Category Archives: IT

August 31, 2020 · 13:31

The console stage

I made a claim last week and I forgot to follow up (my bad), and here it is. I was watching on the games out there in the past and games that might have a lovely return. First is the Sentinel. It caught my eye on the Atari ST in 1987, I played it them and I got the remake in my fingers on the PC in 1998, complete with the addictive music by the one and only John Carpenter. I believe that this game would be a nice asset on the Google Stadia (or Sony/Nintendo console), it is a game that you can play, put down and play again when you feel like it. Each of the systems can outdo the PC 1998 graphics without impeding on playability. I believe that the Ultima RPG games, but now with a Elder Scrolls first person look would be another game that could rise to fame (again), the important part is that games 4,5,6,7a and 7b would be one great game, a station that evolves as you play and they set a much larger stage that has not been achieved EVER. As such each of these systems could bank on a million fans almost overnight when properly transferred. And that is only the top of the chart, the state we see when we take the games that were not entirely at the top of the charts (like Paradroid) and we tweak those, we get a whole new range of games that would be out there for a renewed chance of more and more gamers. Another setting is seen in Mega-Lo-Mania, the game was good, not great, but it is set on too limiting a setting. It should be improved on, especially as RAM and hard drive are no longer an issue. The same could be said for forgotten Ubisoft gem Conquest: Frontier Wars, there are a few tweaks suggestions, but for the most, the skirmish part is all that is needed to give thousands of gamers fun for many many hours, and it could be ready for Google Stadia, Nintendo Switch et al quite quickly. I reckon that the Nintendo is especially interesting as it has no real space management games of that magnitude and it allows people to play by themselves and online against one another. Two stages that are easily achieved, Ubisoft does have the knowledge to run out to those fields (and they can use any win possible). In that same stage, who could forget 1989 addictive game Archipelagos, made by Astral Software? I reckon that in its original shape it is slightly too dull and too shallow, but the stage was good and when we consider other games from that era and we can spice things up a bit, the stage changes it from better than average to really good. It is not really a fair setting, because the original was better than ‘better than average’, but it was a game designed on a system lacking resources and as such improvements and additions are an option, yet there is a stage where we see that the 80’s and 90’s gave great creativity on the lacking stage of hardware, and as such we see that there is a whole range of games that can be revived on these systems. 

Yes, we all want new IP, but lets not forget that great IP remastered is still a good place to start and a lot of it is up for grabs and for those not up for grabs, the original makers could get a new lease on life and an additional pay check for the IP they know really well, gamers and game makers both seem to forget that part.

A stage that is in motion, and could set the console wars to another stage, the actual and factual stage where it does not matter how powerful your system is, it becomes a setting on who offers the most fun and that part has been forgotten to the largest extent, I wonder why?

For me, I still remember the many hours I rejoiced playing Fur Fighters on the Dreamcast, the PS2 version sucked, but the Dreamcast edition was massive fun and I still wonder why that game never made it to PS3 or XB360, now that most of the games can make it to a wider selection, I wonder if anyone will pick up the treasure trove before it is too late. Or perhaps the original makers will consider the larger stage that is now open to them.

2021 could be a great year for gaming and not just the new IP, golden oldies could be a genuine important stage for all systems willing to step into that mix.

 

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August 29, 2020 · 05:26

Jealousy

We all have it and I am no exception. Yes, I am keeping the IP I have to myself (for now), and I have been involved in video games since 1985, so when I see ‘EA Executives Blocked From Receiving “Exorbitant” Awards’ (source: Kotaku) all whilst we see “Earlier this week, investors shot down EA’s proposed payment plans for their executives” in the same frame when I proposed a version of Mass Effect that would undo the damage the previous one did and give the players a 400% boost in exploratory gameplay is set on a slippery slope. When a group of people getting millions of bonuses for making junk why would I bother helping them? (slightly miffed me), yet when we see the list of games coming out, we see a drove of remastered games (now also coming to Nintendo Switch), with a huge spoonful of sport games, which was always their core business, yet there is now a hole, even as we accept that there is a border to Sims, there is an edge to the Medal of Honour and there is a life expectancy of Dead Space, EA had good games and that is merely in the near past. Especially now in the Google Stadia stage, they seemingly forget Populous, Populous 2, Seven cities of gold. Yes, we get it these are old games, but so are a large group of remastered games. EA has a large opportunity, Google needs fuel for its stadia, EA has a whole range of games that likes players and with Ubisoft the way it is now, EA has the advantage. We might see the temporary influx of a gem like Battle Chess and we all see it, yet it became a game that was (for a while) liked and optionally loved by a whole range of people with zero interest in chess gaming. So what happens when the tutor part of Battle Chess increases a lot more, what happens when a whole new generation of players can get into chess, optionally with the added play online, set groups of players and so on. A categorical side of Elo, the chess rating. There is still the option to add Battle Chess 2, yet the question becomes how many people warm up Chinese chess (different pieces, different moves). When we accept that we are willing to engage into the side of puzzles that need solving, chess puzzles are there for all and in the stage that Google Stadia finds itself in, there is a larger need to get the gaming fuel going and the fuel they are all forgetting about is the fuel that is out in the open. And it is not about the identical port, but it is about what more the games could offer and these games have plenty to offer, all whilst the IP is still in the hands of EA (most of them anyway). EA has a massive advantage. Even as there is a lot of anti-EA people, the quality of games was never below the par line, not like the par line Ubisoft waves anyway. There is also the stage to grow, a game like Shadow Caster was not the great game it could have been then, but the stage now could lead to a lot more gaming and dare I say it a higher quality level of gaming? And they are not alone, Ian Bird created a game called Millennium 2.2 31 years ago. A game that I still remember playing on the CBM Amiga, The CBM Amiga had to deal with 512KB of RAM and a disc holding 880KB of storage, Any system can surpass that now, so we could see a setting where this game could be restitched at the tailor giving us a new style of clothing, in new colours with more versatility. That is the stage that I feel the most on with Severn Cities of Gold. Ubisoft makes us chase in game loot boxes, yet the origin of this comes from discovering things and Seven Cities of gold delivered. Nowadays it does not hold up to our needs, but what happens when we set the stage to a much higher level, yet the original idea was sound. Yes, I know, we hear all these people with ‘I can do this much better’, but where are they? Where is their product? 

