The second part is lighter, a lot lighter. I saw a video on YouTube a mere hour ago, it is an abandoned movie, namely the Jetsons.
I remember the comic books and I loved the Jetsons. Now I see that a Panasonic version was abandoned. Why? And that is when the thought occurred that in the age of Unreal Engine 5 and what some call AI, this movie (or series) could be done without actors. All set in a ‘futuristic’ stage.
And as we realise that these abandoned projects could be given life in new ways and that could be done for a whole range of comic books and old cartoons. Considering that the streamers need all kind of projects and they are running more and more quickly out of ideas. I am amazed that this hasn’t been handed a larger thought by all kind of streamers.
And with the three simple ideas above, there are hundreds of comic books that could optionally be done in the same way. Some of them were never turned into a cartoon and as such it could offer the graphic designers a new age of creativity, not to mention those works who lost their makers as well as a host of IP rights. I wonder why no one gave that any serious thought. You see, the cartoon world is so much larger then Marvel and DC Comics. For the first 20 years I saw almost no Marvel and in the DC world only Batman (from 1967). As such, I tend to wonder why a player like Netflix let that option slip by.
So graphic designers. What are you waiting for. There is a whole pool of options out in the open. Spread your wings and seek your fortune.
It happens, good ideas fall down merely by the setting of greed. I get that some people revere greed, they pray qt the shrine of coin to get more, forever they prey to get more. Yet what happens when greed gets in the way of a good deal? For that we merely have to look at the place where boobs and smiles are as genuine as a crooked politician trying to get reelected. The forever need to drive that movie that will bring in a billion plus and some make it. Some make movies that gets the juices of desire flowing. Marvel is an excellent example. But you need a small education in reality. You see when we think directors one of the most famous and most achieved directors is Steven Spielberg, he gained revenue of $10,665,089,317 yet it took him 37 movies to get there and there are many nowhere near as good as him. So how about that $1 billion mark? When we look at franchises Harry Potter might be one of the most visible ones. In this Harry Potter and the Deathly Hallows: Part II (2011) is the only one that passed the one billion mark. Does this mean that we lower the bar? Not necessarily, yet that one billion mark is too visible, too much of an orgasm point for all the wrong people. All whilst there have been a good selection of options out there and they are overlooked.
I mentioned before that the comic book called The Trigan Empire has every option with a right director to get to the high point, optionally with a blonde John Cena in the title role. They might not make the one billion, but they could make a massive profit, an amount that goes further than merely return on investment. There are so many others. There was Franka, a modern version of Brenda Starr, but with subjects that matter today, options that make women herald this next hero. There have been so many comic books in the 70’s and 80’s, all making a good chance to rake in the revenue and most of them not from the USA.
So why does this matter? It matters because SKollywood is becoming a thing, because more and more people are accepting movies with subtitles and South Korea is producing more and more movies that are connecting to people, perhaps not in the US, but guess what? Over 2/3 of Hollywood revenue is often international. That Harry Potter movie only made $381M in the US, the rest, almost a billion came from outside the US and Hollywood needs to change steps and up the game because Korea (south part) is bringing people the Witch and more movies that are connecting to people all over the world. A stage Hollywood never considered is now becoming a reality. Who saw the Japanese movie Audition? That was intense stuff. Other movies like Old Boy and the ring found American versions, but non-Americans look at what is. You see we all liked the Departed, but those who saw the original Hong Kong version will find it lacking. Not the actors, not the script, but the original in Hong Kong just had that little more and Korea is producing a whole fleet of movies, as are several other nations.
