Tag Archives: Witcher 3

Heaven is coming

Last weekend some (including me partially) decided to look at the Deep Dive Video of the upcoming Cyberpunk 2077 release. The video (at https://www.youtube.com/watch?v=FknHjl7eQ6o) gives fair warnings, and to be honest, I initially decided to not watch all of it. Not because of anything negative. What I saw blew me away in several ways. If you think that CD Project Red broke the mold with Witcher 3, think again, I am watching something that could establish a totally new level of gaming excellence in RPG, optionally an entirely new level of gaming experience altogether. The video gives two play styles, direct and brutal, as well as stealth and hacking. It also gives caution that footage was edited to minimise spoilers, you get to see an advanced stage of the game, seeing characters ahead of schedule, and so I stopped watching soon thereafter the first time around. The little I saw overwhelmed me. This is what gaming excellence looks like; this is what EA, Ubisoft and several others never learned. To get a game this perfect takes time and even now in pre beta mode, this game surpasses anything brought to gaming before. If the story surpasses God of War 4 (and I have no doubt it might) this could optionally be the game of the decade.

The little I saw was that amazing at present; I watched a little more second time around and saw a little more and a lot I never expected. It is in part the Netrunner side that has so many options and both sides that have so much freedom that this game is not merely a game; it is what some might regard replay heaven, two different sides with different ways to get from one place to another. It seems that CD Project Red has taken time to maximise this world.

I would love to know how William Gibson values this game (the writer of the original Neuromancer), I wold love to see him play this game anywhere and comment on the game and how it aligns with his cyberpunk vision (he is after all the father of cyberpunk). I got into his book when EA created Neuromancer, that game on CBM64 was my introduction to Cyberpunk, so to see that concept mature in Cyberpunk 2077 into something beyond I thought possible, and the fact that any game could surpass the expectations of the imagination of any person to this degree is pretty much unheard of.

Yet, that is how it seems to unfold. For the most I will avoid spoilers to the max and I will when commenting on the game, it will be to the engine and control of gameplay and avoid (whenever possible) leaving any spoilers untouched. I believe that games like this require that as a game unfolds shaping the story, the way I saw it as an option also implies that one person’s spoiler is not another one, the implied impact of solo person (visceral combat) versus netrunner (hacker stealth) could be that large and it is rare to see that unfold. There is one additional part and that makes me happy. Cyberpunk is expected to be released 5 months after Death Stranding and that makes me happy (I feel certain that Kojima agrees), never before has Kojima faced an opponent on his level of gaming experience. The fact that there is genuine concern whether Death Stranding (Kojima) or Cyberpunk 2077 (CD Project RED) is the best is a new level of gaming. Never before was there any competitor going up against Kojima at the same time. The fact that CD Project RED could seemingly equal and optionally surpass Japanese gaming excellence is a new bar on gaming standards and it has been set to the highest possible level, the final days of XB1 and PS4 are going to be awesome, especially in 4K, what a way to end a console cycle!

Be properly alerted that only non-gamers and those who cannot game would avoid these two titles, or better stated the titles that will be on their system only (Death Stranding is exclusive PS4), and let’s not forget that as it seems to be now, the makers of Witcher 3 surpassed what they did there and that game ended up being a 93% result. A stronger message towards Ubisoft to focus more clearly on gaming excellence could not exist.

 

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The shows on E3 (final part)

Time for part 3, this time it is Nintendo that makes the waves and they did make waves. Right off the bat, my first issue was a slight lack of game play, but that is not quite fair, there was plenty of gameplay, it was so mixed in with the other parts that it was at times impossible to tell what part was game play and what was not.

Smash bros got the highlight in several ways and the arrival of everyone’s favourite bird and bear gives us that there will be Super Smash Bros. Ultimate for a very long time to come. It has been nominated for 20 awards these last two years taking home 6 of them and Metacritic gave the game 93% (Ubisoft please take notice of this part). Lisa Dahlgren reported recently that the game had sold over 13.81 million copies worldwide in March 2019, making it the best-selling fighting game of all time and still Nintendo adds more.

Then the focus goes to Luigi Mansion 3 giving us a lot more in a new game, with local and online co-op play that you can do alone, or with a friend, (Gooigi), optionally known as per today as the Google Janitor.

Dark Crystal Tactics did not give us much, but it looks good and it is based on the famous movie by Jim Henson, so there is plenty already and that was just the start. Now I have to make a sidestep to something I wrote in May 2013 in the article ‘Previous Generation towards future Games‘ (at https://lawlordtobe.com/2013/05/09/previous-generation-towards-future-games/) where I stated “They were able to deliver a game that was able to run on a 640Kb system (yes, I know that most do not even have a memory card that small). So, consider how the bulk could be transferred to something as ‘simple’ as the Nintendo DS. Add slightly better graphics and several of these titles will soon be more coveted then several high marketed products on the game store shelves today. After 20-25 years that is some achievement” and now we see that Nintendo is doing just that. Not merely a new Trials of Mana (2020), but in addition to that we got collection of Mana which were the previous three and they are now available as per today, some of them were never released outside of Japan, the digital version is available as per today, there is a limited version that is physical, so if you see it, buy it immediately! It goes further the remastered games kept on going Resident Evil, Resident Evil 0 and Resident Evil four, five and six. And the avalanche just kept on going, Dragon Quest Builders 2, AI: The Somnium Files, Fire Emblem: Three Houses, Stranger Things 3: The Game, Marvel Ultimate Alliance 3: The Black Order, Daemon X Machina, Grid Autosport, Spyro Trilogy, Witcher 3 and many more.

We got very little regarding Pokémon sword and shield in the presentation, but there were playable versions at the Nintendo stand (bastards!). We can even do some predictive steps as Mario and Sonic at the Olympic Games is all about Tokyo 2020, but coming to us in November 2019. Seeing that gameplay made me think back to the days of Epyx and the summer games on CBM-64. These graphics were truly new and amazing, yet that playful competitiveness is something that had been missing and Nintendo must have noticed it too apparently. We also got some Animal Crossing on Switch, so almost all the big hitters of the previous console are now on Switch.

I had to re-watch the show more than once, there was so much information and even if not everything is for all (we all have different tastes) there is no denying that Nintendo is about to unleash a tidal wave of games over the coming 52 weeks alone, and that is besides all the games that Bethesda, Ubisoft and Square Enix announced for Switch.

My final rating for Nintendo is 92%, making it the best E3 presentation in 2019.

There is more on the E3, but mostly now Steam, PC gaming and a few small ones; I will let the gaming community reviewers like Eurogamer work on that. As I see it, for gamers this will be a decent year, if you have a Switch as well, it will truly be a fantastic one.

So in the end, the trophies for best E3 show go to:

Gold: Nintendo

Silver: Square Enix

Bronze: Ubisoft

Honourable mention: Microsoft for Cyberpunk 2077 (the Keanu Reeves surprise) and the three WW Superstars under the podium.

To all, have a great year of gaming and let’s see what E3 2020 brings, because that one will have a lot, a lot more than we saw in these four days, that is an absolute guarantee.

