Tag Archives: movies

June 11, 2025 · 09:44

The dangers of a wannabe

Yes, that is the setting. I got rather annoyed by some guy named mr. Dom Riley. He writes (at https://winteriscoming.net/hbo-s-harry-potter-reboot-shows-the-limited-potential-of-the-franchise) the simple title ‘HBO’s Harry Potter reboot shows the limited potential of the franchise’, it is one of the most flawed settings. Not as bit as the stupid girl, who gave Hogwarts Legacy a 1/10 rating, but it is getting close. With the quote “HBO’s decision to remake Harry Potter rather than take the franchise in a new, original direction shows the limitations inherent to the Wizarding World.” It is not that simple, the larger setting that HBO is limited by greed is another thing. Why take chances on what could be (like Ubisoft milking the Assassins Creed franchise with Black Flag) we are given more of the same in a new jacket with cheaper actors (who reveal at the chance to be immortalised by the Wizarding World setting). This is nothing against these actors, if I were a mere 10 years old, I would jump at that chance. The setting is that it is not on the Wizarding World, it is on HBO. There is (of course) a setting that each seasons is a year and as such we are likely to get a lot more, but what if that is below par? I am not telling you, I am merely asking you. You see, the movies are great. The art of the movies were great and the setting is one that almost defies logic and it makes the entire setting re-watchable. Likely as JK intended it to be. It is my believe that she intended to create books that grew as the child grew, so it is a series that entices from 10-18 all in one go. 

So when I see “The Harry Potter book series is less than 30 years old, so it’s not exactly ancient. It’s been almost 25 years since the first movie, and just 14 since the movie series was brought to an end with Deathly Hallows Part 2, so it seems a little early for what is essentially a remake (or re-adaptation), especially as it comes from the same studio. Why not do something different? Is it possible that there’s only so much potential in the franchise?” My first question for Mr. Riley would be “When did you last have your sanity checked?” At what point did you ask what HBO was thinking? At what point did you wonder where the IP of JK was allowed to be? She wrote the books, HBO and others are merely fleecing their greed of a well set IP franchise. The only real original IP comes from Avalanche Software called Hogwarts Legacy and was published by Portkey games. It is an astounding game that has drive, originality (I wrote about it a few times) and an amazing story, so much so that I had to replay it 3 times to cover all the four houses. The game is that good. In addition, I wrote ‘It starts with options’ (at https://lawlordtobe.com/2022/11/27/it-starts-with-options/) offering an additional setting to Hogwarts Legacy 2 and giving the player an additional ‘stage’ for the game. Don’t try to buy it as it is at present the property of JK Rowling.

I am just saying that there were additional settings that HBO could employ, but as far as Mr. Riley tells us, they didn’t do that and he is merely (most likely stupid) and flawed as I created original new IP as did Avalanche software. As such winter might be coming, but it should be seen in the brain of the writer, not in the IP that surrounds the Wizarding World as that is up to scratch and amazing in many ways. 

I don’t go about slamming people, as they are entitled to their views, but this was one straw to many (camel is broken) and that is merely the start of it as I wrote at least one more article preceding that (which is also owned by JK Rowling) and it took me less than 4 hours to write both articles. (I reckon less than three, but that would be too close to the mark), so in 4 hours I dug a hole for HBO and Dom Riley to hide the caskets of their non-originality. 

In part I wrote it to remain creative (and I did) and should JK hand over that IP to Avalanche to add to the thrill of Hogwarts Legacy 2, it would be up to her.

And here I get the next setting where keeping a blog gives the reader the evidence that others ‘hide’ behind ‘I told you so, don’t you remember?’ The blog has a nice temporal setting and I have ben adding to that since 2011. There is no need to go on for 14 years of reminding people, it is set to the internet. And as such I feel that the larger setting is that if it isn’t written down it doesn’t exist. 

Have a great day

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May 22, 2025 · 15:02

The line of a story

That is at times the premise we attend to. This is not bad, not wrong. It merely is, as such we get to The Union. I only saw it last night, no biggie. I just had other things on my mind and after 35 minutes I had worked out part of the plot. Don’t get me wrong this is not a bad thing, or me dissing a movie, which I almost never ever do. The cast Mark Wahlberg, Halle Berry, JK Simmons, Mike Colter and Jackie Earle Haley all play marvelous, a setting worthy of watching (and rewatching). The movie has its set of special effects, but they do not overwhelm, or seemingly steal the show. Yet the final member of this crew should also be mentioned. It is David Guggenheim who wrote the script and it is was turned into a great movie. 

As I see it, it is the most fun I have had watching a movie this year. There is a reason this is a great movie and as such we need to watch these kind of movies a lot more as I see it and Netflix, always ready to cater to the needs of their audience, is building a production site in New Jersey. So, as we were given a week ago that ‘Breaking Ground on Netflix Studios Fort Monmouth, Our State-of-the-Art Production Facility in New Jersey’ we can expect a lot more in 2027 and 2028. As I see it, the loss of the coming franchise of True Lies (with Arnold Schwarzenegger), will surely be missed. Yet at this point the Union might be a worthy replacement and team Berry-Wahlberg is likely to be a sure attention grabber for Netflix customers and wannabe Netflix customers. 

