Tag Archives: AC Syndicate

January 3, 2025 · 13:37

Changing the question

That is an old setting that has been around for over 30 years. It comes from either market research or politico logy. You see, that setting was given as “If the answer does such the mines not match, change the question” and it has been used in all kinds of media for decades. As such I get to the article in question (at https://insider-gaming.com/ubisoft-far-cry-7-and-maverick/) we are given ‘Ubisoft wants to change the ‘Far Cry formula’ with Far Cry 7 and Maverick’. I found the setting hilarious. You see, we have AC odyssey (2018), AC Valhalla (2020), Far Cry 6 (2021), The Division, (2016), Ghost Recon Breakpoint (2019). That is a mere 5 titles that (as I personally see it) flopped because of shoddy programming ad even worse play testing. I personally see Far Cry 5 as a failure as well, but I have a few personal resentments against it, and I will not hold Ubisoft to blame for that. A stack of failures where the price of these titles drop by over 40% within the first month. It got to be that bad. Riddles with auto assumptions in these games to a much larger effect. As such when the article gives us “It’s understood that both games have had a significant overhaul to their movement systems, too, including the addition of tactical sprinting, sliding, vaulting, and more. Seemingly, this is due to both projects originating from the same game and sharing similar movement mechanics, with the similarities of both games bleeding into one another.” Well, in the past a lot of movement mechanics were blamed, but I saw that as shoddy programming. And as we look at blunder after blunder, the issue isn’t the system, it is the programmer, the director and the play testers. These three sides should be intertwined in creating a top product and they weren’t. As such I will not touch any Ubisoft product until I see a proper version and properly assessed. YouTube influencers are useless as I see it. So as I see it see it, the quote “Ubisoft is seemingly trying to break its own trend of chasing trends, and Far Cry 7 (or whatever it’s called) and Maverick seems to be a step in the right direction, albeit a considerable risk.” Should be seen as a proper one, but I for one see the larger danger in ‘chasing trends’ because gamers are not trends, they need to feel the comfort of a game and that results too often in more of the same. As such we might see AC Odyssey as a part of a revolving trend, but the auto assumption comes in play and the gamer gets into too many ship battles on day one, all whilst the serious setting of ships battles were that they happened seldom and with large gaps in between, all whilst the predecessor (Origins) was a solid product.

Then there was the breakpoint failure. With a headshot resulting in the ping of a Triangle and the helmet flies up for over 30 feet (I remember headshots in 1982 playing out differently) and that ping was not part of the equation, neither was the flying helmet. Then there are all kinds of other settings that made little or no sense. All whilst gamers want to see ‘some’ level of ‘reality’ in that. The games had become a joke. No actor of any level could fix that (in this case Jon Bernthal). Ubisoft obscured their own view to the entire world. As such the answers never fit the bill, so they changed the question and most people will accept that software was the cause. As I personally see it, Ubisoft had much bigger concerns, solid programming being the first issue to address, when in doubt watch Assassins Creed: Syndicate, they are on Youtube. Flying carriages, I asked Tinkerbell and she denies every pixie dusting any carriages, she also reminded me that carriages cannot have happy thoughts. That is merely one setting, one of dozens why Ubisoft is phasing out of the gaming industry. I am not a sceptic thinking it should all be 100%, I have seen my share of stuff floating on air. But for the most when it doesn’t hinder the game, it doesn’t bother me, when carriages go awry in air, it becomes an issue and the waves of panicking NPC’s in AC Paris is just a little too much of a shift in playability. So, yes they can change the question, but gamers have a long memory and they have upset too many of them. As such as I foresee it, there is a setting that makes the Ubisoft stock go down another 25%-35%. Remember that in 2021 it was €84.60, it is now €12.86, that is already an 80% drop and it could get worse. The next released title tends to be the instigator. As such it might depend on Assassins Creed Shadows how this plays out.

Have an awesome 2025 this January.