I am not claiming to do any better, but I see what is and what can be and they are merely mulling it over with their ‘improved product’ and not showing anything. It is a shame because there is a stage where Google Stadia can surpass Microsoft and I have a vested interest in showing them how wrong their approach was, treason to gamers is a stage I take very seriously and I am driven to see them fall, if only to show them the error of their delusional stage of self preservation. OK, I admit that this is a little over the top, but to see them having to swallow their words ‘We have the most powerful system in the world’, letting them surpass themselves by the weakest system (Nintendo Switch) and optionally set the stage of the Google Stadia surpassing them as well is a nice notch on my 6 shooter. The fuel for gamers is games and adding a whole range of games that entice, reward game time and let them feel the joy of gaming is rewarding to me. 

And the stage of setting loose on the gaming world of amazing games is just icing on the cake. In this EA is a good start, they had excellent games, no denying that and a package deal there would be a larger win for Google. I believe that the games that enticed the previous generation can still entice the current generation when we upgrade and adjust the game to what we expect in today’s environment. Let’s not forget that most games were created in a pre controller age, as such the quality of game play will go up a lot, and I believe that this stage is one that Google Stadia as well as Apple Arcade would want to pursue. They cannot beat Nintendo or Sony, but they can catch up with marketing driven Microsoft and optionally surpass them, I would see it as a personal achievement. A setting where bullet point driven executives are shown the door by the gamers they set up to milk. So I admit, there is some jealousy when my evangelical approach to gaming is not rewarded and the inferior approach to gaming is, on the other had, they delivered a product and I do not deny it, I merely wonder why some products (the non-sport games) aren’t better, yet I also recognise that the umpteen versions of Sims allow for jewels like Unravel to make it, one hand washes the other and we let slide the disappointment that was Mass Effect 4, especially as there is a stage where the mistake can be undone. All whilst those who love the Sims get another influx of juice, Jedi juice is you like.

We can channel our jealousy, we can ignore our jealousy or we can deny it, it is up to you to decide on your view, your choice and perhaps your drive. I will leave it with you, and to give a little shot to your drive, gaming revenue represented $120 billion in 2019, if you want a slice of that, get to work.

 

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August 28, 2020 · 04:25

The tech is out there

Even now, as the larger players (Microsoft and Wall-mart) are starting a bidding fight for TikTok, we see the flaw on several levels in the digital age. I illuminated it yesterday, in my previous article.  We are in a stage where everyone is shouting that they have Digital Media Managers , Digital Marketers, Account Managers, Social Media Managers and so on, and so on. Yet, where it counts, we see (at https://content.govdelivery.com/accounts/WIGOV/bulletins/29bf2b8) the statement on Kenosha and the shooting, but when I looked at the site in ‘Self destruct initiated’ (at https://lawlordtobe.com/2020/08/27/self-destruct-initiated/) there was no mention at all and that was at 02:57 on August 27th, whilst the shooting was on August 23, it took 4 days for the digital media manager to wake up. Yet the police section in the news of the City of Kenosha website is still empty, so why do they have a website and who manages it? It is nice to have politicians and captains of industry hide behind the Internet of Things, digital media and digital needs, but where it counts, are they even aware that they flunked the pooch? 

A second set is given by the BBC (at https://www.bbc.com/news/technology-53930775), here we see ‘Facebook says Apple ad-blocking settings could halve revenue’ where we get introduced to “Apple’s plan to require all users to actively opt in before they can be tracked “may render Audience Network so ineffective on iOS 14 that it may not make sense to offer it”, Facebook said”, whilst we also get “In the upcoming iOS 14, apps have to explicitly ask users’ permission to collect and share data, meaning ads will no longer be able to just “follow” users to apps outside of Facebook”, all whilst everyone is ignoring “way for advertisers to extend their campaigns beyond Facebook and into other mobile apps”, lets be clear, FaceBook has every right to advertise on its site, it is the price of getting a free service, yet where does it state that the people have to agree to be followed “into other mobile apps”? In that article, where does it state the need and rights of the consumer? (I am not attacking the BBC or the writer of the article), we overlook technology to the mere shallow assumption related to it. We see the attack on Apple from Epic games (Fortnite) and we see Microsoft supporting Epic games, yet thee fact that the rule that Apple relied on is pretty much the same rule Microsoft has in place, so how did that make sense? It only looks clear when we see the path Microsoft has in play and they mobile XCloud is relying on the millions of iPhone users. I mentioned that in ‘The stage pushed by Microsoft’ (at https://lawlordtobe.com/2020/08/24/the-stage-pushed-by-microsoft/), so again we see a tech setting that is getting a shallow treatment and in this case I do not attack the media (even though I think they fell short), for the media it is all the emotion, as such we see the BBC giving us ‘Apple Fortnite players left behind in new update’, yet the stage where Epic games would be allowed back if they remove the external link in the game, which is against the developers agreement that Epic games agreed to when they got on the Apple store, a rule that Microsoft has in play as well and the media pretty much smoothed over with what I would personally see as ‘applied ignorance in action’.  