The weird thing is that this might be the first setting where Streaming would have had the upper hand over big screen releases, even though this was a worthy big screen release. Yet another mention of Mike Colter. He plays an absolute prick in this movie and soon there is likely another path for him in the movies. He might be remembered for the stern Luke Cage, and not everyone was a fan, but this role here, he nailed it with a hammer to the top of the Chrysler building. You will love to hate him and with that fashion sense he showed, he absolutely should be 😛

There are too many little details in the movie to give you a rundown (and I don’t want to spoil the fun), yet as I see it, even though Rotten Tomatoes gave it a mere 38%, I get the idea that some people miss the point. It is called Action/Thriller, I think there is too much comedy in it, to merely see it as such and the few times we see the Australian Jessica De Gouw run around seemingly British (her accent is nearly impeccable) the truth of the matter is that they all played their roles really well and there is enough tongue in cheek settings to merely sit down and enjoy the fun on your screen with a nice snack on the side. As I see it Netflix owns a very new and nice IP that is good for at least a few more movies. 

So feel free to check it out and make sure the snacks are at your hand to eat whilst you enjoy this work of art. Have a great time watching this movie (if possible).

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May 9, 2025 · 11:54

The end of defense

That is the setting that SBS (at https://www.sbs.com.au/news/article/australias-big-question-in-donald-trumps-movie-tariff-threat/apjiwwsr0) invites us to consider. You see, in the eyes of the ‘true blue’ democrats, the message becomes You cannot set the stage to an orange overtly bully baboon and perhaps they actually had the right notion. At some point it is pointless to merely play the defensive stage. In Pencak Silat I learned decades ago that defense without offense if pointless and offense without defense is useless. So it is time to up the game. No matter how stupid the actions of President Trump are seen, the game needs a boost and he gave us the perfect reason. And as ‘their’ presentations give us, California is at present the richest area. As such the link gives us ‘Australia’s $767 million question in Donald Trump’s movie tariff threat’ there is an upside and a downside. You see, the Commonwealth might see this as an opportunity, consider the Australian acting community (Hugh Jackman, Chris Hemsworth, Cate Blanchett, Rose Byrne and many more), the Canadian (Ryan Reynolds, Nathan Fillion, Sandra Oh, Sarah Polley) and many more and last but not least the United Kingdom (Tom Hardy, Idris Elba, Tilda Swinton, Kate Winslet, Emma Thomson) and many many more, Agree that they will no longer work in American productions. They will seed the field for each others areas. So how long until the investors back away from America and Hollywood? How long until DC, Marvel and other franchises build their own studios (likely in Canada) outside of the US? 

It isn’t fair on these people, my view is that they made with one film more than most people will ever make in their life. (I should know as I hoped that Matt Damon would pay me $3,000,000 post taxation for one of my scripts and I have always prided myself of being a fair return on investment). Still it is not really fair on them, but it is an offensive move and it is one I just came up with. I reckon that Canada and Australia have the ability to mirror the English setting and create two distinct area of expertise. If America gets desperate they could always fund the Nigerian movie industry who is almost dying to expand. 

At this time (if enough people agree) America will get the White House under control with their desperate tariff settings. Consider that this President has shown to be a dictionary of two words (golf and tariff), as such I believe the time has come to start becoming proactive, this defensive actions to knee jerk reactions from Washington is upsetting the balance of established settings. The world is in too much trouble. At times this seems to be set to a old  premise that a comedian gave us (I forgot his name). “Lets put all the extremists in one room, the extreme right and the extreme left and let them expire each other”, it is slightly radical but in this day and age it might just work. 

So consider “This week, Trump announced he would be pursuing a 100 per cent tariff on all movies “produced in foreign lands”” next, consider that the bulk of the American movies get over 50%, sometimes as much as 70% from foreign lands. So should that be lessened by these tariffs? It is easy to think that it is all America, but that isn’t true. When all these non-American movie theaters pull their American settings, California becomes less in income than most other states and they still have the producing costs coming their way. In that time Canada and Australia grow their business and grow with aid from the UK. Then consider all the movies based on non-American scripts and novels. The setting enhances against America. A setting I saw within 600 seconds, so why aren’t the game play makers in politics? 

Is my plan flawless? Never a lessened truth was that obvious, there are flaws which starts with the national movie industry, but it might be a first step in getting President Trump of all our backs and that is never a bad thing.

So as we seemingly embrace ““The movie industry in America is dying a very fast death. Other countries are offering all sorts of incentives to draw our filmmakers and studios away from the United States,” he wrote on his Truth Social platform over the weekend.” Is that our fault, or is that the fault of free driven wannabe’s in Movieland? I seemingly might be one of them with my script (and 3 more on the road to completion, which is a story for another day). Consider that at present is set to “The number of movie scripts registered annually varies, but a rough estimate is around 50,000 screenplays registered with the Writer’s Guild of America each year.” All whilst a mere 350 make it to the screen. So is this a numbers game, or is it a quality game? 50,000 scripts implies 136 scripts a day are pushed to some producer pool and they are tired, going for amounts, not for quality. All hoping for a next dime, but there is always a snag hitting up and they wonder why America’s movie industry is dying? I reckon that Netflix, Disney plus, and others aided in that impeding death.