The deceptive engine

We are all in anticipation of the E3, the one place where the game makers get to take the stage and either entice us for almost a year, or get completely destroyed. As we are 5 weeks away from the event, the game changes. It is all about creating hype, or creating optional falsehood. The false hype allegedly shows that the brand might still care to be inflated in perception value and regard. That is what I see when I look at the Daily Star, who gave us: “Microsoft games news: Has Xbox dealt ANOTHER KILLER BLOW to Sony and PlayStation in 2018?” That notion was so ridiculous that I decided to drill down a little. I have no idea who Dom Peppiatt is, but let’s drill down a little on the article (at https://www.dailystar.co.uk/tech/gaming/696572/Microsoft-games-news-Has-Xbox-dealt-ANOTHER-KILLER-BLOW-to-Sony-and-PlayStation-in-2018). So we start with “The company behind Xbox has recruited Darrell Gallagher to work on the Microsoft Studios Executive Leadership Team. Gallagher has a pretty significant history in gaming: he started as Head of Creative at Sony in 1997, then moved to Rockstar Games in 2004 to work as a lead artist. His next step was to become art director at THQ, before he joined Crystal Dynamics as art director in 2005“. This is fair enough, if Microsoft has acquired a titan like that, there will be optional forward momentum for Microsoft. I state optional, because we have seen that Microsoft tends to ignore its customer base and not listen to actual gamers, which tends to be a much larger issue. Then we get the not so nice parts “NEW Xbox One Games rumoured to be in development“, so the operative word is ‘rumoured‘, that was a first mistake, because we have seen that before, rumoured does not make it true and waiting for 5 weeks gives hype, yet in the same space gives massive amounts of resentment. With Rumoured we see references to ‘Perfect Dark’ and ‘Fable’ with old artwork and no evidence of any kind that it is true. Merely the ‘as leaked by Resetera user Klobrille‘ is given, like that ads any value to it all. The only one that is a decent given is a new (upgraded) Forza Horizons, it is the parade horse of Microsoft and it makes sense to make sure that it is there in all 4K glory. The second one is Age of Empires, it has been bled dry on the PC and it coming to Xbox One was merely a time setting. It was originally one of the better games they had, and if the interface is decently improved upon, it might be a niche market winner. So with 2 out of the 5 games that are ‘optionally’ games to come, what kind of ‘killer blow’ is that? It is not even close to a killer blow, so far they have not had any killer blows against Sony, and the Release of God of War last Friday is Sony showing all others that their games are of a massively higher plane of gamer satisfaction than anything Microsoft exclusively has to offer (at present), and they have close to nothing on the exclusive titles front. When we see “Microsoft and Xbox has acquired marketing rights on some massive upcoming games, including Borderlands 3, Cyberpunk 2077, Splinter Cell, Battlefield V, and Anthem“, we need to understand that ‘marketing rights’ does not make it an exclusive title. Another source had given us two weeks earlier “Borderlands 3 hasn’t been confirmed as being actively in development quite yet, Gearbox has unsurprisingly not given it a release date either“, with in addition “It’s likely to be released on PS4, Xbox One and PC“, so why acquire the marketing rights for a non-exclusive title? Seems a waste of money as I personally see it. Second is (from another source) “Ghost Recon Wildlands Splinter Cell DLC is getting a big reveal today. The Ubisoft content for the PS4, Xbox One and PC“, yet there is also mention that this is merely the setting for a new Splinter Cell and in that regard, there is every notion that Ubisoft, the people behind it will not be making it an exclusive title. The same is a given for the makers of Witcher 3, now prepping for Cyberpunk 2077, which leaves two titles none of these exclusives either. So as the article gives us “it’s important to note these are only rumours at the time of writing” in the end, the entire article was a waste of space for all gamers except for the need of Microsoft getting hypes out. The news that they have acquired Darrell Gallagher, which would be good news for Microsoft, yet to surround it with rumours, nothing to show and the fact that marketing exclusives were tailored whilst the games are not confirmed to be is merely a setting for failure, which we saw with the death blow against Microsoft with the release of God of War and actual exclusive title. It will only get harder for Microsoft; the consoles are set to 2.5:1 so for every Xbox One there are 2.5 PS4’s. There is not a game maker in the world that will not make for both if possible. The only option there is what Microsoft had exclusive and keep on converting the PC games that never made it to console. For Sony, it has its own worries. Both The Last of Us 2 and Death Stranding are exclusive titles, but these two players will not go to bed with anything but perfection and for both no official release dates are known, now that God of War delivered all it promised the hunger for these other two titles seems to be growing exponentially. And a gamer that gets too hungry for new games makes weird leaps, that has been proven in the past. So were the two titles just fabs? I am not certain there has been a massive desire to get the Fable line remastered (one, two and three) and the anniversary edition on the 360 only grew the fans of Fable. So getting them all three on the Xbox One remastered, not merely backwards compatible would be a real win for Microsoft, there is no denying it. It is not as clear with Perfect Dark, the heralded game just wasn’t the stuff of legends on the 360, so were some other games. Yet the fans will bow towards the Fable setting in a large way, in equal measure the Mass Effect rumours seem to resurface again and again, also in light of the Andromeda failure, that trilogy would be equally a win on the Xbox, anyone denying that is just utterly stupid. There are a few others, but they are in essence mere remastered games, not actual new games and that is what Microsoft desperately needs and so far they have too little, too few titles and no push towards exclusive wins.