 

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Battle of the giants

The Guardian has released a list of the best games of the year. As a Sony lover, I expected to see god of War and it is there, we also see Microsoft’s Forza Horizon 4, which ought to be there too. I was never a racing fan and still that game blew me away, so there!

We also see games that never were my fancy; Monster Hunter World is not a game I tried as I was disappointed with the grinding that the 3DS version gave. I admit that the graphics on the new consoles looked amazing, yet i felt no need to try. Ni No Kuni 2 is not a surprise and the absence of Bethesda is no surprise. I am quite frankly amazed on how many times Bethesda dropped the ball in this quarter alone. I have no idea what got them hit with the stupid stick this many times. Red Dead Redemption 2 is there too and my only surprise is the remastered Shadow of the Colossus. I actually did not expect it to show up, as I saw Dark Souls Remastered. If we look at those two, they deserve to be there, and even as it hits the mark, they do have the benefit of having a long time to be the original, when we look today, it is much harder to find an original game, as such these two might be regarded as having an unfair advantage.

I also missed titles that should have been there. first there is Spiderman, it is not merely the best Spiderman ever made, it is graphically perfect, it has the clear feel of a Peter Parker adventure and it is true to a Marvel world, as such I expected it to be there, right next to God of war, two games that made Sony to be the Huge success it became in 2018. The Xbox One misses out due to exclusivity, and I am in conflict with myself over Assassin’s Creed Odyssey not being picked, there are reasons it should be there and optional reasons for it not making the cut, yet I feel the balance scale is still on the side of it being there. I believe that in this case the DLC is added reason for it making the grade this time around as well (the cultural DLC of life in Egypt last year was a stroke of genius, you walk through it seeing just how much as a gamer you missed out on, making the replay 150% more satisfying). As a PlayStation lover (an important distinction), I need to side with Keza MacDonald on this one. Her statement: “This game is a beautiful experience. As driving games go, it’s the best I’ve ever played“, in the end, God of War blew me away as well, it was such a rush to see a game propel to the size it did, yet in the end, there is every chance that Forza Horizon 4 might end up being the best game of the year, it will be a title well deserved. In all my opposition to what Microsoft calls ‘good business‘ and their view of gamers, this one they got right, well done Microsoft!

If gaming is perception and presentation, just to call the attention, we need to stop and take another look at Bethesda. Even as the media titles have been ‘protective’ like ‘Bethesda Accidentally Leaked Personal Data of ‘Fallout 76’ Customers Looking for Help‘, as well as ‘Bethesda’s attempt to fix a Fallout 76 blunder leaks angry shoppers’ PID‘, we need to be mindful, accidental or not. Personal data is out there, possible due to an overreaction by Bethesda. Many consider Fallout 76 to be a failure; I am slightly less pessimistic calling it ‘work in progress’. That is the nature of the beast, when you tackle the online gaming, things go pear shaped, not merely because of the dangers of online resources, the mere consideration that 4 eager gamers can ask more of a system than 23,665 programmers can correct for, it is a mere truth of the online stage. And it was my personal feeling that after Tamriel in an online stage, Bethesda would have learned enough to get it much better from day one, they did not!

So it is unlikely that Bethesda is going home with any prices and awards this year (however, there is still Legends, and optionally blades).

Why look at this?

Games are not merely games, when a person buys a game; he or she pays for both an experience, as well as a stage of engagement. It is hard (read: impossible) to merely see AC Odyssey, without going back all the way to Masyaf and the very first Assassins Creed (if you played it as early as then), this is why AC2 and AC brotherhood are still seen as the path of perfection that AC Unity devastated. I got this Ubisoft punishment device (see image), just so I could explain it to the skull of Yves Guillemot as graphically as possible (nyuk, nyuk, nyuk).

We have had plenty of reasons to get mad at Ubisoft for a whole range of reasons and now we see a growing group of people angered with Bethesda. I say one optional flop does not make a raging crowd, yet the views, visions and YouTube’s out there say different. As for perception, this game (at https://www.youtube.com/watch?v=PWwyhymcDxI) was one of the first 5 games I ever bought (3rd or 4th), I still think fondly of this game, even after 34 years. I got the Broderbund title as it got the IBM joystick award (in those days there was no proper game reviewing). It was an instant success. When you get emerged in a game, your world changes, and you tend to focus on fun and challenge. This is not unique for me; this is for anyone who loves games. Now we can hardly perceive this, yet I still remember the challenge that level 5 was initially. For many, their first console, the first game they truly got involved in, that title they will carry in their hearts for the longest of times, they will judge other games by that game. For many it will be on all systems, others will judge it per system (which is fairer anyway). So the new gamers will hold a light to any new game, comparing it to FHIV, AC Odyssey, Super Mario Odyssey, and Red Dead Redemption 2. That is the nature of the beast and when we find the developer lacking, they will get slapped around by these gamers (poor poor Yves Guillemot). Yet when a developer gets it right, when they deliver beyond the over marketed title (like AC Origin) they also get the benefit of powerful acknowledgement (as they are entitled to that too). For me (in the Mario universe) it started with Super Mario 64, and until we got Super Mario Sunshine, it had the crown, even later as we saw Wii and WiiU, Super Mario Sunshine still ruled and now we see the optional crown going to Super Mario Odyssey (I only played the demo so far).

So when we see this, when we realise that best game of the year is also smitten with what they made before, we see a difference, another measurement. So in that light, I do hope that the rumours of Samus Aran and her trilogy for Nintendo Switch will be true. So far in 14 years no one ever surpassed the fun and challenge value that Metroid Prime delivered and I loved Metroid Prime 2: Echoes to that same degree. So to get that on Switch will up the ante for any game developer. The fun, the challenge and getting to the conclusion of the challenge is everything to the gamer, Nintendo has forever understood that part of gaming to a much better degree than any other developer (Bethesda had a good grasp of comprehending people on the past).

So when we see that the reality is that we will optionally be able to replay those titles via the Nintendo Switch Virtual Console, we see that Nintendo has a long term future as well, as these titles can capture the older hearts, as well as new players giving them a lot more bang for the buck. Nintendo rules these waves, we see this with the latest addition Super Smash Bros (at https://www.youtube.com/watch?v=tWo9wfsnj7M). It is Super Smash Bros that gives the main dish as a desert. When we realise that the impression of fun is not merely looking good, it is about getting it right, it is in this view that looking perfect will always lose against getting it right.

It is that distinction is also important when you look towards the best game of 2018, even as a PlayStation fan (a bias that is forever important), we see that Spiderman PS4 got it right, Forza Horizon 4 merely got it right better. So Microsoft on a game type that I am not really a fan of; justly wins with a title by getting it right the best. Even as God of War was perfect, exceeded everything they made before, we might compare it to why Super Smash Bros got 94%, yet in the end, the game that blew us away more will take the cake and candles in all of this. FHIV might never be in my collection as the One versus One X is just to distinct here (for now), yet the fact that whenever I see FHIV, I get the desire to race, as a non-racer, that impression is extremely distinct; it is why my vote went that way. To capture the heart of a player that has another game style is an achievement that we all seem to forget. Just like Super Smash Bros has the ability to get all kinds of people to pick up the game and play against as many people as possible, we see the impact of excellence in gaming through fun and the joy of getting there. Nintendo mastered that ability a long time ago and whenever we see any other game getting there, we rejoice.