It is time to up the ante and nationalizing our acting guilds, movie producing guild and studio guild might be the way to go go about this (might is the operative word) but the tariff game is over, apart from the small fact that America might be already too broke to consider another matter. Oh, and I never took the Korean or Japanese market in consideration, so the problem is worse for America. As I see it, the offensive game might become the way to go, even if it is the only way to consider that whomever gets into the White House has a much larger vocabulary and ‘tariff’ is not one of them words. 

So feel free to disagree, but consider the setting the UK market has had for decades, Canada and Australia has shown to grow it in the last few decades and consider the stars you revere, are they all American? 

Have a nice day, a great one if possible and reconsider the setting you are confronted with, what is the actual solution? I am not sure what is.

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April 14, 2025 · 07:33

And now for a momentous occasion

Yes, it was a momentous occasion yesterday. For the people of my generation (that would be the generation that is old and decrepit), Yesterday it was the 50th anniversary of Monty Python. I got told this by the BBC (at https://www.bbc.com/culture/article/20250407-how-monty-python-and-the-holy-grail-became-a-comedy-legend). I completely forgot that it had been so long. I was there, in front of my TV when the birth of Monty Python was shown to us on a 4:3 screen and I saw it on a black and white TV. Terry Jones, Graham Chapman, John Cleese, Eric Idle and Michael Palin with additions from Terry Gilliam showed us a totally new concept in Television. They called it comedy and it was magnificent. 

OK, I have to make a slight adjustment. It was 50 years since their masterpiece Monty Python and the holy grail came out. The TV series are older. Still, we forget the larger picture. The movie made them globally funny, the TV was (in those days) often limited to Europe (mainly UK, Netherlands, Belgium) but the movie made them a global household name. These younger pups think that comedy comes from some guy named Steve Carell, what do they know? Apparently a marketeer from Dutch Barn disagrees, but I have no idea what that is about. And now that idea might never have worked, there is word that the youthful young Jim Halpert played by John Krasinsky was taken to a quiet place by his wife, so that’s that. And what do those people know? Monty Python was here first and it was magnificent. I remember those days. I was one year too young for the movie (14 years and older) but I became a knight who said ‘ni’ as well. I saw it a year later and it was magnificent. Of course I already knew Monty Python from TV and as such The TV characters were known to me but yesterday’s article brought it all back to the surface. Read it, it is a really good article. For one, I never knew that funding was a bit of a problem and the legendary band Led Zeppelin brought the bread to the table. We get from Michael Palin: “I say to people, ‘Led Zeppelin gave us £50,000 – and look where they are now.’” Apparently Pink Floyd also aided in the support of the movie. And it was money well spend. I still have the movie on DVD (I had the VHS tape as well) and it was the beginning of a great comedy movie franchise. And the setting of “the film’s budget was less than £300,000 ($393,000). This wasn’t much for a sweeping fantasy set in medieval Britain, so the team had to be inventive.” The realisation that that little money got a movie made that is still a character a timeless humor is to be revered. A movie that is hopefully still bringing in the pounds, shillings and dimes and it would have been doing that for 50 years. Today the average comedy like Evan Almighty is almost forgotten after 20 years, I enjoyed that movie and several other from him, he is a good actor, but the setting of 50 years is something completely different. It matters, and it brought a nice dish to the table. In the end the actor who played the Rabbit of Caerbannog was later served as Rabbit au vin and he was completely forgotten 2 days later, except for the eater, who caught indigestion for at least a week. Things happen.

Still, this milestone brings feelings to the surface, happy feelings and it was brought about by 7 youthful young individuals that went on shaping the stage of comedy. Later Terry Gilliam would blow my socks away with Time Bandits, Brazil, and later “12 monkeys” with Bruce Willis. 

Happy are feelings of those who bring is joy and the Monty Python team brought us a lot, including the thought that every sperm is sacred, so ladies don’t forget. 

Have a great day and if you haven’t seen Monty Python and the holy grail, try to see it this week, it will be the best thing you will have done all week.

