Well, there are two things, the first is that I got a workable idea to a final twist in ‘Exhaurire vitam’ the mini series that predominantly plays in New Orleans. There are a few scenes in other places, but the bulk is there. There are a few more issues that I uncovered in ‘How to assassinate a politician’, as such I have it close to ready, a movie and a mini series. Then there was the series ‘Kenos Diastima’, I have been tossing and turning on that and I feel that leaving it (for now) with an open ending at season three is the best way to go. Then I got another idea, this one was initially for ‘Exhaurire vitam’, yet the new series (the one I talked about a few times), has more traction with it and it opens up a nice can of worms. You see, the gods are all over all places, so there much have been some dependency. So what happens when one of them is in debt, or better stated, what happens when the debt was opened to a new source? That was the setting I contemplated on the subway. As such the main character would be open to all kinds of other things. That was the setting my mind worked on. And as I contemplated what could be possible when Bastet is thrown in the mix, the equation changed and that has long repercussions, not bad ones, but unforeseen ones and that tends to be good, because the unforeseen brings more than a surprise or a plot twist, it gives the story a new direction and I am all about that. But in part I have no idea why the images are coming to me so rapidly and so directly, that is the part that has me confused. It is like your brain playing some year at Hogwarts and you create the setting, but you never created the stage. In this example we all know it is J.K. Rowling. But the stage I create is new, has never ben contemplated, or written about. I have no idea where it all is coming from, so for now I follow the thoughts and create more stories and optionally more scripts. And I have no idea where it all goes. Even as I seek the implementation of Saudi TV in the movie, I wonder where it will end. So whilst I get that “Bryan Fogel says Netflix, Amazon and others wouldn’t buy ‘The Dissident’ because they were scared of angering Saudi Arabia” my story does EXACTLY the opposite and as such might be loved there, what I do not get is why not more are considering that step. In the end, good business is where you find it and basically I found it. 3 TV series, one movie, a game, console settings and the evolution to another 50 million consoles and beyond that I reengineered several Ubisoft games and created several 5G IP. Not bad for one person in less than 5 years. So if you are wondering what stops others doing the same, I have no idea. But I do believe that they are all looking in the wrong direction and I feel that more and more of that is proven. But the confusion stays. What if this is all between my ears? I do not believe that this is so, but if you cannot look at it from opposition from a distance than it means you have gone bonkers, have gone round the bend. Oh, and I also designed a weapon to get rid of the Iranian navy, so there (and that part is already online). But the confusion stays. I have no idea what is driving this all. Perhaps a last knee jerk action by the brain before it stops? Your guess is as good as mine, I am honestly clueless.
Category Archives: Stories
Feeling confused
Filed under Finance, Gaming, IT, Media, movies, Stories
Tagged as Bastet, Bryan Fogel, Exhaurire Vitam, How to assassinate a politician, Iran, JK Rowling, Kenos diastima, Netflix, New Orleans, Saudi Arabia, the dissident, Ubisoft
The missing ingredient
We all have that. It does not matter whether it is food, drinks, series, movies, games. When an ingredient is missed, it counts, especially when it is an ingredient we thought highly of. In Assassins Creed it became Ezio Auditore. In Tekken it was your favourite character, in NCIS for some it was Tony DiNozo, for Charmed it was Shannen Doherty. And movies have their own crosses to bare (or was that bear?). Anyway, these thoughts came up as we lost Fred Ward to Eternity. I saw him first in Escape from Alcatraz. I always considered hm a good actor and I enjoyed watching his works, especially tremors. But my mind suddenly set on Remo Williams: The Adventure Begins, which was shown in the Netherlands as Remo: Unarmed and Dangerous. There are a few issues with this movie. It would be the first time I saw Kate Mulgrew (Captain Janeway of the USS Voyager). It was not the greatest film made, but it had humour, which made the movie fun to watch. Joel Grey as Master of Sinanju Chiun was slightly too much over the top, but still fun. What was interesting was the plot. There we see an investigation of a corrupt weapons procurement program within the US Army. You see, that plot was new, or at least I had not seen it before and then the cogs started turning. Why does Netflix buy these rights and overhaul it into a mini series? You see a movie is nice, but 4-8 one hour episodes leading to a much larger, deeper and darker story might be a lot more rewarding in the long haul. And lets face it with the non functional weapons out there (USS Zumwalt, most of the Russian tanks) the setting for a large increased plot theme (especially when we pull the EU (Strasbourg) front and centre, the story could be appealing to a much larger audience, of course we will miss Fred Ward as a key ingredient, but nature tends to be unrelenting in these matters.