Far Cry Primal got close and then dropped the ball by being ‘predetermined’. Far Cry 5 never got there by offering everything and becoming nothing at all, the God of War got there through the people who knew the originals, giving us a new track, another path in almost perfect graphics and with a rating of 94% they did excel, set that against the 92% of Forza Horizon 4 and in my state of mind, there would be no contest, game over for Microsoft Studios, yet that was not the case, challenge and fun, they merely got it slightly better. Even as we see that they got Best Racing Game and Xbox Game of the Year (which was not really that much of a challenge this time around), they are still on track to get Ultimate Game of the Year, Best Sports/Racing Game and Best Audio Design, it is my personal opinion that they would optionally lose the third one and anyone who has heard the soundtrack of God of War is likely to agree with me. As I see it, Forza Horizon 4 gets to be the Ultimate Game of the Year; at least that is how I personally would vote.

The annual award is a battle of giants, some excelled for a long time, some excelled in every way and some merely competed to some extent. What is important in not merely who wins, and who gets nominated, we see that the winners will impact what we see in upcoming 2020 games and that is important to realise.

As we will anticipate on the coming of the Trilogy on Switch, some might wonder why. It is not merely the FPS part, it is open (to some extent), it is a challenge and it is an adventure, even in 2002 when it was released, even with the more ‘advanced’ graphics that the Xbox and the PlayStation 2 had, they could not touch Metroid Prime and its 97% rating. That small disc, holding a mere part of a DVD blew away all competition and with Metroid Prime 2: Echoes at 92% it did so again, and those who loved gaming want to get that feeling again. That is the impact that fun coated in challenge, or is that challenge coated in fun? Whichever way it is presented it creates gamers and it creates desire within a gamer. The ultimate game of the year can impact that future of where we will look next, what we will try next, even if it is not our cup of tea. When it hits the mark we will all order a pot of it, not merely a cup. That is one part that the game makers understand, and they are eager to get into the sweet spot of gamers there.

Should you think that gamers are selfish, think again! Digital trends reported less than 2 weeks ago: “Grandma Shirley — had left expressing her doubts at living to see The Elder Scrolls VI, a petition was created on Change.org to have her immortalized in the game“, gamers care to this extent, especially when they share a connection to a game, so I think that Bethesda needs to be truly stupid to not consider this, and to be honest Bethesda has been overly considerate in the past, not for personal gain or marketing, their actions regarding Erik West (Eric the Slayer), and there are more examples. Bethesda has forever been trying and aiming to get it right and to a larger extent, they have, so I was puzzled on how they got Fallout 76 so wrong. I merely cover it with ‘a work in progress‘, which in light of the approach is probably as correct as it gets (for now).

Gaming is for me not some state, or an escape. It is a world you become a part of, not replacing reality, but having it on the side. Making it part of the 24 hours a day you have, not replacing the 24 hours you should live in. Some choose sports, some choose a passion (or passion itself) and some hike, trail and be out in the open. Gamers do the gaming thing and when developers get that mindset right, the games will propel in excellence, it is a lesson Nintendo learned early on and they are still able to surprise us. In this Bethesda and Nintendo are optionally more alike. They both got it wrong (WiiU/Fallout76), yet as Nintendo Switch is now the golden mark of excellence, we might get the same from Bethesda (with whichever titles comes next) and that too is gaming, when the challenge is met and we get that satisfying feeling of a new challenge and we look forward to every second that comes next. That ‘Oh Yeah!‘ moment (at https://www.youtube.com/watch?v=JB8BLMMVFLg) when you see that they are got it right. Gaming has had plenty of these, which is why developers are getting additional chances. Witcher 3, Mass Effect 2, Diablo 3, Skyrim, Metroid Prime, GTA5, the Last of Us, Golden Eye, Metal Gear Solid 4: Guns of the Patriots. The list goes on and will remain growing after tomorrow, because any developer that flops now (Far Cry) will optionally be able to hit it out of the park at a later stage (Far Cry 3) and that is gaming too, to be there and live through the successes, even after a massive failure (AC Unity anyone?)

Gamers can afford to wait as there are plenty of players offering the next golden egg, or is that the next golden eye? And with results like God of War, Forza Horizon 4, Ni no Kuni 2, and Subnautica I personally believe that the future of gaming is in good hands. No matter who gets to be called the ultimate game of 2018. There has been 45 years between Pong (1972) and The Legend of Zelda: Breath of the Wild (2017), it was never about who had the best graphics (Minecraft 2011 is evidence of that), any category can win, any style can win (Rock Band 3 2010) and it opens us optionally to playful directions we might never have considered on day one of that game (Limbo 2010).

Personally I love the yearly gaming awards for reasons mentioned earlier, but for the most, for me it is about to consider a game that stood out in one way and merely missed out on that game initially having something to look forward to, which in my clearest case was Far Cry 3, the previous versions were not up to standard and therefor I never considered it, which gave me in the end more joy than I bargained for, exceeding expectations can end up being that rewarding.

It will be Monday morning in 60 hours, so try to take a moment and play a game this weekend, even if it is for merely an hour and it is something as simple (and highly addictive) as Minecraft.

 