It is in that regard that we see Forbes, who gives us “Sony And PS4 Are Beginning A Massive 2018 With ‘God Of War,’ And Microsoft Should Be Worried“. Yes, we all agree and even as actual numbers are not seen at present, we see in the UK “In terms of purely boxed units, it outsold God of War III by 35 per cent“, that is in merely 3 days, which is almost unheard of. The only title to ever pull that off was GTA5 in 2013. More good news is not console set, but for Ubisoft, it does not matter, Far Cry 5 broke the 100K boundary (on PS4) in Japan which should make the people at Ubisoft proud and happy and rightfully so, the fact that this will also benefit the Xbox One players is merely icing on the cake for Ubisoft and that is what counts. You see, actual gaming is never about the console itself, it is about the game and gaming. Even as God of War is ruling, Ubisoft is getting a nice global boost and with other Ubisoft titles ready to be released it will be a good thing. When it is about the gaming, we will not care, we only care about ‘gaming the play’, or was that ‘playing the game’? We tend to all get together I tend to burn whomever is trying to hand us hypes that are ridiculous, in that regard we have absolutely no regard for any hype bringer.

In the end, will it help us the gamers? Hypes do not, it is an engine of deception to maximise the product, that is the focal point, in this in that regard that the moment the hype is proven wrong (in 5 weeks at the E3), when any of the Daily Star mentioned ‘rumoured to happen‘ it will lash out to the Microsoft community and they will hold Microsoft accountable. You see, when it suits Microsoft they are all over a publisher with falsehood, when it suits them, so either the rumours are true (and I will reports one it), or this was a false hype that has the potential to sway more XB1 owners to switch console, which is overall bad news for Microsoft when that happens. I they have only one advantage this month than it is the rare case where the Gold Live Free games in April are actually better than PS Plus offer for a change. With AC Syndicate and Dead Space 2 ruling the free games, they are giving a better value in an uncommon move.

When it comes to the deceptive engine, it will not stop, not for at least 4 weeks and it is not limited to the Xbox, there are plenty of ‘rumours’ on the PS4 and Switch field, which we find equally annoying, in addition, it is not just limited to some papers, even a site like Christian Today is all about those rumours, which is unsettling on a few levels.

When you consider that ‘Deception’ is act of propagating a belief that is not true, or is not the whole truth, you might understand why we despise it in gaming. So if we consider that the ‘pro’ Microsoft article was optionally propaganda, as well as distraction, or concealment. The gamer has to ask, what is Microsoft trying to conceal or distract from? We will know in 5 weeks when we get to see the E3 presentation.

What did you expect?

This all started with an article in the Guardian last December, in the air of ‘it was a day plus one before Santa‘, the title ‘Game shares fall 40% after profit warning‘ (at http://www.theguardian.com/business/2015/dec/23/game-shares-fall-40-percent-after-profit-warning-xbox-one-ps4). You see, none of this should be a surprise to anyone. When we look today we see all these ‘what will come in 2016‘ articles (read: multiple) and that is JUST the Guardian, not even a serious gaming source. Another article kicks of one of its paragraphs with ‘E3 WILL BRING SURPRISES‘ and then it reverts to the mundane “This year, we can expect Nintendo’s new machine and plenty of VR games but, beyond that, little is known. And that’s just how we like it“, if that is so, then why waste space on it in January whilst that event is 22 weeks away. Ignoring the event for no less than 10 weeks would not have been out of place. That article ends with ‘A YEAR OF BIG GAMES‘, where we see the quote “but most exciting for gamers are the big sequels“, with several mentions of games that had been delayed from 2015. What they all forget is an element the mentioned article will give you.

