Tag Archives: Netflix

January 11, 2024 · 23:45

Clutter

It sometimes happens to any of us. Our brains get cluttered in all kind of ways and I am no different. For me it all started yesterday when Final Draft gave me a free update to version 13. It felt like that very late Christmas present you never expected, but when that email arrives you are more than double happy and I really felt the happiest I have felt that entire year (relax it was only day 10 of that year) but there you are. It was that happy surprise. 

So, as I am continuing that stride with the first script, this one meant for Al Saudiya, I see that I have a lot of work ahead of me. There is a mini series, a three season TV series and another series which has no defined size yet and all of them have parts all over my blog, as such I have plenty to do.

It was that point when I saw ‘Amazon to Lay Off ‘Several Hundred’ Across Prime Video, Amazon MGM Studios, 500 Cut at Twitch’, it wasn’t the Variety version I saw first, but it was the first that turned up now (at https://variety.com/2024/tv/news/amazon-lay-offs-prime-video-mgm-studios-1235867454/) there we are given “Additionally, 500 employees — or 35% of the workforce — are being let go at Amazon-owned livestream platform Twitch” this is not trim ming the fat. Even as Amazon has broken expectations all over the board. This is about tax year 2024 and this is about meeting the shareholder expectations, or at least that is what it comes over at for me. Mike Hopkins gives its staff members “It is hard to say goodbye to talented Amazonians who’ve made meaningful contributions on behalf of our customers, team and business. Thank you for your dedication and work. To help with the transition, we are providing packages that include a separation payment, transitional benefits as applicable by country, and external job placement support.” The fact that this is not some hard time point makes it a lot harder for some. 

But for good measure here is the music by Emil Stigler (at https://levysheetmusic.mse.jhu.edu/collection/185/093).

You might think I am making fun of the situation, but I am not. This one piece of music is now part of the Library of Congress. I don’t think that the composer imagined that when he wrote this in 1866. His music would outlive him by some length. Did we have any idea how timeless some movies would become half a century later? There was Jaws, Alien (not the short movie), Close Encounters of the third kind and Star Wars. 

All 4 movies relatively close together, these 4 and one in particular on the mind of movie watchers three generations later. To be honest, I never cared about Twitch, its not my bag of tea, but it has a following. Twitch streamers optionally earn money from sponsorships, affiliate links, some advertising, and a variety of other methods. Now, what comes next is largely speculative. Never cared ab out Twitch, but that service has 140 million Monthly Active Users as of 2024. The total number of active Twitch streamers is around 7.5 million. This number was 7.1 million In July 2023. That is a population that matters, this is not about trimming fat. I reckon that Twitch is up for offering but when it is offered it needs to become a clean package and now the 35% staff reduction starts to make sense. Amazon is gearing up for something, what for? I have no idea and this is largely speculative. I have no idea what is up and perhaps Amazon fears the competition it faces from Apple, Disney and Netflix. It might see what I expected would happen. People are unable to afford all four and in that race Amazon is the first cut from consideration. I honestly don’t know if Apple or Amazon is better, but Apple is making presented strides, as far as I can tell Amazon at present is not. 

So what gives?
March of the Amazons (1866) shows us that some gems are kept and in movies that matters. To have any of the previous 4 still on the mind of watchers matters because streaming is graded on what is watched and for how long and those 4 really broke the mould. The important part is that we cannot tell that at present with the new series, this process takes time and board members of any modern age are not a patient lot, they need to see overwhelming results or they cut things. I personally think it is a setting when the merely expect searing steak, all whilst the slow cooker presents its own kind of deliciousness. One is not the other and I personally think that the old metrics and approach do not work on streaming systems. That being said, Amazon seemingly dropped my IP not realising what 50,000,000 subscriptions in the first phase alone will get them. It is a cluster they never had and others never had either. Yet when we see this we see an optional speculation on what they are missing and speculation is where it is at. I have no clue why they are trimming the fat. I am guessing it is the 2024 results, to meet them head on and people are dropped because of that. However, I could be wrong.

I honestly wonder what possessed makers like Steven Spielberg, Ridley Scott, and George Lucas to make what they did. Not the normal setting, but what drove them from the inside and did they know or realise that they created cinema greatness? I never doubt that they wanted to make the best they could, but were they aware just how good it ended up being half a century later? Consider that movies in those days were made for a year, perhaps 2-5. We see movies like Coma, Chinatown and Deliverance and we all agree that they were great, but these 4 outlasted them all. Time works different when it comes to books, movies and music. So how to prevent to cut the people who could be making the next whatever. It was at this point that I realised that something had gone wrong. At some point someone thought that it could always be redone, the movie greats of the 70’s are largely gone. Perhaps monumental movies like Dances with Wolves are bound to happen, but when you consider the 4 from the 70’s, what is left? Dances with Wolves? Titanic? You tell me, but I personally fear that as Hollywood started to snag the process, they lost something and there is a chance that Amazon at present it digging its own grave, even thought they cannot see it yet. Even as they are (as speculated) trimming the fat. But there is one consideration. With that job loyalty is bound to go out the window as well. They might not care, but what happens when the next Herman Melville? You might not remember the man, but you do remember Mobi Dick, the book he created in 1851. That book is on some minds almost 175 years later. The slow cooker needs a different process, any chef can tell you that. I wonder how long it takes for the streamers realise that their process is set to different elements, to different seasoning. Just a question, but they appeared as I was dealing with the clutter in my brain. And as for the march of the Amazons? Consider that The Phoenix by Fall Out Boy is an average song, but when the speed is increased 17% it becomes a whole different story, yet this is the consequence of re-arranged music. As such I doubt that Emil Stigler is that, but I never looked at that part (I am not a musician), did you? We are unlikely to see another Darth Vader march by John Williams, I doubt that even he saw that his song would be so iconic 44 years later. That song calls for an image with billions, not something I would have imagined when I first heard it. I knew it was stellar, we all did, but this iconic? Streamers have a like minded setting to some music, different metrics are in play (still speaking speculatively) does Amazon realises that?

