Category Archives: movies

A gap preceding a gap

This is a difficult article to write. A lot of it is speculation, optionally presumption. Yet if someone tells me that presumption, due to my lack of knowledge is inappropriate I would accept that. My mind wandered and I saw a weakness in a program called Final Draft. It is not really a weakness, but it could be THEIR opportunity. This site is debatable for them, but to be the more rounded solution would enable them to create a larger gap behind whomever are following them. 

My mind saw Ryan Reynolds (yes, the Canadian actor) starting talks with some guy named David Thomson. Not entirely sure what the conversation was about. But Ryan saw a new opportunity that grew from his insight in MNTN (www.mountain.com). You see the narrative of advertisement in changing. In that view we all focus on the advertisement themselves, but the larger stage is now becoming Development, production, deployment and so on. As such Final Draft might optionally be best to offer a new setting on Final Draft v13. 

You see, the missing part of project management. Even as there are some solutions, they are generic, for these people having one that is specific for Final Draft with timelines (somewhat similar to Monday dot com) would benefit Final Draft greatly. 

And it isn’t just for large companies, indie developers and script writers would be able to use it as well. Especially in scripts that have more than one season you want to see time lines, to test whether the scrutiny holds up and in that way advertisement companies could use the same setting. I reckon that the larger companies all have their own solutions, but Final Draft is used in over 60 countries and when you think of it, there is a larger pressing need to use project management solutions catered and tinkered to media and advertisement. Excel (not the worst solution) will no longer suffice in these places and as media corporations have a more distributed purview, that purview requires management with timelines, with options to see where pressure points arise and even more important when idle time and zero hours become too abundantly visible. We all have idle time at times, but when you have an entire crew on 40-80 hour idle time the cost will start to show and that impacts the margins and profit stages. 

For the simple developer (like myself) seeing the timelines and the completion times are also important. Not the fact of pressure, but to see where the lag is and whether certain parts were overlooked. It is the stage where the working project is set to a 90% complete versus 95% complete starts to show. If we take the old rule that completion of 5% past 90% has the same timeline as the first 60%, that gain is easily suppressed when you have a project file seeing what you optionally overlooked and in advertisement that part is even more clear, they work against (at times irrational) timelines and deadlines we see that Final Draft has an opportunity to grow its solution in another direction as well. I reckon that no matter where the project is set up, it needs to be deployed on a local level, because no executive will trust its data to the cloud, not with IP of this nature and also clouds fail (see Microsoft, September 2023). A distributed system might be the way to go, and independent developers (that one person studio) might not benefit with the cloud. And that is before you realise that there are 38,000,000 active VLoggers, they too need to up their game, the competition is cutthroat and murder as well. All options that show the possible opportunity that Final Draft has coming their way. I haven’t touched Final Draft since I tested version 6 decades ago, but I just went through the PDF of version 11 and I saw this gap and covering the gap preceding the gap makes the remaining gap passable and that is also where MNTN could find itself in the next 2 years. As they started the new setting the wannabe’s will come in soon and the better prepared they are, the stronger their foothold on the market will be and with all the others failing in obvious places MNTN could chisel out the niche that is safe, secure and almost spectacular (a subjective term). As such Final Draft has an even larger foothold it could create, but that is just me. I could be wrong after all. 

Another practical Tuesday filled. Time to rewatch Bullet Train and snore a little too. Enjoy the day.

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The notion

This all started a long time ago and my mind revisited this point mere hours ago. I was watching a YouTube on Dubai by Travelalgorithm. I saw a banner stating “The dream starts here” and my mind went somewhere else. You see, what it is not the dream or the nightmare, but the notion? The spark that sets things in motion.

Past tense
In the past (around 35 years ago) I was send a game to test. It was called Virus. It had a bio hazard sticker, it was wrapped like it was dangerous, but it was a game. A game with a difference. You see, someone thought things through. They had the building blocks, but your hard-drive was the template. It would scan your drive and from there it would create levels and a game. And that file could be send to others who would send their file to you and you would have hundreds of hours to play. The setting was pretty ingenious.

Present time
Now we go to today, it could still work, but it could also set a massive larger stage with cloud stages. Now we are going to a much higher challenge (if you have a cloud directory). Then my mind took a twist on the matter and I cannot tell if it is just the story, a related story to other film IP I have, or merely new IP. 