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December 9, 2024 · 18:47

To box office, or not to box office

That is the question and the question is valid as the movies opened up in 2018 with a revenue of $2.6m, seems little but in the few years that passed, annual revenue went up to a quarter of a billion, as such screen daily kept an eye on the Saudi market (at https://www.screendaily.com/features/is-saudi-arabias-box-office-boom-over-or-set-to-rise-again/5199910.article) in that same setting I created the script ‘How to assassinate a politician’ about the assassination of Islamophobe Geert Wilders (the current prime minister of the Netherlands) the alternative title was ‘Essay’ (I came up with that later). I aimed it for the Arabic (Saudi Arabia/UAE) market. I contacted 2-3 player, but I never heard back from them. I thought that through streaming they could also get to the Egyptian market (as well as the Indonesian markets) The ‘bad vibe’ feelings in Indonesian markets might be well received. A Dutch politician getting the Sukarno treatment might keep Indonesian people on their couch watching the demise of the Prime Minister five times over. Anyway, those were my thoughts and it seems that they didn’t agree with me. Still the setting remains. As we get “At least one of the major exhibitor groups operating in Saudi is said to be exploring a possible sale amid high debt levels incurred during its rapid expansion. Last year, AMC Entertainment Holdings, the world’s biggest cinema chain, exited the Saudi market in the face of intense competition, selling to Saudi Entertainment Ventures (Seven), which is operated by the government’s Public Investment Fund.” The intense competition was why I tried the streamers as a possible interested party. We can think box office all we want, but in the end, the people need to be entertained at home. The last time I went to the cinema, it was $19 for the movie and popcorn and a soda set me back another tenner. That’s three months of Netflix. I reckon we need to consider the home office and for a lot of Saudi’s (as well as Indonesians, Egyptians and people in the UAE) the same setting is looming. It is not that streaming is better, it is merely more affordable. Now that Apple is getting more into Saudi Arabia, it will be soon that Apple TV is coming too (or already there). And with the setting of “Bidding wars for titles from major US sellers were common, but less so now. Minimum guarantees have dropped as a result, reflecting the reality of a market that has levelled out. “When Saudi opened up, almost any film would work. But now audiences are a lot more selective,” says the executive.” Makes me feel that there is still a chance of my script making it to the screens of people. The movie plays part in the Netherlands and part in Dammam (no real reason why I chose it) and one scene in Iran. The setting of a movie that deals with islamophobia was appealing to me, because it is something nearly any Islamic person is exposed to (especially in Europe) and as such I created an idea with my copy of Final Draft (given to me for that reason) and a stronger view is given with “One bright spot is the market for Arabic-language content, particularly from Egypt. The figures underline the executive’s point: the top five box-office films of the year so far include two Egyptian titles (action drama Sons Of Rizk 3 and romantic comedy Gawaza Toxic) and one Saudi comedy (Shabab El-Bomb). According to Comscore, Egyptian titles now account for an impressive 25% of the Saudi market, while local Saudi features have a 7% share. US films, by comparison, take 53% of box office in the country.” My movie is not in Arabic, but it was designed with the stage of an Arabic version in mind. I merely lack the language skills to make it directly in Arabic. Now I see that this setting is given with “Egyptian titles now account for an impressive 25%” gives me hope that my final curtain call is not here yet. Yes, it is hope because I had never written a script before this and as I look at the tally where beside ‘How to assassinate a politician’ I am working on ‘Kenos Diastima’ (a TV series in the making), ‘Engonos’ (TV series in the making) and ‘Residuam Vitam’ (mini series in the making). I created these series partly to keep my writing skills up and it wasn’t until ‘How to assassinate a politician’ had formed more completely in my mind that I decided to make it in a script (in Final Draft) and when I started pushing that title did I start to set the blackboard for ‘Residuam Vitam’ which is still forming. 

And as we see this we also need to take notice of Adon Quinn, CEO of Saudi exhibitor Muvi Cinemas, believes that Arabic content can help drive future growth. I am willing to agree, but that is really in my favour. You see it is nice that things go to cinema (happy to help), but I reckon that the streamers in the UAE (Dubai Media) and Saudi Arabia (Aloula) will make the larger difference. The need for Egypt and Indonesia seem clear and Indonesia with a population of 277 million potential viewers should not be underestimated. As Quinn tells us “He points out the wider Saudi box-office slowdown echoes what has happened in markets around the world this year. Its main cause, he says, is the depleted supply of content caused by Covid and last year’s Holly­wood actors and writers strikes. “The strikes had a big impact on the first half of 2024,” he observes. “We’ve seen when the right content is there, the audience is there.”” But he also exposes a problem. The depleted supply is seemingly due to Hollywood. Still tapping the Canadian, Swedish and western European markets might not be a bad idea. Especially as California is about to get a few additional issues and they are not yet polarised into tinseltown (Hollywood). 

There are definitely options for the Arabic market, but I reckon that the streamers will have a much better time they do not need a movie distribution system and they can get a lot of traction roping in a potential viewing group of well over 400,000,000 people. You can fish in a barrel, but the same barrel holding either 400 million or a mere 35 million, that is the setting as I see it and as I have noticed Dubai Media is ready to get on board with that setting (I saw it was ‘proclaimed’ by certain individuals on LinkedIn). 

The market is where you cater to it and I thought it was a good idea to cater to the Arabic markets. Have a great day.

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November 23, 2024 · 20:11

Reinvention

That is the thought of the day. We all reinvent ourselves. Shakespeare was reinvented several times through Hamlet in movies and plays. I particularly liked the version with Ethan Green Hawke. I liked the approach of an adaptation that kept the Shakespearean dialogue but presents a more modern setting, with technology such as video cameras, Polaroid cameras, and surveillance bugs. It makes for an amazing view in a new setting. I like it because someone took the trouble of reinventing the play, not merely the stage of the play, but reinventing the concept of the wheel. I like that. We can have version after version but when you make the car it drives a hovercraft it becomes something else entirely. Who would have guessed that the series I loved as a kid (Battlestar Galactica) could become the stuff of legends by Ron Moore. He pulled it off. What was just a decent dreary thing kids loved would become the version adults would revere. Lorne Greene was the version we adored when we were young and was decades later replaced by Edward James Olmos. The lieutenant that stood standing next to Don Johnson and Philip Michael Thomas became the stuff of legends as he gave greatness as William Adama (callsign “Husker”). Reinvention does that and as I see it, I gave the BlueRay a 96% rating, one of the highest rating I ever gave a TV series. As such reinvention is key to decades of entertainment. It enabled me to create the movie ‘How to Assassinate a politician’ (aka ‘Essay’). From there I started the stage of Residuam Vitam a miniseries where death is the central player and the views we have becomes altered in the hands of 8 billion, but only after people die. And the stage of Atheism becomes a new player, being it a tender one. So when we set the stage of history it becomes another matter. That let me to the beginning of us all. Erich Anton Paul von Däniken, the  Swiss author of The Gods Were Astronauts and he was not wrong. The origin of the Greek gods was just that and they came from the Sombrero galaxy (galaxy M104). I explore that in Kenos Diastima and it forms in me as a TV series (three seasons). Where it is not merely what we look like, it sets the stage of how we are set up. This rotates in another direction as Engonos the later series. Engonos translating as ‘Grandson’ where the first season was the view that he has, the second season shows us where it still is about the gods and the third season (for now) is shaped as the hidden trap the gods set for all of us and the hidden levers they set up their own system to never be held to any kind of account. So how is that seen when they are themselves their own creators?