Just a question, enjoy your day, my Friday starts in 30 minutes.

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November 20, 2023 · 13:43

Ratatouille

Yes, that was the thought entering my mind. It is not about the cartoon, it is about the dish. I first had it in 1981 in Lourdes. It was also the year I met members from the Legion Etrangere and their kepi blanc. A lot happened that year but it is not set the a singular event. You see, there is a larger stage that my mind is working out and it is one of a few. 

Douse the Mouse
The second stage towards all this is Ronald McDonald DeSantis where we (in no particular order) are given (at https://www.politico.com/newsletters/florida-playbook/2023/11/17/florida-starts-turning-on-desantis-00127753) with ‘DeSantis’ popularity drops in Florida’ where we are given “But DeSantis’ support from Independent voters in Florida has taken a nosedive, the poll shows, with almost 60 percent saying they disapprove of the job he is doing as governor — a nearly 14-point increase from July” so in 3 months his approval rate is down by 14% and I believe it is more than that. The person who wanted to ‘Douse the Mouse’ (source: @Brittlestar) is now trying to avoid whatever he can. So we get to the second link (at https://www.cbsnews.com/miami/news/disney-says-it-has-40-billion-economic-impact-in-florida-as-it-battles-desantis-in-court/) with ‘Disney says it has $40 billion economic impact in Florida as it battles DeSantis in court’ where we are given “Disney officials in the past year have said the company plans to invest an additional $17 billion over the next decade in central Florida, including potentially adding another 13,000 jobs. However, the company has shown a willingness to pull back investing in the Sunshine State. Earlier this year, Disney scrapped plans to relocate 2,000 employees from Southern California to work in digital technology, finance and product development, an investment estimated at $1 billion”, so not only does Disney account for 40 billion, it was about to increase the economic footprint of Florida by 2.5% money that the state desperately needs. Now we see that DeSantis is trying to spin several settings and the people have had enough. The deep painted republicans are running away (alas in the direction of Donald Trump), the rest has had enough of the republicans. Now we get to the story (at https://www.npr.org/2023/11/16/1213355557/desantis-florida-president-candidate-voters-trump) where we see ‘Once Florida’s favourite son, Floridians turn on DeSantis in his bid for president’ a stage that gives us “Trump currently has more than a 30 point lead over DeSantis in his own state. That lead hasn’t changed significantly since the governor jumped into the race for president”, as well as “Republican state Rep. Randy Fine has been one of DeSantis’ most vocal supporters in the Florida Legislature. But recently he announced he’s backing Trump in the GOP primary”. This is a setting I expected to some degree, but not to this degree. You see when you screw with the economy of your own state for simple shallow egotistical reasons. This is the event you can see coming a mile away. 

This all matters to another stage with all kind of jagged edges. You see, All this was going through my mind when I was contemplating two issues. 

The first one Was Abu Dhabi. I saw the Warner Brothers hotel (and theme park) and I wondered why the UAE isn’t more outspoken in adding a decent amount. The first one is a sidestep from the  normal theme park, I am not sure how Islam regards Harry Potter and I don’t think it is a good idea to have a third one, but some kind of fairy tale forest, based on Scheherazade and the One Thousand and One Nights in the style of the Dutch Efteling, could work. Too stand out matters and this could be a setting. As the stage increases (see below).

The idea is not an expansion based on rides, but on walks and watching the stories of 1001 Arabian nights and other myths. You see, when I was confronted with the Jinn, the idea erupted to create the script for ‘How to Assassinate a politician’, the idea still works for a number of stages. And adding these stories to any theme park would be a win for the theme park. You see, as we get closer and closer to 2030, the tourism groups will alter. The UAE should expand and create a haven for tourists, non-Arabic tourists. Tourism from Bangladesh and Indonesia will grow to a decent degree, and in all this the Europeans who can afford to go there, they will go there. America is rapidly losing appeal and the European tourist as well as the asian one wants to see new borders. With Saudi Arabia growing Neom and the Line they will get more and more tourists. So offering these people an additional choice (like the train Riyadh-Dubai-Abu Dhabi) will get its own appeal on all this and there is time for the UAE to add to their arsenal and after the storms they need more in more places. You see, I will not give word here, but there is a chance that Dubai (if what I saw was real) will have more issues coming. 

So as the expansions 1,2 and 3 are added the larger addition is a magic carpet ride (like the Efteling ‘de droomvlucht’) but over the three expansions showing the people a new ride and the biggest one ever created showing them the expansions as well as additional layers (read: floors) showing them another collection of stories, Abu Dhabi will become an increasing source for tourists, both local and international. 

All this is also linked to a setting of Residuam Vitam (a story in development), I had some idea of how to set the spin towards the conclusion, but now I addd a few sides and that is where the jagged edge came into play. That is all linked to the stories and the past. You see there was one part that Socrates gave me and the other part I know the story, but not the writer and that combination resulted in something more. That part is still evolving but the interactions are defining me. Parts I did not consider before are now getting in motion. It was linked to ‘How to Assassinate a politician’ because it was an idea I had for Arab TV. Yet the setting is not about Arabs, Islam or the middle east, it was about seeing new frontiers and optionally making groundbreaking efforts. Whilst players like Amazon Prime, Disney and Netflix are focussing on Europe and America. The reality is that in 3-4 years that is the most likely to implode, all whilst the areas I am looking at are growth areas and they will have needs too, as such the evolving ideas others are avoiding. You can say it is its own kind of Ratatouille. And whilst players like Ron DeSantis are so egotistical that they will destroy their own state’s economy by Dousing the Mouse. Other players are more realistic in their approach and that is where both Saudi Arabia and the United Arab Emirates can capture a decent slice of that tourism gap. You see, we are seeing (for months) the stage of “Travel to all areas of Florida should be done with extreme caution” there will be an impact for both Disney and Warner Brothers and the people going somewhere else, need someplace to go. That is simple abacus logic, but it holds up. You see, most will try to go to EuroDisney or Japan, but like any theme park there is a limit and these two places haven’t been expanding enough. In addition to that there are a decent amount of complaints to the catering of Warner Brothers Japan (all third party complaints, nothing I can vouch for) but these elements add up and now the middle east has one additional track for extended revenue, all because some people considered and placed ego before common sense. I wonder what happens when these players start the blame game, like ‘Republicans blame skewed advertising for Ohio abortion rights victory’, it is merely one small part in a larger stage of failures and that list keeps on growing. So much could have been avoided, but that is on them.