We see two versions of limited tech insight. This entire setting also applies to Huawei, the accusations and the lack of evidence is centre to all this. We get ‘Huawei’s networking equipment has not been detected spying’, in a Sky article last July, and it is the driving part in all this, we want evidence and we keep on getting bitching American politicians, one after another all emotions and no evidence. All whilst last week in the Australian Financial Review (at https://www.afr.com/technology/is-huawei-too-big-to-fail-20200824-p55ont) where we get the repeated “shot down by an announcement from the US government that it would use the global dominance of American technology to cut off all supplies of semiconductors to Huawei”, which is stupidity on a new level. It seems that it is not and that would be fair, the short term solution is met as semiconductors are not available. Yet in this for over a year Huawei was ready to that stage making (read: designing) their own semiconductors. When that happens, the US will have a Chinese competitor in another field and the US will lose even more ground. So whilst the US is in denial that Huawei grew because it had a good product, slightly cheaper but a lot better, in all this they rely on “Driven by the belief that Huawei could enable the ruling Chinese Communist party and its military to spy on other countries and their companies, undermine their national security and steal their commercial secrets, the US government used every option open to it”, where ‘could’ is the operative word and the additional ‘undermine their national security and steal their commercial secrets’, and guess what, there is no evidence on any level and the situation merely becomes worse when you consider ‘Critical flaw in IOS routers allows ‘complete system compromise’’, a part that ZDNet gave us in June (and before that, at https://www.zdnet.com/article/ciscos-warning-critical-flaw-in-ios-routers-allows-complete-system-compromise/), it is a simple situation, the Chinese government does not need to use Huawei to spy, they can use Cisco equipment (an American company based in San Jose) and download server by server on a global scale. When did the media give you that part? That weakness and a few more have been out in the open, and we hear nothing. This is not on Cisco, as it warned the users and is working on fixes, but the media is blind to the flaw, why is that?

Both the tech and the flawed tech is out there and there is a growing issue for a lot of people that we get limited and one sided revelations, who is served better to that? I am going with the personal view that the setting of the media catering to Shareholders, stakeholders and advertisers remains firmly in place.

The tech is out there, but who is taking a good look at it and who is using it to the maximum that would be required in the digital age? I’ll let you brew on that for a little while.

 

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August 25, 2020 · 05:21

Games on two levels

The BBC set us in the light of games being played, they are played n two levels, the first one is seen (at https://www.bbc.com/news/technology-53888148) where we see ‘‘Creepy men’ message women on Scrabble Go app’, now in itself it does not raise flags, these things happen, but we see a lot more when we consider “When enabled, players will only receive chat notifications and messages from players they already know and are connected with as a Facebook friend, favourite, or via their synced contacts”, did you pick up on that little part? ‘or via their synced contacts’ is a dangerous step, some people want to play scrabble and not having to deal with the BS, so why did the game not include a mute ALL speech from the very beginning? I will hazard a guess that synching your contacts will be pleasing to the makers of the scrabble game for a few reasons, but that question is not coming from the BBC is it? And “it had also received two about the previous EA app during the first half of 2020” is perhaps a little giveaway. It is all about our contacts. Basic personal security does not see to be the stage gamers are considering when they are offered free games. So even as the BBC ends with “Lisa Forte, from Red Goat Cyber-security, said: “As individuals, we really need to start treating unsolicited online contact with people we don’t know as suspicious until it’s proven otherwise”” and in all this the questions on gathered data is not coning from the BBC, so I am asking it. ‘What data is gathered and who profits?’ It is an essential question, but it is not asked, is it? I see this as a failure to protect consumers and as such there is a failure from government and media to take it into account. The government has a pass. It is not their responsibility to protect people who blatantly install stuff at their own leisure, but in the same side, we see that Apple and Google could be held to account to make sure that NO and I mean NO data is to be gathered via apps in their store, is that the case, or is it not? It is not the app maker that worries me, it is the hacker who uses the app to gather data for their personal needs, that is the larger setting and if the uses would be kind enough to wake up and smell the data they are giving up we might have the start of something sane. Yet the larger issue still plays, the stage of muting ALL from the start would have solved the issue, so why is it not in the app? The story gives out that this is not possible, why is that?

The second level is a little more serious (or so I hope), it is seen in ‘Danish military intelligence head Lars Findsen suspended’ (at https://www.bbc.com/news/world-europe-53889612), well on one side, I was looking for a new job, so I’ll take his, but my Danish is really bad, my Swedish is fine though. But back to the reality, when we see “the Defence Intelligence Service is accused of failing to investigate allegations of espionage in the armed services. It has also been accused of obtaining and passing on information about Danish citizens”, we see the repetition of a two edged sword, the first story implies that the people (including the Danish) have no problem handing over their security and data to any app designer, so when we realise that, what are we doing inspecting the actions of Danish Intelligence? It sounds nice that they have an Intelligence Watchdog, but with data being handed over left, right and centre, the setting is a larger stage and we need to see that we are measuring events to two different standards and we need to wake up because this has been going on for years now and we need to wake up. Oh and by the way, why was Danish Intelligence doing what it was doing? Perhaps it was to keep the Danish people safe (an assumed  speculation), all this whilst I am decently certain that the apps do not have anyones safety in mind, if so the chat would have a mute button from the very beginning, not on the required need to synch contacts. 

 

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August 24, 2020 · 23:15

The stage pushed by Microsoft

It started recently with a setting that is now evolving into ‘Microsoft says Apple’s move against ‘Fortnite’ creator would hurt its games’ (at https://www.reuters.com/article/us-apple-epic-games/microsoft-says-apples-move-against-fortnite-creator-would-hurt-its-games-idUSKBN25J0K2). In the first a person (like me) would state ‘Who cares?’, yet the state we see ourselves in is becoming less transparent. In gaming, there is nothing like branding, branding has been the centrepiece of gaming for 30 years, does that mean that there is no room to manoeuvre? No, it does not, but to understand the setting we need to take you back. Even as Microsoft would love to push the stage via “Microsoft Corp on Sunday said in a court filing that Apple Inc’s threat to cut off the creator of “Fortnite” from Apple’s developer tools would hurt Microsoft’s gaming business, as well as other game developers” to THEIR advantage, as they are in a stage where they lose the gaming business due to their own stupidity. They tried to change the business and they were willing to do this at the expense of the gamer, the consumer, so how exactly is Apple hurting their business when they are doing it to themselves? Yes that is a decent question, but to understand the stage, we need to understand the larger setting.