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The deceptive engine

We are all in anticipation of the E3, the one place where the game makers get to take the stage and either entice us for almost a year, or get completely destroyed. As we are 5 weeks away from the event, the game changes. It is all about creating hype, or creating optional falsehood. The false hype allegedly shows that the brand might still care to be inflated in perception value and regard. That is what I see when I look at the Daily Star, who gave us: “Microsoft games news: Has Xbox dealt ANOTHER KILLER BLOW to Sony and PlayStation in 2018?” That notion was so ridiculous that I decided to drill down a little. I have no idea who Dom Peppiatt is, but let’s drill down a little on the article (at https://www.dailystar.co.uk/tech/gaming/696572/Microsoft-games-news-Has-Xbox-dealt-ANOTHER-KILLER-BLOW-to-Sony-and-PlayStation-in-2018). So we start with “The company behind Xbox has recruited Darrell Gallagher to work on the Microsoft Studios Executive Leadership Team. Gallagher has a pretty significant history in gaming: he started as Head of Creative at Sony in 1997, then moved to Rockstar Games in 2004 to work as a lead artist. His next step was to become art director at THQ, before he joined Crystal Dynamics as art director in 2005“. This is fair enough, if Microsoft has acquired a titan like that, there will be optional forward momentum for Microsoft. I state optional, because we have seen that Microsoft tends to ignore its customer base and not listen to actual gamers, which tends to be a much larger issue. Then we get the not so nice parts “NEW Xbox One Games rumoured to be in development“, so the operative word is ‘rumoured‘, that was a first mistake, because we have seen that before, rumoured does not make it true and waiting for 5 weeks gives hype, yet in the same space gives massive amounts of resentment. With Rumoured we see references to ‘Perfect Dark’ and ‘Fable’ with old artwork and no evidence of any kind that it is true. Merely the ‘as leaked by Resetera user Klobrille‘ is given, like that ads any value to it all. The only one that is a decent given is a new (upgraded) Forza Horizons, it is the parade horse of Microsoft and it makes sense to make sure that it is there in all 4K glory. The second one is Age of Empires, it has been bled dry on the PC and it coming to Xbox One was merely a time setting. It was originally one of the better games they had, and if the interface is decently improved upon, it might be a niche market winner. So with 2 out of the 5 games that are ‘optionally’ games to come, what kind of ‘killer blow’ is that? It is not even close to a killer blow, so far they have not had any killer blows against Sony, and the Release of God of War last Friday is Sony showing all others that their games are of a massively higher plane of gamer satisfaction than anything Microsoft exclusively has to offer (at present), and they have close to nothing on the exclusive titles front. When we see “Microsoft and Xbox has acquired marketing rights on some massive upcoming games, including Borderlands 3, Cyberpunk 2077, Splinter Cell, Battlefield V, and Anthem“, we need to understand that ‘marketing rights’ does not make it an exclusive title. Another source had given us two weeks earlier “Borderlands 3 hasn’t been confirmed as being actively in development quite yet, Gearbox has unsurprisingly not given it a release date either“, with in addition “It’s likely to be released on PS4, Xbox One and PC“, so why acquire the marketing rights for a non-exclusive title? Seems a waste of money as I personally see it. Second is (from another source) “Ghost Recon Wildlands Splinter Cell DLC is getting a big reveal today. The Ubisoft content for the PS4, Xbox One and PC“, yet there is also mention that this is merely the setting for a new Splinter Cell and in that regard, there is every notion that Ubisoft, the people behind it will not be making it an exclusive title. The same is a given for the makers of Witcher 3, now prepping for Cyberpunk 2077, which leaves two titles none of these exclusives either. So as the article gives us “it’s important to note these are only rumours at the time of writing” in the end, the entire article was a waste of space for all gamers except for the need of Microsoft getting hypes out. The news that they have acquired Darrell Gallagher, which would be good news for Microsoft, yet to surround it with rumours, nothing to show and the fact that marketing exclusives were tailored whilst the games are not confirmed to be is merely a setting for failure, which we saw with the death blow against Microsoft with the release of God of War and actual exclusive title. It will only get harder for Microsoft; the consoles are set to 2.5:1 so for every Xbox One there are 2.5 PS4’s. There is not a game maker in the world that will not make for both if possible. The only option there is what Microsoft had exclusive and keep on converting the PC games that never made it to console. For Sony, it has its own worries. Both The Last of Us 2 and Death Stranding are exclusive titles, but these two players will not go to bed with anything but perfection and for both no official release dates are known, now that God of War delivered all it promised the hunger for these other two titles seems to be growing exponentially. And a gamer that gets too hungry for new games makes weird leaps, that has been proven in the past. So were the two titles just fabs? I am not certain there has been a massive desire to get the Fable line remastered (one, two and three) and the anniversary edition on the 360 only grew the fans of Fable. So getting them all three on the Xbox One remastered, not merely backwards compatible would be a real win for Microsoft, there is no denying it. It is not as clear with Perfect Dark, the heralded game just wasn’t the stuff of legends on the 360, so were some other games. Yet the fans will bow towards the Fable setting in a large way, in equal measure the Mass Effect rumours seem to resurface again and again, also in light of the Andromeda failure, that trilogy would be equally a win on the Xbox, anyone denying that is just utterly stupid. There are a few others, but they are in essence mere remastered games, not actual new games and that is what Microsoft desperately needs and so far they have too little, too few titles and no push towards exclusive wins.

It is in that regard that we see Forbes, who gives us “Sony And PS4 Are Beginning A Massive 2018 With ‘God Of War,’ And Microsoft Should Be Worried“. Yes, we all agree and even as actual numbers are not seen at present, we see in the UK “In terms of purely boxed units, it outsold God of War III by 35 per cent“, that is in merely 3 days, which is almost unheard of. The only title to ever pull that off was GTA5 in 2013. More good news is not console set, but for Ubisoft, it does not matter, Far Cry 5 broke the 100K boundary (on PS4) in Japan which should make the people at Ubisoft proud and happy and rightfully so, the fact that this will also benefit the Xbox One players is merely icing on the cake for Ubisoft and that is what counts. You see, actual gaming is never about the console itself, it is about the game and gaming. Even as God of War is ruling, Ubisoft is getting a nice global boost and with other Ubisoft titles ready to be released it will be a good thing. When it is about the gaming, we will not care, we only care about ‘gaming the play’, or was that ‘playing the game’? We tend to all get together I tend to burn whomever is trying to hand us hypes that are ridiculous, in that regard we have absolutely no regard for any hype bringer.

In the end, will it help us the gamers? Hypes do not, it is an engine of deception to maximise the product, that is the focal point, in this in that regard that the moment the hype is proven wrong (in 5 weeks at the E3), when any of the Daily Star mentioned ‘rumoured to happen‘ it will lash out to the Microsoft community and they will hold Microsoft accountable. You see, when it suits Microsoft they are all over a publisher with falsehood, when it suits them, so either the rumours are true (and I will reports one it), or this was a false hype that has the potential to sway more XB1 owners to switch console, which is overall bad news for Microsoft when that happens. I they have only one advantage this month than it is the rare case where the Gold Live Free games in April are actually better than PS Plus offer for a change. With AC Syndicate and Dead Space 2 ruling the free games, they are giving a better value in an uncommon move.

When it comes to the deceptive engine, it will not stop, not for at least 4 weeks and it is not limited to the Xbox, there are plenty of ‘rumours’ on the PS4 and Switch field, which we find equally annoying, in addition, it is not just limited to some papers, even a site like Christian Today is all about those rumours, which is unsettling on a few levels.

When you consider that ‘Deception’ is act of propagating a belief that is not true, or is not the whole truth, you might understand why we despise it in gaming. So if we consider that the ‘pro’ Microsoft article was optionally propaganda, as well as distraction, or concealment. The gamer has to ask, what is Microsoft trying to conceal or distract from? We will know in 5 weeks when we get to see the E3 presentation.