Enjoy the day, Monday is 56% through for me.

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August 31, 2023 · 23:59

Sentimental journey

We all have these. It usually is about something personal, something we are passionate about and mine for the longest time has been gaming. I took a sentimental journey by replaying Far Cry 3. It still had all the flaws (replaying on the PS5). One was a design flaw, one that massively annoyed me, one was a ‘weakness’ and one was open to debate. I replayed the game 4 times and in order were the PS3, Xbox360, PS4 and now PS5 and this time I stuck around to get the platinum achievement. Three I never had, one was due to me not looking at the issue, one was because I never found it (that Hollywood star with his head above the sand). The toxo thingy (because I never realised that you could do those with explosive arrows and the gamble bully as I never cared for poker. This time around there was just the poker part missing as such I ended doing a side quest I merely shrugged at and now I have it. OK, I looked up that Hollywood person. I initially thought it was one in my party to save. So when I found the solution I had to giggle. This is one of those moments I applaud the makers for such a sneaky achievement. 

This also stirred a few other things. You see, there is a game I want remade, but remade different and now it might not come to consoles because this is a streaming option. I also have been rethinking a few settings in the original games and how it might be done differently and that got me to a new approach to ‘family’ trees. Whilst everyone is rethinking ChatGPT and taking swings at their version of ‘AI’, I have been considering another use. A use in gaming not used before, not to ‘extent’ the gamer, but to extent a system that allows for ‘shoddy data’ and is set to parameters where we decide what to include and what to filter out. I considered it for a while and I suddenly that in some trees pruning is not the reward, but correctly pruning leads to a bigger reward and that is merely one stage to enhance an old game 30 years later and create a very new game. As such I now have 2 out of 4 stages of that game thought through, the third one is also there, but I believe that we need to tune that a little more. So whilst Microsoft is spending billions and billions to acquire IP, I merely thought it through and have a setting of close to half a dozen games ready to add to the Amazon Luna and Tencent handheld stables. I just can’t stop giggling at that premise. They (Microsoft) is trying to spend $69,000,000,000 to buy Blizzard and an idea that could be seen as outdated, I am about to hand Amazon and Tencent Technologies IP at less than 0.1% of that and they end up with half a dozen games that Microsoft does not have and will not have. In the meantime thanks to a brisk idea Vint Cerf had when he was an old-boy at DARPA led to an idea to a new approach to NPC enemy intelligence. Yup, Microsoft really played that part in a boneheaded way. And now (after they spend $7.5 billion for Bethesda) all eyes are on Starfield. I am not focussed on it, because I refuse to get the new Xbox and should that title fail, the goose of Microsoft will be sorely done. I honestly hope it will go well, because hoping for someone’s game to fail is just a dick move. I will merely never play it (unless it comes to PS5, which is a not going to happen). So I am not a starfield hater, but Microsoft placed a bar too high for normal games and now all eyes are on Starfield. I however decided to be more creative and designed several games exclusively for Amazon and Tencent, several of them I placed in the Public Domain for exclusive free development for these two systems. Yes, I know that this was a stretch, but the more I design and the more Microsoft fails, the bigger the loser they are showing themselves to be. It is a stage of lose some and lose some more. And now that my first IP is close to completely redrawn, Tencent Technologies stands to make a fortune on the space that Google Stadia once had and that spells out more bad news for Microsoft. 

Still the sentimental journey played its part. I have been driven (over time) towards games like System Shock and stealth games. Now I see that these stages are also drivers for new IP, not a copy of an old idea, but completely new IP, and as I personally see it Microsoft has nothing to counter it. Yes, Starfield will be new IP, but that is one IP on one system and they are still feeding the Game pass. I have several pieces of NEW IP, new that is never used and to a degree never seen on consoles. As such not only does Microsoft have contenders, but with their Call of duty fetish, trying to counter Epic and its software, they left too much lying on the floor and Tencent Technologies is starting to catch on where Amazon, Google and Microsoft decided not to look and now they are about to become the competitor Microsoft never banked on and as such they have more contenders to fields they never completely understood. First there was Apple with their iPad and the Windows Surface giggle never got close, then there was Amazon with AWS in the first (eat your heart out Azure) then with the Luna and there is Microsoft losing the streaming console war all whilst Netflix is a new contender costing Microsoft even more. Then there was Sony beating the Xbox version X (or was that the Nth degree). And now Tencent Technologies is about to enter the field giving more and more competition to Microsoft in streaming solutions. Making Microsoft the loser 5 times over. So Bethesda has an abnormal amount of pressure on it to make Starfield a lot better then good and after the epic failure that Redfall has become with additional promises not met 3 months later, all eyes are on Bethesda and I do not believe that is fair on Bethesda, but the premise was pushed by Microsoft and they will need a scapegoat should things go south, no idea how they will do that, but there you have it and I am handing over IP for free to anyone that is not Microsoft. You see, to avoid fish getting caught, you can either take the fish away, or make the pond a lot larger. I opted for a combination of both and when my initial premise of 50 million gamers is met, Microsoft will have to hand over the field yet again. Because it is not merely that I gain these gamers, Microsoft will lose those people in a few ways and that was the initial stage. It might be delusional, but I believe that giving gamers pure gaming pleasure is one way of gaining their trust. Not the trust of some analyst and some bing stage, but a stage where gaming for the sake of fun will endure long after Bing went the way of the dodo. I had hoped it would be an Amazon/Google win, but there is every chance that it will now be an optional Amazon/Tencent win and that will lead to a lot more damage to Microsoft over time. 