All this and then we get to Netflix, Hulu, Disney Plus and a whole range of others. Hollywood gets 3500 scripts each year and 350 are being made, so what is failing, because something is, the revenues do not lie. So far this year Avatar 2 and Maverick were the only two movies I ran to a cinema for and that is over the last 20 weeks. The well is drying up and Hollywood needs to set the steps to new heights, because they cannot afford to lose more and as I see it pointing the finger at streamers is not good enough. Japan and South Korea have their share of amazing movies, so it is not merely the materials. I personally believe that it is the process that is failing. People have the wrong mindset at present. It should not be what gets me the most, it needs to be what can I do to get enough and up the quality of movies, that is the real trick and as far as I can tell, they haven’t figured out how to go about it. My evidence? The Trigan Empire, I made mention of it well over a year ago and since then no one picked it up. Not Netflix, no other streamers and not Hollywood. But I do remember hearing all kinds of complaints that Anansi (American Gods) is too black, or something of that nature. With the quote that “Charles Eglee, thought Mr. Nancy wasn’t right ‘for black America.’” In this I think he should talk to the writer (Neil Gaiman), as we see that it is more and more becoming all about perception the natural outcome is that others will reject what is there and over 65% of the revenue comes outside of the US.
I let you decide what you watch, it was always your choice, but do you want American gods the way it was written, or what some producer thinks it needs to look like? Perhaps some of them remember the Justice league movie and what happened in the end.
Just food for thought, in the mean time South Korea has a few new gems coming this year. I wonder how far they make it this time, so far their record is pretty impressive.
I just woke up from the weirdest dream. I was with a woman, but I cannot see her face. I was there when she gave birth, I pulled an Alien (like the one from Ridley Scott) out of her hoot-hoot. But she was wearing pants. She never took them off. Then the weird stuff started. I was holding an Alien that fitted in the palm of my hand and it looked cute, really really cute. It started to make sense, suddenly there was a small boy and his Alien brother. Like twins, like soul brothers they walked in the world.
Almost like a new age version of Calvin and Hobbs. All done by pencil and all with their own little world experiences. I wonder if it is the creation of life dreams I witnessed and the people will love this, her comics will sell in the millions. So whomever you are lady, better find a publisher soon, you are about to become famous. I saw some of the comics, how the boy (alien too) dealt with bullies, how they dealt with things we all deal with, the small irritations and how she draws them with a small wink. Things good be worse, do not sweat the small stuff. And the pages were filled with uplifting stuff, things that make you giggle and things you giggle at thinking ‘That would be nice’, I saw the pages and I saw the queues when her new book was released. Her drawing skills were really something. I walked out of the bookshop on George street and the dream faded, I was in a place and everything was white, then I woke up, and I felt happy holding that comic book. But when I looked at my hand, it was empty and I was back in my bedroom. It was certainly weird, mostly because I always loved comic books and I do not remember ever seeing that one, I have read one or two Calvin and Hobbs, but this was not like them, and now I feel suddenly sad because those comic books are not here. Well that is the start of on of the weirdest Saturdays. So I better start up my console and get the Maple leafs to their new virtual Stanley cup, it is off course NHL23 weekend, the game is installed, so let us see if I have what it takes to get that cup.
It makes sense, it really does and it all started this morning when I was confronted with an article (at https://www.cbc.ca/radio/spark/search-engines-try-to-rival-google-by-offering-fewer-ads-more-privacy-1.6286925), the CBC is giving you all ‘Search engines try to rival Google by offering fewer ads, more privacy’, yes that is one approach, but that is the iterative approach, it comes from ‘What else can we do with this?’ And that leads nowhere, it will not lead to true innovation. True innovation is different, it goes where no one has gone before. To give you 5 examples lets take you on a little trip this morning.
F is for Facebook Yes, there is Facebook muddying right along, having a new setting soon enough coming from Mark the Meta man Zuckerberg, it is a natural station forward and as others are all about dangers and all about warnings, the story behind them is fear, they never saw that this was coming (which is fair enough) and they are afraid to miss out twice in the digital environment. I for one saw the massive potential that TRUE Social Media could have. There is Cocoon (at https://techcrunch.com/2019/11/26/cocoons-social-app-for-close-friends-gets-vc-backing-to-chase-paths-dream/) which refers to a private social media, for your friends and family. They can take it a whole level further, but it seems that the people at Amazon (Luna) and Google (Stadia) are just not catching on. But now I do see wannabe’s making a chat and message version of that. Fair enough, yet the stage could grow further, will the see it? I cannot tell and I actually do not care. It is up to them, but the stage of ‘There is more’ is missed by too many. Whether it is from a ‘How do I get rich fast?’ delimitation, whether they cannot see it, I do not care, not my battle, but options are missed all over the place.