Reinvention is key in all of this. I tried to ‘sell’ the script of ‘How to assassinate a politician’ to Dubai Media (as islam is centre in all of this) then I also tried to approach Saudi Broadcasting Authority (SBA) and I can report with saddened intonation that I was unsuccessful. This media is not my stage. I created stories and I create what could be seen as dialogue. I believed that there was an islamic market for people, especially as islamophobia becomes an overwhelming issue and I personally believe that these idiots and morons hiding behind ‘Free Palestine’ to destroy anything they can like cheap Football Hooligans and soon that setting will grow tired on too many people and we get new fields of malice and destruction. In that I felt that I was able to corner a new market and with the Dutch politician Geert Wilder (before he became Prime minister of the Netherlands) I saw a story emerge where Arabic children saw their way to wrote him to death and we see his demise five times over. The setting where a movie was played in Dammam, Amsterdam and The Hague helped as I saw that this had never been done before. No matter how you reinvent things, it helps for the stage to be new and largely unknown to the watching audience. I thought I saw an option. However Dubai media and the Saudi Broadcasting Authority seemingly did not see it that way. My view was a story that appealed to millions of Islamic viewers and they? Perhaps they saw an immature script. That part is speculative as they never gave me any feedbacks (other than we have other projects running). 

You see reinvention also sets you up for two settings. The ego of others and the ego of self. The ego of others is what it is. You can cry, you can sulk and this setting merely is. The ego of self is different. It wants to believe in self, but the truth is that it also needs criticism of self to endure and see the brighter life of what could be. This is what I see in Hamlet (2000) and Battlestar Galactica (2004) they did more then endure. They reinvented themselves in more ways and we all enjoyed what came from that. The only thing I can do is to reinvent more and more. Games, stories, movies and ideas. I particularly like to reinvent in a different format. What was a scrolling game could be an sandbox RPG, what was a book could become a movie with a difference and there are other ways too. The idea in one form could be reinvented in other forms because it attracts a new audience. Look at Star Trek it went from the original series into the next generation and now there is Strange New Worlds. Yet for the most it attracts the same audience. That can be an option. To grow from the original audience to include a larger audience. This is what was achieved with Picard and it was an amazing achievement. But it is not a trajectory I am on (and I have no starting audience). Still the boundaries of reinvention are vast and there are so many corners to see. I merely hope that I find a corner that will find appeal to an audience.

All this looks nice (and academic) but there is a hidden corner is any creator (in me too). It is the setting of the imperfect creator hypothesis. It is what it is. The only way around that is to reinvent the reinvention. I sets the value of imperfection at bay but it also creates more doubt in self. A vicious circle to say the least. But any creator loves the battle that goes on inside ones self. The stage of creation and doubt goes on an on and perhaps at some point I will see one of my creations become a reality. 

Have a great day and seek the sunlight if you can. Not really an option in Vancouver, but in Sydney it was 30 degrees today with full sun during this day.

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November 2, 2024 · 07:04

Strangled by greed

I saw an article in the BBC last week, I took notice as it collided with something else I saw, but I could no longer find it. The article (at https://www.bbc.com/news/articles/cj6er83ene6o) gives us ‘Hollywood’s big boom has gone bust’ It is here where we see “The actor and aerial cinematographer turned his hobby of flying drones into a profitable business in 2012 just as the streaming wars were taking off. For a decade, he was flying high above film sets, creating sleek aerial shots for movies and TV shows on Netflix, Amazon and Disney. Now he’s on the verge of becoming homeless – again. He was evicted from the Huntington Beach home he shared with his wife and two young children and now is being booted from the Las Vegas apartment they moved to because they could no longer afford to live in Southern California.” As I see it, it is a much simpler equation, even as we are given “the good times ground to a halt in May 2023, when Hollywood’s writers went on strike. The strikes lasted multiple months and marked the first time since the 1960s that both writers and actors joined forces – effectively shutting down Hollywood production.” You see, some people are blaming the strike, but the strike wasn’t the reason it is a interaction drive between cinematic analysts and greed driven studio bosses. Even as we see “with layoffs at many studios – most recently at Paramount. It had a second round of layoffs this week, as the storied movie company moves to cut 15% of its workforce ahead of a merger with the production company Skydance.” And none of it is the actual reason. Hollywood has decided to rely on mediocrity and the attached collection of yes nodders towards some numbers of utterly unreliability (as I personally see it). Lets take a step back to 1966, a new youngling in Hollywood came with an idea a science fiction tainted wild western called Star Trek. Lucille Ball from Desilu Productions was one of the driving forces on pushing the success of Star Trek. In the mean time the series is the longest and most successful series in history pushing 11 spin offs and 13 movies. At the end, the cancellation of Star Trek was proclaimed In 2011 “the ranked number four on the TV Guide Network special, 25 Biggest TV Blunders” and still Hollywood will not learn. Now we see other issues in 2005 a series named Threshold was created, it lasted for one season.