There are PC gamers and Xbox gamers, both with Microsoft in a larger form of power, yet they are about to lose 50% of that (Xbox), the issues is not where you play games, but the stage where Microsoft wants YOU to play. The stage is further pushed through ‘Microsoft Research has prototyped Xbox controllers for phones and tablets’, the big issues is that Apple gamers and iPad gamers consists of well over a million players and to get them to embrace Microsoft controllers, they need games that are under their control, and as such they need access to Apple hardware, revenue drives them at every turn and Apple users are a massive source of untapped revenue. In light of this, does the title part ‘would hurt Microsoft’s gaming business’ make sense? Fortnite is but one title, it is owned by Epic Games, which is part of Warner Bros. Interactive Entertainment. So how does Microsoft fit in? Well it doesn’t but access to Apple is essential for the failed business that is laughingly known as ‘Microsoft’s gaming business’. Now, Microsoft can do in its own realm whatever it wants, and for that reason I dumped the Microsoft console, but there is no way that I would accept their stupidity on Sony Playstation, Apple, or Nintendo systems. They are loudly protesting because Epic Games has about a quarter of a billion gamers, so by stating that they are here for Fortnite is interesting for them, and the fact that Fortnite exists on nearly all systems works out well for them. And as we can see how they (as I personally see it) betrayed their own gamers base, so how can they state “Microsoft’s gaming business” when their setting is ‘revenue’, and whilst we also get to see “Apple has said that it will reverse its moves if Epic resubmits a version of “Fortnite” that complies with its payment rules”, so Epic can undo the damage when it adheres to the Apple rules. To be honest, I am on the fence on those rules, and Epic Games enjoyed the benefit in the beginning, but now they want to avoid the cost, and this is the weird part when we look at Fortnite we are given: “V-Bucks purchased on PlayStation 4 or Switch cannot be spent on other devices. Any Fortnite content you buy with your V-Bucks will be available on every device linked to your Fortnite account, regardless of which device the content was bought on”, and as I see it, why is Apple not mentioned there? In addition we see “V-Bucks are not transferable between Epic accounts”, so in that regard when we look back to 2018 where we see “Starting today on Xbox One, cross-platform play, purchasing and progression are available between Xbox One, PC, Mac and iOS.  Support for Android is coming in the next few months. As always, cross-platform functionality is a completely opt-in experience”, so  in this, there is no cross for Nintendo and Sony, as such why push Apple? All whilst Epic did this to themselves by ignoring the Apple rules (Google rules too). Whilst we see that these rules were circumvented, why do Facebook and Microsoft want a piece of it? We can start Facebook in any apple and any safari browser, yet they are limited to the data they can capture, when these games are directly added and outside of the store we will never know what security issue is circumvented, and personally, it is my opinion that Microsoft has no real credibility left, so why would I allow them there? And why are they so against the ‘rules’ that Apple set up when both Apple and Facebook had no issues forcing their rules down our throats? #JustAsking

And in finality the best cherrie of them all, straight from Microsoft (at https://docs.microsoft.com/en-us/windows/uwp/publish/store-policies#108-financial-transactions):

10.8 Financial Transactions

If your product includes in-product purchase, subscriptions, virtual currency, billing functionality or captures financial information, the following requirements apply:

10.8.1

You must use the Microsoft Store in-product purchase API to sell digital items or services that are consumed or used within your product. Your product may enable users to consume previously purchased digital content or services, but must not direct users to a purchase mechanism other than the Microsoft Store in-product purchase API. 

As such what is Microsoft exactly bitching about? 

 