What happens when that solution creates a scan handle for every file? What if it looks for something specific? Now these levels become an entirely new stage in data collecting. And the idea is not new. Phishing operations are set to this level of access. Yet did anyone consider that gaming is also a data collective? I accuses Microsoft of that years ago, but that was a simple operation. What if the operation is not that simple. What if the combination of games create the handles they need to collect stuff? People thinking that they are gamers are so collectively driven to whatever is proclaimed to be cool. Look at some game advertising that claim “only 1% can do this”. How many people will let their ego speak and fall for that trap and that is merely the simplest of traps. What if the upload that some games do is holding a little more? It is not out of the realm of possibilities and I a not that certain how alert Google and Apple are on the subject. This gets to be a lot more dangerous if you consider the old stages that Facebook game creators employed. If you had one game, getting to a certain level would unlock something in another game and soon enough people started to play that game too and more games afterwards. So what happens that two or more games will unlock interactions as well as other interactions? 

You might think this is nuts and it possibly is, but isn’t that how some ideas make for great story IP (read movie IP). At present there is more and more need for new stories and as America hasn’t been getting anything done. Other creators have had the stage all to themselves. There are all kinds of twists in stories. I personally will always love the Usual Suspects (1995) and that is for me. Yet today thee is an abundance of twists and cockles in storytelling that could and should be upgraded. Yet too many use the game as the story (which makes sense), yet too many are avoiding the technology that enabled the game in the first place and Virus was not a usual game. We focus on intelligent auto design of levels making them never the same (Diablo 3) and that is fine. Yet what happens when that engine is corrupted? It is starting to happen and it is happening more and more. What if the design is set to make you ALMOST succeed? Did you figure on that? Did you realise that most match three games seem to be easy the first 15 levels and after that it gets harder soon enough? But they have you, just buy a few ‘special items’ and you are back on track and it works, for the next 10-15 levels at least and suddenly you have spend $5. It isn’t much because that is not the goal. It is the goal of 200,000 people spending that and suddenly the game makers has a cool million. But what if that isn’t all? What if the IP on your laptop is the end goal? Did you consider that danger? That is the notion this story is thinking of. Consider the twist in Ocean’s 8 (2018). I thought it was brilliant and until the end I never saw it coming. As we went in blinker mode for one target, we overlooked the larger picture and combine these two and you have the setting. If you are still in the dark. Consider the military locations and what hardware too many kids get access to on that base (some adults too). There is a larger setting where they are all gullible and the Pentagon has overlooked that setting. Now consider what access the criminal mind gets when they combine two notions to create a third. So is that three notions, or does it suddenly become a total of 6 options? ( I will let you figure that one out).

Still, the idea has merit if you know the direction some are not considering for too long a time.

Enjoy Monday.

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Dreamcast, a place

Yup, In succession to part one. I decided to think through the characters. I am not putting it all here (for obvious reasons) yet when you think it through, I set up the larger station in merely a few hours. As such, any Canadian TV channel can pick this up. The reason is simple and two fold. In the first there is a writers strike in the USA. I will not assist any TV station there whilst the strike is going on. The second is that this event plays in Toronto, it seems logical that a Canadian TV stations could have a go at this.

Vasileios
He is the main character, not much is known about him and in the beginning the setting is that he travelled in time. Over the course of the movie we get more and the end has a twist (as one expects). He is driven to solve this event for reasons unknown.

Olivia
She is the liaison officer connected to our main character. She sports a heavy Taurus Raging Hunter 357 Mag 7-Round Revolver. The gun is specific and this has a reason. Her father was a police officer who was killed in the line of duty. What she knows that other corrupt officers got him killed and she vowed to kill them with that gun. She is a crack shot, slightly rude mannered on speak and actions. She does genuinely care for justice and people. She cares for victims and she does not stand for bullshit. 

Michel Coulombe
He is a twist. I wanted to get the actual former director of the CSIS involved. This is largely an intelligence gathering operation, as such he would be a great consultant. Also, who is better equiped and trained to play head of the CSIS then the former director of the CSIS? From the beginning when our main character stops the initial terrorist event the CSIS gets involved and the fact that they were unaware that this was about to happen gives Vasileios a foot in the door.

Police Captain
The involved police captain is there to smooth things over and set the larger operation to get things done. I thought of John Larroquette or Patrick Labyorteaux to fill this role. The elected person is there to manage the police forces and to keep tabs on the two main characters.

MAGA
The nice part of these MAGA people is that they tend to be conspiracy theorists and that works for me. It is hard to find a decently believable opponent. The setting of the stage is that MAGA is ‘working’ with(or for) the Canadian Conservative Party. What none of them know is that MAGA is pushed by American Industrials to create enough panic and chaos so that America can push in and make Canada a republic. It adheres to the old golden rule ‘in confusion there is profit’ and with the US running out of space and resources expanding to the north is a simple business decision. I have set that stage in a few stages the conspiracy people, their support system, the conservative players and the conservative party. There needs to be clear separation so that the detection feels real. 