So whilst some will throw all this to my delusional side, I decided to blog the ideas so that they became open and Public Domain and I there is no regret here, I just came up with another part to an idea that could please a whole cluster of gamers, how large the cluster is is unknown. I understand that this is not some Call of Duty clone and as such plenty will not care for that game, but I believe millions will and that opens other doors and close the doors of Microsoft all at the same time. Why use energy twice, right?

I just have another idea. I think I wrote about it before. I should give it to Netflix as soon as possible just to piss Microsoft off and the more streaming gamers out there, the less is left for Microsoft and lets face it they have 238 million subscribers, so giving them IP merely slows the Microsoft cattle and diverts some of them to other places, a stage Microsoft cannot control and they lack ability to coach. Yup, now just to hand it over to Netflix and another loss for Microsoft is coming their way.

What a lovely way to start Friday (in 9 minutes).

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August 28, 2023 · 13:49

The speculated danger

Yes, that is where I am. Whatever I am about to give you, there is a decent amount of speculation involved, as such there is every chance that there are issues that aren’t covered and people with that kind of knowledge aren’t speaking out at present. Not to debunk my speculations and not to enforce it. I believe that the filtered media we are getting is now likely the more danger we face. This all started last night when I saw ‘UAE records hottest day of the year as temperature crosses 50 degree mark’ (at https://english.alarabiya.net/News/gulf/2023/08/27/Temperature-crosses-50-degree-mark-again-as-UAE-records-hottest-day-of-the-summer). Here we see “The rising heat in the UAE crossed the scorching 50 degrees Celsius threshold on Saturday, marking this summer’s highest temperature. According to the National Center of Meteorology (NCM), the mercury touched 50.8 degree Celsius in Abu Dhabi’s Owtaid in Al Dhafra region at 2:45 p.m.” We see all kinds of heat messages, but for a place like the United Arab Emirates to give that to the readers is a little new to me and that place is warm on any usual day. This started me to mull several things over and it also made me think back to the 60’s (when I was young and innocent. Yes, I was innocent once). That year is forever marked in my brain. Not because of the year as I am not certain what year it was. Yet I remember that it was -20 Celsius. The coldest I could ever remember. In addition to the ice flowers on my window, something I had never seen before there was something else. The streets were iced. Now we had ice in the winter, I grew up in a city named Rotterdam. But this was different, the streets were covered in ice. I could literally skate to school which had never happened before and I do not recall that it happened since. This is what I would call a temperature outlier. These things happen and there is nothing strange about it. Now consider this heat in the UAE. In addition consider (at https://lawlordtobe.com/2021/08/10/the-part-we-seem-to-forget/) the stage I reported in ‘The part we seem to forget’ where I quoted “Within the next two decades, temperatures are likely to rise by more than 1.5C above pre-industrial levels, breaching the ambition of the 2015 Paris climate agreement, and bringing widespread devastation and extreme weather” (source: the Guardian) You can forget about the decennia part, I personally believe we are there now. To get that stage we need to add three elements. 

  1. “Researchers say deforestation has caused the Amazon to absorb less than half as much carbon dioxide as it did twenty years ago.” With the added “In the last fifty years, Brazil’s Amazon has lost about a fifth of its forest cover—almost 300,000 square miles. This includes at least 5,110 square miles lost in 2021”
  2. “From 2001 to 2022, Indonesia lost 29.4 Mha of tree cover, equivalent to a 18% decrease in tree cover since 2000, and 21.1 Gt of CO₂e emissions” which gives us Indonesia. 
  3. “Beginning in March 2023, and with increased intensity starting in June, Canada has been affected by an ongoing, record-setting series of wildfires. All 13 provinces and territories have been affected” with a total of 13,999,922 ha displacing well over 250,000 people. With Al Jazeera (at https://www.aljazeera.com/news/2023/8/23/mapping-the-scale-of-canadas-record-wildfires) giving us “Canada is battling more than 1,000 active fires, and nearly two-thirds of them are out of control”

This is where the speculation starts. We have decimated our forests and the ability to regain the oxygen. Now, this is not going anywhere soon, our atmosphere has a curtain of well over 5 miles of oxygen, so we aren’t running out. But we now have a markable point where we use more oxygen than nature can correct for. The three largest places with forests are down by too much and there are side effects. The smoke of the Canadian fires, that go all through to the US will have a secondary impact

People wear protective masks as the Roosevelt Island Tram crosses the East River while haze and smoke from the Canadian wildfires shroud the Manhattan skyline in the Queens Borough New York City, June 7, 2023. REUTERS/Shannon Stapleton

The sun will warm us less and you might think that is a good thing, but you would be wrong and that is why I made mention of the outlier in the 60’s. I personally believe that we are about to face the harshest winters ever and it will not be one year. This will start a trend that will be a 3-7 year stretch, not all at once, but we will face at least 2 harsh winters over the next 5 years with a few more after that. Even if the forests in Canada are replanted using Team Trees with Mark Rober, it will take close to a decade to see that impact and the forest fires will return next year too. Less likely to the same scale, but forest fires are a normal setting in Canada, the three elements combined is different and new.

Some will have seen the Netflix movie How it Ends and we aren’t facing that, but the nuclear winter that follows such fires are not entirely impossible, I would go on stating that they are becoming more and more likely. The media will trivialise this and state that I am a doom sayer, yet they have never given us the real deal in this and they are unlikely to do so now. I am not saying this will happen, but I feel certain that we are heading to really harsh winters and the first one will hit us before January 2025 which is expected to cripple the UK and Europe to a larger degree. Canada and the nordic nations will not be crippled to such a degree, but they too will feel the bite of the winter that comes. In the meantime with the winter hitting us and the heat being a larger problem extreme weather is coming our way and it is coming now, not in a decade. 