 

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Consideration in 3 parts

There are several things playing and I think it is only fair that I jump a little this time around. In the first jump I will take us into the realm of technology. First the hardware where Keith Stuart gives us ‘is it worth a £100 upgrade?‘ This is a valid question, yet in all the issue is not merely the £100, it is more so “Microsoft has always marketed Xbox One X as an elite product for true enthusiasts and that’s exactly what it is“, which is something I cannot agree with. You see, Microsoft has refused to listen to the gamers, the actual gamers for the longest of times and with the Xbox One X, I expect (read: I hope) that they will get the pounding they have so deserved for the longest of times. The article (at https://www.theguardian.com/technology/2017/nov/03/xbox-one-x-review-4k-console-gaming-upgrade) gives you some of the goods, but not all of the goods. You see, the £450 with a 1TB drive is a joke, it always has been. The article names a few games and there a few sources re stating that Destiny 2 is 50GB WITHOUT the 4K assets. There is no clear way for me to find a reliable number there, but with the OS also taking a chunk of the hard-drive, which will be 300Mb at least, we are looking at a console where one game takes well over 5% of that drive. Forza 7 will take well over 10% of that system, now with all the reserved spaces and mind you not ALL these games are that big, you are looking at a dozen games at the most and that is in many cases not including the extra space that the 4K libraries need, so when I stated even before the Xbox One came out (the first one) that Microsoft was not giving consideration to their gamers, I was not kidding. With the Sony PS4 (both old and pro) we have the option to switch the drive at our own expense to a 2TB drive and these things are a mere $105, so one extra cost has kept me safe and hassle free for well over 3 years. Microsoft never allowed their gamers that option, which could be seen as another indicator that Microsoft is actually not giving true consideration to the ‘true enthusiasts‘ as they label them. There are additional flaws in the OS that give less consideration that the Xbox 360 did, so there is that to consider too. A console that might be seen as overpriced, overvalued and overdue a real upgrade. There are more issues, but they are for another day, for now we await the over-hyped release in 2 days.

The second part is one where I have to show fairness (which I have always done). The second part is Assassins Creed Origins. Now, it is on my list to get as I was not trusting Ubisoft after all the things they have done in the past, with the additional embargo of any publications of the game until the day before launch, their approach was shoddy and shady at best. In this case it worked against them. I have watched well over a dozen videos with Eurogamer and IGN showing the best sides, but also leaving us with questions. Yet I had a few questions of my own and i think they need to be put into the limelight. You see, I have slammed Guillemot and Ubisoft for the longest time for not doing their job (or better stated, the job they were capable of). For relying on average scripted events and what I still label as ‘bad programming’. This is not the case in ACO (Assassins Creed Origin). Now when we pull away from the 4K events (which are close to breathtaking), we see a game that has been through quite the change and as such should get some praise, praise on several levels.

First are the reviews, they are like mine all opinions, and even though I was relentless to AC ratings in the past, from all that is clearly shown these ratings are lower than expected. I see the game somewhere between 88%-92% rated (the non PC versions), yet most remain below it and Gamespot gives it a 70% rating which I personally believe to be equally unfair. Now, we can be hard on Guillemot on a few levels, but they did get this game decent. We can argue all we like, but the team that made Black Flag made this game in a good way and I believe that this game might not be regarded as a real AC game. Origin is the start of it all and that makes it fair game, but the clarity is that there are elements that we relate to Witcher 3, Far Fry Primal and Destiny. The reality is that elements in this game have been seen before going all the way back to Ultima7 Serpents Isle, so there is no real identity linking it to a certain game. Now, I do see the elements of Witcher 3 and that is not a bad thing, whilst we need to acknowledge that this game is not some Witcher 3 game, it is truly an Assassins Creed game (whether the player is an actual assassin or not). The wildlife is more dangerous and relentless and a lot less forgiving, which is a good thing (more realistic), and it seems that as far as I can observe, the locations are as any AC game has almost always been. Graphically sublime, even if you have no 4K solution at present. Even as I have been reluctant to see this last AC as a great game, it seems that should this be the last AC game, than Ubisoft goes out on a high note, and that should be heralded by nearly all gamers.

The final part is not a game. I am also getting less convinced that this is merely a leak. We could have accepted to the smallest degree that the Panama Papers were a leak, yet the amount of data that was leaked leaves us with the larger question on how stupid a financial adviser needs to be to endanger billions of dollars in revenue. I have gone back into time checking on a dozen corporations only to find that there was a healthy dose of paranoia in each and every one of them. Some were paranoid from the start, some were pushed by IT as they wanted the latest of the latest and pressing the ‘leak’ button seems to have worked each and every time. So whilst we have been in the sunshine with newspapers giving us Panama Papers on a daily basis, I found it particularly interesting to see the revelation of the Paradise Papers. So when I read “the complex and seemingly artificial ways the wealthiest corporations can legally protect their wealth”, I am not surprised. I have written about the failing of legislation on a global level for long before the Panama Papers and the Tesco affair. As we are told ‘obtained by the German newspaper Sueddeutsche Zeitung‘ we are not asking the right questions. Obtained how? Who gave them? You see, earlier this year we saw some mention of certain players, yet again and again the media have seemingly steered clear of certain parts of the evidence and it is time to mention it. In March we saw a few papers mention on how Barclays, RBS and Crédit Agricole had a sort of Tax Haven set-up where they had to pay a mere 2% in taxation. I think that this opened a door to some players. I think that the Paradise papers is not a leak, I personally believe it to be an attack on these three players as well as an attack on a few others too. The BBC is giving us part (at http://www.bbc.com/news/world-us-canada-41876939), with the mention of the SIBUR shareholders, we see that there is an issue as the corporations are facing US sanctions, but the individuals Leonid Mikhelson and Gennady Timchenko are not. They represent a wealth that is roughly 50% of what is Microsoft nowadays. It is making a few people more and more nervous. I personally believe that the Paradise Papers is not a leak it is an American corporate ploy, possibly even with the assistance of Rothschild wealth management (a speculation from my side) to push changes that are a lot more interesting to America. Can I prove this?

That is partially the issue. You see, without the clear data on the leak it might never be proven. it is merely too weird that this happened three times in a row (yes three times, I will let you look deeper into certain places to find the first instance). You see the most interesting part is casually shown at the end of the BBC article. With “a huge batch of leaked documents mostly from offshore law firm Appleby, along with corporate registries in 19 tax jurisdictions, which reveal the financial dealings of politicians, celebrities, corporate giants and business leaders“, this is showing not to be a leak, this is a data gathering by a select few and the combination of large data sets. You see, multiple sources which is clearly seen through the use of ‘mostly‘, and added the ‘19 tax registries‘, shows this to be an event that is precise, it is an act of data gathering and filtering. As such, I see this as a precise strike, more likely than not from financial players who have seen certain bank (Credit Agricole being the most visible one) to grow beyond certain measures and that was not the acceptable mindset of the players who want a different shedding of wealth. This is one of the reasons that I have been keeping tabs on Credit Agricole and that is why they have been in my blog several times. Yet, in all this I did not see the Paradise Papers coming and the clarity we see now, is one where we need to consider who is playing us all, and the media most of all. The Guardian gives us more and more mentions of ‘Tax Avoidance’ and as I mentioned a few days ago. It is not illegal, it is perfectly legal. Most papers will hide behind ’emotional’ parts to cry outrage, but in the end they too are not outspoken on pushing to adapt legislation to change this and to push for clear corporate taxation needs, whilst we see that they are all on the second largest data drain set at 1.4TB. So after the Panama Papers, do you think that banks, especially banks of these kinds, banks that rely on such paths to ensure themselves of a good income. Do you think they would hesitate to invest a few millions into hardware that keeps it secure? No, we see more and more technology, more and more Cloud solutions failing to keep data safe. The BBC gave us in April 2016: “In other words, your data could get lost, wiped, corrupted or stolen“. It seems that not enough people are really listening, happy to embrace the marketing of Microsoft Azure and Google Cloud, whilst there is a real concern on safety (for now). Yet, is that how the data was acquired? It is all good and fine to blame a party whilst the data was somewhere else. You see, those IT people (at Appleby’s) would know better, yet when we see the Irish Times (at https://www.irishtimes.com/business/appleby-the-offshore-law-firm-with-a-record-of-compliance-failures-1.3280860), we see “Appleby has transformed itself into a global institution with more than 700 employees across nearly every major tax haven from the Cayman Islands in the Caribbean, to the Isle of Man in Europe, Mauritius in Africa and Hong Kong in Asia“, in that there is no doubt in my mind that IT would have had (or needed) a much higher visibility on their security profile. I wonder, if I got to investigate their non-repudiation systems and logs, what failings would I find. I can personally guarantee you that with every passing check-mark in place, we get to see more and more clearly that this was not a leak, I would regard this as a precision strike to shift billions from one place to the other, because just like we saw with he Panama Papers, when the super-rich get nervous, a lot of them can be manipulated a lot easier than ever before and in my mind there is no doubt, in this Rothschild is likely to be the one true victor and the one party who had the most to win.