Unknown player
This person is unknown (for now) because I do not have the larger setting here. It is why there were two names for the police captain. The other one becomes the head of CSIS data analyses. I was thinking that they would have a data room with actual Palantir servers crunching the numbers. During the events we learn that data is ‘misplaced’ and this gets us to the corrupt police officers who were filling their pockets wherever they could, as such they are involved and we get to see Olivia being a crack shot. There is no denying that seeing a corrupt police officer executed is more satisfying than some organised crime figure (not by much though).

There might be some additional key people down the road, but I got this all done in under 4 hours (including the time for the first article (at https://lawlordtobe.com/2023/09/13/dreamcraft-the-specifics/

Location 1
This is Bloor–Yonge Station. Here we see the initial attack stopped. The detonation (with hydrogen cyanide) is stopped. The event would have killed all the people in the subway station and the tanks were large enough to flow the gas into the street, which would be a first chaos point. With the subways out of commission and a massive cornerstone of Toronto traffic stopped in the heart of the city would create massive amounts of panic. As this is stopped the CSIS enables Vasileios to proceed, but only with Olivia locked at the hip to him. This gets the police in the mix as well and the CSIS data centre will be looking over every byte of data, to see what they missed. 

Location 2
It is a house, and I think it should be in Rockwood village. It allows for a later link to business conferences and Mississauga. The house is the impact of a shootout between parties and our two characters. He is sporting a Cretan knife which he buys in an earlier scene. Olivia was unwilling to hand him a gun. The scene starts with them sneaking into the back and he starts silently and indiscriminately killing the people there. Olivia shoots three and calls for backup. We see the cellar has a bomb factory, the police shows up a minute later. Vasileios grabs a gun from the table and kills the police officers. He states that these cops are corrupt, at that point the police commissioner calls and states that the reinforcements are 10 minutes out. This convinces Olivia this is about more and we see all kinds of evidence that bombs were made. 

Location 3
the CSIS ‘server room’ where the data is crunched, the captain there is starting to find ‘mislabelled’ data and now he knows that there is a larger problem. He gets 3-4 most trusted people in a separate server room and they start crunching the data differently, which is time consuming, but they do not know what is missing. As the story continues we see the crunching of locations and people on every bit of data. 

There is of course more, but two locations are key to the story. Seems weird to give away the plot ahead of schedule. I am still mulling over the option of how to include the conservative party without getting slammed with slander (or whatever claim they will make), for me the larger reason was their ‘worshipping’ of Donald Trump and MAGA. I still need to figure out a setting where Olivia executes the three corrupt officers that killed her father. It needs to read that it could have been a justifiable killing or a mere execution and it could be seen as either way. I personally believe it spices up the story a bit at the end.

 

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Dreamcraft, the specifics

This morning I came up with an idea. I have had certain elements of this idea in my head for some time, but this morning the pieces of the puzzle started to connect. I am not putting it all out here. It is meant for some Canadian TV maker, not sure which, and with the Americans on strike it seems wrong to hand it over to them. The setting is set to a time traveller with a twist. The setting is set in Canada (the Canadian film maker angle) and is connected to MAGA, making a first setting with America as the evil player.

It starts with “Certain names have been changed to protect the seemingly self-proclaimed innocent players” which could be seen as a twist as well. The movie relies on one player being part of this (as small actor and consultant).

CSIS director Michel Coulombe as himself

A setting that hasn’t happened since former CIA director William Colby in the PC game Spycraft (1996). So there is a precedence for this and I am happy to be to the smallest degree a copycat. I have no idea who would play in this, but a case could be made to give the largest role to Paul Tiberius Shatner (aka Paul Wesley) and I feel that the idea could benefit by a seasoned actors like John Larroquette and/or Patrick Labyorteaux, but I have no clear reason why, merely a feeling. 

The setting is set about a in progress terrorist attack on Toronto and our time traveller starts with an incapacitation gone execution of a person exiting the subway early in the morning. That is where he gets the CSIS involved and after the first evidence is shown to be correct they understand the time pressures and from there we get into a setting of executions showing more and more evidence to become more and more evident that it is all real and that is where we get to the intelligence mulling and a slightly more academic set (the need for an intelligence consultant) and from there we are taken on a rollercoaster of intel and action, but this is not too action driven, we see flashbacks (for the twist part) and a reference to

Time travel is as I know it was set to reality somewhere in 2060-2070. The math came from an actual AI that IBM developed and as I understand it I can never comprehend it, the math is a dozen blackboards of algorithms. It is safer to go back and this is my second trip. My last trip. The chances of paradoxes become too great after trip one. Also with travelling into the future paradoxes increase exponential with every second you travel into the future. Its a big no-no. See it as as throwing a rock into the river, the river adjusts around the rock, but into the future the rock becomes bigger by the power of its size with every second it travels into the future, the river overflows and the river stagnates, it becomes a mess really quickly.