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August 24, 2020 · 02:35

A day of rest

Yup, we all have them and to be honest, not because it is Sunday, but because I wanted to contemplate that I had finished my 1500th story on Saturday, to be honest, I never thought I would get that far. So today I relaxed and considered things, at some point I ate 2 dozen King Mackerels and I also at 3 dozen people (playing Man Eater on PS4), a game that was a lot more fun than I expected it to be, and lets be fair, who wouldn’t want to be a shark, I wanted to be one since June 20th 1975, I don’t think the Steven Spielberg had that in mind when he made the movie, but we all have triggers and the VIC-20 brought out a few dark sides in me too. The game is fin, I have put aside Jedi, Fallen order for a week at present, it is not a reflection on the Jedi game, because it looks good and I enjoy the game, it is to show just how much fun Man Eater is. There is a growing sense that games like JFO are losing ground. It is not their fault, they did nothing wrong. It seems that with the stronger systems the option growing in players that we are all seeking a more sandbox approach. Dying Light, Alien: Isolation, Gotham Knight, Shadow of War, all games that are doing better because of the open game approach, even if it merely seems to be the case. Now with the PS5 (and the Microsoft alternative) we see the drive to open gaming. Still, we need to be careful what we embrace, because it is a dangerous step. Even as some embrace Second Son, a Superpunch creation, the game lost out as it was too linear, a game that had the setting to be legendary, because slightly better than average, not because of the graphics, not because of the story, but the execution needed work, the fact that I was able to complete the game in a little over a day in hard mode is in support of that view. It gave me the idea to come up with Infamous: Adulthood, a game that continues on Second Son, sets it in a much larger stage of Seattle (as that was where the previous game was). I took a different avenue (because that is how I roll), I like deployability, a game is not something that you play once, but there must be a drive to do that, taking a page from another design, I set the game map to a 900% of the previous one, so if the map was 3 miles each side, it would not be 9 miles each side. From 3 by 3 to 9 by 9 is quite the change. But the map is merely the first part. The idea is to continue a generation later (because the game was nicely set), Delsin Rowe is now an older man, he met a girl Dyani and she was a conduit too, she had the same ability that Delsin had and ended up with different powers they settled and had a family. This is the first tier choice, you can choose boy or Girl, the boy will be named Reggie, the girl will be named Betty, yet the powers with which they get (only two) will be set to a stage, the first power will be one of one of 4 random the boy gets it from the father the girl from the mother, the second power is 75% from the gender parent 25% from the other one. So here is the first reason to replay the game, you get different and new powers. The story will set the stage where the player gets the other 2 powers. To this stage the story doesn’t change, yet how to go about it does. I wanted to add the stage that the other two powers will be depending on whether the person has a good or an evil karma, so the offensive power of fire is for Evil, the power of water will be for good (just a thought, fire is not evil, the flames told me so themselves), The second one is in the air, I wanted to set a larger stage again. To avoid the linearity of the game, I wanted change, so we still might want some linearity to make things easier, but I wanted to avoid that cleaning a region gives you enough power to upgrade to the max from the beginning. To this effect we see a new stage, the good cannot destroy CCTV, as such the police can be a much larger stage to deal with. The evil choice gets additional criminals attacking them, whilst the police attacks them too, The storyline will be a larger challenge, I needed to consider missions that can be adjusted for the powers available. An idea is that as the powered are free, some are criminals, some are not and others are living in silence hiding their abilities. As such missions for 4 additional powers needed to be created. (2 good, 2 evil), optionally one will be neutral, but that is the stage. I had the idea of creating a storyline that is slightly more dripped in ambiguity than previously considered. So when considering the powers, we need 4 for Dyani and 4 that are optionally gained. I came up with Fire, Water, Acid, Air, Paper, Glass (the last two were mentioned in Second Son), and beyond the elemental is time, telekineses and projection. There might be more, but there is no stage to set it yet. The danger is that in Second Son the first power was cool, it can across as creative and it had limitations, Laser (second power) was too strong, basically when I had it, I only used that one for most of the game, so I wanted to make sure that each power had a serious setback, making relying on one power a bad idea. There is the idea to add powers like Flight or teleportation, but the powers that were in the game and climbing to the top was not overly negative. Then there are the positive parts, the spray can option was awesome, it was original, and looked great, but I do not want repetition, I considered that both good and evil had options, so the idea of the paper power allows the player to set posters to illuminate issues, yet if the person does not get that power, we need an alternative in Smoke (charcoal image), Laser (Draw), Video (override transmission) and Concrete (sculpt). In addition there is the need to create passive abilities, even as we see the stage where we use one power, or the other power, we could be actively using one power, whilst the other power passively works too, it is a harder stage, but it feels more real for the player. For the same reason where we didn’t get to use the concrete power, I want to make sure that the stage of all powers is there and an application of practical use too. 

To set that stage we need to create a sort of infrastructure, just like a normal real city, we have regions, the police has a city and area setup, but so do criminals and they are not the same, in addition, we see the approach of others (not trying to give away too much) and they to have their own maps and infrastructure. Setting a city in such a stage makes a linear approach much harder and optionally not possible. A setting where a region can be ‘cleaned’ but not until all 4 powers are there, and in some way, the stage needs to be that some issues cannot be solved (not the right power) and as such, the only thing that the player can do is limit damage, a stage we often forget. Yes, we all understand that there is a line we walk on when we play a game, but what happens, when that line is intersecting and the player gets the option to turn left or right? Sandbox games tend to have a much better realisation to make that happen and I believe that in next generation systems a push towards sandbox approach will give the player a much better and more entertaining approach to solving the puzzle giving them. Even as we all push towards the a game like Prototype and the need to drive a tank over the masses to get the 65,536 kills, but long before you get to the 40K cadaver mark, the grinding set in and the fun diminishes. That is the other side of sandbox gaming. When a game stops being linear there are more issues to consider, more options for glitches and an optional bug or two, so there is more to consider and isolation in programming tends to be a non-option. Isolation has benefits, but there is a much larger stage of other issues hitting the environment, there is more to consider programming and that is where the rails tend to come off. This is not a good thing, but I focus on the creativity, not on the technical stag of the game, I can create, I suck at programming (beyond standard stations of it), as such the re is a stage where my idea of creation will surpass programming, but that is good, when you skate on the fringe of technology magic is created, Go back in time and see the games that truly broke the mould, they all surpassed what was imagined to be possible at the time (Minecraft with the obvious exception), we all see what is possible and a game will expand the mind when it is in a stage where it seems impossible. Guns of the Patriots and the Last of us are the examples that set the stage of the PlayStation 3,  MGS4: Guns of the patriot did so in the beginning of the console and set unparalleled borders with several critics giving the game a 100% rating, and the Last of Us repeating the same setting at the end of the PlayStation 3 lifecycle receiving even more 100% ratings. That was not because it was cool, it was because the game was as close to a game that should not even exist on that console, to surpass the boundaries of what was possible, soon we will get a similar setting on sandbox games, creating the near impossible making the player skate on the edge of what is possible in gaming and it is a hard sell, even as we see “Within seven days of its release, The Last of Us sold over 1.3 million units”, it ended up selling 17,000,000 units. There is a reason why Ubisoft is at present with the consideration of ‘At best unremarkable, at worst unplayable, Ghost Recon Breakpoint is 2019′s worst game’ (source: Washington Post), It all starts with creativity and imagination, then we get proper programming and testing, as I personally see it Ubisoft failed 4 times over, as such it is important to set the bar of creativity as high as possible, a stage too often underestimated. So whilst Ubisoft still seemingly hides behind “There are five AC Valhalla editions available”, with the optional extra “Each one of the Valhalla editions offers a different pack of bonuses and additional perks on top of the base game”. We need to remind the makers that we need one game and an optional collectors edition that could have art, noise (soundtrack) and doohickey (statue), I am not opposed to a season pass, yet in my personal view it is that some of the makers see this as an excuse to deliver a 85% game and charge additional for the 15%, whilst I see it that the season pass would be a setting to add to the game giving us 115% of gaming. In this I need to reflect on the Desperado 3 limited edition, it is awesome (I do not have it), I got the game when I could and I love it, but the collectors edition ($80 more) gives a music box, with the five playable figurines interchangeable, an art book, the soundtrack and postcards. It looked really cool. Some will love it, some will not care, and I get that, but in what universe should we diminish playing quality? I also get that some will give out skins as a premium for some preorder and I am fine with that, yet they should become available for all and games like Gotham Knight offered just that down the line as free downloads. It seems to me that these game marketeers are all about creating hypes aiming towards what they call “For the most loyal and fanatic fans of the franchise”, whilst they have no issue charging well above 300%, all whilst they are currently in a stage where they have not proven that they can deliver a game that is worth 100% of the charges of a normal game, Breakpoint took care of that rather nicely. Metacritic gives Ubisoft a present an average career score of 69%, and we do need to distinguish that AC Odyssey is set to a mere 60%, Breakpoint got a mere 58%, so am I wrong? I believe not, although Ubisoft could have avoided a lot of issues by properly testing the games before release. Different games, different ratings, but the stage is set with the creativity of the person thinking up the game. Getting another Second Son game is not the worst plan, but it needs to deal with linearity, it was the biggest drawback in the game. I think that overall that is not a bad setting to have, The game is said to have sold over a million copies which is good, yet when we set this against the two legendary games, one selling 17 million copies, I believe that there is room to wow the people, I am not underestimating the realm that MGS had already created, but the Last of Us was a totally new IP, I believe that a near perfection driven SuckerPunch has more to offer and I can’t wait to see what they come up with in the PS5 era, if Ghost of Tsushima is anything to go by, I say that we haven’t seen anything yet. So let the PS5 and the good times come. And in the mean time, I will focus my creativity a bit more.