It is after-all about the weapons procurement program, and the stage where someone walks away with billions on a model that never went anywhere is a nice touch. It is even better if some elements are kept as close to the truth as possible. You see, Forbes gave us (at https://www.forbes.com/sites/thomasbrewster/2019/10/30/an-82-year-old-is-suspected-of-decades-long-scam-selling-dangerous-weapons-parts-to-us-military/) ‘An 82-Year-Old Is Suspected Of Decades-Long Scam Selling Dangerous Weapons Parts To U.S. Military’, then there is ‘Metallurgist admits faking steel test results for US Navy subs’ (at https://www.bbc.com/news/world-us-canada-59186655) and there is more where that came from, but consider the second part, consider the idea that the North Koreans (and Russians get a hold of that and a list of Los Angeles attack class submarines that have that steel? Now consider the play that could be made to get a submarine to a specific location and scuttle it ‘accidentally’ because the flaw was unknown. The story that some could write might keep the TV audience on the tip of their seat for the entire mini series, and the bulk of that work was already done. So as Netflix is trying to cut cost, here is an idea that they could use. But I think that they owe it to Fred Ward to have his picture somewhere (as an admiral) or as a father pic of the hero of that story, there are all kinds of ways where we can have a silent tip of the hat to a person who should not be forgotten like yesterdays news, but that applies to so many actors, I will be happy to admit that. When you know your games and consider Sir Alec Guinness as the CEO of Tri-Optimum, you know exactly what I mean. A simple setting of a series done in a few hours, Netflix get to work!
Filed under Gaming, Media, Military, movies, Stories
Tagged as Alec Guiness, Assassins Creed, BBC, Captain Janeway, Eu, Ezio Auditore, Forbes, Fred Ward, Joel Grey, Kate Mulgrew, Los Angeles class, NCIS, Netherlands, North Korea, Remo, Russia, System Shock, Tekken, Tony DiNozo, Tremors, US Army, USA, USS Zumwalt, weapons procurement
A dark matter of factuality
It was something that had been nagging at me for a while. Whilst I was working on an idea for TV, an idea that was in ‘And a little more’ (at https://lawlordtobe.com/2022/04/04/and-a-little-more/) and a few articles before then (and one after), the setting was a little too vanilla, too sweet. Yes, it works when you have a pilot and you need to slowly submerge the viewer into this person. But after that you need to have something more and the dark place is at times so much more rewarding. So what happens when loss, loss that would drive any person insane is part of all this? No matter how we slice it, lets say a child is lost to drunk driving, to whatever reason and that person gets off on a technicality, not something that happened now, but something that happened decades ago. So when some events come back, so does the avenging rage. But not like the timeline. But a timeline that is distorted, as memories come back together. So how would that go? That is what I am contemplating. The vengeance is that he takes the life of a family member every decade. A hunt going on for decades and the family is scared beyond believe because this had been going on and they have no idea who to blame. When you know that EVERY decade on the dot a family member dies extremely brutally, how would YOU react? That is the stuff I am trying to add to the idea. You see the dark appeals to all, the need for vengeance appeals to all. In our lives as we add water to the wine, as we add compromise to our values for fairness, the dark gets a free turn on all of us and that side is appealing to all. Yet the power is not to hide it in some lame ‘conspiracy’ setting. We have seen so many of those, but what happens when the deaths also allow for something more? Lets not forget that this is the story of the grandson of Hades. And that is before we get to the part where his father is Ares. Yet that implies that he has another grandfather. All settings that seem to be clear in season one, so what gives?