A is for Apple There is not too much that we can say on Apple. I can see a novel iteration that they are missing (Not the same as true innovation) but it is out there and it is larger than anyone thinks. I wrote about it almost a year ago and I will push the image below, perhaps someone will catch on, perhaps they will not.
A station where an Apple/Nintendo partnership might appeal to both, but Apple does have what it takes to go it alone, in all this the setting is not what more is there, it becomes (to some degree) where else can we take this and there is a much larger station that is missed, because the wrong people are in charge. It reminds me of a thought I had for the longest time. You see Steve Jobs was clever, was bright yet was not the greatest innovative thinker, Steve Wozniak was but Steve Jobs (unlike some overpriced CEO’s) did recognise true innovation and that brought Apple where it is now. Still there is more that Apple can do, will it? I do not know.
A is for Amazon Amazon is perhaps the largest power player with growth potential. I saw a potential to grown the Amazon Luna by 50,000,000 consoles (a conservative cautious number), I saw the potential of them becoming a 5G powerhouse. They have the potential to equal if not surpass Apple not merely because they started as an online book shop. They are set in a station where they could become the one powerhouse in Neom City (Saudi Arabia). Amazon has the ability to grow a lot more because they have an interesting balance of Manufacturing, retail and services. Microsoft wanted to focus and get rich fast, they there for hired people who were clueless on several matters. They lost the console world (from Sony and Nintendo) and optionally Amazon Luna if I have my way. To be honest, I fantasise on handing Phil Spencer (who is not to blame) a wooden spoon with engraved (in gold no less) Microsoft 2023. The year that Microsoft ended DEAD LAST in the console world. Their people will spin that, but consider the strongest, most powerful console in the world is behind Sony (PS5), Nintendo (Switch) already and when surpassed by Amazon (Luna), perhaps the people at Microsoft will start thinking instead of boasting Azure (blue) and their hardware when they were for the longest time clueless and there needs to be a penalty for that. Buying Bethesda for $8,500,000,000 might dull the pain and leave the people with the imagination that some good comes from it, yet the station of loss will increase and increase and If I have my way (and fantasy) Phil Spencer gets a wooden spoon in 2023 showing the board of directors at Microsoft that Amazon beat them there too. And that is before the people realise that the decision makers at plenty of places merely had a BS (not BU) presentation and that is when they realise that some made a bet on the wrong horse so whilst Amazon takes the lead, Microsoft becomes a ‘Horse no show’.
N is for Netflix Netflix is the hardest case, they started being first, being true innovation, but over time they resorted to invest heavily in more and more scripts. Yet is that enough? Will that take the cake? It is hard to tell, you see we can all make claims, yet Netflix gave the people Love Hard (Nina Dobrev and Jimmy O. Yang) a hilarious approach to a Christmas movie and to be honest, it has been a while since I had that much fun watching a movie, then they also took the cake with Red Notice (Dwayne Johnson, Gal Gadot and Ryan Reynolds) a funny movie that is filled with fight scenes and clever situations. To be honest watching a youthful 98 pound young lady (Gal Gadot) slapping Deadpool and the Rock silly will never go out of style and that is merely the tip of an iceberg of fun and excitement. With these two titles alone Netflix rules 2021. I am not judging of making claims against Apple+, Disney+ or Amazon Prime. It is how things go at times. But more is needed and there we see that the Netflix IP division needs to diversify. I for one saw that a place like Netflix could be a great place for the comic books of François Craenhals (de Koene Ridder).
The intro from Comic books is one thing, yet the transfer as they get to the second book (Les Loups de Rougecogne) the stage could be set for a new legendary franchise.
I read these comics when I was young, but these comic books can be read at almost every age and the larger stage is there where plenty could be spend on the production and not all on IP to get forward. The comic books have almost everything any successful series need to have and there is more out there. Will Netflix take a leap into the untrodden places? I cannot tell, I do not work there, but there is potential.