So let us take a look!

The subtitle is as good a place as any to start. It states ‘Gamers failed to buy enough games for new consoles to make up for a steep fall in demand for older formats‘, so how about giving the reality of the games which means the subtitle should have been ‘Game developers fail to deliver quality, they failed in many cases on delivering on time, some delayed until 2017, creating a new level of gaming uncertainty‘ that subtitle would have been on point. Assassins Creed is one of those titles, Unity failed massively, the reason for mentioning it is because Syndicate did not become the success it could have been mainly because of Unity. A game that used to be sold out on special editions is now getting flogged for $50 including art book, statue, extra missions and soundtrack. A game sold at 33% of the initial value, new in box. Yes, I give you right now that Syndicate does not deserve to be regarded as a failure, but it remains a non-success. It still has an amount of glitches and issues that go back all the way to brotherhood, they have never been addressed. Mass NPC issues remain and the list goes on, yet again, the graphics department delivered, sound delivered too. There are in mission issues, yet for the most they did work OK, in a few cases they were actually decently brilliant. Yet in all this the NPC issues rose. For example, I can get attacked and the police does not act. I pull a knife and they all start shooting, even in my own (read: liberated) areas. The fact that they act on me is one thing, the fact that they do not act against my attackers is another thing. It becomes even more a joke when a fellow Rook NPC keeps on pulling his knife against my kidnap target alerting the police who now has a go at me too, all scripted screw ups that were not addressed. Yet overall the latest AC is not a failure, in the same light that I placed the Ubisoft business model in the past, planning for non-failure also means that you will never get an exceptional success. Perhaps Ubisoft will catch on at some point (one would hope, would one not?)

But this is not about Ubisoft, they are just one element in a group of many.

The quote: “However, independent retail analyst Nick Bubb said he was “staggered” by Game’s profit warning after John Lewis boasted of strong sales of computer games earlier this week. “We had just begun to wonder if Game Digital might be a good recovery stock,” he said. The department store said gaming and console sales were up 180% in the week to 19 December, picking them out as one of its Christmas bestsellers“, but based on what was this? Special in house deals with 2 games? Places like EB Games are offering new 1TB consoles with 4 or 5 games that is quite the Christmas pick. Oh and what are the numbers? When you normally sell 10 consoles 180% really does not amount to that much. I would think that Nick Bubb would have done his homework a little more meticulously, or perhaps staggering was a factor after he learned that £2290 is not something that gives price to 180% (I am not saying that I know their sales numbers, but I am asking why no one else is making a clear investigation there). And on what margins are those placed? A £299 console is one thing, one with 3 games at £279 is a good deal for the buyer, but it equally means it is a product without margin for the shops.

Yet the big UK player Game should have known that this issue is a lot more clear, so the statement “Game said a 20% rise in sales of games for the Xbox One and PlayStation 4 had not offset a 57% slump in sales of older Xbox 360 and PlayStation 3 games” is a mere given, something they should have known going into the holiday season. You see, many big titles have been delayed, what was coming before Christmas is now coming in March and in a few cases in April. Big titles have not been the success they were supposed to be and in all this So when another article in the Guardian one day later reports “According to the industry body Ukie, sales of new boxed console games in the UK fell 6.3% in 2014 to £935m, and were overtaken by the 17.6% rise in sales of digital console and PC games to £1.05bn“, we should ask the question that Stuart Dredge might have been trying to hide within the text. The issue is “The Steam Winter Sale has gone live today, Dec. 22^nd, and runs until January 4^th“, yes ‘in sales of digital console and PC games‘ translates to Steam sales for PC games, a place where games were down by 50%, in several cases even down by 80%, so as many game shops have a non-return or exchange policy for PC games (which does make perfect sense), people are happy to download a few 4GB packages (in some cases not more than 2) and store that on their multi-Terabyte drives and the list included discounted games like Witcher 3, Metal Gear Solid 5 and Just Cause 3. So, when we know this, the ‘staggered’ response by Nick Bubb comes across as extremely insincere. Perhaps he did not do his homework? How can a person in that field not be up to date as to what Steam does and how that impact the shops, you see Steam has done this before, so it can’t have been that unexpected.