The TV series was really good (my personal view) and the actors including Carla Gugino, the youthful young sprout who played the ex of Dwayne Johnson in San Andreas, Brent Spiner who played the mad scientist in Independence Day, Charles S. Dutton known for many roles, Rudy being one of them, Peter Dinklage who shined in Death at a Funeral and the game of thrones. The TV series was drenched in achieved talent, however as the TV series didn’t get the desired ratings, the series were dropped. Star Trek wasn’t enough of a lesson for Hollywood. And this wasn’t the only lesson. Defying Gravity (2009), Firefly (2002), Doll House (2009) all series dropped for the mere reason that it wasn’t bringing in the cash from day zero. As I see it Hollywood hasn’t gone bust. The audience has stopped putting their faith in Hollywood productions. An entity that doesn’t seem to comprehend Science Fiction and Fantasy is the maker of imaginary worlds? 

We see a whole range of attached reasons, but the number one reason isn’t shown. The fact that advertisements aren’t of interest to people and that is the one thing that drives players like Netflix. TV stations are fed that advertisement is the drive of all entertainment business and to some extent this is partially true. The fact that the people after 50 years still look forward to some form of Star Trek is because it is a more surreal form of escapism and that image isn’t clear to Hollywood. I see it as a reason why Canada and Australia are growing players in this field. In Hollywood every dollar needs to be spend at least twice to become valid and all that time writers are massively underpaid. I see it as the number one reason why we will soon see an overshadowing of Hollywood by Dubai Media and the MBC group. And that is before Hollywood figures out that the people demand continuation of the story. The number one issue around Threshold, Defying Gravity, Firefly and Doll House. The are regarded as not ‘profitable’ but they are represented by millions of watchers who wonder what comes next and too many of these disappointments of cancelations are getting to them and now they look at places where there is continuation. 

My initial view is that someone needs to take a hard look at how ratings are measured, because I think that is the core of the issue. I refuse to believe that some cancelations are valid. Consider the series Lucifer, it was booted at season 3, taken over by Netflix who did 3 seasons more. Now we see “In 2021, Lucifer was the most-streamed original series in the U.S., with 18.34 billion minutes viewed”, so how is that not a success and it makes us wonder what drove the cancelation by Fox? The stream data contradicts the Fox statement that is was a “ratings-based decision”. I think that this is happening too much and as such I have doubts that there is a issue with how ratings are ‘found’ and those in that area together with some analysts are setting the stage for whatever they think that matters, but that is merely my view on the matter.

I see it that greed driven decisions by some are strangling others from fulfilling their view. Avatar (2009) made $2,923,706,026 and I get that, but is it better than Oppenheimer (2023) $975,594,978? As I see it Wall Street wannabe’s are tainting the field of artistic achievements and I get that revenue is part of the equation, but Hollywood was the place of dreams, it has now become a nightmare for many players. Why is that? 

Enjoy the weekend.

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September 13, 2023 · 12:57

Dreamcraft, the specifics

This morning I came up with an idea. I have had certain elements of this idea in my head for some time, but this morning the pieces of the puzzle started to connect. I am not putting it all out here. It is meant for some Canadian TV maker, not sure which, and with the Americans on strike it seems wrong to hand it over to them. The setting is set to a time traveller with a twist. The setting is set in Canada (the Canadian film maker angle) and is connected to MAGA, making a first setting with America as the evil player.

It starts with “Certain names have been changed to protect the seemingly self-proclaimed innocent players” which could be seen as a twist as well. The movie relies on one player being part of this (as small actor and consultant).

CSIS director Michel Coulombe as himself

A setting that hasn’t happened since former CIA director William Colby in the PC game Spycraft (1996). So there is a precedence for this and I am happy to be to the smallest degree a copycat. I have no idea who would play in this, but a case could be made to give the largest role to Paul Tiberius Shatner (aka Paul Wesley) and I feel that the idea could benefit by a seasoned actors like John Larroquette and/or Patrick Labyorteaux, but I have no clear reason why, merely a feeling. 

The setting is set about a in progress terrorist attack on Toronto and our time traveller starts with an incapacitation gone execution of a person exiting the subway early in the morning. That is where he gets the CSIS involved and after the first evidence is shown to be correct they understand the time pressures and from there we get into a setting of executions showing more and more evidence to become more and more evident that it is all real and that is where we get to the intelligence mulling and a slightly more academic set (the need for an intelligence consultant) and from there we are taken on a rollercoaster of intel and action, but this is not too action driven, we see flashbacks (for the twist part) and a reference to

“Time travel is as I know it was set to reality somewhere in 2060-2070. The math came from an actual AI that IBM developed and as I understand it I can never comprehend it, the math is a dozen blackboards of algorithms. It is safer to go back and this is my second trip. My last trip. The chances of paradoxes become too great after trip one. Also with travelling into the future paradoxes increase exponential with every second you travel into the future. Its a big no-no. See it as as throwing a rock into the river, the river adjusts around the rock, but into the future the rock becomes bigger by the power of its size with every second it travels into the future, the river overflows and the river stagnates, it becomes a mess really quickly.”