There are limits to a day of rest, the walls at present look good enough to eat. 

 

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August 19, 2020 · 02:09

Click bitches

Yup, that is what they are making us out to be. We can offer the thought that Facebook and Twitter are not aware what is happening, but the reality is that they do not care. It is the price of a free service. I knew that from the start, nothing comes for free, but the choice of advertisement that Twitter and Facebook Arte giving us is becoming a larger issue, in addition I received some news that some people were allegedly approached to get scammed, this happens, but one person gave me that from 2-3 times a year that there has been an attempt to scam through his phone once a day for the last three days, the scales have been altered and in all this we need to set a much larger stage. And as some advertisement is aimed to turn us into click bitches to go from picture (with a dozen advertisements) to another picture we have no way of knowing as to what the role behind it is, perhaps it is $25 on the house from +6797234009, perhaps it is allegedly winning GBP 6,500,000 from www.m65s.net with the helpline info@mobcollas.com, or even it is facing jurisprudential fines from 18000243109. The numbers start adding up and Australian law is seemingly clueless on what to do, because it is not their prerogative, merely stating the face of the Sydney Morning Herald and Rupert Murdoch through the stated news ‘Google clashes with Australia watchdog over proposed law to force it to pay for news’, so how about changing the setting to avoid more issues by also stating that newspapers and media are not allowed on social media? Would that level the playing field? When we do that, we see that ALL the remaining news on social media is fake, is that a solution? Does it fall back to the ‘News Media Bargaining Code’?, I do not belief that to be the case, I think that there are two issues and I think that they influence one another. The ACCC gives us “The Government asked that a draft mandatory code be released for public consultation before the end of July 2020, with a final code to be settled soon thereafter.” It is perhaps the first time that a law was drafted up so quickly, and in that view when we see “The development of a code of conduct is part of the Government’s response to the ACCC’s Digital Platforms Inquiry final report to promote competition, enhance consumer protection and support a sustainable Australian media landscape in the digital age”, in all this the lacking ‘enhance consumer protection’ is very much out in the open and it is failing more and more.

So when we look at ‘Protecting yourself from scams’ on the ACCC website, and the ACCC Scam watch had NOTHING on the dangers of advertisements handing over details for scamming, in the same way there is a chance that data is being gathered by games, so how far is that investigation going? It seems that some are waiting for us to become click bitches and as we consider Click Fraud with the underlying quote “Click fraud is a type of fraud that occurs on the Internet in pay-per-click online advertising. In this type of advertising, the owners of websites that post the ads are paid an amount of money determined by how many visitors to the sites click on the ads”, as such, how much investigation did the ACCC do into the danger to the consumers before running to help the media? 

The dangers to the consumers is larger than Hacking, Identity theft, Phishing and Remote access scams and seemingly too many people are unaware, perhaps they have been turned into click bitches. 

 

 

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August 18, 2020 · 00:45

Light of creativity

In creativity we normally see a theme, or perhaps better phrased, some (like me)( are thematically driven, it might change per project, but in me there is a drive to think thematically, it is how I set the the stages of Elder Scrolls VII: Restoration, Watchdogs 4: Refugee,  and Far Cry 7: Timing

In this I have spoken about the Elder Scrolls and Watchdogs before, but not too much about Far Cry, in this game the stage is a little bit different. The game has two sides, a day side and a night side, yet that is not really made clear in the beginning, The game is stages in Japan on the Island of Amakusa, the man is in the city as it is today, yet when he falls asleep he becomes the boy or Girl named Sage. For the kid its 1945, for the adult its 2010, and the stage is different, the man learns skills that the boy has when he falls asleep, the kid finds things and places (and avoid US troops) the difference is that this is a game without guns, the US troops have them, but the boy/girl cannot fire them. The man learns to be better and more apt with knifes, and it helps the other one, but is only deadly to animals. The story starts in 2010, the man is evicted, he lost his job in the meltdown, he is making it on his own and when he gets to an abandoned house, he finds an engraved phalange, and as he holds it, he falls asleep. 

