the child grew, so it is a series that entices from 10-18 all in one go. 

So when I see “The Harry Potter book series is less than 30 years old, so it’s not exactly ancient. It’s been almost 25 years since the first movie, and just 14 since the movie series was brought to an end with Deathly Hallows Part 2, so it seems a little early for what is essentially a remake (or re-adaptation), especially as it comes from the same studio. Why not do something different? Is it possible that there’s only so much potential in the franchise?” My first question for Mr. Riley would be “When did you last have your sanity checked?” At what point did you ask what HBO was thinking? At what point did you wonder where the IP of JK was allowed to be? She wrote the books, HBO and others are merely fleecing their greed of a well set IP franchise. The only real original IP comes from Avalanche Software called Hogwarts Legacy and was published by Portkey games. It is an astounding game that has drive, originality (I wrote about it a few times) and an amazing story, so much so that I had to replay it 3 times to cover all the four houses. The game is that good. In addition, I wrote ‘It starts with options’ (at https://lawlordtobe.com/2022/11/27/it-starts-with-options/) offering an additional setting to Hogwarts Legacy 2 and giving the player an additional ‘stage’ for the game. Don’t try to buy it as it is at present the property of JK Rowling.

I am just saying that there were additional settings that HBO could employ, but as far as Mr. Riley tells us, they didn’t do that and he is merely (most likely stupid) and flawed as I created original new IP as did Avalanche software. As such winter might be coming, but it should be seen in the brain of the writer, not in the IP that surrounds the Wizarding World as that is up to scratch and amazing in many ways. 

I don’t go about slamming people, as they are entitled to their views, but this was one straw to many (camel is broken) and that is merely the start of it as I wrote at least one more article preceding that (which is also owned by JK Rowling) and it took me less than 4 hours to write both articles. (I reckon less than three, but that would be too close to the mark), so in 4 hours I dug a hole for HBO and Dom Riley to hide the caskets of their non-originality. 

In part I wrote it to remain creative (and I did) and should JK hand over that IP to Avalanche to add to the thrill of Hogwarts Legacy 2, it would be up to her.

And here I get the next setting where keeping a blog gives the reader the evidence that others ‘hide’ behind ‘I told you so, don’t you remember?’ The blog has a nice temporal setting and I have ben adding to that since 2011. There is no need to go on for 14 years of reminding people, it is set to the internet. And as such I feel that the larger setting is that if it isn’t written down it doesn’t exist. 

Have a great day

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Media Markets

That was what stuck in my mind when I saw the Guardian view of Starfield. The writer Keza MacDonald crying like a little girl, giving us view and “Along with several others, including the greatly respected games publications Eurogamer and Edge, we were left waiting until the game’s early access release last Friday to play it.” Yes, there is seemingly some cherry picking happening, but that has been the case for years. What does matter is that Starfield is not that great release. Some ratings are as low as 70%, that is a massive miss for the budget and alignment of stars. Skyrim with one exception was a 90% plus all across the board. There is a reason that this game has been heralded since 11.11.11, not because 11 is the crazy number (yo figure that part out). Skyrim is no matter how critics see it mind boggling. It still rocks the current generation hardware based on a previous generation console specifications. So when the Guardian gives us “It is very much like No Man’s Skyrim, as much about menus and mining and navigation as it is about finding interesting quest-lines and exploring planets on a whim”. For me this is funny as both Skyrim and No Man’s Sky are ‘earth’ shattering products, they are both unique in their own way and it seems that Starfield is neither. The reviewer gives us “Starfield has had a mixed but broadly positive reception so far”. The article reads like a cry song on how the Guardian is not one of the chosen few, but does it give a good view of Starfield? Nope, it does not. No we are given “Negotiating all this is part of the job for games journalists” all whilst the title ‘Bethesda chose not to give us early access to Starfield – and it’s readers who lose out’. My view? Nope, the readers lost out as you whined like a little bitch. So when we are given “I am reliably informed that this is one of those games that might get its hooks into you after the first 10 or even 20 hours” with the added “though, the forthcoming fantasy Elder Scrolls 6 might be a more worthwhile investment of time” and that is a review? Go cry me a river. Oh, and before I forget the new Eder Scrolls 6 is (for now) not expected before 2026. Does that mean you will whine another 2 years? So the Guardian shirked their duty (as I see it), when the floodgates go away they could have given us the goods. What is good, what is less and what sucks. No, we get a ‘I am not a chosen reviewer cry song’. 