A stage where decades of corpses set a line in place, a line that I am trying to give volume, but I cannot yet tell in what direction, because I do not know what the direction is yet. That is part of the thrill of creating stories. You need to keep everything in mind, just like an RPG. And this story needs to have angles, sharp sides, soft sides and surprises. It is setting a ying and yang, but shaped like Hesiod and Plato. The dialogue goes better if there is some polarisation, some opposition to either view whilst the bulk of both views are accepted. That is the stage I need to create, and if I succeed the story becomes a lot better and that is what every storyteller tries to do, create the most enticing story. And that setting works when one side is dark, really dark whilst both sides accepts the darkness and shines their own light on that darkness. You see, shadow die in the absence of light or darkness. Both are needed, a shadow cannot exist in absence of either, the first truth all storytellers learn, most often in the midst of their first story and they rewrite it.
I am no different, although I started when I saw the story became too sweet, too vanilla.
Useful unregistered IP
This is the stage I (and others) are at times set to. You see, I needed an alternative to keeping my IP in house, in house is data at rest and people will get to it, large companies have no scruples when it comes to profit and some are a lot more desperate than others. So I had to create a place where no one would look and I went to a place where EVERYONE looked. The safest place is often underfoot. This is not a place I created, someone created this setting for me. If I was a betting man, I would think it was the Russian Mafia and one of them was a photographing enthusiast.

He (or she) was good enough to have it on the dark web under the eyes of the NSA for a long time. In the end I have no knowledge if he ever got caught, but the idea was really good, and I stumbled upon it by pure accident. That person, or someone connected to him made the error of placing the photoshop PSD online. If it had been a JPG file, I would never have been the wiser. But it was a photo of the Kremlin. I was looking for a different building and no matter how you set it, the Kremlin is a beautiful building, as is the grand mosque of Riyadh. It does not take an architect to admire the beauty of a building. One does not need to be from San Francisco to admire the Transamerica Pyramid. So there I was looking at the Kremlin in Photoshop. And I suddenly noticed something, in JPG I would have missed it. There was a second magenta level. One was #FF00FF, the second one was #FF02FF and that layer had morse code.
Now consider a photo, 6720 × 4480 and morse is merely one pixel high. I can easily hide 60 lines in there without anything or anyone picking it up, the eyes cannot differentiate a pixel that is #ff02FF instead of #FF00FF, and if you have two layers. One in Magenta, One is Cyan #02FFFF added to #00FFFF and they end up in a JPG, you have a novel way of hiding a text, especially when it is morse and especially if the only way is to merge #FF02FF and #02FFFF into a combined layer. Consider that and consider
“.. -. ….. –. – …. . .-. . .- .-. . – .– — -.. .. — . -. … .. — -. … – …. .- – .- .-. . .. –. -. — .-. . -.. –..– — . .-. . .-.. -.– -… . -.-. .- ..- … . – …. . – . .-.. . -.-. — — -.-. — — .–. .- -. .. . … .. –. -. — .-. . – …. . -. . . -.. — ..-. – …. . -.-. — -. … ..- — . .-. … .-.-.-“, now consider that this line is one pixel high, I could add 120 lines on each picture and I am smart enough to only place the JPG in a place where 27,000,000 people roam, over all the boards, 3 sets of 4 dozen pictures does not even raise an eyebrow and as the images are not upsetting anyone, no one cares. I never uploaded them from anywhere I worked or lived. So good luck finding them, but on July 30th those images get a reduced limelight and that is the start of a race where some Americans are not invited. They had their chance and now lets see how some treat free IP, will they adhere and respect the consumer or will they make the same mistake?
It was my way out, live or die, my IP will survive and it optionally will land in hands willing to keep the options open. Others had their options and were willing to make the bet that they could outthink me. But when you see where they would not look, because the margins were expected to remain low, how does that make them worthy of billions? You see, when you’ve never had that, you will never miss it and like others I have pride and I have ego and I find Microsoft unworthy, especially after they betrayed the gaming community (as I personally see it) after they got whipped by Nintendo in gaming (Nintendo Switch) after they got handed their guts with the Surface (Apple iPad) and soon after Adobe slaps them silly and take away their Powerpoint market. After Amazon removes their cloud presence in business and gaming. Why should they be allowed to live longer? They failed in 4 markets, isn’t that enough to ignore them?