I can only speculate on a few matters, but in the light of the global financial industry, Bermuda, Nassau, Riyadh and Nevada are the larger tax havens. The two papers are giving loads of limelight to three of them, so where will those people go to next?

The financial industry is correlating more and more to a video game, it is all about the hardware and scripted events. When we know that hardware is not the initial flaw one remains, making the case stronger and stronger that this was not a leak, it was a scripted event, whether made specifically for certain hardware remains to be seen . I wonder if the media will ever truly look deeper into how the data was acquired, I doubt it, because that does not make for a sexy story, making them in my personal view less of a player and more of a tool, the question that remains is: ‘the tool for who?

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Merely my view

Yesterday, the Guardian confronted me with the writing of Ben Parfitt, his article ‘Server crashes, 40GB patches and DLC: gaming’s biggest irritations explained‘, drew my attention. It was the ‘biggest irritation‘ part that got to me and even though it is a very nice article to read and any gamer should read it (at https://www.theguardian.com/technology/2017/jul/04/server-crashes-patches-dlc-video-game-irritations-explained), there were a few issues on it from my point of view. Still, there is a lot and much of it is very valid. So why would I object? Well, there are a few points and it is time to take a look at it.

The article starts with Downloadable content and that is an interesting side to games. The quote “So why do so many full price games now offer mini-payments? The obvious answer is that it works: downloadable content (DLC) is hugely popular” is one that needs a little more light. The writer does that by giving us part of the goods and in addition he separates it from part 2, the season passes. Basically they are connected. A season pass offers a range of DLC’s and the DLC is a single item (often). There are good games and there are some less good. In this I see Bethesda as really good and they are not alone, whilst we see Ubisoft in the Assassins Creed range, not as bad but as different. In the Assassins Creed you can buy additional items, additional game currency for a few dollars. This is a personal choice and Ubisoft is clearly warning the buyer that they are buying something that they can unlock later in the game up front. This is a good thing, so basically these are items that you can buy to give you an edge early in the game, like a sword that it twice as powerful from anything you can get in the beginning, in game currency that lets you upgrade long before you could normally afford it. This is a personal choice and there is nothing against it, thousands of gamers want an edge, so be it. This is not to be confused from other options they offer in their Ubiclub, which is actual pretty cool stuff to unlock. The really great ones, like we see in Bethesda are DLC’s that offer entire new regions to play with additional new items, monsters and goals These additions can be massive, they are also offered as season passes on day one, the nice part is that the season pass amounts to a 50% discount, which is really nice. Fallout 4 and Witcher 3 have taken that concept to an entire new level last year; they are the two players that have set the stage for many players to get a season pass on day one. Just realise that this could constitute to a download with a size up to 20Gb, which is pretty much the size of an entire game. Some DLC’s (example: Blood and Wine) are getting close to a game added to the game.

Some offer that it should merely be added to the game on day one. I offer in opposition that getting 40% more gaming for $30 is certainly worth it, these additions were never part of the base game. In some cases it was not worth the dollars, (example: nipple DLC), yet that is a personal choice, the nice part is that you do not need to get these DLC’s. Another one worth mentioning is Arkham Knight. They were offering all kinds of different DLC’s with different shops, for the most all of them were Skins. Several month later (I think around 6 months later), these skins all became available as free downloadable extra’s. So we see that some might object to DLC’s or Season passes, yet in the end, not much of the opposition is in my personal view regarded as valid opposition.

Day one patches, those are the ones we truly hate at times. The quote given “Jason Kingsley, the head of UK developer Rebellion, points out that the protracted submission process for console games means day one patches are often inescapable“, is one I cannot agree with. The entire day one patch has been in well over 80% of the cases due to bad QA. Graphic glitches, wrong controls, mission parameter freezes. In case of No Man’s Sky it was a mere 5MB, which is nearly nothing, when we see a 14GB day one patch, that is where we all get truly irritated.

Still, day one patches will happen. Skyrim and Oblivion might be the most visible ones, yet here, when we see that the Skyrim strategy book is 1120 pages. At that point we will see needed patches, which are just a reality for any game that is so big, and again, when we see Assassins Creed Unity, we see merely the flaw of a developer, one that could have been largely prevented.

When it comes to pre-orders I have mixed feelings. I think that when it is offered later on for free there should be no objections, when it is part of the Season Pass later it becomes a little debatable. The quote “why should I pay for a game before I know if it will be any good?” is not the best argument given, because the opposition states, those believing in us up front get a little extra. The quote “There are good pre-orders and there are bad pre-orders” is one I agree with, there is the additional issue that some pre order extras are limited to a certain shop, which is not a great feeling when you get the game somewhere else. It becomes all about how will others get that extra? When it is, let’s say 2 months later, there should be no issue.

The last item is the one I object to the most, Server Crashes. I get it, it is annoying and in some situations it sours the milk of happy gaming a little. Yet there is only so much QA a maker can do and there is no decent way to truly test for a few hundred thousand players. In addition, Microsoft and Sony have other setups in this matter, which implies that any multiplayer game will have a little rough patch in the first month. As a gamer you will just have to live with that. GTA5 has a huge start up issue, but guess what; after that one was solved soon thereafter millions of gamers had a happy game time for years to come. Many are still happily playing that part for two years now, so these gamers all got bang for their buck.

The article gives us a light of what bothers us to some extent, I get that. The questions become:

  • How valid is your annoyance
  • Was it solved?

There will never be a complete satisfaction with some DLC options, yet did it really spoil the fun your game offered?