Early access is marketing and I get that and Bethesda, Microsoft and pretty much EVERY game developers will hand over their cherries to the best source of gaming news, which is in this case anyone with the right following that will sing praise of their game. A YouTube reviewer called Parris gave the game four out of five, which translates to an 80% game. He gave us the goods why it is great, on things that are not great and things that need improvement. His review (for a lack of better term) was stellar. That is the review that makes me buy a game and that matters to Bethesda, that was their goal and he delivered on that with  (what I believe to be ) a honest opinion. I see and in this case saw way too many reviews. Plenty of haters there too (not sure why). You see an RPG is rather specific. It is a niche game which grew from small to huge in less than 10 years and Bethesda has been the major driving force in that growth. I believe that they opened the floodgates with Oblivion and the flood never stopped since 2006. Bethesda pulled that off and the added water damage that Fallout 3 brought just kept on going. So we all might have set our views to high after Skyrim, a true crowning achievement for any developer. 

So what went wrong?
I believe that the media is part of that problem, the digital dollars made for a new kind of writing and games are not part of that equation. The media now relies on self proclaimed hypes and that does not sit well with the current developers. Portkey games is a mere example (Hogwarts Legacy) and now Bethesda. So will the media adjust, or will we see another cry story when Guerrilla Software selects their reviewers for the third Horizons game? There is no indication, but that might come before Elder Scrolls 6 (speculative wishful thinking). In the meantime there is a lot more coming and it is not on some developers. You see, I have been trying to keep tabs on the new Tencent Technology handheld console which they are doing with Logitech and how much media have we seen? Not that much. Is it an anti-China thing? That new console will bite into the marketshare of Amazon and Microsoft for sure. It will support Microsoft gaming and as such it will grow fast, but the media seemingly ignored it to the largest extent. I keep tabs on it as it could facilitate my IP and if Tencent wants the 50 million new subscriptions, it can. Amazon seemingly doesn’t want it, Google dropped it Stadia and now Tencent has the option of getting in excess of 50 million new ‘gamers’, surpassing Microsoft within a year, just like Nintendo did with its Switch. Should this come to pass, Tencent technologies will come close to Sony, closer than Microsoft has EVER been. This all matters because the media is keeping gamers in the dark. So when we reconsider the headline part ‘and it’s readers who lose out’ it is not that, it is the media who changed the way they wrote, to adhere to digital dollars, to adhere to emotional flames and that is what most readers are a little sick of. It drive me to create an IP that pushes Facebook and others out of the way. Gamers want to game, but the console has other options too and with streaming that now comes to the surface and a player like Google should have been on the front lines there, not dumping their stadia, but that might merely be me. 

So there will be an upside for Bethesda/Microsoft. Even as their console is no longer the bees knees (it never was), Tencent Technologies could fill a gap that Bethesda might assist filling. Yet I do believe that they need to have a very hearty conversation with reviewers like Parris Lilly (gamertech radio) to upgrade Starfield to ‘Starfield More’. It could propel Starfield from a average 70%+ game to the game that it needed to be (85%-90%) and that would be a massive increase and gamers will applaud that setting. What is funny is that streaming allows for this and for Bethesda to push that envelope to a new setting might be a way to go (merely one of a few) but the crying Keza MacDonald (at the Guardian) didn’t think that through. No, crying and waiting for a 2026 release was the answer that the reader was given. Within an hour I offered a new destiny, a new horizon and a new hope (yes, a Star Wars reference) which in this case applies in more than one way. 