As the story unfolds we are also introduced to a female kick-ass gung-ho liaison officer (optionally Nina Dobrev), but the actress is not defined and no sex scenes. She needs to be hardcore gung-h carrying something like a Taurus Raging Hunter 357 Mag 7-Round Revolver (she is a crack shot and every shot is a kill). This is an intelligence suspense movie.

There is a larger twist at the end involving a ring and with the narration showing us the collapse of the Eiffel Tower the movie ends?

There is of course more, but that is for the TV executive, we can’t have the yanks copying everything. It dilutes the script too much. So that was my overly productive morning.

What did you get done this morning? Enjoy your day.

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Scripting a new reality

It is an idea that had been floating in my mind for some time. Yet the BBC article brought it to to front line of my (slightly despicable) brain. The article (at https://www.bbc.co.uk/news/uk-england-leeds-65377361) shows us what is wrong with this world and I decided to play on that. There was the added Sun article (at https://www.thesun.co.uk/news/23668092/just-stop-oil-recruit-kids-as-young-11/) throwing oil to the fire (pardon the pun). As such I came up with the idea of ‘Vigilante’ partially in light of the old classic The Exterminator (with Robert Ginty). This doesn’t have a script yet (standing firm with actors here), the idea is simple. We see a man clearly with support, but alone standing about 120 metres from a 5G mast. Soon thereafter a ute arrives with 5 people, 2 women, three men. They are unloading all kinds of stuff, clearly wanting to harm the 5G tower. The man takes aim and kills all 5 and walks away, the police will clean up the next day. We see 2 more events, all taking aim at tech terrorists. The second event is a just stop gravity event (pun intended). The man had prepared for over a week, and in the last day when he figured out the where part. In the night he installs the speakers within speakers. And he attaches the vaporisers to the corners of the pillars so that they will be out of sight. The day starts and the people from ‘Just stop Gravity’ sit for a nice meal. As they start to eat they are so content and the man, whilst walking away presses the button. The speakers second set start screaming an inaudible sound damaging their hearing. They never wanted to listen then, they never need to listen again and the vaporisers release skunk scent all over the room, they all reek and as they run outside to hide from the stench, they find out that their hearing is now impaired. 

This gets us the first flashback, a man is crying, his wife (implied) is on the stretcher, critically  injured. There is little hope for her, but they hope that they can get to the hospital in time to save their yet unborn baby. The just stop gravity march stops that and the ambulance is not in time to save the baby. The man screams and his reality shatters. 

We now get back to the current stage and we see that this vigilante has help, people who lost businesses to these protesters and they are helping him. They will never act and they will never be placed in the front lines. He made that promise as he lost everything he cared for, they never need to face that reality. We get one more event with fatalities and now we get the phrase ‘Our lives matter too’ then the next event the police captures him and the court setting is set upon us. The man keeps his word and never reveals his sources. He merely stares at these so called ‘victims’ as they are all about ‘their’ rights and the lawyers are all set to avoid the rights of the vigilante and his lost family. We see the evidence and we are presented ‘the side of the tech terrorists’ and as the case goes on we see that the crucial piece of evidence. One vaporiser with his fingerprint on the inside. Then on day 3 of the court case, the prosecution cannot show the evidence with the fingerprint and the court adjourns for 24 hours as we see the sides all mingled in their private hell. The next day the court resumes and the evidence is not found, as it as the critical part in the case the case is dismissed and as the vigilante is kept in a holding cell in the court (reason not set at the moment, but I am going for an emotional outburst from the vigilante) he is placed in a holding cell for the court case (from day 2 onwards), and after the dismissal he is packing his stuff in the holding cell, the judge approaches him. “You kept your word, my brother lost his son to these terrorists. Our lives matter too” he nods and walks away. End of movie.

All this done in under 4 hours. I am clearly not the worst in this, so feel free to use the idea for whatever studio you work for. Have a nice day.