In that same issue we have places like Game and EB Games. In some cases they rely on fans who want their new upcoming Dark Souls 3 (the apocalypse edition) and that game will likely sell out in mere minutes, yet the dangers when a shop is losing space to a stack of Charing Cross editions, because the previous version was so bad is in equal measure not that weird a surprise.

There is still one other part that links to this. You see, we all play the way we can, some only play the way that they can afford and Microsoft has been dubious in several actions, the issues now arising from the Windows 10 update give more towards the fear that at the earliest moment Microsoft will close the valve on ‘pre-owned’ games, a side people rely upon because the average working family no longer has a spare £50 for a new game. Hell, most people in London are hard pressed to have £50 for simple things like food, so how is the drop in revenue such a big mystery?

The UK (as well as many other places on this world) have been dealing with a sliding cost of living crises. It has been around for 2 years and too many people are ignoring this fact, in any normal household games will be the first one to vanish from any budget consideration, which gives rise to the growing need of places like Steam, because between no gaming and playing a game 2 years old at £5, people usually tend to know what to do. The interesting side is that many of those games do not need the latest hardware, actually, those steam consoles will support the bulk of those games on high quality settings, so the Nextgen consoles are losing their footing, a fact that someone like Nick Bubb should have been aware of straight of the bat.

Are you still confused?

Open your wallet, consider your bank account (your present balance) and now go to any gaming store and get a new game. How many of you will actually do that? As I see it, 40% cannot afford it, 60% does not want to do this because they either do not care for games (which is fair enough), they have other bills to pay (which is fair enough too), or they are waiting for one of those delayed games, because they can only afford a game 3-4 times a year. These are given situations for well over 80% of the people in the UK, in addition it is a similar size in most of the EEC nations, so why exactly are we surprised on these sliding scales? I cannot answer why many readers are surprised (many might be genuinely surprised), but we should ask a few serious questions when retail gurus like Nick Bubb are absent in comprehension. In that case we should be asking a few other questions.

And games are not out of the woods yet, not for the near immediate future. Yes, most of us will run towards No Man’s Sky the day it is released (in around 22 weeks), but consider how we as gamers (millions of us) find fun and joy in a $20 game named Minecraft, or on the Tablets on a $5 game named Blockheads, how long until the analysts are catching on the hyped inflated games galore for PC and next gen is a massive marketing mesh that is short term, based upon a turnover need from the initial 21 days of release? We will always want games like Skyrim, Fallout 4, GTA, Diablo 3 and a few others, but that list is a lot shorter than those marketeers will admit to and the large players remain in denial. Hoping on a new shooter online where people do nothing more that run and ‘super jump’ on all levels like it was the first version of Unreal Tournament. How long until that gets boring and old? The remake Doom might be the first one that infuses life into that group, a mere original gems in a mountain of too many fake crystals.

Yes, we will see a few games we all want, we will see games that we thought we wanted because as games developers rely on hype, they are equally extremely unwilling to give out review copies until AFTER the game is released, because it would hurt numbers and the press at large (the real one and the gaming press) tends to be too often in need of advertisers to actually do something about it.

Finally we get back to Ubisoft, but now for very different reasons. You see, they are offering something called a ‘humble bundle’, which one place stated costed $1. I cannot verify this, but the offer (regardless of price) includes:

Tom Clancy’s Rainbow Six
Tom Clancy’s Rainbow Six 3
Tom Clancy’s Rainbow Six Vegas
Tom Clancy’s Splinter Cell Chaos Theory
Tom Clancy’s Ghost Recon
Tom Clancy’s Splinter Cell Blacklist ($10 or more)
Tom Clancy’s Ghost Recon: Future Soldier ($10 or more)
Tom Clancy’s Rainbow Six Vegas 2
Tom Clancy’s Splinter Cell
Tom Clancy’s Splinter Cell Conviction
Beta access to The Division

One source implies that the price is open, but if you paid a few bucks more (like $11) you got a few additional beauties. I was never a Rainbow Six fan, but a huge Splinter cell fan and even only those games at $11 is an impressive deal, so when you consider this, when you see that PC gamers are offered a steamy steam life with excellent not so new games, in a price range that most people could afford, how is the 40% drop in shares of Game still a mystery?