Now I am making sure that they cannot claim any of my IP as I set it to an encrypted setting on the internet. And without those logs they remain clueless. I might never be rich, but I’ll have the last laugh and if Amazon catches on what Microsoft missed in META, they will be reduced to a third world IT company that will leave the top 10 of wealth players before 2030. There is only so much failure that they can adjust for, and we get it things go wrong “Uninstall Windows 11 KB5012643 if it crashes your apps”, I personally reckon that proper testing might have prevented a lot, but that might merely be me. We need to consider what we do and even as the US department of Defense trusts them, it does not mean that we need to make that same mistake. In all this, the useful unregistered IP was a way to keep my IP free from certain hassle and it was needed, especially as I find that time is running out and as more and more companies are getting weirdly nervous and greed driven to obtain more and more revenue. Microsoft is not alone, but it is the most visible one, partly due to all the corrections that Microsoft marketing needs to make on a global setting. So I rely on unregistered IP to keep mine decently safe and it is underfoot of a few players who never considered to look where everyone else was looking, they only needed the right pair of shades to see what needed to be seen. Are you catching on yet?
We need to change the way we think, or we become truly lost.
Like a whisper
My mind took me back to the first dream (that I described in ‘Elements of whatever’ yesterday). It was the setting and the setting was incomplete. I saw the two lanes, like esplanades going over the length of the town, parallel, but the road furthest away from the gorge was higher. Both streets had an abundance of tavern like cafe’s. There were all kinds of small shops in between, some selling books, some sold knick knacks and they were always next to a tavern. Filled with people talking, chatting and various kinds of idle conversations. The tables had coffee, they had some kind of wine, but much sweeter like grape juice. Fruity. People were having snacks, mostly breadsticks, some peppered. And I saw a boy run calling for its mother. At first I thought it as me, but my mother died decades ago. The road went on and swivelled towards houses, dozens of houses. Some look like log cabins, most looked like old fashioned French stone houses. Like they were build in the 18th century. The view was magnificent, like an image of Chicken Itza, but no ruins in the background. No roads and no noise. That was the missing part, the part of the noise that is at present EVERYWHERE. It took me a long time to figure it out. The zeppelins are not merely methods of moving, they are the only ones who can move there. Like Asia and South America. The people (the wealthy ones) had enough of the pollution, the seas washing the land away and the people hindering them. I wonder if this is part of Keno Diastima? It is possible, but I cannot tell at present. The land in some places will truly gain value. Land that is now seen as worthless, but it has something high priced land does not. It has CLEAN AIR, and it lacks people. Gated communities that cannot be reached by anything else than a zeppelin. Planes cannot land there, ships cannot get close and car cannot reach these places. The ultimate gated community. Places where there is no fear of war as it I away from everything the greed driven desire, certain players have removed themselves from the game and they are living out there lives surrounded by the things they care for. A book, a drink and a conversation with like minded people.
So what is this a part of?
I am not certain yet, but if I am correct, these places will come up like mushrooms. Gated places protected and absent of what some would call the Riff-raff. Crime is dealt with directly and with deadly force, these people paid for protection and anyone stupid enough to try their luck will find themselves dealt with like the pirates of old.

It is a larger setting and it is a setting that is highly speculative, not real, optionally the setting of a story, but consider the places. Warm places where heating is not needed. Enough light to fuel solar banks and the zeppelins bring provisions and people. A new iteration of cogs, isolated from all the other worries. Some villages in tropical places and some in places where people enjoy the snow, absent of a lot of people. Can you honestly say that in a place with 8,000,000,000 that they all enjoy each others company?
Filed under Stories
Tagged as Asia, Keno Diastima, Pirates, South America, story, Zeppelin
Elements of whatever
Another dream, but this time it I different. I had part of this dream before. It did not make sense then and it does not now. Now is even more confusing. The stage is two fold. First the now, because I fear it will leave my mind quickly. I am not sure if it is for. Story, a script, a game or just isolation. I am at the transfer of Dutch KLM. The KLM desk is for a different plane, much larger. There is a PX store. I show a regimental image. I want that shield. I mention that a friend was there. The PX store shows me some wannabe self centred piece of crap. He states to me that the commander of that battalion was a traitor and as such he refuses to give me the shield. OK, I respond, I will talk to the press and ask for clarifications. The man signals another. That man tells me to come with him, with his hand menacing in the jacket. I was holding orange peels from an Orange I just ate. I squeeze them and the peels spray. I merely say ‘Biological!’ And I am gunned down.