We see another side from Forbes (at https://www.forbes.com/sites/erikkain/2017/07/01/its-time-for-bioware-to-come-clean-about-the-future-of-mass-effect-andromeda-dlc), the issue has been around the rumours of optional DLC’s for Mass Effect Andromeda. The quote “BioWare has never gone into detail about DLC plans and didn’t offer a Season Pass for Andromeda. That’s unusual in the gaming industry these days, but in keeping with the previous three Mass Effect games, which had plenty of DLC but no Season Passes” as well as “BioWare needs to come clean about the company’s DLC plans. The sooner, the better! Leaks, rumours and anonymous sources only muddy the waters. I want to hear it from the horse’s mouth, whether or not it’s good or bad news. Not just a statement about Sinclair Networks, but a clear statement about whether or not the game will receive any story DLC.” Here we have two sides. One, why should Bioware come clean on unsubstantiated rumours? It could be that Bioware does not want to set the stage until it has investigated certain options. As some see the latest Mass Effect, it is stated to be one of the largest disappointments of 2017. Apart from the glitches and other small issues, it is rated far below what was expected from a product that had five years to get it right. With the issues like ‘substandard combat’ and ‘poor mission design’ is not what the people expected from the makers from the initial brilliant trilogy. So these people are hoping that they would feel better with some additional DLC packages. Not a realistic option, but the feeling is fair enough. So is that a fair part? From the point of view of the disappointed gamer it might be valid, yet the makers sell the game on the ‘as is’ package and that is valid from a business point of view.

The core of the issue for any player remains, they might love or hate it, yet as I see it, if the core was satisfying and worth the $$$, why object to a DLC that costs a few $$$ more? You could get it or not, it should not impact your view on the original game. We can agree that Fallout and Witcher brought a massive value with the DLC’s and there too are issues, especially with the Fallout one (you can no longer play the game offline), which is a devaluating part to the base game, but that is the only issue here. By large there will be players that add value and those who do not add value, the latter one will feel it by selling less DLC’s, so it is up to them to consider the choices.

Yet with only a minimal amount of exceptions, the DLC’s seem to have been worth it. Although that is as I personally see it set to the tone of the fans to the game in question. From my point of view, if I have not played the game, or if I did not particularly like the game, I tend to stay away from getting or commenting negatively on any DLC (the Nipple DLC excluded from that).

If one thing is certain than from my point of view it would be that there is validity in the existence of pretty much all DLC’s, it is however up to the publisher to set a fair stage when these DLC’s are set to outlets or DLC’s set to limited editions. We don’t begrudge those people to get a time advantage, yet the bulk of players who like a certain franchise will pretty much lose it when such DLC’s are not available to them at a later stage (for free or for very little). Part of me would like to look at the value that we get from Season Passes, yet would that be fair? We can all see how the two mentioned earlier are value without the shadow of a doubt. So if we consider other titles, are they less value? It is extremely subjective and personal. In the end when we love the game we play we will always want more or additional ways to play the game. What we can be thankful for is that the positive DLC’s are there in abundant; the bad ones are actually decently rare, or better stated have become decently rare. It is an evolving platform that has changed in an overwhelming positive way, a fact that we as gaming fans can be thankful for. It is merely my view on the matter.

 