The gaming world is in an uproar, because they did not tap the vein of quality when they should, they did not press forward for true non-annual innovation when they could, leaving marketing to make the call on hype, instead of truly addressing their fan base needs. An expensive mistake that has led to the downfall of the biggest players (EA and Ubisoft), gamers are realising more and more that indie developers will bring what they desire, a great gaming experience; and only now is the press at large considering that the need of advertisement revenue and the need of their readers base is not aligned, the question becomes how will this be addressed?

I do know that when the press is relying on a ‘staggered’ Nick Bubb for gaming, too many people might be looking in the wrong direction.

Wakey, Wakey

Finally someone in the Guardian tech section seemed to have gotten a clue, the title ‘Video games have a diversity problem that runs deeper than race or gender‘ (at http://www.theguardian.com/technology/2015/sep/10/video-games-diversity-problem-runs-deeper-than-race-gender)makes an attempt to scratch a surface that many gamers knew and until recently I was nearly the only one trying to break it to the audience. So happy hurray hurray to “a games industry insider with years of experience in a variety of studios. They wish to remain anonymous“, a singular person hiding in plurality! The quote “I don’t really care if you put a female avatar into Assassins Creed” is interesting, but also extremely wrong. Not for political correctness reasons, in that regard I can be even more politically incorrect than an ecstasy head shagging a crack prostitute in the main chambers of the House of Lords. No, this is all about innovative gaming, a female character could change the field and the quote is part of the problem as I will illustrate soon.

It is the quote “The problem of marginalisation in games development isn’t just about women, or people from different religious or ethnic backgrounds, it’s about entire genres. Marginalisation is happening in the very fabric of the design process, and this is just as damaging to the health of the industry and its ability to hold our attention” that gives a pause, because I have stated part of this for well over 2 years. You see, when Ubisoft started to claim the release of an Assassins Creed every year, which I still see as the beginning of the end for Ubisoft. They show a nice face, their books might seem nice, yet overall they have been lucky with over 50% now based on the digital channel. Yet, there is also cause for concern, first the Division is delayed again until 2016 (Q1), which if it is truly a good game will still rake in loads of capital, yet consider on how AC Unity was close to a flop, in my view the ‘sales numbers’ seem high because Unity came free with nearly every Xbox One shipped. It is one way to get the sales numbers up, but will it give contribution (you know revenue minus costs)? Now AC Syndicate and so far the game is another iteration with another location, with Prince of Persia styled chase scenes, repetitive missions and triggered events. This is part of the problem. Yet, Ubisoft must also be praised, you see, the game ‘For Honor’ is part of the stable that can revive gaming. Gamers wants something new, they want change and For Honor seems to be all that, new, smooth and challenging (as far as I could see).

My biggest issue with Ubisoft remains that success is not a formula, yes a formula does tend to diminish the chance of failure, in equal measure a true success becomes utterly unobtainable too. Add to that unrepaired glitches and a QA department that adheres to marketing regulations and a disaster is close to an assurance. I have stated it in the past on more than one occasion. The article states “Mainstream big-budget video games have been shifting towards a mechanical singularity for years, and it’s really time to ask if that’s something that might be keeping people away too“. It is not a wonder that independent developers are now starting to be the big thing in gaming. If we ignore a release date we get Hello Games, by Sean Murray with ‘No Man’s Sky’. What is interesting here is that even the gospel papers are using ‘hints at release dates’ to pull in the viewers to their site. This must be a first in gaming history too! The old games still have the pull of two generations of gamers, David Braben is proving that with Elite Dangerous. More people are flocking towards the games that offer more than a mere 10 hour trip, a game that offers more than just the chases, the views and a fake open world. Metal Gear Solid 5 is in that case unique, Fallout 4 is unique, and none of those game franchises come on an annual base. The weird part is that Ubisoft sat on a treasure, Black Flag could have been the pirate RPG Sid Meier could not make because technology stopped him and marketing relied on the AC brand to proper something that was close to utterly perfect. They got lucky because Black Flag become the only decent game on launch night of the PS4. I reckon that is pretty much the only reason why it became the success is should not have been destined to be.