The event is trivial. I suddenly remember the boarding area, almost like a rocket launch from another dream. I pretended to be diplomatic staff. The plane seemed weirdly large. I have been on 747-400, this seemed a lot larger. In the previous flight it was from somewhere in Asia to South America. This I do not know. But the plane stuck. The boarding area stuck. The story seems to matter, there seems to be levels of arrogance, levels of over the top elevation in the boarding areas and it was all linked to Dutch KLM planes. Even now I am starting to remember other elements of the previous dream. The walls were like glass when I looked at them with glasses. They were from some metal. The plane was almost like a Hindenburg on steroids. The plane was like a small town. Like the shop area on a passenger liner. Rooms with chairs, two wide, by the windows, overlooking where we flew. In the Asian part it was overlooking beautiful green forests, mountains and a lot of oceans. It all seemed so peaceful. There are remembrance moments of ‘Murder on the Zinderneuf’ a who dunnit game based on a zeppelin. I wrote about that in ‘Shadows are Us’ (and a few other places), in this setting I wrote about a change to gaming (at https://lawlordtobe.com/2021/05/31/shadows-are-us/) which I wrote about n May 2021. This is not entirely the same. My mind is wondering if a return to the days of the zeppelin is too wrong a concept. The idea was abandoned during the marshmallow clambake of May 6, 1937, when the Hindenburg burned down. But that was in the era of Hydrogen, later we got Helium, but the need for speed overshadowed everything. Now, in a stage when we can ALWAYS be connected, we can work everywhere. Is speed really essential? We can all understand that we need presence in places at times. But how we get there is another matter. With the era of 3d printing, light weight shops and a more essential setting of what matters during flights, Consider the image below and the way the materials were made.

Now we can have twice the strength at only half the weight making a zeppelin much more effective. The top of the zeppelin could have large solar cell panels fuelling batteries and the propellors pushing the zeppelin forward. Did anyone reconsider what a Zeppelin could achieve, especially with todays abilities? Even now Titanium is heavier than aluminium, yet you need a lot less Titanium to get the same strength as Aluminium. The stage is all over and the need for a reduced carbon print (or was that a bacon foot print) is out there. So why do we not look at the old ides and how we can offer a renewed idea for getting to places. It is just an idea and it was in parts fuelled by a game as well as its optional newly launched version on Amazon Luna, but I am genuinely surprised that no one has taken up the baton, why is that? I am no airplane designer, so why is this path abandoned?
There might be reasons that mediocre me had not considered, I am willing to accept that, but the dream was weird and it came twice around. Even now the first dream comes back in waves even as the second one faded away.

So is Helium a solution, or merely an element of whatever and no one gives a fig? I honestly do not know, but I do really like the idea of a steampunk version of the Zinderneuf, I really do.
Filed under Gaming, Science, Stories
Tagged as Amazon Luna, Electronic Arts, Helium, Hindenburg, Hydrogen, KLM, Netherlands, PX Store, Zeppelin, Zinderneuf
Struggle
We all struggle, I am no different, but my struggle is not with the having of stuff, not with the acquisition. It is with creation. I create I keep on creating, yet I see not the reason why I do things. It is not to show me how more advanced I am, how much more perfect or better I am. I create games, stories, movies, TV series and software. Yet, I cannot see why I am doing it. A lot is here in this blog, I have no need for some of it but in the back of my mind, it seems to be about more, and I have no idea what the links are. I am in the dark about WHY I am creating stuff. Is it about old tech? The printable display is there, but I have no idea why I came up with it. The Giggle water (two days ago) is mere fun, to see any liquid infused with nitrous oxide that releases the gas from the liquid on consuming it is fun, but I do not see why my mind is going that way. I see the stage why I went for the 5G, I am a technologist after-all, the new stage of marketing makes sense. Preparing myself for a wave that is inbound and that makes sense. Yet all around it are iterations of innovations and they are linked somehow, but I cannot yet see why they are there. And my mind is screaming to know the why, at times it is deafening.