So consider what I told you, fell free to check the numbers you can and be certain that you take note of the trivialisation you see in the media and take note of the media that trivialised it. They are no longer to be trusted ever. They are filtering the information to keep you asleep, especially in a time when you should have been awake a lot more. It is not the one thing, there is no one thing, it is the combination of a whole range of issues and it is not the private jet setting, that is utter bullshit. What they are all happy to ‘ignore’ or forget is what I mentioned in ‘A COP26 truth’ a setting we see (at https://lawlordtobe.com/2021/11/13/a-cop26-truth/) two elements stand out. “over the last 15 years 15,000,000 additional flights were added. That amounts to 41,000 flights a day, every single day. So how much CO2 do these flights create?” The Guardian was all about private jets and made no mention of this element. Do you really think that these flights were essential? Then there was “We are that close to suffocating. On the other side, we have seen clear reports that 50% of the damage comes from 147 plants, the media ignored it, I wrote about it and placed the documents of UNEP and the EEA for you to read, they had graphics too.” How interesting was it that the Guardian and its environmental pages did not mention that report. Two elements and you were kept in the dark and now these elements start to form a biased opinion (from me) but feel free to come up with better settings and this has been going on since 2021. So with all the space they had they ignored the European Environmental Agency? 

It is my personal speculated believe that these elements are part of a greater impact and the Canadian fires with the deforestation elements are adding up to a new picture. I might be so brazen to suggest that the 8 billion people this year onwards (for some time) will be using more oxygen than the planet can renew, this has a larger impact now, the winters and summers will both be harsh, more harsh then anyone can remember. I would leave it to the media, but I don’t thin they can be trusted any longer. In fact there are trust issues on all sides and so there should be, but those who give us the news aren’t (it is now filtered information). Am I right? Am I wrong?

I honestly do not know, but this is my speculated opinion. I might be going from numbers, but it remains speculation. 

So breath and get through the day, the weekend is behind you the next one might be coming in 5 days. Enjoy.

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August 17, 2023 · 17:15

Strike Two

This started earlier. It started weeks ago and I was aware, I took notice. Yet, that was about it. I mean no disrespect. I do not live in the US, I am not California and as such I am merely partially aware. I see what most outside of the US see. We see the strike, but yesterday I saw an opinion piece in the LA Times and that woke me up a little more and would you believe it, this morning I got more awake. There was an advertisement on YouTube, it was the Pilot of Lioness and it was one hell of an ad. It was 50 minutes, it was the pilot. Yup Paramount Plus took their balls and hung them up the wall. OK, this is a first that I watch a 50 minute advertisement. Yet, it was not about the ad, not about Lioness but it gave me focus, so lets begin.

The LA Times Story (at https://www.latimes.com/opinion/story/2023-08-15/netflix-antitrust-anticompetitive-labor) gives us ‘Hollywood strikes prove Netflix and other streamers have grown too powerful. Time to break them up’ here we are given “Many have called the stalemate an existential crisis because it concerns new issues such as residuals from streaming services and rules for the use of artificial intelligence. These go beyond the usual labor issues such as wages and benefits and cut to the heart of an industry in which streamers such as Netflix can dominate all aspects of the business.” It is one side that I had not seen before. ‘Entertainment’ has become an end-to-end business over ALL verticals. I had not considered that merely because I am not part of this industry, I never was. Yet here we are given “Antitrust laws need to be invoked — as they were in the 1940s in U.S. vs. Paramount — to break up streaming services that both produce content and distribute it. This vertical integration has deeply changed the longstanding entertainment industry ecosystem, which allowed employees to survive and studios to prosper.” Which gets us to “In 1948, the Supreme Court ruled against the studios, requiring them to divest themselves of their movie theatres if they wanted to continue in the production business. Shortly thereafter, theatrical films began to be aired on television with no additional compensation for creative talent. This led to the strike by both the Writers Guild of America and the Screen Actors Guild in 1960, the last time the two struck simultaneously.”

With finally “If Netflix and its streaming peers like Apple+, Amazon Prime, Disney+ and Max can maintain their vertical control, it will be next to impossible to settle the Hollywood strikes in ways that could preserve the ability of creators and technicians to earn a decent living and protect creative diversity. The old vertical studio system was broken up by the Justice Department. It may be time to do the same with these 21st century behemoths.” And that was the wake up call I needed. The Paramount ‘advertisement’ was apt and consider that Lioness is new stellar series. Kidman, Saldana and several others are making a bundle. They earned it, their work is first rate, as is the director and the director of photography. They all did a stellar job, but it would not have been possible without the writer, without the writer there would be no script, nothing for the director to work from. So how much is he making? 

We see the accusations that the top person, which in the case of Disney is Bob Iger, in 2022 he made well over $14,000,000. This amounts to well over a million a month. Now lets take a look at the image below.

So a series that streamed over 3,000,000,000 minutes, making it one of the most profitable and most successful series even, the writers were collectively paid $3,000. Please explain to me in what universe 3 billion streamed minutes gives us a combined pay check of $3,000? You see those three billion minutes amount to 138,121.5 years. Does it make sense now? The writers are beyond underpaid. They are the legal slaves of America and they deserve their right coin. But American history is seeded with injustice and exploitation and to be honest until the LA Times piece I did not see it, so who else was unaware? We are given snapshots, yet until you see the entire vertical of exploitation it makes little sense and now with that streaming vertical exposed you can see just how unfair it is and one series, the series suits, showed us just how much the writers are fed up with being ignored what should be rightfully theirs.

Enjoy the day.