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A very different oak

OK, to be honest, this dream hit me some time ago. I had it, but I have no idea why I had the dream and I might never figure it out. The event was at Golden Oak Orlando. I was visiting someone and when we got to his abode (a mansion by any other name) we were overwhelmed. I reckon that this is the feeling that all those who ever visited someone’s place in Golden Oak leaves them. It is a little overwhelming. So we got to his place, we were shown the lower part of the house with an inner courtyard. There was a pool, a jacuzzi and a few other amenities making sure that we all felt a little out of our comfort zone. We went to the corner in the inner courtyard and we had something to drink. There were two pitchers of iced fruit-juice and it was wonderful. I went for the slightly more orange one. It was a mix of peached and tangerines loaded with what seemingly a shrapnel of ice parts. It was icy cold and refreshing. My kind of refreshing. The others were talking and I was listening and looking at the details of the courtyard and the kitchen room through the glass. The stove looked old-fashioned but seemingly bursting with high tech elements. A stove anyone would dream of having in their home. After the drink the second part started. We saw the living room, the kitchen we walked through and we saw a large pantry. The living-room was a little spartan but stylish. We all walked up the stairs and we saw the master bedroom. Not sure what the style was, but it looked neat. The walking bathroom was to die for and had everything on a space that is pretty much my living room. There were the two guest rooms and they both had their own style, nice but very different. And I saw the door, the door that would change it all. The door was out of place. It looked a lot heavier and darker, like dark oak heavy. From a distance it stood out, even as the door was deeper into the wall than any other door in the house. It stood out like a bank vault door would stand out in any apartment, it looked that heavy. The door was dark oak as said, but it was engraved unlike anything I had ever seen. The owner then moved a panel in the door and a small opening revealed itself. 

The opening had a key, a very old fashioned one and if I had to make a guess it was a 17th century key, but it looked off somehow. The panels showed us characters from Peter Pan and Mr. Smee (the first mate from Peter Pan) was the center piece of the door. The door opened smoothly but seemingly heavy and the door didn’t open at the end, the door opened with the axial at one third of the door and the door was a lit thicker than a door should be. What I saw then blew me away. The room was almost entirely made from wood, hardwood floors, and I saw to the right what could have been the navigator desk from a galleon. To the left was an admiral’s table with swanky seat. The navigator had its own swanky seat, both a chesterfield design, both chairs build for comfort and I walked in. I saw the small door to the end and I walked towards it, it opened up to a small balcony with seats. The wooden balcony seemed to have been part of a slightly enlarged balcony like the admirals room on a galleon with a small table and chairs. 

I looked around and I was slapped across the face a second time. The walls I can in from were the  rear of a galleon, complete with stained glass and a view of the ocean. The wall that connects to the house was an ocean and the smell of salt water was invading my nostrils. A freakin ocean? I slowly walked towards the end of the ship realising that it was smoke and mirrors (of sorts) the windows were real enough, the sound of a seagull was there, but as I stared closely I noticed the fine lines. The view on the ocean were TV screens 4 meters wide in total, about a meter high. 4 of them. There was a hidden vapour in there feeding us seawater. The sound came from the screen. It was the sound of the ocean with a bird every no and then and the screens were merely showing us the water waves, almost like it would have been were we on a galleon. The walls had pictures. One in heavy sterling with the image of Bill Thompson (the name was engraved in the centre of the bottom side of the frame. I knew the name as I grew up with Disney movies. He was the voice of Mr. Smee in the Disney version of it. There was an image an autographed one of Bob Hoskins, the man who played Smee in Hook and there were more Smee memorabilia all over the room. The navigator desk was a desk, it was fully functioning with a large map of Never-never land. The map rolled up and stayed rolled up. Beneath it was a screen a 32” touch display that showed the Mac screen and applications. There were all the Adobe ones, all the Apple ones and several I had never seen before. I noticed that below it were extensions that came out, for both the keyboard and to the right of that an A4 digital writing pad. The system was super-fast, faster than the average G5 and it looked super intuitive. I looked around to the admiral’s desk which as a large and very nice desk with all kinds of amenities. The top of the desk was wood and I think a strip of leather, for writing on I reckon. The drawers were all engraved and to the right of the desk was a panel like it was some kind of food elevator. The panel was opened and two plates with canapé’s came out. They were delicious. The door I came in through was no longer visible, well not until you go looking for it. I saw the lines of where the door was and it was almost invisible to the naked eye. 