Is it some delusional part to show Ubisoft I am better than any of them? It seems stupid, Guerrilla Software and Avalanche Software are doing that just fine and I am nowhere near that good. I am for the most a storyteller. Is it part of any story I was creating? Keno Diastima is doing fine for now. The large lines of three seasons are done, the smaller stories of season one are coming along and the large jumps that make for Season 2, and Season 3 are basically done. The end of season 3 remains and open end to the story. I feel it is a better end than milking the idea. The shock stage is what needs to be. That is how I feel it needs to be. Then there is the mini series Residuam Vitam, It is still developing. Some of the storylines are set, are shaped, the involvement of others are coming and so far I left Anubis out of the equation, I need his involvement to be near stellar, but there are gaps in what I know of Anubis from History and from theology. There is a stage from Hades that is now shaping, yet there is form of duality that I want to explore, but it needs to be defined and I am wondering how to go about it. The part of Meng Po is almost done, but I feel that it needs her personal drive there. There needs to be something that pushes her. I want it to reflect on Lady Meng Jiang, there is the part we see with “Lady Meng Jiang heard nothing after his departure, so she set out to bring him winter clothes. Unfortunately, by the time she reached the Great Wall, her husband had already died. Hearing the bad news, she wept so bitterly that a part of the Great Wall collapsed, revealing his bones.” It is a nice fitting part, a nice piece of a puzzle making an image, but I feel that the image I see is a little different. You see she kept on pouring soup like it was a solution, it was the path to someplace. A set of the mind, a set of pieces of a puzzle, but not the ones any story give me (the parts out in the open), it is possible that Chinese writings give me more, but I do not know Chinese. There is a place that those who give service embrace, but I always felt that Meng Po was doing it to keep ahead of something, to go towards someone and I believe that her path was not set to one person, it was more but I cannot answer it by ‘weaving’ my own tale. Like the story of a game shapes the way we think, the way we perceive and the way we react. Like the technology that opens what we can see and what we could get. These parts seem to be connected somehow. This is not the problem. I feel that I am missing a larger piece of a puzzle, but it is not an image. It is like the puzzle is not an image but a film reel, or there is a 3rd dimension component I cannot see at present. Is it an innovation that is yet to come? Perhaps that is what the mind struggles with? Like a stonemason who has his block of marble. He knows that three more pieces need to be removed, but he cannot see the three pieces. That is how it feels, but there is still another part, it is not as simple as three pieces, and that is where I struggle. It is like there is something just out of view, I see shimmers of what I am supposed to see, but that is as good as it gets. And there I struggle still.
We all do at times, it is what we want to achieve, it is why we want to achieve and for the creators it is not bout the money, it is about the creation, it is ego. I fought ego my entire life, I never accepted it within myself, but I have ego, we all do, the delusional ones think that they are above it, but they are not. In this I personally believe that Vladimir Putin is the latest folly of ego, it slapped him down and he remains in ‘hiding’. In his mind a two bit place like the Ukraine cannot stop the Russian bear and the fact that they did is scaring him, his own ego defeated him and it is more about defeat than anything else. If my ego is to be about success and not failure I need to push myself past ego, my struggle for me is real, I get that and that struggle is more than a fight, overcoming it will open doors to ideas. And that is where I find myself. What idea did my brain work out that I as a person cannot see yet? That is the struggle for me and you face your own struggles, we all do. It is how we go about our struggles, that sets the definition of success or defeat. I do not mind losing, but to be defeated by my own brain is weird. It is not sabotaging me, it is teaching me to look in other directions. I just have no idea in what direction I am supposed to look, lets face it, do you?
Filed under Stories
Tagged as Anubis, Avalanche Software, China, ego, Guerrilla Software, Hades, Keno Diastima, Kenos diastima, Lady Meng Jiang, Meng Po, Putin, Residuam Vitam, Russia, Ukraine
And a little more
Part 2
Back in London was weird, it all felt the same, but it was not, he could not put his finger on it, but there was something different about London. The city seemed a little more bleak than usual, colours seemed a little faded and he could not understand why. But he had the scroll, and it gave him the elements he needed, and there was a truth there too. He had heard of the Amanita Caesarea, but he had never seen one, they were told to be very rare indeed and essential to the potion. It would take some time to find these. It was then that the mirror seemed to shine different. He walked to the mirror and saw a face that was unknown to him. “I am Hypnos, Hades asks that you find the chest that held the gem you found. It will be under water. It is an important chest. In addition, a deal made with a afreet cannot be broken, you must comply with the request given to you” the image faded as the mirror turned back to normal. As such he would be on route to Crete soon enough. But first he needed to find the materials and set the stage to create the potion he needed. Then he saw the stage that was unfolding. The book was related to it all, but how was unclear to him.