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July 16, 2023 · 10:58

Single-mindedness towards greed

That is how I see it in this case. To see this we need to take a look at the CBC article (at https://www.cbc.ca/news/entertainment/box-office-slump-2023-1.6906554) called ‘Blockbusters are failing spectacularly, but how that changes Hollywood is anyone’s guess’. First of all, are they failing? To the requiring mind of these movie releases they seemingly are. Yet I am not of that mindset. Lets see if I can get you on board. A second article is from the BBC and seen (at https://www.bbc.com/worklife/article/20230713-how-the-cost-of-living-crisis-is-fuelling-job-quits) where we are getting told about the cost of living. They call it ‘How the cost-of-living crisis is fuelling job quits’, especially in families with children, the revenue of worker number two is no longer covering the cost of the children. They tell us “Rising prices and interest rates are pushing some workers to move around the labour market, rather than dig in their heels at their current employers.” This is not merely a British thing, it is a global thing and when you add Australia with age discrimination we have a very different picture. We see a growing global community that can no longer AFFORD to go to the cinema. I used to go to the cinema at least once a month. Now I am happy if I can afford to go once a quarter, that is a drop of 60% and I am not alone, millions are in the same boat. To get any kind of tinsel town satisfaction we are driven to Netflix. $15 a month versus $15 per visit is simple math (if you have a proper internet connection), yet the CBC has merely one mention of Netflix and it is in the wrong direction. The article has nothing on ‘cost of living’ a clear first in any household. A week ago CBC gave its readers ‘Families face ‘hidden homelessness’ as Hamilton shelter system is consistently overwhelmed’ and no one was able to connect the dots? In ‘generalising’ statistics we tend to agree and accept that for any household collapsing, at least 50 more are on the verge to go that direction. It isn’t a foolproof stage, but with the lack of data that is a clear path to walk on and now we see that this implies that in Hamilton alone a thousand households are on the verge of collapsing. So how many of those would consider going to the cinema? It amounts to $25-$40 per person, and that is just for starters. There are travel cost to consider as well. So when you add it all up, Canada alone has close to 250,000 households that actually can no longer afford to go to the cinema. Add a few million from the US and a similar amount from the EU and it explains why people aren’t going to the silver screen, they lack funds. This doesn’t make the movie a flop. I would have loved to have seen Shazam 2 (or the new Indiana Jones, or Oppenheimer, or Mission Impossible) I just couldn’t afford the ticket. It is life on a budget and I reckon that Jackson Weaver has some rewriting to do, perhaps add a chapter (or two). The funny part is that I saw this path clearly within the first 2 minutes. Me, for now is saving up so that I can see Dune Chapter 2 on launch date (which is November 2nd). This is the reality that millions face, we aren’t happy, we aren’t thrilled. This is our lives and the people in the entertainment better take notice (like the CEO’s making 135 million plus annually). You are either getting smarter on how you do things or lose more and more money and downgrading payments of actors is definitely the wrong road to travel on.

And why is this single-mindedness? Simple, you see Google and Amazon should be running circles around me. Yet for now I am growing my IP count where they should have been ahead of me and they are not. The simple setting is that they (and Hollywood) should have the goods, but I wrote several stories (could be scripts) in directions they never contemplated. So, why not? Are they the next creative failings after Ubisoft? You tell me, I should never have been ahead or even close to equal to them, but it seems that I am. I will tell you that I am not driven by greed, I believe that this is the setting that is drowning them. When did this happen? My personal feeling is that Avatar and the Marvel movies opened a door they never saw and now they are all rushing to get to that revenue. It is a greed driven drive, which is why they will never equal people like James Gunn (even when he is wearing glasses), the creative minds like Ridley Scott, James Cameron, Christopher Nolan and Martin Scorsese are titans because it is about the creation, not the revenue (it is a nice side effect for them). Art is never bankable, but it is collectable when completed. A simple premise that most never seem to get and they all rely on one other element. People who can afford to go to the cinema and for now that equation is massively out of balance.

It might not be their fault, but it is still on their plates today. Not hard was it?

Try to enjoy the last day of your weekend.

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June 26, 2023 · 13:05

Is it the real issue?

As I was writing the previous story, the story (at https://www.bbc.co.uk/news/business-65997926) arrived to my desk. As we see ‘Can we stop being tricked into subscriptions?’ My mind went back to a similar story I wrote in 2022, when someone accused Amazon of porn site approaches and we see here “‘I spent £6.99 for 18 months’ A huge range of firms now offer subscriptions ranging from food delivery to contact lenses and it is a growing market. Many offer a free trial, or discounts in exchange for people signing up. However, people the BBC has spoken to say they feel they have been locked in unintentionally because they have forgotten to cancel their subscription when their free trial period has ended.” Consider, when you forget a monthly responsibility, is that the service offerer or is it the schmuck who close that deal? And in this case Schmuck is the right word. When you have a deduction on your bank statements for 18 months, that person was not on the ball, missing the point. So when we are given “John, for example, told the BBC he had signed up to Amazon Prime video for a 30-day free period and forgot to cancel it when he had to start paying for it.” As such is that on Amazon, or on the dumbo forgetting he SIGNED for a responsibility? 

As such consider WHY are you taking a subscription? Was the reason valid, or was it a short term need? None of this is on Amazon, none of this is on the subscription offerer. That is the very first thing you need to realise. Just like those Gyms offering subscriptions by letting them be offered by ladies looking really good in D cups (or larger). It was the simple stage of sex sells, there was no sex involved, but the ego of the man never figured that out until he had been there for 2 plus years. 

Yet there is a side I cannot disagree with. It is given with “But Citizens Advice says it should go further, calling for auto-renewals to be banned altogether and making firms ask people to opt in, rather than opt out of subscriptions after a free trial.” It is not what these people want, but there is a clear stage that any offer should be by monthly, quarterly or annual opt in is fair on the consumer. As such some change is required. It is not on Amazon, but Amazon will be affected as well. As such, I can get behind ““The government has to acknowledge the pressure on consumers’ pockets. This has to be the start of reforms, not the end,” says Matthew Upton, executive director of policy and advocacy.” Matthew makes a decent case, even as people like that John might be too stupid to figure it out. There is indeed a need for reform. I cannot state that Amazon needs it, but plenty do. Netflix too has a decent cancellation option. Yet which do not? I cannot tell and as such I find the opt in continuation a decent solution. But the real issue is not the actual issue. It is a person like that John is so stupid that he paid 18 months because he forgot and the BBC picked it up as news. The headline should have stated ‘Should we adjust to the need of stupid people?’ That is merely my personal view on the matter.