G is for Google There is not a lot of criticism on Google, they have pushed innovation again and again and they are the party to show others how good it can get when you are the innovative player. They are also the one innovative player that a power player like Huawei fears. I reckon that Huawei has the one essential directive stamped in their minds. ‘Get there before Google’, and they are happy that American politicians are so stupid, those politicians are doing the work of delaying the stage of Google again and again, so there is every chance that Huawei will get to a few stages (not all stages) before Google gets there. Can they do more? That is hard to say, Google is too big, too many parties playing and there are larger settings. I believe that not developing software on the Google Stadia (by Google) is not the greatest idea. Relying on Ubisoft will bite and that is where Amazon has the inside track, but there is more in play, so my thoughts make sense but could be wrong for Google. Consoles is not where their strength is and the idea that is in the Apple part could equally apply to Google, but not as wide as Apple can hand it. And all this relies on a free hand to play, all whilst these players are committed to moves, moves that also needs to take Microsoft, IBM and Oracle into consideration. There is no way that me ( or most people) are in the know on all those elements and there is a stage that states that Google is too big. I said it but I do not totally believe it, I believe that Google is too widespread. Apple is too much hardware, Google is too many services and Amazon has seemingly a much better balance, making growth easier (for now). And in this Google needs to consider where Apple and Amazon are going so they can avoid some tug of war in the field that many occupy. It is a rather nasty stage and there is no clear answer.
So here is my view on the FAANG group and my response to the article that gives us “He bills Neeva as an ad-free, private search engine. Results won’t include advertisements, and the company says any information it does collect from users isn’t shared with third parties.” This is fair enough, but that is not the stage, the stage is: ‘What does the consumer need?’ The larger stage that too many avoid because it leads to elements that these players do not want to entertain at present. So you can either make claims that they (might) need it, or you can sail unsailed waters offering something entirely new that was never considered and the consumer suddenly realised that he or she never considered needing that (which I did a few times) and that is where TRUE innovation starts, the stage where a person states ‘That is so logical’ a stage that Microsoft had with releasing Windows 95, but it was forgotten soon thereafter. The idea is not to be complex, but to be simple and let the ship steer its course from there, and when it sails in the right direction without you interfering all the time, at that point you own the IP of an innovate game-changer.
I stumbled upon an article by Gilbert Cruz called “The Lone Ranger Represents Everything That’s Wrong with Hollywood Blockbusters” (at: http://www.vulture.com/2013/07/lone-ranger-is-everything-wrong-with-hollywood.html). It is actually quite a nice read and the conclusions that I personally do not completely agree with are still well supported and seem to make sense.
His ‘unease’ with franchises are well accepted by many including me, as we read and have spoken out against these reiterations often enough. when addressing the origin story problem he states “Give us a story that works and then, if you’re lucky enough to earn a sequel, you can give us flashes of an origin tale down the road, as opposed to weighing down your first movie.” That is one view, yet it is the view of the director that counts. It should be about the vision of the director. Perhaps it is less about the origin story and more about having a visionary director. My view is supported by mentioning the hidden gem ‘Margin Call‘. I think that this is a movie any economic student should watch. It watches like a story, yet there are layers of events that give it all an actual strength. The fact is also about a story portraying the initial stages of the 2008 financial crises are set in a movie.
Can anything be more dull then that? And even though this movie is pretty much all star, it required a visionary director to pull it off. That is how I see the origin story as well, without vision it is a presentation. It does not matter whether we watch a movie containing a Wild Wild West version of Sparrow, or the start of the lone ranger. the same for Thor, Spiderman and so forth, how they ‘became’ is part of the movie, but how to address it?
This dilemma is approached within the slogan of TV channel ‘FX’. “The story is everything!” I think when it comes to TV channels; it is the most brilliant slogan ever. Yes, we remember the special effects, we see the stars we love and idolise, but without the story…. (Imagine the sound of a flop!).
This is also why (for now) I stayed away from the Hobbit. I loved the lord of the rings. I have been a fan of Tolkien since long before I was at the legal drinking age. So seeing the movie was a massive moment in my life for me. Like many fans I did mentally object loudly when the freeing of the shire was missing (as this is the moment the hobbits experience what those around them went through), yet to see the book on the big screen was a moment I loved. To see the Hobbit was indeed something I was looking forward to, yet to see a 320 page book in 3 movies of around 3 hours each is stretching it all a bit thin.