As the story unfolds we are also introduced to a female kick-ass gung-ho liaison officer (optionally Nina Dobrev), but the actress is not defined and no sex scenes. She needs to be hardcore gung-h carrying something like a Taurus Raging Hunter 357 Mag 7-Round Revolver (she is a crack shot and every shot is a kill). This is an intelligence suspense movie.

There is a larger twist at the end involving a ring and with the narration showing us the collapse of the Eiffel Tower the movie ends?

There is of course more, but that is for the TV executive, we can’t have the yanks copying everything. It dilutes the script too much. So that was my overly productive morning.

What did you get done this morning? Enjoy your day.

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August 23, 2023 · 20:55

A very different oak

OK, to be honest, this dream hit me some time ago. I had it, but I have no idea why I had the dream and I might never figure it out. The event was at Golden Oak Orlando. I was visiting someone and when we got to his abode (a mansion by any other name) we were overwhelmed. I reckon that this is the feeling that all those who ever visited someone’s place in Golden Oak leaves them. It is a little overwhelming. So we got to his place, we were shown the lower part of the house with an inner courtyard. There was a pool, a jacuzzi and a few other amenities making sure that we all felt a little out of our comfort zone. We went to the corner in the inner courtyard and we had something to drink. There were two pitchers of iced fruit-juice and it was wonderful. I went for the slightly more orange one. It was a mix of peached and tangerines loaded with what seemingly a shrapnel of ice parts. It was icy cold and refreshing. My kind of refreshing. The others were talking and I was listening and looking at the details of the courtyard and the kitchen room through the glass. The stove looked old-fashioned but seemingly bursting with high tech elements. A stove anyone would dream of having in their home. After the drink the second part started. We saw the living room, the kitchen we walked through and we saw a large pantry. The living-room was a little spartan but stylish. We all walked up the stairs and we saw the master bedroom. Not sure what the style was, but it looked neat. The walking bathroom was to die for and had everything on a space that is pretty much my living room. There were the two guest rooms and they both had their own style, nice but very different. And I saw the door, the door that would change it all. The door was out of place. It looked a lot heavier and darker, like dark oak heavy. From a distance it stood out, even as the door was deeper into the wall than any other door in the house. It stood out like a bank vault door would stand out in any apartment, it looked that heavy. The door was dark oak as said, but it was engraved unlike anything I had ever seen. The owner then moved a panel in the door and a small opening revealed itself. 

The opening had a key, a very old fashioned one and if I had to make a guess it was a 17th century key, but it looked off somehow. The panels showed us characters from Peter Pan and Mr. Smee (the first mate from Peter Pan) was the center piece of the door. The door opened smoothly but seemingly heavy and the door didn’t open at the end, the door opened with the axial at one third of the door and the door was a lit thicker than a door should be. What I saw then blew me away. The room was almost entirely made from wood, hardwood floors, and I saw to the right what could have been the navigator desk from a galleon. To the left was an admiral’s table with swanky seat. The navigator had its own swanky seat, both a chesterfield design, both chairs build for comfort and I walked in. I saw the small door to the end and I walked towards it, it opened up to a small balcony with seats. The wooden balcony seemed to have been part of a slightly enlarged balcony like the admirals room on a galleon with a small table and chairs. 

I looked around and I was slapped across the face a second time. The walls I can in from were the  rear of a galleon, complete with stained glass and a view of the ocean. The wall that connects to the house was an ocean and the smell of salt water was invading my nostrils. A freakin ocean? I slowly walked towards the end of the ship realising that it was smoke and mirrors (of sorts) the windows were real enough, the sound of a seagull was there, but as I stared closely I noticed the fine lines. The view on the ocean were TV screens 4 meters wide in total, about a meter high. 4 of them. There was a hidden vapour in there feeding us seawater. The sound came from the screen. It was the sound of the ocean with a bird every no and then and the screens were merely showing us the water waves, almost like it would have been were we on a galleon. The walls had pictures. One in heavy sterling with the image of Bill Thompson (the name was engraved in the centre of the bottom side of the frame. I knew the name as I grew up with Disney movies. He was the voice of Mr. Smee in the Disney version of it. There was an image an autographed one of Bob Hoskins, the man who played Smee in Hook and there were more Smee memorabilia all over the room. The navigator desk was a desk, it was fully functioning with a large map of Never-never land. The map rolled up and stayed rolled up. Beneath it was a screen a 32” touch display that showed the Mac screen and applications. There were all the Adobe ones, all the Apple ones and several I had never seen before. I noticed that below it were extensions that came out, for both the keyboard and to the right of that an A4 digital writing pad. The system was super-fast, faster than the average G5 and it looked super intuitive. I looked around to the admiral’s desk which as a large and very nice desk with all kinds of amenities. The top of the desk was wood and I think a strip of leather, for writing on I reckon. The drawers were all engraved and to the right of the desk was a panel like it was some kind of food elevator. The panel was opened and two plates with canapé’s came out. They were delicious. The door I came in through was no longer visible, well not until you go looking for it. I saw the lines of where the door was and it was almost invisible to the naked eye. 