Enjoy the day.

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June 5, 2023 · 07:54

Remastering failure

That is a question I am wondering about. This all started last night when I saw some advertisement of Belvedere Vodka with Daniel Craig (kind of) dancing in it. This reminded me of Christoper Walken in the video of Weapon of choice by Fatboy Slim. This is how it started. You see, in 1980 he starred in a movie called Dogs of war, made after a book by Frederick Forsyth. The cast was good, I personally liked the movie, yet it only made $5.4 million on a $8 million budget. A failure Hollywood would say. Another movie made on an unpublished work was The Wild Geese from 1978, also all star cast making almost 10 million on a nearly 12 million budget. Another failure according to Hollywood. Still they were good movies and both had unorthodox settings in those days. The audience was not ready for these movies.

So what happens when Netflix, Apple or Amazon takes a stab at these making them massively darker, making them larger (like a Mini series) You see, these movies could never be made in 135 minutes. But in 4-6 episodes of 60-90 minutes this takes on a whole new form and this time it is to an audience who is ready for the setting of either movie. And not for nothing, Frederick Forsyth has published a whole range of books that could be redone. Some more readily then others. We think of the fourth protocol as the movie that launched Pierce Brosnan into stardom, and opposing Michael Caine he did the job, but in this day and age that setting is suddenly a lot more real than ever before. The Fourth Protocol made twice the budget, as such it might not be seen as a failure. Yet these stories could rake in the viewers and therefor the cash. I am considering the thought that these movies were ahead of their time and Hollywood trying to blockbuster whatever they could got to these scripts too early. This is merely a personal view and optionally not the right one. Yet I wonder if anyone in these three houses looked at the movies that never made a profit and wondered if they could now. Both Wild Geese and the Dogs of War had the setting of a good story, they had the background to make it interesting (especially Steward Granger as the exploiting merchant banker Sir Edward Matheson in Wild Geese), all sides that were never explored, you could not do that in 134 minutes. Yet now, in the streaming age these jewels could make a new appearance, they are over 40 years old now. I wonder what more these three could find if they altered the vision they have. 

Good movies aren’t grown on trees, they are found in scripts and at the moment the search for scripts is a whole new problem (until the strikes are a thing of the past). They might not have script writers now, but the preamble to prepare for tomorrow is not something you want to leave in the field, not in this day and age.

Enjoy Monday, the weekend is almost yesterday.

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May 3, 2023 · 09:23

The empty wall

That happens, the writings is not always on the wall and now with the writers strike in the US, that wall may be empty for some days. Before I go into the now, lets consider what happened 15 years ago when the writers had their fill of exploitation. They went on strike for 100 days and the cost to the California economy was a thumping 2 billion dollars. That setting just now after covid would buckle many players all at one, making the US economy take a turn down in a stage it cannot afford it. There are other elements as well, but they do not matter at present. I was thrown by stories last week about writers that were living on US support. The people that are the foundation for billions in profit are not given a fair shake. How is that for greed and exploitation. They are not asking for the moon, they merely want a fair shake, a decent income. And I cannot see why not. I write stories, I created the foundation of movies and TV series. As such I identify with their needs. Not because of the income or the work I am in. I write for fun and to keep my skills honed. Yet the power of creation is strong and I can identify and side with anyone who made that their life’s ambition. 

As such when the BBC (at https://www.bbc.co.uk/news/entertainment-arts-65447046) gave me ‘Hollywood strike: Late night comedy shows to go dark as writers’ walkout begins’ I took notice. It wasn’t merely “A Writers Guild of America (WGA) strike, the first in 15 years, saw more than 11,000 writers – 98% of voting members – walk out from midnight. Tuesday’s late-night shows are expected to shut down first, while forthcoming shows and films could face delays.” This wasn’t merely a majority rules setting. 98 percent agreed, that is more than strong. It shows that the greed driven parties have taken things too far. I know it is not that simple, but that is the feeling it gives us. In. Place like the US where most people cannot agree one way or the other, 98% agreed and that number needs to sink in with many of us. We see the late night show references, but the larger stage is that this is not about one employer, one show or one movie. This is about the bulk of all and that matters, especially when a person like me throws the terms ‘greed’ and ‘exploitation’ into the mix, because that is how I feel about it. When I see stories about creators of successful series being on government support, something does not add up and these two term come to mind. 

And there is a larger stage with “This time around, writers are clashing with the Alliance of Motion Picture and Television Producers (AMPTP) – which represents the major studios, including Amazon, Disney, Netflix and Paramount – in demand of higher pay and a greater share of the profits from the modern streaming boom” the BBC gives us part, but I believe that there is more. You see when we see ‘a greater share of the profits’ we think it is the writing, but what we forget that streaming profit streams in ‘ad infinitum’ and even if that were true, that is not what the writers get, nowhere near what the writers get. To give a simplistic version, if that setting was completely true. A person like Dorothy Catherine Fontana could (due to her involvement in Star Trek The Next Generation) buy David Hasselhoff out of his $51 million mansion and take it for herself. Even if she got a mere $0.05 per episode, Star Trek TNG has been running in syndication since it aired in 1987 and it is still running at full speed on Netflix, even today. Not all series get there and not all do that well, but there is a time gap, there is a larger stage. Consider that a radio station has to register every record they play, because the composer gets a royalty fee, this has been going on for decades. So why is there no setting for streaming? Now, I am over simplifying this and I am setting a slightly inaccurate example but the premise stays the writers want a fair shake and when we see that industry make billions, why not? The stage is that streaming is a new media that is not completely understood. Some see it as a temporary stage, some see it as the next iteration in media and there is a reason that studios are jumping on that train, it is where the consumers are and during that jump some thought it was a sweet deal in a few ways, yet the people creating those series are largely forgotten, that is how the Writers Guild of America (WGA) and its members feel about it and when you have to make ends meet that feeling of happiness sour in seconds and that is what I believe we see now. 