At that point it becomes morning 1945 and the boy takes over. 

It is the foundation of the game, in this we see the entire island twice, once as the boy in the midst  of an American occupation, with lose combats against the Imperial army, we see the game starting in one stage in July 1st 1945 and July 1st 2010 in the other stage. The idea of having two stories that intertwine is interesting, the 2010 story sets the stage of what knowledge is gained in 1945. This stage is depending on stealth, that is often not important in 2010, as we try to gain the treasures and rare items to pay the debt, as that unfolds, we see two stories unfold as well as two needs to be scored in a single night, and as the stage unfolds more and more we get to see a WW2 story from a Japanese side, yet the Americans are not shown too evil, but they are scary to a 11 year old child. 

That is merely the beginning of the setting and it took no more than two hours to come up with it. So when we see “a small team at Visceral also worked on a pirate game code named Jamaica. That game wound up being canceled when Ubisoft announced the pirate-themed Assassin’s Creed: Black Flag, and EA wound up with a bigger a bigger priority for its “genre” studio: a Star Wars game”, a quote a mere three days old, yet I was able to (semi)create three games in a week, so where is their creativity? I came up with the setting of the game Evolution which was came from an Idea I had when I was playing the game Mercenary on the CBM64 and was based in Amsterdam, The centre of Amsterdam was completely mapped and I came up with a map change which I got from the documentary Zero Hour, as I see it, the lack of creativity from some of these large software houses baffle me, it really does.

Well, its fine as I see it, I came up with 6 games (completely) original in its foundation, as such the entire stage of ‘being canceled when Ubisoft announced the pirate-themed Assassin’s Creed: Black Flag’ passed me by completely. And in that regard, we see that even their version is not that original, Sid Meier set that stage with Pirates, as such I wonder what they will create next, and beyond that, which of them will actually make it to the consoles, because that is another setting.

As we see all over the place ‘Apple clashes with Microsoft, Google, and Facebook over cloud gaming’ no one is asking the question, who will hand us original games? In this the setting that only Sony and Nintendo remains is not the weirdest idea. So as the others are fighting on how to gain the largest slice of pie in the GaaS game, some will focus on originality and make the largest gains. 

So what games will you play and which system will focus on original games? Is that not important too? 

 

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August 16, 2020 · 17:58

The Ai setting

Yes, we have all seen and optionally commented on the blunder that was Mass Effect Andromeda, yet consider that we could undo the damage? Even now as the rumour mill goes on about a remastered Mass Effect. I personally wonder what power Apple or Google consoles gained if they owned the Mass Effect IP (or Bioware). Consider a new console with one of the most revered IP’s in gaming history. This is not some ‘what if’, well actually it is, but consider tens of millions of fans now in a stage where they are confronted with one of these systems holding onto the console so that they can play this game. It is not unheard of, we have all been in that stage before and consoles used to get ahead with this level of creativity in their exclusives list.

So as I (re)designed the Mass Effect concept I did the one thing that had not been done before in gaming EVER. Mass Effect 5 is not merely the fifth game, it would be games 4 and 5 together, yes some things will be the same, but the stage is larger and also has a lot of changes. In the first, the Nexus playing area is at least 10 times larger, and the stage is a combinations of additional and new gaming settings. Of course each of the sister ships of the Hyperion would need to be found, Habitat 7 does not change, it is the introduction to the story and to playing the game. Yet the planets of 4 (Elaaden, Havarl, Aya, Eos and Voeld) would also be there and they would be larger, each with additional missions and additional tasks (making replaying acceptable and challenging). In addition to this  the other parts are mostly there, except for the memories, they can only be on the hyperion (how they could be on planets never visited before is just weird). As I see it, every planet has stages 1. Arrival stage, 2. Post Remnant Vault activation, 3. Phase one of repairs and adjustments 4. Phase 2 of repairs 5. Phase 2 of adjustments

It sets a stage where the planets need to be revisited and in that light each of these planets gets a second area to land and to set up another base, so as one base is scientific in nature, the second one is military in nature. Apart from the Kett presence, the second base will be a lot more about flora and fauna. There will be some Kett, but not to the first area levels, and in addition to that, the player will need to set the stage of building the cars and factories so that they support the nexus best. It will be around choices made, but it will depend on the player. For example in the 4 planets staged (Aya is off-limits), Food will be staged on every planet, yet the return on one is 100%, yet the others will give you 70%-80%, so the need to make the choice is essential, but you have no real choice in location, making the stage of food different, for example Eos is the first planet you reach, yet to give the player choices, we get a different setting, a such finding the right places to grow food and mine for minerals becomes a little bit of a challenge, however we can level the playing field by setting the percentage stage to random (70,80,100 or 110), add to this the nexus and the stage where waking up the right people becomes important, as well as reenergising the nexus so that labs can open up as energy becomes available is a larger stage. 

Most elements that can be compartimentalised in the game could set a growing stage we can adjust to, it also sets Mass Effect to a much larger stage, one worthy of a successor to the first three. For the fifths game we should look deeper into the Kett, we see them as the great evil, but what happens when that is not the case? What happens when their existence is part of a crucible? We need another 4 planets, in this, we should try to set a larger stage and a different stage. So what happens when one planet is aquatic? What happens when one place is like a gas giant (not unlike Cloud city in the Empire strikes back)? A stage where we interact in other ways, as such 2 remain, one should be toxic in origin the other one I leave open (someone might have had an idea), with the stage in that regard, the larger stage to revisit meridian and a stage where we apply a new stage, a stage of resources shared and politics gained. There are a lot of options that a game like Mass Effect allows for and in this we haven’t even looked at the stage where the nexus is attacked and a fight in the corridors, not just that, the damage is ‘real’ and debilitating depending on where the station is damaged, so repairs need to be made (to some degree) before the station is back on track. All these options overlooked in the initial game, the nexus was supposed to equal Citadel, but was less than 10% its size in gameplay. That has to change, and the game is in a much larger setting if the new approach is taken, a game that revisits feelings on a game published and becomes better and stronger because of it. As such no matter where it ends up initially (Google Stadia or Apple console) they would have the setting to add a few million fans right off the bat, when we see the initial hype for Andromeda, that stage can easily be surpassed if the result is properly tested. I wonder if Electronic Arts ever considered that their product could end up deciding who the third most sold console could end up being, the stage is that certain at present, and of course, there is no reason why it should not be on other consoles, yet the financial power that a timed delay for other consoles is could fund a massive part of the development cost and that is when the larger profits comes in (for Electronic Arts), especially if a game like Mass Effect Andromeda sets the gaming bar to a much higher level. We have seen long term gaming in several ways, yet until Bethesda released the Elder Scrolls Online, long term RPG was a little in a corner, now you are given the light where they are no longer alone in this, it sets a different stage for Google and Apple, one they could only have hoped for and it is within their reach to set this stage to their system.