And for me? Well if it comes to the Tencent handheld I might actually play Starfield as well, it might even be a reason to get that handheld (My Switch just died). And that is the gamer field, the gamer field is forever in motion. We might hate Microsoft, we might hate Sony, but we are always looking on that next fix that gaming provides for. All gamers seek it and we are minds forever voyaging (yes, a gaming pun). 

So what next?
Well to be honest, I had closed the Starfield book, mainly because I am not playing it. Yet the Guardian opened that door again with that pathetic article and blood needed to be drawn (I sharpened my Yanagiba knife for the occasion). As stated in earlier articles, I believe in fair play and being honest with shedding blood and tears. Simply put, I will not shed a tear when shedding Microsoft blood, they did it to themselves, but the media doesn’t get that consideration. The media market changed and even as it is not always visible, it tends to be overly visible in gaming. Gamers are a funny lot (I am one of them), pushing their buttons comes at a price, which Don Mattrick learned the hard way on May 21st 2013, now a little over 10 years ago and Microsoft is still bleeding from that event. More-so if Tencent surpasses them by December 2024. Still it is not merely Microsoft, it is the media spin that is pushing gamers into new fields and even as Starfield was to be that force, it is not to late for Starfield, they still have options. I believe that Bethesda has a hidden diamond there. Am I right? I am not certain, but a game that took this much time, energy and resources cannot die on an average setting, Bethesda has created too many great titles for a new IP just to sizzle and that is my view on the matter.

Enjoy the day.

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Evolving a game

That is the matter, it is part of any game if it was designed properly and I have to tell you that Hogwarts Legacy is a lot better than most reviewers see. There are a few good reviewers (except the one in Wired) and as I am not at 50% of the game at 30 hours of play with one character, I have to admit that this game has so much more than anyone realised. I do accept that like all RPG games there is a little too much fetch this, fetch that and go here, go there. But the way it is done, whilst giving you a choice of HOW you approach this game is brilliant. Avalanche software outdid themselves. But it is not about the now. My mind evolved this game into what is next. You see when you have a strong foundation and that is the golden bullet in any game. You see, we can consider what is next, some of the stories are just that good and even if it is not all about Hogwarts, you do get a larger setting to consider. 

To see this I need to take you to another game. A game masterminded by Richard Garriott. He created Sosaria and he mapped it, more important the map was basically the same in Ultima 3, Ultima 4, Ultima 5, Ultima 6 and Ultima 7. The graphics were upgraded and Ultima 7 was as perfect a game as any RPG every released. It is one of the few times I gave a game a review of 100%. 

But that never left my mind and it is time for Hogwarts to consider the next step. You see it will be soon when some want a DLC and that is fine, but what happens when they release the next version, something of bolster Hogwarts legacy? For example Hogwarts learnings? The map perhaps a little larger but with a part of France now added with the Académie de Magie Beauxbâtons? As the main character you become an Auror and how you get there is how you played the first game. With added places like London and Paris (these are always played at night), and a new story as an Auror. As this game is around 20 years AFTER Hogwarts Legacy and long before the Potters became a thing, or the events that started the Chamber of secrets. Different environments, different creatures and different challenges. If they can produce a capturing storyline they have a setting that could be big in 2024/2025. And the way the people embrace this game, it has every chance to do so again, especially if the second run is 4 times the size of this one. We forgot about evolution at times, it happens, because most of us see games as they used to be, a once off event. But games evolve and the gamer that embraces a franchise evolves too. And perhaps it is not France, but wherever Durmstrang is, or its American equivalent. There are a few options and perhaps Portkey games embraces these options, or perhaps they will not, but they have the option and they have it as they made heads turn. I am still a realist, so far I have found half a dozen glitches, only one annoying and I crashed once, but that is it and for a game of this size that is quite the achievement. Especially compared to a game playing in France filled with dozens upon dozens of bugs (not glitches) as such these makers did an amazing job. I cannot wait until I get more done in the game. I stopped because I remember the impact of non-stop gaming and I did 8 hours today. Tomorrow I can do more, so far this is the best investment in gaming I have made in at least two years and I do not regret buying the other games. But that is excellence for you. 

Have a great day and remember to embrace the games you really love, no matter what game it is.

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