And when we see “Key issues in the talks have been how writers get paid for shows which often remain on streaming platforms for years, as well as the future impact of artificial intelligence on writing.” And here again we see two different settings. You see AI does not exist, whatever comes from these solutions isn’t created from the mind, it comes from data, data that these writers contributed. See it as an IT solution to cloning the writers mind, based on data the IT solution never created in the first place. So how long until they are made obsolete? And when I see “The AMPTP said it had offered a “comprehensive package proposal” including higher pay for writers.

But it was unwilling to improve that offer further “because of the magnitude of other proposals still on the table that the Guild continues to insist upon.”” I do not see a solution or a proposal, I see a stalling tactic, a way to keep more and hand out less to a people who created the success in the first place. In this Jimmy Fallon (the comedian) gives us “Arriving at the Met Gala, Fallon said he hoped the strike would not go ahead, but at the same time wanted to see “a fair deal” agreed for writers. “I need my writers real bad, I got no show without my writers”” which I think is the true part and with ‘a fair deal’ he hits the WGA nail on the head, I wonder how long it will take the AMPTP to take a serious stand and not true to negotiate part by part and with a ‘win’ on every segment. You see,100 days is enough for some streamers to find whatever they can in Canada, the United Kingdom and Australia, not to overlook Korea, Japan and India. All players that will have time and with 100 perhaps even longer to find players to go for THEIR solutions. They have been in the dark a lot longer and they are hungry for desperate streamers. How much damage will that bring. I reckon it will be more than the $2,000,000,000 the industry had the last time and when that happens, who will win? I feel certain that at that point the AMPTP will not feel like a winner. You see, a player like Netflix relies on its 230 million subscribers, especially outside of the US, their subscribers will look for other solutions when Netflix does not deliver. All this whilst the WGA and its members merely seek a fair deal? This could end up being a mopping exercise whilst the tap remains running. A lot of energy going nowhere and the spectators can clearly see that tap running. The empty wall is not merely the lack of creativity, it will be the result by not decently rewarding creativity. But it is early days, it is merely week 1 of the setting, the writers are adamant. How strong is the AMPTP deal? I honestly do not know because I have not seen any of these documents, but writers that take hunger over food whilst being underpaid is not a good setting, greed never wins over desperation, history taught us that lesson the hard way a few times over.

Enjoy this marvellous day past Sunday.

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April 29, 2023 · 19:11

The price of exploitation

This time I am going in a different direction, one I know little (say: nothing) about, yet the news the BBC gives me is baffling me. I wonder if the US (and Hollywood) realise the dangers of exploitation, even more important how it could impact their economy. To start this we need to take a look at ‘How a Hollywood strike could affect your favourite TV shows’ (at https://www.bbc.co.uk/news/world-us-canada-65407703). Now to be clear strikes happen, they are almost a fact of life. You are either striking, or you get hit by the impact directly or indirectly. So here we get “The biggest issue is how writers are paid in the new streaming economy, with many reporting lower wages as digital platforms have upended traditional television and film productions, says the Writers Guild of America, the union representing television and film writers.” And then we get the ugly “Hollywood’s business model has been completely disrupted by streaming, and now writers complain of being asked to provide weeks or months of free rewrites of scripts” and that got to me. An institution that gets a billion or more per movie? That institution has to ask for rewrites under zero hours compensation? How fucked up is Hollywood? We can go in any direction, but Hollywood made $7,370,000,000 in 2022. I reckon shelling out 130-150 million for 11,500 Writers Guild member is not that big a leap, especially when you realise that “The last writers’ strike in 2007-2008 lasted 100 days and cost the California economy $2bn (£1.6bn), leading to many cancelled or delayed shows. Some have also credited it with boosting the proliferation of reality TV.” The business person in me states that losing 150 million is preferable to losing 2,000 million to a strike with the added loss of optionally successful TV series. As such I wonder where the greed driven stage of Hollywood is taking them, especially when Canada has its own production companies and they could get up to 100 days of advance house cleaning (the house names Hollywood). That is before you consider Brandon Hines who gives us “I just wrote on a show and I can’t eat, I rely on government assistance.” A series writer on government assistance? And you wonder why the writing guild is angry? Now there is another side, there are so many shows pushed out at present that I feel that something will have to give. A place like Netflix alone is allegedly spending $17,000,000,000 for content in 2024. I have no idea what the drill down is and it is likely too complex, yet I expect that writers are undervalued there as well. So what happens when the cream of the crop vacates to Canada or the UK (or Australia)? You can scream all you like, but these people seemingly have had enough and puts the pressure in other places too. All these TV hosts that suddenly cannot sound funny anymore. All these hosts that have nothing on the tele-prompter when that takes a front seat the Hollywood economy will take a dive whilst they rely on second or third class writers. So what happens to the Kingdom of the Planet of the Apes (2024) when it relies on writing students scripting the day away? What happens when an expected revenue of this movie ($1.7B) makes no more than $850M? I can tell you that the investors will take a run towards Canada and the UK, optionally Australia as well.

You tell me what the gain of greed is, because as I see it there is absolutely no positive side to that, but wait until May 8th 2023 and see shows (movies too) getting cancelled. All this was a simple application of Business Intelligence, an abacus was enough to set the parameters of this folly. The weird part is that we see “Hollywood’s business model has been completely disrupted by streaming”, they had years to correct for that and I would reckon that a revue savvy place like Hollywood would have their own regiment of BI people all over the place. So what did I see that THEY ignored, you tell me because I am at a loss.

Enjoy the weekend

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