The chair was bordeaux red, it looked extremely comfy. We ate the food and we all were mesmerised on the room. I was not the only one blown away. This was his office space and it was one hell of an office space. It was a few minutes later when we left the room and as the door opened the screens shut down, the sounds faded and to room lights all dimmed but did not turn off. As I left the room I heard the room lock and I heard more clicks, almost like a set of alarms were set to sharp. We went down again and in the kitchen I now noticed the same panel we hd upstairs. A food elevator and a chef was there with plates of food that staff were bringing around. There was a Japanese plate with marinated eel. Plates with what seemed to be wraps with chicken and I had another fruit juice. I took the yellow now, which was I reckoned pineapple with Limes and I guess pear. It was slightly sweeter, I preferred the orange one. Which was my third drink. We sat down in the living room and I was listening. I also figured out I was the plus one of one of the ladies there. She was way out of my league, so no idea who she was and why she was with me and as I was sipping my fruit juice I faded away and woke up in my own bed. 

The dream stuck with me and at first I thought it was the setting for some kind of game, but there was no relation to any game I thought up. Then it could be for TV or movie, but the office space was too distinct. I would have loved to have a house and with such an office, but too much was not my initial desire in office choice, even as the computer clearly was. Sometimes the brain takes you on a meaningless quest, so I might never know why, but that feeling of looking around and watching the ocean still haunts me and I have no idea why.

Enjoy the day, we are now past the 50% point towards the weekend.

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Strike Two

This started earlier. It started weeks ago and I was aware, I took notice. Yet, that was about it. I mean no disrespect. I do not live in the US, I am not California and as such I am merely partially aware. I see what most outside of the US see. We see the strike, but yesterday I saw an opinion piece in the LA Times and that woke me up a little more and would you believe it, this morning I got more awake. There was an advertisement on YouTube, it was the Pilot of Lioness and it was one hell of an ad. It was 50 minutes, it was the pilot. Yup Paramount Plus took their balls and hung them up the wall. OK, this is a first that I watch a 50 minute advertisement. Yet, it was not about the ad, not about Lioness but it gave me focus, so lets begin.

The LA Times Story (at https://www.latimes.com/opinion/story/2023-08-15/netflix-antitrust-anticompetitive-labor) gives us ‘Hollywood strikes prove Netflix and other streamers have grown too powerful. Time to break them up’ here we are given “Many have called the stalemate an existential crisis because it concerns new issues such as residuals from streaming services and rules for the use of artificial intelligence. These go beyond the usual labor issues such as wages and benefits and cut to the heart of an industry in which streamers such as Netflix can dominate all aspects of the business.” It is one side that I had not seen before. ‘Entertainment’ has become an end-to-end business over ALL verticals. I had not considered that merely because I am not part of this industry, I never was. Yet here we are given “Antitrust laws need to be invoked — as they were in the 1940s in U.S. vs. Paramount — to break up streaming services that both produce content and distribute it. This vertical integration has deeply changed the longstanding entertainment industry ecosystem, which allowed employees to survive and studios to prosper.” Which gets us to “In 1948, the Supreme Court ruled against the studios, requiring them to divest themselves of their movie theatres if they wanted to continue in the production business. Shortly thereafter, theatrical films began to be aired on television with no additional compensation for creative talent. This led to the strike by both the Writers Guild of America and the Screen Actors Guild in 1960, the last time the two struck simultaneously.

With finally “If Netflix and its streaming peers like Apple+, Amazon Prime, Disney+ and Max can maintain their vertical control, it will be next to impossible to settle the Hollywood strikes in ways that could preserve the ability of creators and technicians to earn a decent living and protect creative diversity. The old vertical studio system was broken up by the Justice Department. It may be time to do the same with these 21st century behemoths.” And that was the wake up call I needed. The Paramount ‘advertisement’ was apt and consider that Lioness is new stellar series. Kidman, Saldana and several others are making a bundle. They earned it, their work is first rate, as is the director and the director of photography. They all did a stellar job, but it would not have been possible without the writer, without the writer there would be no script, nothing for the director to work from. So how much is he making? 

We see the accusations that the top person, which in the case of Disney is Bob Iger, in 2022 he made well over $14,000,000. This amounts to well over a million a month. Now lets take a look at the image below.

So a series that streamed over 3,000,000,000 minutes, making it one of the most profitable and most successful series even, the writers were collectively paid $3,000. Please explain to me in what universe 3 billion streamed minutes gives us a combined pay check of $3,000? You see those three billion minutes amount to 138,121.5 years. Does it make sense now? The writers are beyond underpaid. They are the legal slaves of America and they deserve their right coin. But American history is seeded with injustice and exploitation and to be honest until the LA Times piece I did not see it, so who else was unaware? We are given snapshots, yet until you see the entire vertical of exploitation it makes little sense and now with that streaming vertical exposed you can see just how unfair it is and one series, the series suits, showed us just how much the writers are fed up with being ignored what should be rightfully theirs.