 

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August 14, 2020 · 05:52

Reflections

These are the days where a lot of people reflect on choices made and I am not any different. I was at the foundation of gaming, when gaming was young, when people thought that this was the sport of nerds and I did not care. I reviewed games for 13 years and I never regretted it. I was there when Commodore release the CBM64 and the Amiga 500. Sony released the PlayStation, I was there when Nintendo released the N64 and the GameCube. I had the Sony PlayStation 2 on day one, I saw with amazement when the SEGA Dreamcast was released. I saw an amazing range of games and systems, even now I think back to how great gaming was in those days. Even now we see how some makers misrepresent their games on how unique their game is whilst in the end it is merely another version of Candy Crush or Bejewelled. The hide behind quick animations and we see some Zombie game and the list goes on, they all need to make a game that is quick so that it is downloaded, their name depends on the amount of downloads, the sheep that play games follow the games that have a lot of downloads, yet they miss the larger stage. A game is something larger, it keeps you interested, it offers a larger stage and there is no denying that Microsoft Game Pass might actually entice people who call themselves gamers will actually end up playing actual games. Yet there is a danger there too. I personally believe that Microsoft is in it for the soft money, the micro transactions and it makes sense, micro transactions represents billions a year in revenue, and there mobile systems are the biggest source of micro transactions and that too is a reason why Microsoft wants Apple access. 

It is time that this stage changes and if there is one stage we want to protect then it is the gaming stage, that stage gives direct access to the younger players. Even as these ‘critics’ proclaim loot boxes are ‘gambling’, there is no status on games like Candy Crush and all others designed to drive gamers to spend money, the addiction of achievement. Yet we see a lot less on that part do we? I remember playing the very first Lemmings, from the first hour I saw just how addictive it was, I still have great memories on Magic Carpet, I saw amazing games from Mirrorsoft, Microprose, Psygnosis, Rare, Westwood, Bullfrog and too many others to mention. Even then the creativity outranked corporate types and the gamer won. That field has changed!

Even today, I remember playing games like Millennium 2.2, Lemmings, Covert Action, Ultima 3, 4, 5, Eye of the Beholder, and that was long before PC’s started to take gaming serious. One title I am leaving for last, In 1987 FTL (Faster than Light) created Dungeon Master, it changed the way people looked at RPG games. It was only surpassed by Dungeon Keeper because Dungeon Master paved the way and created the love of the RPG game, Dungeon Master became the best selling game of all time for the Atari ST, others would follow and Dungeon Keeper would push the love of RPG to even greater heights, in the end 700,000 copies would be sold and it is there where we see what we can gain, in those days 700,000 copies were sold, in this day it would be 10 to 50 times as much. And we overlook the playability of those games now, yes we see the hypes created (and the games EA screws up), yet they also had there share of successes and underestimations. Who remembers ShadowCaster and Black Crypt? Upgraded they would make interesting games and in that same setting EA has close to half a dozen games that could raise the setting for Google Stadia. So what happens when we tinker Magic Carpet to become larger and multiplayer? And that is only the tip of the iceberg, Microprose has even more titles and that is all before we look at the near future and see what else we can do to set a larger stage of games that people either cast aside or ignored in the first place. An excellent example of that is Microprose’s 1990 release of Knights of the Sky. I loved the game and many others did as well, but the larger group seemingly forgot about this game, a game that could be upgraded and work on a whole range of systems, including Google and Apple systems. We need to take another look at these games, games produced in the era spanning from 1985-2005 gives us close to 100 titles spread over half a dozen systems and we forgot about them. Why is that?

I get it, some people moved on, they moved on to other things and that is fine, but there is an entire generation of people that is limited in its view of games and it is limited to match three shapes. That is not really gaming and we need to make sure that this does not happen. For a system like the Google Stadia, it is the difference from being in the game and setting a goal towards being the 4th system in gaming, from there the sky is the limit. There are enough games, the question becomes where do they (or Apple) want to go, offering a system or committing to a system. It is a small but distinctive difference, one is seemingly going that way (it doesn’t matter who), yet it opens up a larger stage. A stage where people can optionally now play a larger and repaired Mass Effect Andromeda, a game that is game 1 and game 2 together. A stage that Google Stadia and Apple allows for and that is good, perhaps the others will catch on, but that is not a given and perhaps not even required. Hardwire gives options, but when did all systems need to offer everything? I believe that Nintendo and Sony can work side by side, I feel certain that either Google or Apple will be the third system, there is a chance that people will select EITHER the Google or the Apple system, but I cannot be certain of that at present. And it does not matter, like Android and iOS, people will make a choice giving Google an edge but at present not a given victory, time will make determination, yet in time and over time we need to revisit the old games, the fact that we see more and more remasters is because the old jewels remain jewels, some of them merely need to get dusted, others need polish, but they remain jewels and the sooner some see that, the better their hardware will fare. 

 

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