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Passion of the player

I have been in a state where I decided to have a second go at some of the games I have had for some time and to get a few of the achievements added to my profile. Because of the Microsoft issues outstanding, my Xbox One is switched off, even if it has one of the most treasured games in my history of gaming. There is something wrong in the Xbox Universe and the press is happy to ignore it, because they want the Microsoft Surface Pro advertisement revenue (or at least that is what I personally think it is). Yet, not to fret, the game I love is coming to PS4, so soon (I hope), I can rejoice and feel alive again. Last week I started to replay Arkham Knight on my PS4. I had not played it for some time and there were several achievements I never got. I got them now (not all yet) and I still think that Arkham Knight is one of the best, near perfect games made for the longest of times. There is only one mission (the ACP mission), where the maker of that mission should consider lobotimisation. Yet that is the only mission that is just too dumb for words. The game gives us a batman world that the batman lover will embrace. The game is just too awesome in too many ways. In addition, I had installed the DLC’s yet I had forgotten to check them, so as I restarted the game, I had 4 additional Arkham episodes to play. What a feeling of bliss that brought. The game has all kinds of issues to some, yet in all of this, I loved pretty much every moment of this game (except the ACP bungle). The feeling a truly good game brings is often overwhelming, which is why I tend to get really testy when some (read: Ubisoft) drop the ball and deprive their games of a legendary status when it was (as I personally see it) within their grasp. I actually stayed away from Wildlands, so that is not a title to consider for bad or for good. Yet I have seen too often how some parts could have made a difference with just a little more effort. Yet, you need to realise that this is what I personally see as ‘a little more effort’, yet after being into reviewing games since 1987, I have a good handle on how certain things could have been better. So when I state that Arkham Knight is near perfect, I am not trying to sway your eyes. Like any game it tends to go a little over the top at times, but the Batman feeling and even the Joker and Scarecrow (masterly voiced by John Noble) gives us a setting that will be hard to overcome. Yet, is that not part of the game, to surpass others? In this I get back to the silent release of Shadow of Mordor, which I initially ignored because it seemed to be some Lord of the Rings title. I have never been happier to have been proven wrong. I saw one small movie on YouTube and I ran to the city in record time. Shadow of Mordor is one of those ‘must have’ games if stealth is what you like. The game is balanced and gives options for the rowdy slasher and the silent throat cutter alike. The entire nemesis system gives the game a flair that is pretty unique and the fact that it is all in Mordor just adds to it all. The game is quite excellent, so as we move towards a bigger sequel called ‘Middle-earth: Shadow of War’ many players will move into the ‘ranger shivers’ stage as they want that feeling of bliss gaming. Where Ryse and Watchdogs fall short, these games deliver. That is the name of the game and Ubisoft has fallen short (read: not flopped) a few times too often. Ryse is also an important title to mention. You see, I did not go for it, mainly because of the ‘button press action sequences’ in the game. I loathe them. The graphics were good, yet there was a repetitive side to the game that was unsettling. The second wind rounds and a few other items that just take the joy away. Yet Ryse is important in another way. This I learned when I decided to watch the YouTube storyline. I was just curious on how bad the game was and that title was soon lost, because Ryse has one of the best storylines I had seen for some time, equal to Arkham Knight, the story lines we see, Ryse has a storyline that is more and captivating, the entire Damocles story is almost an epic Greek story, one that the God of War trilogy would have been proud to have. It is one element in a game that does not satisfy which makes me wonder, could a more visionary maker have taken Ryse and make it a legendary title for the history of the console? I personally believe that the answer is Yes, which is now also an issue, because with the upcoming and less trusted Scorpio and the PS4 pro are going to be reliant on very good titles. You see, the console that wins will be the one that brings the better games. Even as the balance has games like Diablo 3 on both, perhaps Diablo 4 at some point, it is the unique games that make for the push towards a console. I believe that outside titles like Death Stranding will push systems and we cannot wait for the impact of that experience. We seem to latch onto some games like God of War (4) and hope to see the same feeling that the first three gave us, yet the Scorpio will have tis own game list and some of those fans (like HALO linked games) are just as fanatical towards their passion. In this I have to mention that one of these underrated games, on the Xbox was Styx. Those who got it for free on Live: Gold should get the sequel, like the previous game it offers challenge and is again larger then the prequel. I, for one love stealth games and Styx delivers in a few ways that few do. Still there are more games and more options. It is just where you seek your entertainment. When it was introduced, my first thought was not ‘Awesome!’, it was, ‘Why didn’t I think of that?’ (that is apart from me not owning the IP that is), I am referring to Pokken Tournament. Think of a Tekken game and now replace them with Pokémon’s! Can you imagine, the population that is all Pokémon Go! and now gets to battle brawl, crush and batter your opponent using Pokémon’s?  It gets even better if you consider what could be achieved with a setting like that. Apart from the previous Pokémon Colosseum (GameCube), the idea to have an RPG where you have to actually fight in the game. Not just tactical, but in a more arcade setting? The fact that your grass type Pokémon has additional benefits on a grassy knoll is just awesome. That game could keep you busy for months on any next generation console. All this in ways we have never played or even considered playing Pokémon before. As we see the arrival of remaked games this year (System Shock and Elite Dangerous PS4), gamers are recognising certain older games that brought more joy than some ‘open world’ games today claim they bring. I still keep my Wii, because I would love to replay Metroid Prime (1 and 2) again some day. When you feel that deep about a game, you know that the game is well above certain levels. Consider those who loved the Ultima series of Richard Garriott, consider playing that game on a Skyrim engine. To explore Sosaria, a true open world with missions to find, but overall the game is to just live and grow the character you created, exploring based on a ‘central mission’ but one that grows and brings more and more travels and challenges over time. It is in that light I initially made a design that I named Elder Scrolls 6: Restoration. the light of artistic creation (in my case a story and storylines) is one we need to embrace. We all have our own way of growing our artistic side. If you consider this to be not true, then look up ‘GTA5 Story DLC’, the demand for this mentioned product is off the scales and that makes perfect sense for those who love GTA5. The need for more and new challenges is within us all and addressing that is what gives some games the extra desire. Diablo 3 and Shadow of Mordor have their own engine giving us new and different opponents. It is that variety of bosses and treasures that makes us go back to the game that offers it. I was playing Diablo 3 (still) a few weeks ago, only to get a legendary item I had never had before, giving that character (my Witchdoctor) a mojo and dagger that makes short work of opponents, even on Torment 4, which is a decent challenge in the best of days and a nightmare on others. I now finished a portal in 4 minutes on that level, a speed I have never even been close to even before. Those are the moments a gamer lives for, Blizzard and Bethesda have figured that out for some time and they have so far not stopped delivering to the gamers need. In that CD Project Red is another player who with Witcher 3 reached the acclaimed ‘legend’ status of game creators, in that, do you think that there is one gamer, who loves that genre of gaming who does not check for ‘Cyberpunk 2077′ on a nearly daily basis? In all this, the reviewer (as I was in the past) I have been careful not to dismiss genre’s I did not like. For example, I do not give a toss about GTA5, it is just not my game, yet I can clearly see the excellence and quality of that game. So even as I am unlikely to give it a 100% score, it doesn’t take a genius to see that it is clearly a 90%+ game. That insight is one I kept with me when I was reviewing games in my days. very few games made it to the 100% bar, in my time less than a dozen games got that score. One game that did get that score was Ultima 7, my favourite System Shock got 95% and System Shock 2 got 92% if I remember correctly. There is however a shift, as games got graphically better, and as PC systems were more and more depending on more expensive cards the way to correctly review a game changed. I accept that and I was no longer reviewing PC games before that happened, I think the last PC review was Thief 3, which required me to upgrade my Diamonds Lab card in 2003 just to play the game. It was an upgrade well worth it, yet the element of graphic cards had already grown in those days. Nowadays the issue is a serious one. when we now see that the main negative point of such a card would be that ’99 percent of gamers can’t afford it’, in this case the GeForce GTX Titan X card, we need to reconsider certain system for games. now, I am going for the very top, so there are definitely alternatives. It is the aftermath that now becomes more and more important. The idea that I have to give a lifeline of a mere 2 years to a card that would at present cost me an arm and a leg is an issue younger gamers need to realise early in the game. the idea that a gamer needs to reserve around $800 a year to keep his graphics card up to date is a little much. Oh and this is the top of the range, there are good cards that require $500 a year, so there is manoeuvring space. Yet, when you are passionate about a certain game. The idea that you cannot play it at 100% of possible, how does that go over? It is for that reason that I stopped chasing PC hardware. I believe that the console delivers good gaming. I accept that PC’s will always bring better results. Yet in consideration of a $600 console versus a $2500 medium gaming PC, versus a $6000 for an upper range gaming PC, what can you, or what are you willing to dish out? That has always been the issue, and I cannot answer for others, yet when we consider the bad luck PC gamers had with Arkham Knight, my view will remain with the consoles. Although, in fairness the GTA5 edition, is supposed to be worth all 60 $100 bills for a top level gaming PC. It is where your passion lies and who delivers the experience to the fullest.

There are still a few games coming in 2017 and many are counting the days for the release date, yet as we see a shift in consoles, the gamers who have moved to console will have to see how they will address their gaming needs. For me with Microsoft, the issue will remain that relying on a 1TB drive, whilst you have already been shown that this is not sufficient, there will be a blowback, especially as Sony has opted to give gamers the freedom to replace the Drive for a larger edition. Crunching on a mere $60 to give the gamer half the storage is just dumb, no matter how you slice it. It is even more silly when you consider their claim “With 6 Teraflops, 326GB/s of Memory Bandwidth and advanced, custom silicon, the Scorpio Engine is the most powerful console gaming processor ever created“, and now consider that the system would be able to crunch the entire drive in 3 seconds, what are they playing at? Now, in honesty, Sony offers the same drive size, but allows players to place a larger drive. More interesting, I can just move my PS4 drive in a new PS4 pro and start playing almost immediately (OS requires update I reckon), 100% more storage, an option Microsoft does not allow for. Now, again in honesty, Microsoft did offer the Xbox 1s with a 2TB drive and that is well worth it, so why not get 2TB or even 3TB of the bat? the difference between 2TB and 3TB is less than $50 ($80 from 1 to 3 TB), who would not go that distance to resolve storage issues for the better part of the lifetime of that console? I have done that with the two previous consoles and never regretted it, there was never a storage issue. That is comfort we pay for!

We gamers we have always paid for our passion to be one in comfort, I just do not get it when game makers are ignorant of that part, there is years of data and evidence supporting my view. So to all a good day of gaming, and for those chasing achievements on the games they love, may you get that truly rare achievement today, and if you get ‘The Dark Soul’ achievement in Dark Souls 3, then we all bow to you, oh game master!

 

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