Enjoy the day.

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Deleting free

It is a setting I came across today. It all started innocently enough. I came across a image that had been filtered. Someone had used a Barbie filter on her own selfie and the result was pretty neat. As such I searched for the ‘Barbie Filter’ and a few came up. This was the moment the ground was taken from under me. To see this we need to take a look.

Yes, you get it for free AFTER you logged in, after you handed over your email address. There is even a mention of how to get free credits. Free? Not really.

There were a few free options down the track, but this player (and a few like them) were on top of the list, they made it so. They wanted the word free to lure them in. That is no free, there is for the most no free anywhere. We might keep the word in any dictionary to show its ironical existence in this day and age. 

You see, to see what the marketed greed driven are overlooking is the longer scope of the matter. For this I introduce you to me (see below).

When the movie was made, they added it to their website. Anyone could upload their photo and you would be translated into a Charlie Brown version of you. 

There was no email, no capturing. It was a simple setting and it helped push the movie forward. In the case of the Barbie connected wannabe’s they all want something, that is not free. So, as far as I can tell, I have had this image in use in one way or another for almost a decade, that is something that was really free. I also have a Mass Effect image with me, but that was a launch party event. That doesn’t really count. What matters is that this Barbie issue is becoming a global rage and good for them (Margot Robbie, Ryan Gosling, Greta Gerwig, Mattel and Warner Brothers) We are getting new terms like Barbenheimer and everyone is having a great time. There is even an image of a pink President Biden (in Ken Style) and this is how a brand just propagates. 

This is the moment, not to rake in the cash (other than the tinseltown proceeds) this is to ride the wave of visibility, global visibility no less. But no, some want to cash in. They will say things like ‘We worked hard’ and BS like that, but what they forgot is that with the visibility you grow your label on a global stage, as such you get to create presence like (not a real link) ‘Image created at http://www.WB.com/Barbie’ or ‘created with the filter by MyBrand.com‘ The last part would be totally acceptable, somewhere on the lower lines. That is branding and the fact that I have had my Charlie Brown version for almost a decade is evidence that this works. 

But to the greed driven that is blasphemy. So you decide which track needs to be taken, for me, the setting to trust anyone with my email is a short stop from insanity, especially in this day and age. I see this day as a bit of a disappointment, even the real free versions were lessened by the impact of the greed driven players, but that is life at present. So whilst we consider what next, we might consider deleting the word free from our dictionary and understanding, that is how things evolve and not for the better.

Enjoy Monday.

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Single-mindedness towards greed

That is how I see it in this case. To see this we need to take a look at the CBC article (at https://www.cbc.ca/news/entertainment/box-office-slump-2023-1.6906554) called ‘Blockbusters are failing spectacularly, but how that changes Hollywood is anyone’s guess’. First of all, are they failing? To the requiring mind of these movie releases they seemingly are. Yet I am not of that mindset. Lets see if I can get you on board. A second article is from the BBC and seen (at https://www.bbc.com/worklife/article/20230713-how-the-cost-of-living-crisis-is-fuelling-job-quits) where we are getting told about the cost of living. They call it ‘How the cost-of-living crisis is fuelling job quits’, especially in families with children, the revenue of worker number two is no longer covering the cost of the children. They tell us “Rising prices and interest rates are pushing some workers to move around the labour market, rather than dig in their heels at their current employers.” This is not merely a British thing, it is a global thing and when you add Australia with age discrimination we have a very different picture. We see a growing global community that can no longer AFFORD to go to the cinema. I used to go to the cinema at least once a month. Now I am happy if I can afford to go once a quarter, that is a drop of 60% and I am not alone, millions are in the same boat. To get any kind of tinsel town satisfaction we are driven to Netflix. $15 a month versus $15 per visit is simple math (if you have a proper internet connection), yet the CBC has merely one mention of Netflix and it is in the wrong direction. The article has nothing on ‘cost of living’ a clear first in any household. A week ago CBC gave its readers ‘Families face ‘hidden homelessness’ as Hamilton shelter system is consistently overwhelmed’ and no one was able to connect the dots? In ‘generalising’ statistics we tend to agree and accept that for any household collapsing, at least 50 more are on the verge to go that direction. It isn’t a foolproof stage, but with the lack of data that is a clear path to walk on and now we see that this implies that in Hamilton alone a thousand households are on the verge of collapsing. So how many of those would consider going to the cinema? It amounts to $25-$40 per person, and that is just for starters. There are travel cost to consider as well. So when you add it all up, Canada alone has close to 250,000 households that actually can no longer afford to go to the cinema. Add a few million from the US and a similar amount from the EU and it explains why people aren’t going to the silver screen, they lack funds. This doesn’t make the movie a flop. I would have loved to have seen Shazam 2 (or the new Indiana Jones, or Oppenheimer, or Mission Impossible) I just couldn’t afford the ticket. It is life on a budget and I reckon that Jackson Weaver has some rewriting to do, perhaps add a chapter (or two). The funny part is that I saw this path clearly within the first 2 minutes. Me, for now is saving up so that I can see Dune Chapter 2 on launch date (which is November 2nd). This is the reality that millions face, we aren’t happy, we aren’t thrilled. This is our lives and the people in the entertainment better take notice (like the CEO’s making 135 million plus annually). You are either getting smarter on how you do things or lose more and more money and downgrading payments of actors is definitely the wrong road to travel on.