Part 3
Elounda was nice, pleasant and sunny. He looked over the waters and saw an island. It was Spinalonga, a plague island. He was watching the water and using his Olympian gaze to inspect the waters. He was sitting there for minutes and then he saw the sparkle. A sparkle of darkness and he knew he had found what he was looking for. He saw no one around there and he contemplated to go into the water, but refrained. The sun would go under in less than an hour. He went to a taverna near the water, ordered moussaka, Greek wine and an Ouzo. He ate, he drank and he relaxed. It was 2 hours later when he silently went into the water, he looked around him and no one was looking, he swam to the point and took a dive, he sank to the bottom like a rock. He saw the dark sparkle and saw that it emanated from a box, he took the box and went back to the shore. He looked around and he was still not noticed. He walked back to the hotel and put on some dry clothes. He looked at the box and saw inscriptions that were unfamiliar to him and when he was done looking at it, he put it in the safe spot, where all the other things were. He went to bed and fell asleep quite quickly. Tomorrow he would return to London, but something stopped him from contemplating events. Things did not add up and he needed time to assess all the things he had done. The cogs were not aligned and he saw the first stage of a clock so large that it kept records on a lot more than the hours, the days, the moon and the planets. For a second he saw a clock massive in size, a clock with a dozen arms but he could not tell what some of the arms represented. He had to think it over and consider what he was becoming part of.
The continuation
Yes, I stopped hours ago as I needed to mull things over. So lets continue the previous story.
Part 1
It was late in the afternoon when he arrived in Sadr al Yusufiyah, he moved towards the river, the Euphrates as his eyes were set on the river, he noticed two things, the first was a hotel, a place to stay, it was quite near there that he saw a cemetery, there was a strange vibe coming from that place. He would need to check it out. First he went to the hotel to check in. He was quite surprised on the treatment he got, he was approached like royalty, but he knew not why. It was not the money, he could not figure it out. He went to his room and sat down on a small balcony. The chair was comfortable enough and whilst he took a drink from his canteen, he looked at the surroundings. It all seemed normal, but there was something there, he noticed some of the people who treated him weird, they seem normal now, and they were not looking towards him, but their actions were unnatural, so he opened his view on the world, a more olympian view and he noticed that they were all displaying the smallest shimmer of green, then his gaze went towards the cemetery and the green gaze was definitely stronger. He waited until the sun was nearly down and he quietly snuck out towards the cemetery.
It was there that he saw that it was not a large cemetery, and there was nothing to set it apart, but he did notice a small well nearby, as he approached the green gaze became quite strong and before he knew what happened, a man appeared right by the well, his eyes clearly red. “I am Zuhal, I am afreet. What do you want Olympian?” He was taken aback from that, it was the first time he was addressed by his connection, by anyone else but an Olympian. He looked at the man, I came here as I saw a wall, it held the names Eleusís and Nabu. They led me here. I seek the potion that was used in the Eleusinian Mysteries. This is why I am here. The afreet nodded. Openness is not what Olympians are famous for. I will hand you the list of ingredients, yet one element is not to be found here, not in the land of sands, I cannot say where it can be found. And the Afreet gave him a list. He continued “You now owe me a favour” I need to contemplate how you can aid me, but I will send message to you. He nodded to the afreet, I accept the terms he stated. He then asked “What is the green glare on people?” They are my minions, they keep me informed and they go about their business. One more thing, Eleusís is a lot older than anyone thinks, there is reason for that and perhaps you learn it, perhaps not. And as easy as the afreet came, the afreet vanished.
He looked at the scroll, it looked majestic, the scroll opened for him and he saw the Arabic names, he would have time to examine them. He quietly opened his personal vault and put the scroll in there. He walked back to the hotel to get some sleep and he would return to London tomorrow.