The chair was bordeaux red, it looked extremely comfy. We ate the food and we all were mesmerised on the room. I was not the only one blown away. This was his office space and it was one hell of an office space. It was a few minutes later when we left the room and as the door opened the screens shut down, the sounds faded and to room lights all dimmed but did not turn off. As I left the room I heard the room lock and I heard more clicks, almost like a set of alarms were set to sharp. We went down again and in the kitchen I now noticed the same panel we hd upstairs. A food elevator and a chef was there with plates of food that staff were bringing around. There was a Japanese plate with marinated eel. Plates with what seemed to be wraps with chicken and I had another fruit juice. I took the yellow now, which was I reckoned pineapple with Limes and I guess pear. It was slightly sweeter, I preferred the orange one. Which was my third drink. We sat down in the living room and I was listening. I also figured out I was the plus one of one of the ladies there. She was way out of my league, so no idea who she was and why she was with me and as I was sipping my fruit juice I faded away and woke up in my own bed. 

The dream stuck with me and at first I thought it was the setting for some kind of game, but there was no relation to any game I thought up. Then it could be for TV or movie, but the office space was too distinct. I would have loved to have a house and with such an office, but too much was not my initial desire in office choice, even as the computer clearly was. Sometimes the brain takes you on a meaningless quest, so I might never know why, but that feeling of looking around and watching the ocean still haunts me and I have no idea why.

Enjoy the day, we are now past the 50% point towards the weekend.

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July 16, 2023 · 10:58

Single-mindedness towards greed

That is how I see it in this case. To see this we need to take a look at the CBC article (at https://www.cbc.ca/news/entertainment/box-office-slump-2023-1.6906554) called ‘Blockbusters are failing spectacularly, but how that changes Hollywood is anyone’s guess’. First of all, are they failing? To the requiring mind of these movie releases they seemingly are. Yet I am not of that mindset. Lets see if I can get you on board. A second article is from the BBC and seen (at https://www.bbc.com/worklife/article/20230713-how-the-cost-of-living-crisis-is-fuelling-job-quits) where we are getting told about the cost of living. They call it ‘How the cost-of-living crisis is fuelling job quits’, especially in families with children, the revenue of worker number two is no longer covering the cost of the children. They tell us “Rising prices and interest rates are pushing some workers to move around the labour market, rather than dig in their heels at their current employers.” This is not merely a British thing, it is a global thing and when you add Australia with age discrimination we have a very different picture. We see a growing global community that can no longer AFFORD to go to the cinema. I used to go to the cinema at least once a month. Now I am happy if I can afford to go once a quarter, that is a drop of 60% and I am not alone, millions are in the same boat. To get any kind of tinsel town satisfaction we are driven to Netflix. $15 a month versus $15 per visit is simple math (if you have a proper internet connection), yet the CBC has merely one mention of Netflix and it is in the wrong direction. The article has nothing on ‘cost of living’ a clear first in any household. A week ago CBC gave its readers ‘Families face ‘hidden homelessness’ as Hamilton shelter system is consistently overwhelmed’ and no one was able to connect the dots? In ‘generalising’ statistics we tend to agree and accept that for any household collapsing, at least 50 more are on the verge to go that direction. It isn’t a foolproof stage, but with the lack of data that is a clear path to walk on and now we see that this implies that in Hamilton alone a thousand households are on the verge of collapsing. So how many of those would consider going to the cinema? It amounts to $25-$40 per person, and that is just for starters. There are travel cost to consider as well. So when you add it all up, Canada alone has close to 250,000 households that actually can no longer afford to go to the cinema. Add a few million from the US and a similar amount from the EU and it explains why people aren’t going to the silver screen, they lack funds. This doesn’t make the movie a flop. I would have loved to have seen Shazam 2 (or the new Indiana Jones, or Oppenheimer, or Mission Impossible) I just couldn’t afford the ticket. It is life on a budget and I reckon that Jackson Weaver has some rewriting to do, perhaps add a chapter (or two). The funny part is that I saw this path clearly within the first 2 minutes. Me, for now is saving up so that I can see Dune Chapter 2 on launch date (which is November 2nd). This is the reality that millions face, we aren’t happy, we aren’t thrilled. This is our lives and the people in the entertainment better take notice (like the CEO’s making 135 million plus annually). You are either getting smarter on how you do things or lose more and more money and downgrading payments of actors is definitely the wrong road to travel on.

And why is this single-mindedness? Simple, you see Google and Amazon should be running circles around me. Yet for now I am growing my IP count where they should have been ahead of me and they are not. The simple setting is that they (and Hollywood) should have the goods, but I wrote several stories (could be scripts) in directions they never contemplated. So, why not? Are they the next creative failings after Ubisoft? You tell me, I should never have been ahead or even close to equal to them, but it seems that I am. I will tell you that I am not driven by greed, I believe that this is the setting that is drowning them. When did this happen? My personal feeling is that Avatar and the Marvel movies opened a door they never saw and now they are all rushing to get to that revenue. It is a greed driven drive, which is why they will never equal people like James Gunn (even when he is wearing glasses), the creative minds like Ridley Scott, James Cameron, Christopher Nolan and Martin Scorsese are titans because it is about the creation, not the revenue (it is a nice side effect for them). Art is never bankable, but it is collectable when completed. A simple premise that most never seem to get and they all rely on one other element. People who can afford to go to the cinema and for now that equation is massively out of balance.

It might not be their fault, but it is still on their plates today. Not hard was it?

Try to enjoy the last day of your weekend.

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