So as most might agree with, is the fact that a good story requires a visionary. Perhaps this is why James Cameron has been so successful? 2 movies bringing in almost 5 billion is just insane! We should not forget that timing is also extremely important. I feel that this is shown when looking at ‘Dances with Wolves’ and ‘a man called horse’, which was a shining moment for Richard Harris. Perhaps the world was not ready for the ‘going native’ view in the 70’s.
The article stamps out a side I actually never gave much notice of. He states “So in order to ensure sequels and appeal to the maximum number of people, it must be rated PG or PG-13. Good luck finding an R-rated summer blockbuster.” He makes a fine point here. I want to see a movie that is good; I am not all in favour of bloody or bloodless movies if they hinder a sense of realism. Although I was never a fan of zombie films, the ‘realistic’ view ‘the Waking dead’ brings, is why I am eye locked to the small screen. So, the ratings requiring certain lack of levels of gore would be counterproductive to me. I do not believe that it is about gore and blood-letting. This is why I enjoyed the movie ‘the A-team’, where with 17,000 bullet you see no one gunned down (keeping in pace with the original TV series), yet the opposite of ‘Act of Valor’ is a gem as it is about the efficiency of making every bullet count (Navy Seals apparently are not about wasting time). So my stance floats a little with the movie I am watching, again, the story makes it happen.
This is why the hammer on ‘The Lone Ranger’ feels a little harsh to me. If it is about entertainment, then the Lone Ranger provides, yet the points the article brings up should not be ignored either. This is a Disney movie and Disney factor is important as that brand has a following with an audience they need to protect. Consider that the (Grand) parents, with younglings on a day out will see the protection that the Disney logo brings and as such a gore driven Zombie film with a Disney logo is unlikely to ever happen.
The final part where I slightly disagree with the views Gilbert Cruz offers, is when he mentions The Phantom and The Shadow. These 90’s movies failed because there was a lack of vision (as I see it). The characters are well established through the radio shows and the comic books. If we consider the slogan of FX and if we consider a slightly more Frank Miller themed view, then consider Howard Chaykin’s ‘The Shadow: Blood & Judgment’. That was more than just a mere piece of comic book. That was graphic art on an entirely different level. As much as Baldwin failed to portray the Shadow, the blame should fall to the lack of vision the director showed (perhaps with a small degree of ‘technology lacking’ options). Consider what Tarsem Singh achieved with ‘Immortal’, now let him have a go at ‘The Shadow: Blood & Judgment’. The result could be a lot more than a cult movie that we will remember for a long time. The result could be a blockbuster R-rated movie. Again, it is about timing and for 2013-2015 the timing seems right to take these old ‘heroes’ off the shelves and give them to visionaries, not to the directors that come from the ‘Hollywood blockbuster template machine’. In that regard we all hope that Luc Besson will achieve to revive the French hero that should be seen as an international landmark. As he is remembered for the Fifth Element, this visionary could make the heroes Valérian and Laureline truly immortal. As franchises go, a trilogy of these two characters could reshape the way people see comic book heroes. The only sad fact is that this movie arrives almost 40 years after I read the comic books. Even now, I still remember the art of Jean-Claude Mézières. What is also intriguing is that the art you see in ‘The City of Shifting Waters’ had a lot of similarities that the TV-Series ‘Revolutions’ showed almost 35 years after the comic book came.
It is also interesting that, considering the success of the lord of the rings and the implied upcoming blockbusters that the Hobbit seems to become, that not a larger net was cast on the type stories that have this epic view. We all remember Flash Gordon. Some trough the view of Ted (a McFarlane sense of humour), some through the exquisite music by Queen, however I still think back to the comics as drawn in the 60’s and 70’s. In that same style there are the stories of the ‘Trigan Empire’. It seems so strange that these successful works of art still have not made it to the big screen.
So I believe that there are plenty of options out there, it just takes faith (and funding) in one visionary to take that step forward.
Lawrence van Rijn - Law Lord to be 