And why is this single-mindedness? Simple, you see Google and Amazon should be running circles around me. Yet for now I am growing my IP count where they should have been ahead of me and they are not. The simple setting is that they (and Hollywood) should have the goods, but I wrote several stories (could be scripts) in directions they never contemplated. So, why not? Are they the next creative failings after Ubisoft? You tell me, I should never have been ahead or even close to equal to them, but it seems that I am. I will tell you that I am not driven by greed, I believe that this is the setting that is drowning them. When did this happen? My personal feeling is that Avatar and the Marvel movies opened a door they never saw and now they are all rushing to get to that revenue. It is a greed driven drive, which is why they will never equal people like James Gunn (even when he is wearing glasses), the creative minds like Ridley Scott, James Cameron, Christopher Nolan and Martin Scorsese are titans because it is about the creation, not the revenue (it is a nice side effect for them). Art is never bankable, but it is collectable when completed. A simple premise that most never seem to get and they all rely on one other element. People who can afford to go to the cinema and for now that equation is massively out of balance.

It might not be their fault, but it is still on their plates today. Not hard was it?

Try to enjoy the last day of your weekend.

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Shoes not for dancing

It was the CBC (hours ago) who showed me an article that had me up with roughed feathers. They did nothing wrong, they aren’t making some CNN or FOX case. The article (at https://www.cbc.ca/news/canada/titan-sumbersible-anger-schadenfreude-1.6889506) giving us ‘Here’s why people are being so mean about the Titan going down’ and there the article gives us a whole range of reasons, some are accurate, some are the setting of averting emotions. Yet the one reason not given is astounding. It is not eagerness of making fun of people paying $250,000 for a near ten mile ride. We see “Other experts say it’s driven by wealth inequality, or that the response ultimately reflects a lack of civil discourse.” We also see a mention of Schadenfreude which made me giggle and made me think of the comedian Gary Delaney. He gave us “My friend asked me to spell Schadenfreude, I could not but he is dead now, so I still win” it is a darker side of us that allows us to shed discomfort. You see the one reason is not given to us here. I see the Titanic as a mass grave, a collected funeral and monument for the over 1,500 people lost that day in 1912. We have no business being there. Just like we have no valid reason diving near the USS Arizona. Some monuments are to be left alone. I get to some degree that James Cameron went down, he did so to prepare us for an Homage to the USS Titanic and he made one in 1997 that become one of the biggest successes in Hollywood history. It is now the fourth most successful movie in history. It was more than a movie, we were all reminded of dreams too big too hold, we blindly relied on the presentations like ‘The ship that is unsinkable’ and well over a thousand lives were lost. The article is showing us all kinds of reasons and they aren’t wrong but the underlying reason is not touched on. Most of us believe that this is one of these places we leave alone forever and the only group of people thwarting that common sense setting are the uber rich and they paid for it with their lives. I remember one presentation on the Titanic in PowerPoint, which still makes me giggle on the inside. The starting slide gives us “Would you like to see Leonardo DiCaprio and Kate Winslet without their clothes on?” And we see that question a few more times and in the end we see an image of two skeletons on the bough of the ship waving their arms (just like the movie in the flesh). A nice deceptive strike. But it touches on the one setting we need to accept, that movie is as close as we should ever be allowed to get to the USS Titanic that is the part the article misses and optionally intentionally steered clear of.

Those shoes were not meant for dancing, they were meant to tiptoe around some things and we need to take heed of that. That is merely my personal view on that matter and we need to consider that we aren’t meant to be in some places and I believe that places like the USS Titanic and USS Arizona are those places. We can pay our respect, we can accept that we need to pay homage to these places but we should steer clear of them for now and forever.

Enjoy the day, it was like yesterday but now one day closer to the coming weekend.

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