Linked to all this is the quote “The thing is, the recent excitement around Capcom’s decision to release a remastered version of series favourite Resident Evil 2 suggests there’s still a large audience for the original recipe“, this is absolutely true. The second one was an amazing piece of work and gamers remember that, which means that the IP can be reapplied to the new consoles. Re-applicable IP is worth a fortune, because any established IP of quality is more than a mere lottery ticket, it is the grail to a 9 figure revenue ready to be a pool of sustenance. This is why I believe that games like Ultima 4,5,6,7, System Shock (1+2) are not dead, they only await the right team to fix it up for the system of today (or tomorrow) ready to feed 50 million hungry gamers. That’s just 2 out of a dozen of IP’s ready to service a community that has a hunger that will not go away. Even as we speak, new games are coming, yet the approach that Tomb Raider took, no matter how nice it looks, it shows perfect graphics at 10% of the gaming time the first game brought. It doesn’t matter whether this was a lack of budget or vision. Gamers are offered less and less, which means that the old IP shows 5 times the gaming the new games are doing.

This is all proven in addition with the quote “Nintendo’s recent Wii U multiplayer “shooter” Splatoon provides a pretty good example of how thinking outside of the box – mechanically as well aesthetically – can turn a “core” genre on its head and make it speak to people who enjoy a slightly different way of playing games“. I think it goes beyond that. This game is worth buying a WiiU for. An original game has always had that effect. PS One with Tekken (Tomb Raider can almost a year later and truly brought sales numbers to a high), PS2 with Ridge racer V, Dreamcast with Soul Calibur, GameCube with Star Wars Rogue Squadron II: Rogue Leader, the list goes on and in that regard PS4 and XB1 both disappointed. Yet overall the next gen consoles are now showing less exceptional games and the future is not super bright. Yes there are really good releases but the number of them are not great, in that regard we see a new wave, consider that many (including me) are currently more interested in the remake of the 3 Mass Effect games for NextGen systems than in Mass Effect Andromeda. That is brought through disappointing NextGen releases and sloppy QA. So far Phantom Pain is one of the few true NextGen releases that are turning public opinion about by being truly exceptional, another title in that regard is Witcher 3.

The appeal for the massive joy that playing these old masters brings cannot be ignored, yet that also brings the problem that the title gave, namely ‘Video games have a diversity problem‘, it does and until true NextGen originality comes knocking (more than 3 titles) this feeling remains. Yet, good games are coming, the E3 showed that, but gamers do not know when and the Ubisoft problem is not going away at present. The quote “A new generation of successful indie developers is currently moving into the mid-sized AA space that so many more experimental companies occupied throughout the 1990s – and they’re hiring” is the most uplifting one, because that brings more likely than not a new wave of originality (we hope) and that will get the gamers on board.

I believe that 2017 is what will make or break the current consoles, yes the PS4 is doing extremely well, yet both systems have a massive market share and as the great titles are brought that field will move in either direction (PS4 vs XB1). That struggle will keep gaming alive and as more gamers have both systems they will win no matter where the game ends up, but the winner will be decided by the best games, Microsoft learned that with the 360 and ignored that with the XB1 as the powers that be decided on some ‘family entertainment system’ a choice that nearly bankrupted the Microsoft console division. In all this one part must not be ignored. It is ‘diversity’ and the owner of that part will bring the winning ticket to a console, for a long time Sean Murray held it with his upcoming game, yet as the flawed choice of keeping people in the dark on release date grows, so will the interest in the game dwindle to anti-climactic proportions, which is a shame. What Sean forgot was that gamers do not mind waiting, as long as they get some insight as for how long. We will wait until Q1 2016, but we want to know about the delay (and for roughly how long) so that we can buy something else to play. Sean forgot about that part, the fallout will come and as fallout 4 is released people will no longer wait and just move towards another game that gives them long term pleasure. I truly hope that we get to play No Man’s Sky because I believe this to be the one new game that will give me long term pleasure, the one side AAA game marketeers just do not grasp. It was never about the price, it is about the fact that 10 hours of gaming is not gaming, it nothing more than a narrated short story we can do without.

One part the article did not illuminate.

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Tagged as AC Syndicate, AC Unity, Assassins Creed, Black Flag, David Braben, Elite: Dangerous, For Honor, Hello Games, House of lords, Mass Effect, Metal Gear Solid 5, No man's sky, Prince of Persia, Sean Murray, Sid Meier, System Shock, Tekken, Tomb Raider, Ubisoft, Ultima 3, Ultima 4, Ultima 5, Ultima 6, Ultima 7, Xbox One