Part 2
To be continued
Filed under Stories
Tagged as Afreet, Eleusinian Mysteries, Iraq, Nabu, Olympian, Sadr al Yusufiyah, Zuhal
And then there were three
This story starts a bit flaky. It started a little while ago, but today I saw Morbius and that clicked with a few other thoughts. The movie was OK, it was not great but I never read those comics, so I went in blind. The acting was good, the special effects were nice and there are two disadvantages, the first that it come across as an origin story and the second is that I never read those comic books. As such, I believe that those who read those comics are a much better source of criticism. Yet still it gave me food for thought, food from sources decades ago. You see it takes me back to the comic Dracula.

I was not the biggest fan, I read a few, not all and one thing stood by me. At the end of one of these stories Dracula says “You forgot, even demon’s have nightmares, in those nightmares it is me they see”, it is not a literal translation, but it comes close. You see, we think that the darkness is scared of the light, it is not, it fears a deeper darkness. You see if it was the light they feared there would have been an outright war between forces of light and forces of dark. But the dark fears a deeper darkness, it is where they cannot see, that is where their fears lie. This fear goes back to the age that preceded ancient Greece. And that is where I am now (to some degree).
Part 0
It was a sunny Sunday and I have been living is relative quiet for some time. He had been living in London for a few months now and most of the day, hours in the morning, the afternoon and the evening he was bend over a book he had received. In-between these moments he went to the foodcourt in Harrods, walked on Regent street and let the noises of London infest him. It brought a lull to his mind that he rather enjoyed. Day after day reading Ἐλευσίνια Μυστήρια’ (see Another episode) was taking its toll. He had read as much as he could on Eleusis, he had studied maps, he had even been digging into the stories of Demeter and the search for her daughter. A much larger setting that had connections all over, but he was not able to see them yet. There were links to longevity of the Eleusinian Mysteries, with connections to a consistent set of rites, ceremonies and experiences that spanned millennia, and it all seemingly came from psychedelic drugs. The problem here was that the drugs were unknown, or at least they were not in the book, making matters a little bit of a problem. There was in addition the small sentiment that Eleusís, seemed to be Pre-Greek, and that name was inclined to be linked to the goddess Eileithyia. A daughter of Zeus and Hera, but if the town was pre-Greek, there was more to all this and that was a rather large damper to the party, because what was still in existence that was pre-Greek? He was about to give up when he walked into the British Museum. He was walking and taking in the art it displayed when he noticed something, he was about to walk away when something within him told him to look deeper. He was staring at the the roaring lion from King Nebuchadnezzar and he suddenly noticed two words in there. It was faint, it as in the mortar and it was behind the stones. He had to stare longer to make the words out, The words were Eleusís and Nabu. Nabu was known to him, he was Mesopotamian, not Greek, what was the daughter of Zeus and Hera doing there?
As clues go, it was slither thin, but between thin and nothing he would take thin any day and now he had a new path to walk on. Where would it lead?
Part 1
To be continued…
Yes, it needs continuation and this is not a cliffhanger. It was as far as I got. You see, if despair opposes hope, what drives either? Consider a simple clock, the cogs that make the seconds move and form a circle in EXACTLY 60 seconds, now consider the minutes that are pushed one part forward every t60 seconds and 60 minutes later an hour will have passed. The setting of a clock. Now set that machine up to reflect hours, days, months moon setting (28 days) and years. A clock that does not ever stop and has been precise for millennia. That is the clock we need to find, because the Olympians have no concept of mortality. They are here forever, and that drives both despair and hope. You see a person that never fears anything has nothing to look forward to, that person is merely passing time. Eternity is the harshest taskmaster we could ever fear to face. And we must fear eternity, the Olympians certainly did. And there is the rub, there is the setting. If Eleusís is the goddess of childbirth, who is one the other end? Not the fates, not Hades and no one knows who is there and that is the setting towards a path we find ourselves on.
Filed under Stories
Tagged as British Museum, Dracula, Eleusís, Eleusinian Mysteries, Greeks, Hades, Hera, Mesopotamia, Morbius, Nabu, Nebuchadnezzar, Zeus